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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Kathy Chiavola
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Kathy Chiavola
  • City/Place: Nashville
  • Country: United States

Life & Work

  • Bio: Kathy Chiavola is one of the most highly respected singers in bluegrass and acoustic music. She's sung on hundreds of recordings with Vince Gill, Ricky Skaggs, Tammy Wynette, Kathy Mattea, Garth Brooks, Emmylou Harris and Bill Monroe (her duet with Bill Monroe is believed to be his last vocal recording).

    Her second album, "The Harvest", featured guests Chet Atkins, Emmylou Harris, Tony Rice, Bela Fleck, John Cowan, Bill Monroe, and Vince Gill.

    Kathy's album "Somehow" was her first recording of all original songs, incorporating bluegrass, blues, jazz, Latin and country, with an extraordinary cast of musicians including Victor Wooten, Edgar Meyer, Darrell Scott, Stuart Duncan, Jeff Coffin, Joey Misculin, Rob Ickes, and flamenco greats Chuscales and Yiyi.

    Kathy is also an educator, with degrees from the Oberlin Conservatory and post-graduate studies at Indiana University in Bloomington, Indiana.

Contact Information

  • Email: [email protected]
  • Address: PO Box 90629
    Nashville, TN 37209

Media | Markets

  • ▶ Website: http://www.kathychiavola.com
  • ▶ YouTube Music: http://music.youtube.com/channel/UCMiKt6mUZQK1V51G_3_MyOQ
  • ▶ Spotify: http://open.spotify.com/album/200AHBPEpkSvvr36Odlv1b
  • ▶ Spotify 2: http://open.spotify.com/album/4Qk9RFpvqr3kDoAm8K0mri
  • ▶ Spotify 3: http://open.spotify.com/album/3vKa7JnrMFU0yPmaxxheJl
  • ▶ Spotify 4: http://open.spotify.com/album/6TReXtn9nHmIZTMwbiIlho

Clips (more may be added)

  • LOWER LIGHTS
    By Kathy Chiavola
    517 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Kathy Chiavola:

  • 4 Bluegrass
  • 4 Country
  • 4 Folk & Traditional
  • 4 Singer
  • Bob Telson Composer
  • Beth Bahia Cohen Kabak Kemane
  • James Martins Bahia
  • David Chesky Record Producer
  • Terreon Gully Drums
  • Nomcebo Zikode House Music
  • Arto Tunçboyacıyan Armenian Folk Music
  • Glória Bomfim Bahia
  • Marcus Strickland Saxophone
  • Eli Degibri אלי דג'יברי Jazz
  • Mandla Buthelezi South Africa
  • Afrocidade Brazil
  • Joel Guzmán Conjunto
  • Ben Paris Brazil
  • Jorge Pita Candomblé
  • Django Bates Vocalist
  • Zé Katimba Cavaquinho
  • Giba Conceição Brazil
  • Avishai Cohen אבישי כה Israel
  • Frank London Trumpet
  • Henrique Cazes Tenor Guitar
  • Chris Cheek Brooklyn, NY
  • Noam Pikelny Banjo
  • Arturo Sandoval Trumpet
  • Yilian Cañizares Havana
  • Tyshawn Sorey Wesleyan University Faculty
  • Ravi Coltrane Record Label Owner
  • Questlove Songwriter
  • Carlos Aguirre Piano
  • Marko Djordjevic Balkan Music
  • Melanie Charles R&B
  • Júlio Caldas Guitarra Baiana
  • Masao Fukuda Guitar
  • Oded Lev-Ari New York City
  • Alessandro Penezzi Brazil
  • Samuca do Acordeon Accordion
  • Ricky (Dirty Red) Gordon Louisiana
  • 小野リサ Lisa Ono Guitar
  • Scott Devine Bass Instruction
  • Tshepiso Ledwaba Clarinet
  • Ronaldo do Bandolim Brazil
  • Stefon Harris Vibraphone
  • Sarz Nigeria
  • Laura Cole Singer-Songwriter
  • Mauro Refosco Brooklyn, NY
  • Azadeh Moussavi Film Director
  • McClenney Multi-Instrumentalist
  • Jau Salvador
  • Rowney Scott Salvador
  • Fred Dantas Euphonium
  • Mônica Salmaso São Paulo
  • Lula Galvão Guitar
  • Cristiano Nogueira Brazil Specialist
  • Mykia Jovan Funk
  • Congahead Latin Jazz
  • Nancy Ruth Vocal Instruction
  • Huey Morgan Author
  • Turíbio Santos Classical Music
  • Wilson Simoninha Singer-Songwriter
  • Fabian Almazan Film Scores
  • Jazzmeia Horn New York City
  • Galactic Funk
  • Tom Oren Israel
  • Dadá do Trombone Samba
  • Eduardo Kobra Arte Urbana, Urban Art
  • Myron Walden Piccolo
  • Caridad De La Luz Playwright
  • Ariel Reich Director
  • Romero Lubambo New York City
  • Djuena Tikuna Tikuna
  • Tshepiso Ledwaba Classical Music
  • Jake Webster Sculptor
  • Wayne Krantz Jazz
  • Parker Ighile Rapper
  • Alexandre Leão Violão, Guitar
  • Emicida São Paulo
  • Philip Cashian Royal Academy of Music Staff
  • Ibram X. Kendi Boston University Faculty
  • Avishai Cohen Trumpet
  • Cássio Nobre Salvador
  • Byron Thomas Programmer
  • Thiago Trad Berimbau
  • Andrew Dickson Art Critic
  • Arthur Verocai Guitar
  • Joachim Cooder Singer-Songwriter
  • Michael Janisch Record Producer
  • Jared Jackson Columbia Faculty
  • Taylor Ashton Brooklyn, NY
  • David Castillo Trumpet
  • Joel Best Character Artist
  • Igor Osypov Ukraine
  • Fred Dantas Euphonium
  • Bruce Molsky Guitar
  • John Francis Flynn Ireland
  • Flying Lotus Rapper
  • Duncan Chisholm Scotland
  • Marvin Dunn Miami, Florida
  • Giba Conceição Brazil
  • Yilian Cañizares Ecole de Jazz et de Musique Actuelle Faculty
  • Gabriel Geszti Jazz Brasileiro, Brazilian Jazz
  • Adriano Souza Piano
  • Milton Primo Brazil
  • Celso de Almeida MPB
  • Derrick Hodge Composer
  • Jaleel Shaw Manhattan School of Music Faculty
  • Celso Fonseca Bossa Nova
  • Tatiana Campêlo Bahia
  • Abderrahmane Sissako Film Producer
  • Marc Cary Jazz
  • Woz Kaly African Music
  • Mingo Araújo Composer
  • Nação Zumbi Brazil
  • Omari Jazz Composer
  • Milton Primo Chula
  • Daniel Jobim Brazilian Jazz
  • Yazz Ahmed London
  • Marcus Miller Film Scores
  • Paulo Paulelli Bass
  • Ivan Huol Bahia
  • Marcelinho Oliveira Record Producer
  • Michel Camilo Classical Music
  • Curtis Hasselbring Composer
  • Martin Fondse Film Scores
  • Oswaldo Amorim Brasília
  • Gilmar Gomes Singer-Songwriter
  • Jean-Paul Bourelly Record Producer
  • Ranky Tanky South Carolina
  • Joana Choumali Abidjan
  • Anne Gisleson New Orleans
  • Nublu Turkish Music
  • Gabriel Policarpo Repique
  • Arturo Sandoval Trumpet
  • Inaicyra Falcão Dançarina, Dancer
  • Cedric Watson Zydeco
  • Marcus Teixeira MPB
  • Leo Nocentelli R&B
  • Imani Winds New York City
  • Missy Mazolli New York City
  • Greg Osby Record Label Owner
  • Fábio Zanon Brazil
  • Nilze Carvalho Samba
  • Shaun Martin Songwriter
  • Ethan Iverson Jazz
  • Angel Bat Dawid Composer
  • Cuong Vu Jazz
  • David Kirby New York City
  • Plinio Oyò Samba de Roda
  • Giba Gonçalves Brazil
  • Tomoko Omura Composer
  • Jas Kayser Panama
  • João Parahyba São Paulo
  • Nancy Viégas MPB
  • Roque Ferreira Author
  • Serwah Attafuah Australia
  • Gerônimo Santana Trombone
  • Lenny Kravitz Songwriter
  • Joe Lovano Saxophone
  • Ron Blake Juilliard Faculty
  • Nomcebo Zikode South Africa
  • J. Cunha Bahia
  • Dan Tepfer Classical Music
  • Jocelyn Ramirez Plant-Based Mexican Cooking
  • Joan Chamorro Jazz
  • Patty Kiss Salvador
  • Alex de Mora Director
  • Safy-Hallan Farah Magazine Publisher
  • Bob Bernotas Music Journalist
  • Vivien Schweitzer Opera
  • Mario Caldato Jr. Brazil
  • Issa Malluf Middle Eastern Percussion
  • Negra Jhô Bahia
  • Lucian Ban Transylvania
  • Danilo Caymmi Flute
  • Custódio Castelo Portugal
  • Ben Street New York City
  • Martyn DJ
  • Avishai Cohen New York City
  • Miguel Atwood-Ferguson Television Scores
  • Andy Kershaw Journalist
  • Miguel Atwood-Ferguson Arranger
  • Quatuor Ebène Classicalized Crossover
  • Márcia Short Bahia
  • Joshua Abrams Theater Scores
  • Steve Cropper Guitar
  • Paul Mahern Indiana University Jacobs School of Music Faculty
  • Bob Telson New York City
  • Immanuel Wilkins New School Faculty
  • Paquito D'Rivera Afro-Cuban Jazz
  • Jovino Santos Neto Piano
  • Serginho Meriti Composer
  • Onisajé Brasil, Brazil
  • Eli Teplin Los Angeles
  • Tomo Fujita Funk
  • Muireann Nic Amhlaoibh County Kerry
  • Aaron Parks Brooklyn, NY
  • Stuart Duncan Fiddle
  • As Ganhadeiras de Itapuã Brazil
  • Lula Moreira Documentary Filmmaker
  • Gino Sorcinelli Music Production, Rapping, Sampling, Beatmaking
  • Casa Preta Bahia
  • Donald Harrison Berklee College of Music Faculty
  • Bruce Molsky Banjo Instruction
  • Ravi Coltrane Composer
  • Brooklyn Rider Brooklyn, NY
  • Edgar Meyer Bluegrass
  • Brian Jackson Record Producer
  • Ricardo Bacelar Advogado, Lawyer
  • Luizinho Assis Compositor, Composer
  • Mokhtar Samba Morocco
  • Sunna Gunnlaugs Reykjavik
  • Paulão 7 Cordas Choro
  • Arto Tunçboyacıyan Singer-Songwriter
  • Oded Lev-Ari Music Producer
  • Tutwiler Quilters Quilts
  • Psoy Korolenko Псой Короленко Jewish Music
  • Samuca do Acordeon Bossa Nova
  • Brigit Katz Writer
  • Matthew Guerrieri Washington, D.C.
  • Weedie Braimah Drums
  • Jerry Douglas Guitar
  • Michael Doucet Zydeco
  • Renato Braz Percussion
  • Cedric Watson Fiddle
  • Etienne Charles Steel Drums
  • Derron Ellies Composer
  • Intisar Abioto Writer
  • Wolfgang Muthspiel Composer
  • Ariel Reich Mark Morris Dance Group Teaching Artist Faculty
  • Nicole Mitchell Jazz
  • Hot Dougie's Local de Música ao Vivo
  • Ivan Sacerdote Salvador
  • Olivia Trummer Germany
  • David Bruce Contemporary Classical Music
  • Casa da Mãe Música ao Vivo, Live Music
  • Charles Munka Hong Kong
  • Craig Ross Guitar
  • Isaias Rabelo Bahia
  • Bisa Butler Textile Artist
  • Susana Baca Ethnomusicologist
  • Kronos Quartet Contemporary Classical Music
  • Burkard Polster Mathematics
  • Ayrson Heráclito Cachoeira
  • Elie Afif Beirut
  • Dave Douglas Festival Director
  • Gabriel Grossi Brazil
  • Warren Wolf Marimba
  • Brian Lynch Record Label Owner
  • Sierra Hull Americana
  • Moses Boyd Composer
  • Ricky (Dirty Red) Gordon Frottoir
  • André Becker Jazz Brasileiro, Brazilian Jazz
  • Carlos Malta Saxophone
  • Yazz Ahmed Flugelhorn
  • Kevin Hays Piano Instruction
  • Adriene Cruz Textile Artist
  • Loli Molina Piano
  • Moreno Veloso Guitar
  • Rodrigo Caçapa Percussion
  • John Doyle Ireland
  • Melvin Gibbs Jazz Fusion
  • Africania Bahia
  • Gregory Porter Jazz
  • Jon Faddis Trumpet
  • Gustavo Di Dalva Percussion Instruction Online
  • Mart'nália Brazil
  • Christopher Nupen Filmmaker
  • Monk Boudreaux New Orleans
  • Mestre Nenel Bahia
  • Márcio Valverde Singer-Songwriter
  • David Sánchez Georgia State University School of Music Faculty
  • Rhiannon Giddens Fiddle
  • Shamarr Allen New Orleans
  • Robertinho Silva Rio de Janeiro
  • Tobias Meinhart Jazz
  • Gabriel Grossi Harmonica
  • Zé Luíz Nascimento Multi-Cultural
  • Maciel Salú Rabeca
  • Varijashree Venugopal Composer
  • Hugues Mbenda Chef
  • Ari Hoenig New York City
  • Jamz Supernova London
  • Al Kooper Multi-Instrumentalist
  • Fantastic Negrito Guitar
  • Daedelus Hip-Hop
  • Amaro Freitas Piano
  • PATRICKTOR4 Bahia
  • Larissa Fulana de Tal Brasil, Brazil
  • Iroko Trio São Paulo
  • Jorge Washington Brazil
  • Brandee Younger Classical Music
  • Thiago Espírito Santo Guitarra, Guitar
  • King Britt Computer Music
  • Caroline Keane County Kerry
  • Trilok Gurtu Jazz
  • Shalom Adonai Bahia
  • Jason Moran Jazz
  • OVANA Cunene
  • Masao Fukuda Music
  • Negrizu Brasil, Brazil
  • Nelson Cerqueira Escritor, Writer
  • Kurt Rosenwinkel Guitar
  • Alexandre Leão MPB
  • Michael Olatuja New York City
  • Paulinho da Viola Rio de Janeiro
  • Barney McAll Bulbul Tarang
  • Adriana L. Dutra Director
  • Nei Lopes Rio de Janeiro
  • Burhan Öçal Tanbur
  • Muireann Nic Amhlaoibh Flute
  • Sean Jones Composer
  • Jamie Dupuis Guitar
  • Nic Adler Restaurant Owner
  • Moreno Veloso Pandeiro
  • Tal Wilkenfeld Bass
  • Greg Kot Journalist
  • Caetano Veloso Brazil
  • Raul Midón Songwriter
  • Angelique Kidjo Multi-Cultural
  • Zé Luíz Nascimento Paris
  • Paul Mahern Bloomington, Indiana
  • Gian Correa São Paulo
  • Vânia Oliveira Dança Afro
  • Shankar Mahadevan India
  • Mono/Poly DJ
  • Cleber Augusto Rio de Janeiro
  • Astrig Akseralian Ceramic Artist
  • Nelson Ayres São Paulo
  • Jill Scott Jazz
  • Rayendra Sunito Record Producer
  • César Orozco Cuba
  • Anoushka Shankar Film Scores
  • Antônio Queiroz Brazil
  • Milton Nascimento Singer-Songwriter
  • Rez Abbasi Pakistani Music
  • Eivør Pálsdóttir Faroe Islands
  • Rebeca Omordia Romania
  • Adonis Rose Percussion
  • Cláudio Jorge Guitar
  • Kiko Loureiro Finland
  • Paul McKenna Irish Traditional Music
  • Mauro Senise Brazilian Jazz
  • Tyshawn Sorey New York City
  • Cut Worms Brooklyn, NY
  • Maria Drell Produção Cultural, Cultural Production
  • Celso de Almeida São Paulo
  • Luciano Salvador Bahia Guitar
  • Dadá do Trombone Trombone
  • Alain Mabanckou Congo-Brazzaville
  • Louis Marks Record Label Owner
  • Toninho Nascimento Brazil

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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