- Worldlines from Rudresh Mahanthappa: I'LL TAKE YOU THERE! ▶
Worldlines to Rudresh Mahanthappa:
Rudresh Mahanthappa is within worldlined steps of artists around the planet, in reach of everybody everywhere per the same seemingly miraculous small-world principle which dictates that there are between most human beings on earth 6 or fewer degrees of separation.
The MO: 1) Create categories per those in CURATION CATEGORIES up top 2) Touch category crosses of others (visible when logged in) to recommend 3) Recommended appear in your I'LL TAKE YOU THERE window 4) You appear as curator on pages of your recommended 5) Other artists may recommend your categories
We founded this matrix in the fertile, fecund and atavistic ground zero of Bahia — mindful that when all artists can be steps away, the Brazilians (some — in common with many other artists in many other places — no less brilliant for their obscurity) can be too.
ma·trix /ˈmātriks - originally "source", from "mater", Latin for "mother". We're real mothers for ya!
Who's taking you???
- Outgoing curation by: The Matrix
Who I Am & Where I Live
- Name: Rudresh Mahanthappa
- City: New York City
- Country: United States
My Life & Work
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Bio:
Hailed by Pitchfork as “jaw-dropping… one of the finest saxophonists going,” alto saxophonist, composer and educator Rudresh Mahanthappa is widely known as one of the premier voices in jazz of the 21st century. He has over a dozen albums to his credit, including the acclaimed Bird Calls, which topped many critics’ best-of-year lists for 2015 and was hailed by PopMatters as “complex, rhythmically vital, free in spirit while still criss-crossed with mutating structures.” Rudresh has been named alto saxophonist of the year for seven of eight years running in Downbeat Magazine’s International Critics’ Polls (2011-2013, 2015-2018), and for five consecutive years by the Jazz Journalists’ Association (2009-2013) and again in 2016. He won alto saxophonist of the year in the 2015-2017 JazzTimes Magazine Critics’ Polls and was named the Village Voice’s "Best Jazz Artist" in 2015. He has also received the Guggenheim Fellowship and the Doris Duke Performing Artist Award, among other honors, and is currently the Anthony H. P. Lee ’79 Director of Jazz at Princeton University.
With an astonishing facility and power on the horn, and an inspired array of ensembles he’s led or played in since his emergence in the late ’90s-early ’00s, Mahanthappa continues to create music alive with rhythmic urgency, steeped in the lineage of jazz saxophone and responsive to traditions and practices of the wider musical world.
Born in Trieste, Italy to Indian émigrés in 1971, Mahanthappa was brought up in Boulder, Colorado and gained proficiency playing everything from current pop to Dixieland. He went on to studies at North Texas, Berklee and DePaul University (as well as the Stanford Jazz Workshop) and came to settle in Chicago. Soon after moving to New York in 1997 he formed his own quartet featuring pianist Vijay Iyer. The band recorded an enduring sequence of albums, Black Water, Mother Tongue and Codebook, each highlighting Mahanthappa’s inventive methodologies and deeply personal approach to composition. He and Iyer also formed the duo Raw Materials.
Coming deeper into contact with the Carnatic music of his parents’ native southern India, Mahanthappa partnered in 2008 with fellow altoist Kadri Gopalnath and the Dakshina Ensemble for Kinsmen, garnering wide acclaim. Apti, the first outing by Mahanthappa’s Indo-Pak Coalition (with Pakistani-born Rez Abbasi on guitar and Dan Weiss on tabla), saw release the same year; Agrima followed nine years later and considerably expanded the trio’s sonic ambitions.
Mahanthappa has also worked with Jack DeJohnette, Mark Dresser, Danilo Pérez, Arturo O’Farrill’s Afro-Latin Jazz Orchestra, the collaborative trios MSG and Mauger, the co-led quintet Dual Identity with fellow altoist Steve Lehman, and another co-led quintet with fellow altoist and Chicago stalwart Bunky Green (Apex). His exploratory guitar-driven quartets on Samdhi and Gamak featured David Gilmore and Dave “Fuze” Fiuczynski, respectively. In 2015 he was commissioned by Ragamala Dance to create Song of the Jasmine for dancers and a hybrid jazz/South Indian ensemble. He was also commissioned by the PRISM Saxophone Quartet to compose a chamber piece, “I Will Not Apologize for My Tone Tonight,” which can be heard on the quartet’s 2015 double-disc release Heritage/Evolution, Volume 1.
My Media
- ▶ YouTube Music: http://music.youtube.com/channel/UCBJm3N9McDb6-J6hP4heoww
- ▶ YouTube Channel: http://www.youtube.com/user/rudreshm
- ▶ Twitter: rudreshm
- ▶ Instagram: rudreshkm
- ▶ Website: http://www.rudreshm.com
Click to Listen on Spotify
- ▶ (Album/Podcast 1): http://open.spotify.com/album/0FhvMgiAfQwT127ZEXnDQq
- ▶ (Album/Podcast 2): http://open.spotify.com/album/4QELhGx08rSdVFbYfzucmn
- ▶ (Album/Podcast 3): http://open.spotify.com/album/7mDKdfYjpLwDhhUx1Rhxn1
- ▶ (Album/Podcast 4): http://open.spotify.com/album/6EllgbbACCL5iUwQrdlbzO
Contact Information
- Email: info@rudreshm.com
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Management/Booking:
Management: Danny Melnick dmelnick@absolutelylive.net
North American Agent: Alycia Mack alycia@imnworld.com
Worldwide Agent Except North America: Holly Brennock holly@imnworld.com
Publicity: Ann Braithwaite ann@bkmusicpr.com
More
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Quotes, Notes & Etc.
“Definitely one of the strongest voices on the jazz scene.”
— Paula Edelstein, All Music
“... the US-raised alto saxophonist who astutely fuses western and Indian traditions with mind-bending jazz rhythms...”
— John Fordham, The Guardian
