What do Jimmy Cliff, Jimmy Page, and Dionne Warwick all have in common? They've all lived in Bahia (David Byrne, Sting, Spike Lee and Michael Jackson have been visitors). And so have, and do, untold numbers of Bahian creators whose magisterial work has never reached beyond very limited surroundings. That's why all this began. If all creators can potentially have global reach (by matrix), the creators of Bahia can too.
In this matrix it's not which pill you take, it's which pathways you take, pathways originating in the sprawling cultural matrix of Brazil: Indigenous, African, Sephardic and then Ashkenazic, European, Asian... Ground Zero is the Recôncavo, delineated by the Bay of All Saints, earthly center of gravity for the disembarkation of enslaved human beings — and the sublimity they created — presided over by the ineffable Black Rome of Brazil: Salvador da Bahia.
("Black Rome" is an appellation per Caetano Veloso, son of the Recôncavo, via Mãe Aninha of Ilê Axé Opô Afonjá.)
Bio:
Well, if you've made it here, that means you've survived the huge picture of my face! Congrats! And to reward you, I'm going to tell you all about...me. Sorry. No cake. No confetti. No money falling from the ceiling...this time.
So, I'm a writer. And when I say I'm a writer, I mean it in the same way a professional ball player calls himself an athlete. I practice everyday and do the best I can to be better at this writing thing, while hopefully bringing some cool stories to the world. The stories are kinda like my slam dunks. Except, I'm dunking words. In your FACE! Ha!
I graduated from the University of Maryland (where I spent about 65% of my time writing and reciting poetry all over campus...yeah, that was me) with a B.A. in English, then packed my bags and moved to Brooklyn because somebody told me they were giving away dream-come-true vouchers.
And if I ever find the person who told me that... let's just say, no one was giving away anything. ANYTHING. Lucky for me I had all these crazy stories to keep me going. Ten years later, here I am, doing my best to string together an "ABOUT" section on my own website about my own books. Crazy.
Here's what I know: I know there are a lot — A LOT — of young people who hate reading. I know that many of these book haters are boys. I know that many of these book-hating boys, don't actually hate books, they hate boredom. If you are reading this, and you happen to be one of these boys, first of all, you're reading this so my master plan is already working (muahahahahahaha) and second of all, know that I feel you. I REALLY do. Because even though I'm a writer, I hate reading boring books too.
(from: https://www.jasonwritesbooks.com/about)
Contact Information
Management/Booking:
I’m humbled by the number of requests I have received for school and library visits. I’m still busy writing, but I’m trying to fit in some school and library visits when my schedule allows. Please complete this form if you’d like to submit a request for a future visit: www.simonandschuster.net/Plan-an-Author-Appearance/New-Request
My manager will contact you if a visit is possible.
For all publicity inquiries, book store visits and book festival requests: Lisa Moraleda at [email protected]
For all rights inquiries: contact Jason's agent, Elena Giovinazzo at [email protected]
Recommend Jason Reynolds in order to appear here. Click on the grey crosses visible when logged in. Your photo will appear, with a link back to your page:
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
MATRIX MUSICAL
I built the Matrix below (I'm below left, with David Dye & Kim Junod for U.S. National Public Radio) among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).