Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Maria Bethânia
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Maria Bethânia
  • City/Place: Salvador, Bahia
  • Country: Brazil

Life & Work

  • Bio: Maria Bethânia is a singer from Santo Amaro, Bahia. Sister to fellow artist Caetano Veloso. After a storied career she now sings the sambas-de-roda/chulas of her native region.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Twitter: mbreverso
  • ▶ Instagram: mariabethanianacarreira
  • ▶ YouTube Music: http://music.youtube.com/channel/UCLTi7FNGhVS-cWnlNNs-x-A
  • ▶ Spotify: http://open.spotify.com/album/1NddTXDQNGhxaE8yrvoMeI
  • ▶ Spotify 2: http://open.spotify.com/album/3XjHHbAOsanFk23tiDZ04J
  • ▶ Spotify 3: http://open.spotify.com/album/5SGR9EAQOqls8xrn8fnuHa
  • ▶ Spotify 4: http://open.spotify.com/album/64yiQDoh3XgaxonCFKg6HS
  • ▶ Spotify 5: http://open.spotify.com/album/25zzhT1lKycKAqziQmW4Yt
  • ▶ Spotify 6: http://open.spotify.com/album/1fM9ENPGM3zEqigHsWQXCC

Clips (more may be added)

  • Maria Bethânia, Zeca Pagodinho - Sonho Meu
    By Maria Bethânia
    468 views
  • Maria Bethania, Dona Canô e etcs... FOGUETE
    By Maria Bethânia
    505 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Maria Bethânia:

  • 4 Bahia
  • 4 Brazil
  • 4 MPB
  • 4 Salvador
  • 4 Samba de Roda
  • 4 Singer

Nodes below are randomly generated. Reload for a different stack.

  • Toninho Horta Composer
  • Ricardo Herz Violin
  • Ron Miles Trumpet
  • Mateus Aleluia Salvador
  • Dona Dalva Brazil
  • Gabriel Geszti MPB
  • Ken Avis World Jazz
  • João Teoria Trompete, Trumpet
  • Elio Villafranca Cuba
  • Ariane Astrid Atodji African Cinema
  • María Grand Jazz
  • Jim Lauderdale Bluegrass
  • Márcio Bahia Brazil
  • Ron Wyman Photographer
  • Amilton Godoy Classical Music
  • Keola Beamer Hawaii
  • Meklit Hadero Multi-Cultural
  • Archie Shepp Playwright
  • Malin Fezehai Africa
  • Deesha Philyaw University of Pittsburgh Faculty
  • Philip Ó Ceallaigh Short Stories
  • Yosvany Terry Cuba
  • Sara Gazarek Singer
  • Perumal Murugan Short Stories
  • Toumani Diabaté Africa
  • Vânia Oliveira Educadora, Educator
  • Garvia Bailey Toronto
  • Marcos Portinari Brasil, Brazil
  • Marc Johnson Record Producer
  • Courtney Pine Flute
  • Arto Lindsay Brazil
  • Carlos Blanco Flamenco
  • Georgia Anne Muldrow Record Producer
  • Weedie Braimah Hip-Hop
  • Benoit Fader Keita Bedik
  • Otto Singer-Songwriter
  • Jeff Tweedy Chicago, Illinois
  • Danilo Caymmi Singer-Songwriter
  • Gilson Peranzzetta Composer
  • Wolfgang Muthspiel Vienna, Austria
  • Liz Pelly Journalist
  • Alain Pérez Singer
  • Tom Piazza Music Writer
  • King Britt DJ
  • Áurea Martins Rio de Janeiro
  • Joe Newberry Banjo Instruction
  • Maia Sharp NYU Steinhardt Faculty
  • Arthur Jafa Cinematographer
  • Fred P Composer
  • Eric R. Danton Reporter
  • Mika Mutti MPB
  • Swami Jr. Choro
  • Kurt Rosenwinkel Composer
  • Joatan Nascimento Salvador
  • Júlio Caldas Salvador
  • Danilo Pérez Boston
  • Igor Levit Berlin
  • Diedrich Diederichsen Writer
  • Cara Stacey North-West University Faculty
  • Doug Adair Singer-Songwriter
  • Paul Mahern Indiana University Jacobs School of Music Faculty
  • Paulo Paulelli Brazil
  • Christopher Wilkinson Movie Producer
  • Forrest Hylton Federal University of Bahia Faculty
  • Yasushi Nakamura Jazz
  • China Moses Soul
  • Rosa Passos Samba
  • Veronica Swift Composer
  • Alana Gabriela Educadora, Educator
  • Fidelis Melo Produtor Cultural, Cultural Producer
  • Paulo Aragão Choro
  • Áurea Martins MPB
  • J. Pierre Painter
  • Ivo Perelman Brazil
  • Alessandro Penezzi Guitar
  • Goran Krivokapić Contemporary Classical Music
  • Bing Futch Mountain Dulcimer
  • Martin Fondse Piano
  • Merima Ključo Accordion
  • Leonardo Mendes Samba
  • Ryuichi Sakamoto Electronic Music
  • Alain Pérez Singer
  • Tom Piazza New Orleans
  • Tony Allen Paris
  • As Ganhadeiras de Itapuã Brazil
  • Marcos Suzano Rio de Janeiro
  • Ivo Perelman Brazilian Jazz
  • Cinho Damatta Cantor-Compositor, Singer-Songwriter
  • Irma Thomas Singer
  • Chucho Valdés Afro-Cuban Jazz
  • Keyon Harrold Jazz
  • Eric Alexander Saxophone
  • Darius Mans Washington, D.C.
  • Louis Michot Louisiana
  • Plamen Karadonev Piano
  • Flor Jorge MPB
  • Eric R. Danton Writer
  • Steve Earle Singer-Songwriter
  • Fred P Future Jazz
  • Harish Raghavan Composer
  • Betsayda Machado Folk & Traditional
  • Questlove Multi-Instrumentalist
  • Robertinho Silva Drums
  • Damion Reid R&B
  • Guilherme Kastrup Brazil
  • Brian Q. Torff Jazz
  • Benjamin Grosvenor London
  • Gevorg Dabaghyan Yerevan
  • Robin Eubanks Composer
  • Adriano Giffoni MPB
  • Martyn Record Label Owner
  • Fábio Luna Percussão, Percussion
  • Paddy Groenland World Music
  • Sam Reider Brooklyn, NY
  • Taylor Ashton Vancouver
  • Steve Cropper Nashville, Tennessee
  • Kamasi Washington Jazz, Funk, R&B, Soul, Hip-Hop
  • Leci Brandão Singer-Songwriter
  • Terrace Martin Hip-Hop
  • Nate Smith Music Producer
  • Masao Fukuda Choro
  • Terreon Gully Drums
  • Dave Smith Multi-Cultural
  • Jimmy Duck Holmes Singer-Songwriter
  • Horácio Reis MPB
  • Roberto Mendes Bahia
  • Banning Eyre Photographer
  • Ben Hazleton Double Bass
  • Anthony Coleman New York City
  • Bernardo Aguiar Percussion Instruction
  • Paulinho do Reco Brazil
  • Kim Hill DJ
  • Nigel Hall Soul
  • Jussara Silveira Singer
  • Stephen Kurczy Journalist
  • Alexia Arthurs Short Stories
  • Larnell Lewis Jazz, Funk, R&B, Soul
  • Jacob Collier Multi-Instrumentalist
  • Yosvany Terry Composer
  • Siobhán Peoples Ireland
  • Isaiah J. Thompson Piano
  • Dan Weiss Drumming Instruction
  • Oswaldo Amorim Brazil
  • Berkun Oya Turkey
  • Mauro Diniz Brazil
  • Michael Formanek Bass
  • Dezron Douglas Bass
  • Michael Peha Guitar
  • John Harle Author
  • Jura Margulis Classical Music
  • Thiago Trad Percussão, Percussion
  • André Becker Salvador
  • Maciel Salú Singer
  • Leo Nocentelli Funk
  • Giovanni Russonello Music Critic
  • Tambay Obenson Cultural Critic
  • Jill Scott Spoken Word
  • Little Simz Singer-Songwriter
  • Isaias Rabelo Bahia
  • Thundercat Record Producer
  • Donald Harrison Jazz
  • Alma Deutscher Piano
  • Restaurante Axego AFROBIZ Salvador
  • Milton Primo Singer-Songwriter
  • Jorge Alfredo Cantor-Compositor, Singer-Songwriter
  • Taj Mahal Folk & Traditional
  • Beth Bahia Cohen Hardingfele
  • Bright Red Dog Improvising Collective
  • Michael Janisch Record Producer
  • Christopher James Composer
  • RAM Port-au-Prince
  • Bianca Gismonti Brazil
  • Dave Smith Percussion
  • Django Bates Bern University of the Arts Faculty
  • Amit Chatterjee Guitar
  • Cinho Damatta MPB
  • Gerson Silva Guitar
  • John Patitucci Bass Instruction
  • Nelson Cerqueira Brasil, Brazil
  • Thana Alexa New York City
  • John Francis Flynn Guitar
  • Ken Avis Guitar
  • Saul Williams Filmmaker
  • Meddy Gerville Piano
  • Bob Bernotas Jazz
  • John Doyle Singer-Songwriter
  • Matt Ulery Jazz
  • Molly Tuttle Bluegrass
  • Clint Mansell Television Scores
  • Keyon Harrold Hip-Hop
  • Musa Okwonga Writer
  • Jazzmeia Horn New York City
  • Echezonachukwu Nduka Singer
  • Michael W. Twitty Washington, D.C.
  • Siobhán Peoples County Clare
  • Ron Miles Composer
  • Ben Street New York City
  • Abel Selaocoe Multi-Cultural
  • Tal Wilkenfeld Guitar
  • Aubrey Johnson Contemporary Music
  • José James R&B
  • Papa Grows Funk Funk
  • Pururu Mão no Couro Sambalanço
  • Márcia Short Bahia
  • Michael Kiwanuka Record Producer
  • Joshua White San Diego, California
  • Zé Luíz Nascimento Multi-Cultural
  • Stacy Dillard Saxophone
  • David Fiuczynski Guitar
  • Rita Batista Salvador
  • Julia Alvarez Writer
  • Mark Bingham Record Producer
  • Joshue Ashby Jazz
  • Tonynho dos Santos Música Afro-Baiana, Afro-Bahian Music
  • Lolis Eric Elie Filmmaker
  • Gevorg Dabaghyan Duduk
  • Michael League Record Producer
  • Jason Treuting Princeton University Faculty
  • Victor Wooten Bass
  • Anouar Brahem Tunis
  • Ricky (Dirty Red) Gordon Frottoir
  • Willy Schwarz Multi-Instrumentalist
  • Rema Namakula Uganda
  • Chad Taylor Philadelphia
  • Béla Fleck Americana
  • Nate Smith Ropeadope
  • Elizabeth LaPrelle Folk & Traditional
  • Celso de Almeida Drums
  • Adriene Cruz Textile Artist
  • Imanuel Marcus Journalist
  • Jamael Dean Jazz
  • Fábio Peron Multi-Cultural
  • Congahead Afro-Cuban Jazz
  • Bobby Vega Bass
  • Clint Mansell Singer-Songwriter
  • Deborah Colker Brazil
  • Fred Hersch New York Jazz Academy Faculty
  • David Bragger UCLA Herb Alpert School of Music Faculty
  • Marcus Teixeira Guitar
  • Lucian Ban Romania
  • Júlio Lemos Brazil
  • Marquis Hill African-American Music
  • Badi Assad Guitar
  • Eric Alexander New York City
  • Dan Trueman Norwegian Traditional Music
  • Dona Dalva Samba
  • Kaia Kater Appalachian Music
  • Benny Benack III Singer-Songwriter
  • Raul Midón Songwriter
  • Yoron Israel R&B
  • Jean-Paul Bourelly Guitar
  • Gustavo Caribé Compositor, Composer
  • Elio Villafranca Cuba
  • Sergio Krakowski Experimental Music
  • Bule Bule Samba
  • Gal Costa Salvador
  • Ian Hubert VFX Artist
  • Marc Johnson Composer
  • Tierra Whack Philadelphia
  • Benoit Fader Keita Electro Music
  • Weedie Braimah Djembefola
  • Juliana Ribeiro Brazil
  • Hank Roberts Composer
  • Raphael Saadiq Multi-Instrumentalist
  • Galactic Funk
  • Jim Hoke Composer
  • Ariane Astrid Atodji Director
  • Natan Drubi São Paulo
  • António Zambujo Cante Alentejano
  • Huey Morgan Guitar
  • Steve Cropper Songwriter
  • Echezonachukwu Nduka Classical Music
  • Capinam Brasil, Brazil
  • Monty's Good Burger Vegan Restaurant
  • Lívia Mattos Salvador
  • Rosa Passos Singer-Songwriter
  • Rumaan Alam Short Stories
  • Niwel Tsumbu Ireland
  • Roots Manuva Record Producer
  • Marcus Teixeira MPB
  • Jeff Preiss Cinematographer
  • Fernando Brandão Choro
  • Elodie Bouny Venezuela
  • Thomas Àdes Composer
  • Yunior Terry Havana
  • Geraldine Inoa Playwright
  • Bob Telson Composer
  • Melissa Aldana Saxophone
  • Horace Bray Singer-Songwriter
  • Caroline Shaw Singer
  • Kenyon Dixon Soul
  • Ivan Neville Keyboards
  • Adriano Giffoni Rio de Janeiro
  • Yunior Terry Afro-Cuban Jazz
  • Dhafer Youssef ظافر يوسف Tunisia
  • Swami Jr. Samba
  • Joey Alexander Piano
  • Curly Strings Estonia
  • Jonathan Scales Steel Pans
  • Ibram X. Kendi Boston University Faculty
  • Taylor Ashton Brooklyn, NY
  • Burkard Polster Mathematics
  • Lakecia Benjamin Composer
  • Carlinhos Pandeiro de Ouro Brazil
  • Itamar Vieira Júnior Novelist
  • Cláudio Badega Brasil, Brazil
  • Maladitso Band Africa
  • Herlin Riley Jazz
  • Lizz Wright Jazz
  • Malin Fezehai Africa
  • Teodor Currentzis Conducter
  • Peter Dasent Australia
  • Rodrigo Caçapa Record Producer
  • Di Freitas Ceará
  • Doug Adair Braver Angels
  • Juliana Ribeiro MPB
  • Paul Mahern Punk Rock
  • Jerry Douglas Resonator Guitar
  • Lina Lapelytė Contemporary Classical Music
  • Isaak Bransah Bahia
  • Jorge Pita Brazil
  • Marco Pereira Brazil
  • Joana Choumali Multimedia Artist
  • Intisar Abioto Storyteller
  • Robert Glasper Jazz
  • Dafnis Prieto Jazz
  • Sarah Hanahan New York City
  • Woody Mann Writer
  • Riley Baugus North Carolina
  • Regina Carter Americana
  • Cashmere Cat DJ
  • D.D. Jackson Piano
  • Júlio Caldas Brasil, Brazil
  • Mike Moreno Aaron Copeland School of Music Faculty
  • Fred P Techno
  • Aaron Parks Ropeadope
  • Ajurinã Zwarg Samba
  • Tonynho dos Santos Brasil, Brazil
  • Jamie Dupuis Harp Guitar
  • Walter Pinheiro Frevo
  • Derrick Hodge Film Scores
  • Dadá do Trombone Jazz Brasileiro, Brazilian Jazz
  • Karsh Kale कर्ष काळे Multi-Cultural
  • Elie Afif Lebanon
  • Jim Farber Clive Davis Institute of Recorded Music Faculty
  • J. Pierre Illustrator
  • Deesha Philyaw Essayist
  • Asa Branca Folk & Traditional
  • David Ritz Lyricist
  • Nelson Cerqueira Bahia

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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