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Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Ashley Pezzotti:

  • 2 Jazz
  • 2 New York City
  • 2 Singer-Songwriter

What's Up

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  • Ashley Pezzotti
    Camille Thurman → Singer has been recommended via Ashley Pezzotti.
    • September 16, 2020
  • Ashley Pezzotti
    Camille Thurman → Saxophone has been recommended via Ashley Pezzotti.
    • September 16, 2020
  • Ashley Pezzotti
    Camille Thurman → Piccolo has been recommended via Ashley Pezzotti.
    • September 16, 2020
  • Ashley Pezzotti
    Camille Thurman → New York City has been recommended via Ashley Pezzotti.
    • September 16, 2020
  • Ashley Pezzotti
    Camille Thurman → Jazz has been recommended via Ashley Pezzotti.
    • September 16, 2020
  • Ashley Pezzotti
    Camille Thurman → Flute has been recommended via Ashley Pezzotti.
    • September 16, 2020
  • Ashley Pezzotti
    Camille Thurman → Composer has been recommended via Ashley Pezzotti.
    • September 16, 2020
  • Ashley Pezzotti
    Camille Thurman → Bass Clarinet has been recommended via Ashley Pezzotti.
    • September 16, 2020
  • Ashley Pezzotti
    A video was posted re Ashley Pezzotti:
    CANNONBALL ADDERLEY - PEOPLE WILL SAY WE’RE IN LOVE (TRANSCRIPTION)
    Hey cats, it’s been a while since I’ve posted a transcription video! I’ve been shedding this killin’ Cannonball Adderley solo. It still needs some work, but thought I’d share what I have so far! Hope ya dig
    • September 16, 2020
  • Ashley Pezzotti
    A video was posted re Ashley Pezzotti:
    ASHLEY PEZZOTTI - THERE WILL NEVER BE ANOTHER YOU (LIVE AT BIRDLAND)
    Ashley Pezzotti performs live in the Birdland Theater NYC with Steven Feifke on piano, Alex Weitz on tenor saxophone, Bryan Carter on drums, and Bob Bruya on bass. Filmed by Steve Brickman and edited by Alex Weitz
    • September 16, 2020
  • Ashley Pezzotti
    A category was added to Ashley Pezzotti:
    New York City
    • September 16, 2020
  • Ashley Pezzotti
    A category was added to Ashley Pezzotti:
    Jazz
    • September 16, 2020
  • Ashley Pezzotti
    A category was added to Ashley Pezzotti:
    Singer-Songwriter
    • September 16, 2020
  • Ashley Pezzotti
    Ashley Pezzotti is matrixed!
    • September 16, 2020
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Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

From Harlem to Bahia



  • Ashley Pezzotti
    I RECOMMEND

CURATION

  • from this node by: Sparrow/Pardal

This is the Universe of

  • Name: Ashley Pezzotti
  • City/Place: Coral Gables, Florida
  • Country: United States
  • Hometown: Queens, New York

Life & Work

  • Bio: Born in Queens, New York, vocalist and composer Ashley Pezzotti discovered her love for music when her Dominican father would sing her classic Spanish songs to sleep. She began taking classical voice lessons at only 4 years old, and in 2018 she completed her undergraduate degree at the University of Miami's Frost School of Music with a full tuition scholarship.

    At the young age of 24 years old, Ashley has performed with renowned artists such as Wynton Marsalis and the Jazz At Lincoln Center Orchestra, Dave Holland, Jon Secada, and country star Keith Urban. In the spring of 2019, Ashley participated in the Betty Carter Jazz Ahead Program where she was mentored by Dee Dee Bridgewater, Jason Moran, Casey Benjamin, Marcus Printup, and Peter Martin and performed her original compositions at the John F. Kennedy Center for the Performing Arts in Washington D.C.

    Her 2019 critically acclaimed debut album “We've Only Just Begun” features an array of original compositions inspired by the Great American Songbook. Ashley also showcases her superb ability to tell a story through some of the great jazz standards featured on the album. The album features a world class band including Emmet Cohen on piano, Alex Weitz on tenor saxophone, Bob Bruya on bass, and Kyle Poole on drums. The release was accompanied by a national tour including performances at Birdland Jazz Club, The Velvet Note, The Nash, The Jazz Showcase, and Dizzy's Club at Jazz At Lincoln Center.

    Ashley is featured on Wynton Marsalis' upcoming album release on Blue Engine Records, The Ever Fonky Lowdown, with the Jazz at Lincoln Center Orchestra. The album is a sweeping Marsalis suite that captures the artist's insight on culture and society. Available exclusively on digital platforms on August 21, 2020.

Contact Information

  • Contact by Webpage: http://www.ashleypezzotti.com/contact
  • Management/Booking: For booking inquiries:
    [email protected]tti.com

    For all press and publicity concerns
    Two For The Show Media
    Chris Digirolamo
    [email protected]
    tel: (631) 298-7823

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.ashleypezzotti.com/shop
  • ▶ Twitter: ashleympezzotti
  • ▶ Instagram: ashleypezzotti
  • ▶ Website: http://www.ashleypezzotti.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCa6jpQUrXlpBg-X88IHFQUA
  • ▶ YouTube Music: http://music.youtube.com/channel/UCPq4dh_i90vWU_8FfJKLlvA
  • ▶ Spotify: http://open.spotify.com/album/2ChYuU0pPzknAlGNgqHuFa

Clips (more may be added)

  • 2:12
    CANNONBALL ADDERLEY - PEOPLE WILL SAY WE’RE IN LOVE (TRANSCRIPTION)
    By Ashley Pezzotti
    145 views
  • 5:47
    ASHLEY PEZZOTTI - THERE WILL NEVER BE ANOTHER YOU (LIVE AT BIRDLAND)
    By Ashley Pezzotti
    106 views
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 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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