Are you inside? Should you be?

  • Artists by Category
  • Categories are Here!
  • Matrix Rádio
  • Matrix Home
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • Questions?
  • Sign up
  • Sign in
    Loading ...
View All Updates Mark All Read
  • Kathy Chiavola

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Kathy Chiavola
  • City/Place: Nashville
  • Country: United States

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Kathy Chiavola is one of the most highly respected singers in bluegrass and acoustic music. She's sung on hundreds of recordings with Vince Gill, Ricky Skaggs, Tammy Wynette, Kathy Mattea, Garth Brooks, Emmylou Harris and Bill Monroe (her duet with Bill Monroe is believed to be his last vocal recording).

    Her second album, "The Harvest", featured guests Chet Atkins, Emmylou Harris, Tony Rice, Bela Fleck, John Cowan, Bill Monroe, and Vince Gill.

    Kathy's album "Somehow" was her first recording of all original songs, incorporating bluegrass, blues, jazz, Latin and country, with an extraordinary cast of musicians including Victor Wooten, Edgar Meyer, Darrell Scott, Stuart Duncan, Jeff Coffin, Joey Misculin, Rob Ickes, and flamenco greats Chuscales and Yiyi.

    Kathy is also an educator, with degrees from the Oberlin Conservatory and post-graduate studies at Indiana University in Bloomington, Indiana.

Contact Information

  • Email: [email protected]
  • Address: PO Box 90629
    Nashville, TN 37209

Media | Markets

  • ▶ Website: http://www.kathychiavola.com
  • ▶ YouTube Music: http://music.youtube.com/channel/UCMiKt6mUZQK1V51G_3_MyOQ
  • ▶ Spotify: http://open.spotify.com/album/200AHBPEpkSvvr36Odlv1b
  • ▶ Spotify 2: http://open.spotify.com/album/4Qk9RFpvqr3kDoAm8K0mri
  • ▶ Spotify 3: http://open.spotify.com/album/3vKa7JnrMFU0yPmaxxheJl
  • ▶ Spotify 4: http://open.spotify.com/album/6TReXtn9nHmIZTMwbiIlho

Clips (more may be added)

  • LOWER LIGHTS
    By Kathy Chiavola
    728 views
Previous
Next

Kathy Chiavola Curated
pathways in

  • 4 Bluegrass
  • 4 Country
  • 4 Folk & Traditional
  • 4 Singer

What's Been Happening?

The post was not added to the feed. Please check your privacy settings.
  • Kathy Chiavola
    Robb Royer → Songwriter has been recommended via Kathy Chiavola.
    • July 10, 2021
  • Kathy Chiavola
    Robb Royer → Screenwriter has been recommended via Kathy Chiavola.
    • July 10, 2021
  • Kathy Chiavola
    Robb Royer → Record Producer has been recommended via Kathy Chiavola.
    • July 10, 2021
  • Kathy Chiavola
    Robb Royer → R&B has been recommended via Kathy Chiavola.
    • July 10, 2021
  • Kathy Chiavola
    Robb Royer → Pop has been recommended via Kathy Chiavola.
    • July 10, 2021
  • Kathy Chiavola
    Robb Royer → Multi-Instrumentalist has been recommended via Kathy Chiavola.
    • July 10, 2021
  • Kathy Chiavola
    Robb Royer → Country has been recommended via Kathy Chiavola.
    • July 10, 2021
View More
Loading ...
  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 

THE MATRIX BEGAN IN AFRICAN BRAZIL BUT NOW ENCOMPASSES THE WORLD

Explore above a complete (and vast) list of artists and other members of the global creative economy interconnected by matrix. If you fit, join them (from the top of any page) and create your own matrix page.


WHY BRAZIL?

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene below — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 


✅—João do Boi
João had something priceless to offer the world.
But he was impossible for the world to find...
✅—Pardal/Sparrow
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per "RESPLENDENT BAHIA..." below) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington


RESPLENDENT BAHIA...

...is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

PORTUGUÊS (to English →)

 

O MATRIX COMEÇOU NO BRASIL AFRICANO MAS AGORA ENGLOBA O MUNDO

Explore acima uma lista completa (e vasta) de artistas e outros membros da economia criativa global interconectados por matrix. Se você se encaixar, junte-se a nós (do topo de qualquer página) e cria sua própria página matrix.


POR QUE BRASIL?

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas — de três continentes — correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 


✅—João do Boi
João tinha algo inestimável pro mundo.
Mas ele era impossível pro mundo encontrar...
✅—Pardal/Sparrow
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme "RESPLANDECENTE BAHIA..." abaixo) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Obrigada por me incluir neste matrix maravilhoso!"
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


RESPLANDECENTE BAHIA...

...é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

  • Marc Cary Keyboards
  • Etienne Charles Michigan State University Faculty
  • Vincent Valdez Houston, Texas
  • Ariane Astrid Atodji African Cinema
  • Bruno Monteiro Produtor Musical, Music Producer
  • Jakub Knera Radio Presenter
  • Julian Lloyd Webber London
  • Airto Moreira Percussão, Percussion
  • Brian Cross aka B+ Hip-Hop
  • Jorge Aragão Multi-Instrumentalist
  • Lenine Recife
  • Kiko Souza Flauta, Flute
  • Owen Williams Marketer
  • Pedro Martins Brazil
  • Jane Cornwell Writer
  • Chris Acquavella Mandolin Instruction
  • César Orozco Cuba
  • Tony Austin Recording Engineer
  • Aindrias de Staic Storyteller
  • Edivaldo Bolagi Produtor Cultural, Cultural Producer
  • Cláudio Jorge Record Producer
  • Jared Sims West Virginia University Faculty
  • Kiko Loureiro Rio de Janeiro
  • Robin Eubanks Composer
  • Eric Alexander Saxophone Instruction
  • Urânia Munzanzu Escritora, Writer
  • Fabian Almazan Jazz
  • Janine Jansen Utrecht
  • China Moses Jazz
  • Joel Ross Vibraphone
  • Fred Hersch Composer
  • Maria de Xindó Cantora, Singer
  • Giovanni Russonello Music Critic
  • Alegre Corrêa Percussion
  • Caroline Shaw Violin
  • Duane Benjamin Composer
  • Heriberto Araujo Writer
  • Bertram Recording Artist
  • Michelle Mercer Writer
  • David Ngwerume Zimbabwe
  • Eamonn Flynn Soul
  • Casa Preta Salvador
  • Louis Michot Western Swingbilly Cajun Punk
  • David Chesky Jazz
  • Keshav Batish Jazz
  • Timothy Duffy New Orleans
  • Catherine Bent Jazz
  • Jaques Morelenbaum Rio de Janeiro
  • Lula Moreira Brazil
  • Peter Erskine USC Thornton School of Music Faculty
  • Alicia Svigals New York City
  • ANNA DJ
  • Elizabeth LaPrelle Old-Time Music
  • Giorgi Mikadze გიორგი მიქაძე Piano
  • Rogê Singer-Songwriter
  • Taylor Ashton Visual Artist
  • César Camargo Mariano MPB
  • Rick Beato Songwriter
  • Adam Rogers New York City
  • Vijay Gupta Classical Music
  • Heriberto Araujo Brazil
  • Maria Marighella Brasil, Brazil
  • Julie Fowlis Traditional Scottish Music
  • Damion Reid Hip-Hop
  • Jon Madof Bandleader
  • Conrad Herwig Trombone
  • Jon Madof Jewish Music/Avant-Garde Jazz
  • Ammar Kalia Writer
  • Jonga Cunha Record Producer
  • Conrad Herwig Afro-Caribbean Jazz
  • Turíbio Santos Choro
  • Chris Potter Saxophone
  • Steve Lehman Saxophone Instructor
  • Yotam Silberstein Guitar Instruction
  • Paulinho da Viola Choro
  • Jim Beard Composer
  • Igor Osypov Ukraine
  • João Callado Brazilian Jazz
  • The Bayou Mosquitos Tex-Mex
  • Angel Deradoorian Multi-Instrumentalist
  • Gearóid Ó hAllmhuráin Author
  • Yelaine Rodriguez Multimedia Art
  • Cara Stacey Piano
  • Jupiter Bokondji Congo
  • Celino dos Santos Viola Machete
  • Mark Lettieri Guitar
  • Rhiannon Giddens Opera
  • Caterina Lichtenberg Author
  • Varijashree Venugopal Flute
  • Carl Joe Williams Sculptor
  • Phineas Harper Architecture Critic
  • G. Thomas Allen Countertenor
  • Lynn Nottage Columbia University Faculty
  • Daniel Jobim Bossa Nova
  • The Assad Brothers Classical Guitar
  • Tray Chaney Songwriter
  • Wouter Kellerman South Africa
  • Pedrito Martinez Santeria
  • Sean Jones Johns Hopkins Peabody Institute Faculty
  • Peter Erskine Jazz
  • David Byrne Painter
  • Eivør Pálsdóttir Faroe Islands
  • Mestrinho Singer-Songwriter
  • Stephen Kurczy The King's College Faculty
  • Darol Anger Record Producer
  • Caridad De La Luz New York City
  • Capitão Corisco Pífano
  • Ivan Sacerdote Brasil, Brazil
  • Menelaw Sete Artista Plástico, Artist
  • Keola Beamer Slack Key Guitar
  • Kirk Whalum Songwriter
  • Robin Eubanks Trombone
  • Zé Katimba Cavaquinho
  • Toninho Horta Guitar
  • Jovino Santos Neto Piano
  • Teddy Swims R&B
  • Keith Jarrett Composer
  • Milad Yousufi Piano
  • Nelson Sargento Samba
  • Carlos Aguirre Argentina
  • Philip Watson Ireland
  • Paulão 7 Cordas Cavaquinho
  • Lianne La Havas Singer-Songwriter
  • Sam Reider Piano
  • Alain Pérez Big Band
  • Cedric Watson Singer-Songwriter
  • Sam Wasson Author
  • Aaron Goldberg Composer
  • David Braid Guitar
  • TaRon Lockett Drums
  • Jared Sims Funk
  • Logan Richardson Jazz
  • Jonathon Grasse Ethnomusicologist
  • Angel Bat Dawid Singer
  • Tom Oren Piano
  • Şener Özmen Turkey
  • Jon Madof Record Label Owner
  • Glória Bomfim Bahia
  • Milad Yousufi Poet
  • Eric Galm Hartford, Connecticut
  • NEOJIBA Orquestra de Jovens, Youth Orquestra
  • Ricardo Bacelar Brasil, Brazil
  • Philip Ó Ceallaigh Ireland
  • Sunn m'Cheaux Photographer
  • Barry Harris Jazz
  • Jeff Spitzer-Resnick Radio Presenter
  • Gino Sorcinelli Music Production, Rapping, Sampling, Beatmaking
  • Bill T. Jones Choreographer
  • Trombone Shorty Trumpet
  • Donald Vega Piano
  • Peter Mulvey Milwaukee, Wisconsin
  • Amit Chatterjee Composer
  • Jon Batiste Jazz
  • Kiko Horta Forró
  • Della Mae Americana
  • Terrace Martin Multi-Instrumentalist
  • Peter Dasent Composer
  • Oksana Zabuzhko Ukraine
  • Sarz Hip-Hop
  • Sanjay K Roy India
  • Fábio Luna Multi-Instrumentista, Multi-Instrumentalist
  • Hilton Schilder Cape Jazz
  • Jonga Lima Cantor-Compositor, Singer-Songwriter
  • Mateus Aleluia Filho Brasil, Brazil
  • Rudy Royston Educator
  • Filhos de Nagô Bahia
  • Sérgio Pererê Minas Gerais
  • Mulatu Astatke Percussion
  • Welson Tremura Singer
  • Pururu Mão no Couro Compositor, Songwriter
  • Linda May Han Oh Composer
  • David Chesky Record Label Owner
  • Oscar Peñas New York City
  • Chico Buarque Brasil, Brazil
  • Horácio Reis Brasil, Brazil
  • Carlinhos 7 Cordas Samba
  • Keyon Harrold Composer
  • Rowney Scott Saxophone
  • Mino Cinélu New York City
  • Laércio de Freitas Brasil, Brazil
  • Jonathan Scales New York City
  • MonoNeon Experimental Music
  • Gustavo Di Dalva Brazil
  • Anthony Hervey Jazz
  • Stephen Guerra Composer
  • Jim Hoke Arranger
  • Rodrigo Amarante Los Angeles
  • Laércio de Freitas Composer
  • John Santos San Francisco State University Faculty
  • Áurea Martins Brasil, Brazil
  • Irma Thomas R&B
  • Swami Jr. Cuban Music
  • Sam Harris Composer
  • Mavis Staples Singer-Songwriter
  • Leonardo Mendes Bahia
  • Kiko Freitas Educator
  • Del McCoury Old-Time Music
  • Baiba Skride Violin
  • Daedelus Hip-Hop
  • Gaby Moreno Singer-Songwriter
  • Victor Wooten Singer
  • Gian Correa Violão de Sete
  • A-KILL India
  • China Moses R&B
  • Andrew Gilbert Journalist
  • Tyler Hayes Tech Writer
  • Glória Bomfim Brazil
  • Shana Redmond Ethnomusicologist
  • Gilsons Brazil
  • Rhuvaal Scotland
  • Ramita Navai London
  • Keith Jarrett Piano
  • Chief Xian aTunde Adjuah Mardi Gras Indian
  • Jared Sims Jazz
  • Reza Filsoofi Daf
  • Inaicyra Falcão Faculdade da UNICAMP/UNICAMP Faculty
  • Roy Nathanson Saxophone
  • Dave Jordan New Orleans
  • Monarco Rio de Janeiro
  • João Camarero Rio de Janeiro
  • Edivaldo Bolagi Cineasta Documentarista, Documentary Filmmaker
  • Kenny Garrett Jazz
  • Gerald Clayton Composer
  • Jason Parham Editor
  • Lenine Singer-Songwriter
  • Lynne Arriale Composer
  • Jacám Manricks Jazz
  • Frank Beacham Videographer
  • Johnny Vidacovich Funk
  • Jean Rondeau Harpsichord
  • Oren Levine Washington, D.C.
  • Matt Glaser Berklee College of Music Faculty
  • Delbert Anderson New Mexico
  • Marília Sodré Instrução de Violão, Guitar Instruction
  • Harish Raghavan Multi-Cultural
  • Capitão Corisco Folk & Traditional
  • Flor Jorge Rio de Janeiro
  • Mika Mutti DJ
  • Şener Özmen Kurdistan
  • David Binney Los Angeles
  • Anna Mieke Singer-Songwriter
  • Rahim AlHaj Iraq
  • J. Pierre Artist
  • Fernando Brandão Choro
  • Helado Negro Sound Installations
  • Dezron Douglas NYU Steinhardt Faculty
  • Galactic New Orleans
  • Kim Hill Entrepreneur
  • David Virelles New York City
  • Mazz Swift Brooklyn, NY
  • Jam no MAM Jazz
  • Vinnie Colaiuta Los Angeles, California
  • Henrique Cazes Tenor Guitar
  • Brandon Seabrook New York City
  • Giorgi Mikadze გიორგი მიქაძე Classical Music
  • Larissa Luz Writer
  • Zachary Richard Cajun Music
  • Merima Ključo Composer
  • Niwel Tsumbu Ireland
  • Benoit Fader Keita Techno
  • Huey Morgan DJ
  • Isaiah J. Thompson New York City
  • Albin Zak Americana
  • Taylor Ashton Banjo
  • Beeple VJ Loops
  • Michael Peha Guitar
  • Rebeca Omordia Piano
  • Sierra Hull Singer-Songwriter
  • Joe Fiedler New York City
  • Carlinhos Brown Salvador
  • DJ Sankofa Pimenta Africana, African Peppers
  • Bebê Kramer Rio de Janeiro
  • Dafnis Prieto Drums
  • Shannon Ali Liner Notes
  • Rebeca Tárique Candomblé
  • Gretchen Parlato Singer
  • Ajeum da Diáspora Afro-Bahian Cuisine
  • Jaimie Branch Free Jazz
  • Mauro Refosco Experimental, Eletrônica, Electronic
  • Wouter Kellerman Johannesburg
  • Gustavo Caribé Produtor Musical, Music Producer
  • Zisl Slepovitch Ethnomusicologist
  • Chris Thile Americana
  • Bruno Monteiro Jornalista, Journalist
  • Aubrey Johnson Montclair State University Faculty
  • Daniel Gonzaga Cantor-Compositor, Singer-Songwriter
  • Aaron Parks Piano
  • Diedrich Diederichsen Music Journalist
  • Maria Bethânia Bahia
  • Tonho Matéria Samba Reggae
  • Leigh Alexander Journalist
  • Luiz Antônio Simas Professor
  • Ben Paris Writer
  • Kiya Tabassian كيا طبسيان Multi-Cultural
  • Babau Santana Chula
  • Shamarr Allen Trumpet
  • Maria Struduth Cachoeira
  • Wouter Kellerman World Music
  • Fatoumata Diawara Singer-Songwriter
  • João Bosco Rio de Janeiro
  • Joe Fiedler Trombone
  • Julien Libeer Classical Music
  • Yamandu Costa Composer
  • Ricardo Herz Choro
  • Tal Wilkenfeld Jazz
  • Dr. Lonnie Smith Jazz
  • ANNA Techno
  • Larnell Lewis Jazz, Funk, R&B, Soul
  • Jeremy Danneman Multi-Cultural
  • Matias Traut MPB
  • Brazil Afro Symphonic Multi-Cultural
  • Ron Blake Flute
  • Yazz Ahmed Composer
  • Kenny Barron Piano
  • Shaun Martin Gospel
  • Sam Eastmond Bandleader
  • André Mehmari Contemporary Classical Music
  • Liam Farrell 'Dr L' Composer
  • Gel Barbosa Produtor Musical, Music Producer
  • Mark Markham Piano Master Classes
  • Gabrielzinho do Irajá Samba
  • Brian Lynch Composer
  • Gab Ferruz Cantora-Compositora, Singer-Songwriter
  • VJ Gabiru Fotógrafo, Photographer
  • Debora Gurgel Compositora, Composer
  • Mandisi Dyantyis Cape Town
  • Barney McAll Bulbul Tarang
  • John McLaughlin Guitar
  • Ali Jackson Drums
  • Ari Rosenschein Indie Pop
  • Calida Rawles Painter
  • Eliane Elias São Paulo
  • Toninho Nascimento Singer-Songwriter
  • Daniel Jobim Brazilian Jazz
  • André Becker Brasil, Brazil
  • Kíla Multi-Cultural
  • Ronell Johnson Sousaphone
  • David Ritz Liner Notes
  • João Jorge Rodrigues Bahia
  • BIGYUKI Composer
  • Tommy Peoples Ireland
  • RAM Mizik Rasin
  • Las Cafeteras Chicano Music
  • Cacá Diegues Brasil, Brazil
  • Gregory Porter Singer
  • Aindrias de Staic Fiddle
  • Ofer Mizrahi Jazz, Folk, Eastern Music
  • Leonardo Mendes Samba
  • Mateus Aleluia Filho Cantor-Compositor, Singer-Songwriter
  • Melvin Gibbs Funk, HIp-Hop, Alternative
  • Ron Blake Jazz
  • Guilherme Kastrup Percussion
  • Joe Lovano Clarinet
  • Mike Moreno New York City
  • Thiago Amud Singer-Songwriter
  • Zigaboo Modeliste New Orleans
  • Itamar Borochov Israel
  • Eli Degibri אלי דג'יברי Saxophone
  • Seckou Keita Africa
  • Flora Purim Percussion
  • Carwyn Ellis Multi-Cultural
  • Bob Bernotas Radio Presenter
  • Julia Alvarez Middlebury College Faculty
  • Melanie Charles Soul
  • Vadinho França Brasil, Brazil
  • Carlos Prazeres Oboé, Oboe
  • Eric Bogle Australia
  • Gêge Nagô Candomblé
  • Kiko Loureiro Author
  • Darryl Hall Paris
  • Rita Batista Brasil, Brazil
  • Renell Medrano Dominican Republic
  • Jan Ramsey Louisiana
  • Luciana Souza Singer
  • Laércio de Freitas Brazilian Jazz
  • Gilad Hekselman Guitar Instruction
  • Jaques Morelenbaum Songwriter
  • Emily Elbert Guitar
  • Baiba Skride Latvia
  • Mauro Refosco Compositor de Teatro, Theater Scores
  • Cory Wong Record Producer
  • Leonardo Mendes Violão, Guitar
  • Joshua Abrams Bass
  • Missy Mazolli New York City
  • Ryan Keberle Melodica
  • James Brady Multi-Cultural
  • Cécile Fromont Martinique
  • Itamar Borochov Multi-Cultural
  • Ana Tijoux Rapper
  • Bob Reynolds Los Angeles
  • Ron Mader Photographer
  • Mestre Nenel Bahia
  • Jeffrey Boakye Journalist
  • Berta Rojas Paraguay
  • Deesha Philyaw Short Stories
  • Hisham Mayet Photographer
  • José James Singer-Songwriter
  • Ken Dossar Bahia
  • Anna Mieke Wicklow
  • Marc Cary Jazz
  • Ronell Johnson New Orleans
  • Jas Kayser Afrobeat
  • Luiz Santos Drums
  • Meklit Hadero Multi-Cultural
  • Antonio Adolfo MPB
  • Tonho Matéria Gestor Cultural, Cultural Director
  • Celino dos Santos Bahia
  • Jonga Cunha Author
  • Tessa Hadley Short Stories
  • Amy K. Bormet Washington, D.C.
  • Luis Paez-Pumar New York City
  • Jamberê Cerqueira Tuba
  • Brooklyn Rider Multi-Cultural
  • Tero Saarinen Helsinki
  • Monarco Brazil
  • Christian Sands Composer
  • Corey Harris Guitar
  • Matthew F Fisher Brooklyn, NY
  • Asanda Mqiki Jazz
  • THE ROOM Shibuya Dance Club
  • Stomu Takeishi Jazz
  • Django Bates Bern University of the Arts Faculty
  • Corey Henry Songwriter
  • Omer Avital North African Music
  • Fred Dantas Choro
  • Michael Pipoquinha Composer
  • Roque Ferreira Bahia
  • Las Cafeteras East Los Angeles
  • Dorothy Berry Museum Curator
  • Nora Fischer Contemporary Classical Music
  • Edivaldo Bolagi Salvador
  • Gringo Cardia Set Designer
  • Tedy Santana Salvador
  • Manolo Badrena Multi-Instrumentalist
  • Estrela Brilhante do Recife Recife
  • Arto Lindsay New York City
  • Nomcebo Zikode South Africa
  • Manuel Alejandro Rangel Venezuela
  • Echezonachukwu Nduka Nigeria
  • Derron Ellies Steel Pans
  • Alexandre Vieira Baixo, Bass
  • Dr. Lonnie Smith Composer
  • Las Cafeteras Afro-Mexican Music
  • Wayne Escoffery New York City
  • Mandla Buthelezi Trumpet
  • Damon Albarn Singer-Songwriter
  • Theo Bleckmann New York City
  • Art Rosenbaum Multi-Instrumentalist
  • Tobias Meinhart Composer
  • Steve Earle Multi-Instrumentalist
  • Sharay Reed Gospel
  • Brenda Navarrete Cuba
  • Shakespeare and Company Café
  • Emmet Cohen Piano
  • Masao Fukuda Guitar
  • Raymundo Sodré Chula
  • Angelique Kidjo Multi-Cultural
  • Jacob Collier Composer
  • Lionel Loueke Composer
  • Arthur Verocai Arranger
  • Massimo Biolcati Composer
  • Bodek Janke Drums
  • David Ritz Writer
  • Brian Q. Torff Composer
  • Riley Baugus Old-Time Music
  • Philip Watson Cork
  • Nelson Cerqueira Romancista, Novelist
  • Jon Madof New York City
  • Alberto Pitta Artista Plástico, Artist
  • Curly Strings Americana
  • Shuya Okino Japan
  • Frank Olinsky Parson's School of Design Faculty
  • Fantastic Negrito Oakland, California
  • James Brandon Lewis Saxophone
  • Benoit Fader Keita Africa
  • Jon Otis Singer-Songwriter
  • Darol Anger Folk & Traditional
  • Criolo São Paulo
  • Paul Anthony Smith Jamaica
  • Ricardo Bacelar Jazz Brasileiro, Brazilian Jazz
  • Mandisi Dyantyis Singer
  • Mestre Barachinha Maracatu
  • Alana Gabriela Educadora, Educator
  • Shana Redmond Columbia University Faculty
  • Ben Wolfe Double Bass
  • Gel Barbosa Sanfona
  • Joe Newberry Old-Time Music
  • Alphonso Johnson Jazz
  • Elza Soares Samba
  • Walmir Lima Salvador
  • John Francis Flynn Guitar
  • Avishai Cohen Trumpet
  • Colm Tóibín Literary Critic
  • Dan Auerbach Record Producer
  • Moreno Veloso Guitar
  • Mehdi Rajabian Multi-Cultural
  • Jeremy Danneman New York City
  • Gilad Hekselman Guitar
  • Oriente Lopez Cuba
  • Armandinho Macêdo Salvador

 'mātriks / "source" / from "mater", Latin for "mother"
A real mother for ya!

 

Copyright ©2023  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share