Salvador Bahia Matrix
  • Sign in
  • Join Everybody Here
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Brian Stoltz
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Brian Stoltz
  • City/Place: New Orleans, Louisiana
  • Country: United States

Life & Work

  • Bio: Brian Stoltz has released four solo albums, has toured and recorded with Rock ‘n Roll Royalty and has performed on a string of recordings – playing, producing and writing for various artists. Basing his art on street virtuosity, raw emotion and a stinging signature style, he is New Orleans’ premiere guitarist and songwriter extraordinaire.

    While touring, writing and recording throughout the 80′s with the world-renowned Neville Brothers Band and for fourteen years with The 'funky' Meters, Brian has created unique bodies of work. In addition to being in demand as a phenomenal guitarist, his skill as a songwriter has caught the attention of artists like Aaron Neville, The Neville Brothers, Coco Montoya, The Wild Magnolias, Zydeco artist Zachary Richard and writer/film director John Sayles.

    Stoltz's guitar style evolved naturally from growing up on 60's pop/r&b radio and from traveling the dark roads of South Louisiana up through the Mississippi Delta, absorbing the many musical genres and haunting styles of the deep south. In reviewing Bob Dylan's album, Oh Mercy, UK writer Andy Gil of Q Magazine best described it when he wrote, "Stoltz's guitar is like stinging rain pinging on a barbed-wire fence." His unmistakable sound is featured on recordings by artists as diverse as Dylan, Edie Brickell, Dr. John, Linda Ronstadt and the Neville Brothers. Stoltz's discography also includes the release of four solo albums: Up All Night/Live (2007), God, Guns & Money (2005) and East Of Rampart Street (2003) and the now out-of-print Starving Buddha (1999).

    His television appearances include The Tonight Show (with Jay Leno & Johnny Carson), Saturday Night Live, Late Night with David Letterman, Austin City Limits, Cinemax and Showtime specials, and concerts with the Grateful Dead.

    Ever socially conscious, Brian toured, along with the Neville Brothers, U2, Peter Gabriel, the Police and Lou Reed as the torch-bearers of the first Amnesty International Tour in 1986 to raise consciousness of the fate of political prisoners around the world.

    Stoltz has received awards from CMJ (College Music Journal) and the New Music Corporation for Lifetime Achievement. His co-written Healing Chant, performed by the Neville Brothers, won a Grammy for Best Pop Instrumental in 1991and Brian was nominated for a 2004 Grammy in the Best Traditional Blues category for his solo rendition of You Gotta Move on Telarc Records’ Preachin’ The Blues: The Music Of Mississippi Fred McDowell.

    He has performed in numerous music videos and his songs and performances have found their way to film soundtracks such as The Mighty Quinn, John Sayles’ City of Hope, post-Hurricane Katrina film, 'Desert Bayou', nominated for the 2008 Image Award (theatrical and television) and the Harry Shearer film, The Big Uneasy.

Contact Information

  • Email: [email protected]
  • Telephone: 985.326.3802

Media | Markets

  • ▶ Twitter: brianstoltz
  • ▶ Instagram: brian_stoltz
  • ▶ YouTube Channel: http://www.youtube.com/user/BrianStoltzVideo
  • ▶ YouTube Music: http://music.youtube.com/channel/UCB5DB6sqkBIonFWtSUbDvPw
  • ▶ Article: http://blues.gr/profiles/blogs/brian-stoltz-interview-neville-new-orleans-funky-meters

Clips (more may be added)

  • Funky Meters
    By Brian Stoltz
    442 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Brian Stoltz:

  • 1 Funk
  • 1 Guitar
  • 1 New Orleans
  • 1 R&B
  • 1 Singer
  • 1 Songwriter
  • Egberto Gismonti Composer
  • John Zorn New York City
  • Gretchen Parlato MPB
  • Martin Koenig Čalgija
  • Cédric Villani Paris
  • Kermit Ruffins Composer
  • Anat Cohen Choro
  • NIcholas Casey International Correspondent
  • Jurandir Santana Barcelona
  • Scott Kettner Second Line
  • Ricardo Bacelar Compositor, Composer
  • Alex de Mora Photographer
  • David Castillo Actor
  • Angel Bat Dawid Jazz
  • Louis Marks Writer
  • Dan Tyminski Guitar
  • Courtney Pine London
  • Alex Hargreaves New School for Jazz and Contemporary Music Faculty
  • Casa PretaHub Cachoeira Estúdio de Gravação, Recording Studio
  • Marc-André Hamelin Composer
  • David Chesky Jazz
  • Gerson Silva Salvador
  • Bukassa Kabengele Singer-Songwriter
  • Sameer Gupta Percussion
  • Isaac Julien England
  • JD Allen Jazz
  • Obed Calvaire Drums
  • Leo Genovese Keyboards
  • Tony Trischka Author
  • Manassés de Souza Viola de Doze
  • Gui Duvignau Brazilian Jazz
  • Tyler Gordon Artist
  • Ronell Johnson Second Line
  • Jeff Tweedy Chicago, Illinois
  • Horácio Reis Compositor, Composer
  • Ana Tijoux Santiago
  • Bongo Joe Records Geneva, Switzerland
  • Burkard Polster Monash University Faculty
  • Hamilton de Holanda Bandolim
  • Bobby Fouther Portland, Oregon
  • Giorgi Mikadze გიორგი მიქაძე Georgian Folk Music
  • Miroslav Tadić Multi-Cultural
  • Babau Santana Samba
  • Clarice Assad Brazil
  • A-KILL Street Artist
  • Kiko Souza Ska
  • Casa Preta Teatro, Theater
  • Riley Baugus Banjo
  • João Bosco Samba
  • Muri Assunção Journalist
  • Sérgio Pererê Percussion
  • Chano Domínguez Piano
  • Cassie Kinoshi Theater Composer
  • Jim Hoke Session Musician
  • Marcus Gilmore New York City
  • Shez Raja Bass
  • Miho Hazama New York City
  • Paulo Costa Lima Compositor, Composer
  • Mehdi Rajabian Iran
  • Eric Bogle Singer-Songwriter
  • Ken Coleman Essayist
  • Alphonso Johnson USC Thornton School of Music Faculty
  • Caroline Shaw Singer
  • Kyle Poole Drums
  • Tonynho dos Santos Cantor-Compositor, Singer-Songwriter
  • Sabine Hossenfelder Singer-Songwriter
  • Felipe Guedes Bahia
  • Luke Daniels Glasgow
  • Dan Nimmer Jazz
  • David Chesky Piano
  • Gringo Cardia Brazil
  • Loli Molina Argentina
  • John Medeski Experimental Music
  • Brandon Seabrook New York City
  • Luíz Paixão Brazil
  • Romero Lubambo MPB
  • João Parahyba Drums
  • Niwel Tsumbu Singer
  • Dee Spencer San Francisco State University Faculty
  • Muhsinah Piano
  • Nath Rodrigues Violin
  • Chris Potter Jazz
  • Christopher James Piano
  • Regina Carter Violin
  • Cale Glendening Cinematographer
  • Ali Jackson Drums
  • Celso Fonseca Guitar
  • William Skeen Early Music
  • Bobby Sanabria Drums
  • Manu Chao Multi-Instrumentalist
  • Andy Romanoff Storyteller
  • Julie Fowlis Scotland
  • Questlove Clive Davis Institute of Recorded Music Faculty
  • Jimmy Greene Western Connecticut State University Faculty
  • Lina Lapelytė Multi-Instrumentalist
  • Ben Allison Concert Producer
  • Lionel Loueke Composer
  • Chubby Carrier Zydeco
  • Will Vinson Saxophone
  • Reuben Rogers Bass
  • John Santos Percussion
  • Chucho Valdés Havana
  • Bright Red Dog Jazz, Electronica, Hip-Hop, Psychedelia, Noise
  • Mark Turner Saxophone
  • Walter Pinheiro Brazilian Jazz
  • Errollyn Wallen Contemporary Classical Music
  • Oleg Fateev Amsterdam
  • Cory Wong Jazz
  • Ron McCurdy Writer
  • The Rheingans Sisters Sheffield
  • Dermot Hussey Pan-Africana
  • Shankar Mahadevan Composer
  • Ivan Neville Multi-Instrumentalist
  • Eduardo Kobra São Paulo
  • G. Thomas Allen Opera
  • Airto Moreira Brazil
  • Samuca do Acordeon Chamamé
  • Gabi Guedes Candomblé
  • Melvin Gibbs Funk, HIp-Hop, Alternative
  • Nilze Carvalho Singer
  • Brad Ogbonna Brooklyn, NY
  • Nick Douglas Tech Writer
  • Terell Stafford Trumpet
  • Hamilton de Holanda Mandolin
  • Ore Ogunbiyi UK
  • Susana Baca Peru
  • Isaiah Sharkey Composer
  • Leonardo Mendes Cantor-Compositor, Singer-Songwriter
  • Jovino Santos Neto Record Producer
  • Calida Rawles Los Angeles
  • Bobby Vega Rock 'n' Roll
  • Alex Rawls Arts Journalist
  • Shalom Adonai Bahia
  • John Archibald Journalist
  • David Bragger Fiddle Instruction
  • Adriano Souza MPB
  • Curly Strings Multi-Cultural
  • Garth Cartwright London
  • Berkun Oya Actor
  • Tessa Hadley Novelist
  • Guillermo Klein Tango
  • Kermit Ruffins Composer
  • Nicolas Krassik Rio de Janeiro
  • Mario Caldato Jr. Record Producer
  • Luciana Souza Singer
  • Fábio Luna Forró
  • Oswaldinho do Acordeon Brazil
  • Armandinho Macêdo Frevo
  • Hugo Linns Composer
  • Marc Ribot Composer
  • King Britt Composer
  • Shuya Okino Writer
  • LaTasha Lee Texas
  • Rosa Passos Guitar
  • Don Byron Dance Performance Scores
  • Alegre Corrêa Jazz
  • Anna Webber Contemporary Classical Music
  • Pat Metheny Jazz
  • Louis Michot Louisiana
  • Tim Hittle Director
  • Thundercat Record Producer
  • Tia Fuller Jazz
  • Walter Blanding Clarinet
  • Léo Rugero Música Nordestina
  • Nicholas Daniel Classical Music
  • Edil Pacheco Brazil
  • Matthew Guerrieri Music Writer
  • Magary Lord Salvador
  • Jelly Green Painter
  • Vanessa Moreno São Paulo
  • Ryan Keberle Melodica
  • Kiko Loureiro Heavy Metal
  • Flora Purim Percussion
  • Marcus Strickland Record Producer
  • Gary Lutz Writer
  • Benny Benack III New York City
  • As Ganhadeiras de Itapuã Folk & Traditional
  • Magda Giannikou New York City
  • Joshua Redman Jazz
  • Giba Gonçalves Salvador
  • Mona Lisa Saloy Poet
  • Giba Gonçalves Percussion
  • André Mehmari Piano
  • Miguel Zenón Jazz
  • Veronica Swift Composer
  • Anat Cohen Clarinet
  • Askia Davis Sr. Writer
  • Restaurante Axego Brazil
  • Caridad De La Luz New York City
  • Luizinho Assis Jazz
  • Barry Harris Educator
  • Caoimhín Ó Raghallaigh Theater Composer
  • Muireann Nic Amhlaoibh Piano
  • Mingus Big Band Jazz
  • Lucian Ban Romania
  • Ana Luisa Barral Bandolim
  • Laércio de Freitas Piano
  • Muhsinah Soul
  • Pharoah Sanders Jazz
  • Sarah Jarosz Banjo
  • Ana Moura Singer
  • Walter Pinheiro Flute
  • Emicida Singer-Songwriter
  • Aperio Houston
  • Mário Santana Bahia
  • Courtney Pine Bass Clarinet
  • PATRICKTOR4 DJ
  • Gerson Silva Record Producer
  • Varijashree Venugopal Multi-Cultural
  • Peter Slevin Journalist
  • Guto Wirtti Choro
  • Ry Cooder Writer
  • Márcio Valverde Santo Amaro
  • Keola Beamer Singer-Songwriter
  • Chano Domínguez Flamenco
  • Greg Kot Journalist
  • Martyn Techno
  • Ruven Afanador Colombia
  • Flying Lotus Record Label Owner
  • Moreno Veloso Guitar
  • Raelis Vasquez Afro-Latinx Art
  • Silas Farley Choreographer
  • Bob Bernotas Rutgers Faculty
  • Byron Thomas Music Director
  • Alê Siqueira Classical Guitar
  • VJ Gabiru Salvador
  • Betsayda Machado Parranda
  • Dale Bernstein Wet Plate Photography
  • Donald Harrison New Orleans
  • Richard Galliano Author
  • Dwandalyn Reece Writer
  • Atlantic Brass Quintet Brass Ensemble
  • Billy O'Shea Steampunk
  • Jas Kayser Composer
  • The Weeknd R&B
  • Derrick Hodge Hip-Hop
  • Gearóid Ó hAllmhuráin Ethnomusicologist
  • Nancy Ruth Composer
  • Alex de Mora Documentary Filmmaker
  • Intisar Abioto Journalist
  • Abel Selaocoe Johannesburg
  • Alana Gabriela Brasil, Brazil
  • Leandro Afonso Screenwriter
  • Will Holshouser Accordion
  • Spok Frevo Orquestra Frevo
  • Jeff Coffin Vanderbilt University Blair School of Music Faculty
  • Bob Bernotas Jazz
  • Philip Watson Ireland
  • Jupiter Bokondji Singer-Songwriter
  • Jeremy Pelt New York City
  • Frank Olinsky Graphic Designer
  • Seu Jorge Samba
  • Richard Bona Singer
  • Gamelan Sekar Jaya Gamelan
  • Marcos Sacramento Samba
  • David Bruce Contemporary Classical Music
  • Sarah Hanahan Juilliard Student
  • Abhijith P. S. Nair Composer
  • Dan Weiss Avant-Garde Jazz
  • Moses Boyd Composer
  • Chico Buarque Brazil
  • Carlos Blanco Brasil, Brazil
  • Margareth Menezes Afropop
  • Billy Strings Guitar
  • Jazzmeia Horn Writer
  • Jorge Pita Bahia
  • Roque Ferreira Salvador
  • David Castillo Singer
  • Turíbio Santos Composer
  • Fatoumata Diawara Singer-Songwriter
  • Miguel Zenón Puerto Rico
  • Bodek Janke Multi-Cultural
  • Mavis Staples Gospel
  • Myron Walden Flute
  • G. Thomas Allen Columbia College Chicago Faculty
  • Peter Erskine Jazz
  • Raynald Colom Barcelona
  • Sam Yahel Hammond B-3
  • Samuca do Acordeon Composer
  • Sierra Hull Singer-Songwriter
  • Alegre Corrêa Berimbau
  • Eric Galm Samba
  • James Gadson Soul
  • Natalia Contesse Chile
  • Shanequa Gay Atlanta, Georgia
  • David Byrne Record Label Owner
  • Richard Rothstein Historian
  • Elza Soares Samba
  • Richard Galliano Paris, France
  • Stephen Guerra Samba
  • Jason Reynolds Writer
  • Musa Okwonga Novelist
  • Milton Primo Chula
  • Colm Tóibín Short Stories
  • Michael Olatuja Nigeria
  • Martin Koenig Čalgija
  • Germán Garmendia YouTuber
  • Ajurinã Zwarg Brazil
  • Catherine Bent Boston
  • Joe Newberry Old-Time Music
  • Jess Gillam Saxophone
  • Patty Kiss Multi-Instrumentalista, Multi-Instrumentalist
  • John Morrison Music Journalist
  • Papa Mali Guitar
  • Saul Williams Filmmaker
  • Fábio Luna Cantor-Compositor, Singer-Songwriter
  • Carlos Aguirre Composer
  • Savoy Family Cajun Band Louisiana
  • Trilok Gurtu Percussion
  • Kimmo Pohjonen Accordion
  • Alexandre Vieira Salvador
  • Celino dos Santos Chula
  • Marilda Santanna Faculdade da UFBA, Federal University of Bahia Faculty
  • Dan Trueman Norwegian Traditional Music
  • Asa Branca Salvador
  • Cory Wong Songwriter
  • Mateus Aleluia Filho Cantor-Compositor, Singer-Songwriter
  • Clarice Assad Brazil
  • Frank Beacham Journalist
  • Joey Alexander Jazz
  • MonoNeon Microtonal
  • Tyler Gordon San Jose, California
  • Capinam Letrista, Lyricist
  • Mikki Kunttu Set Designer
  • Ricardo Herz Rabeca
  • Tony Allen Afrobeat
  • Alana Gabriela Educadora, Educator
  • Jorge Alfredo Roteirista, Screenwriter
  • Luíz Paixão Composer
  • Bob Bernotas Radio Presenter
  • Elodie Bouny Composer
  • Emily Elbert Singer-Songwriter
  • Mingus Big Band New York City
  • Nelson Sargento Rio de Janeiro
  • Ivan Sacerdote Brazilian Jazz
  • Roy Nathanson Film Scores
  • Ron Miles Cornet
  • Curtis Hasselbring Brooklyn, NY
  • María Grand Singer
  • Ana Luisa Barral Composer
  • João Luiz Brazil
  • Clint Smith Writer
  • Bonerama R&B
  • Jacob Collier Singer
  • Alicia Keys New York City
  • Gel Barbosa Brasil, Brazil
  • Plinio Oyò Chula
  • Scott Kettner Second Line
  • Little Simz Hip-Hop
  • Issa Malluf Doumbek

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share