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  • The Bayou Mosquitos

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: The Bayou Mosquitos
  • City/Place: Amsterdam
  • Country: Netherlands

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: The roots are as far-flung as the places of origin of the people who sank them, but they all took well in the fields and swamps of the U.S. deep south.

    Broadly speaking, that's the territory of the Bayou Mosquitos.

    These gentlemen play music from the south of the United States, in particular the cultural treasures of Louisiana and Texas where the accordeon plays an important role. Rhythm & blues, cajun, zydeco and tex mex music are the ingredients to the musical 'gumbo' of the group.

Contact Information

  • Email: [email protected]
  • Contact by Webpage: http://abeldelange.com/contact/

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://www.bayoumosquitos.com/muziek.html
  • ▶ Website: http://www.bayoumosquitos.com

Clips (more may be added)

  • 3:12
    The Bayou Mosquitos - Hey Rosita
    By The Bayou Mosquitos
    313 views
  • 2:55
    Bayou Mosquitos - Mendocino
    By The Bayou Mosquitos
    304 views
  • 3:12
    The Bayou Mosquitos - Steel Guitar Rag - Live uit Lloyd
    By The Bayou Mosquitos
    292 views
  • 4:52
    Bayou Mosquitos - Goodnight Irene
    By The Bayou Mosquitos
    242 views
  • 4:11
    Bayou Mosquitos Ain't No More Cane (Leadbelly)
    By The Bayou Mosquitos
    220 views
  • 2:47
    Bayou Mosquitos - No Me Digas Que Te Vas
    By The Bayou Mosquitos
    277 views
  • Jolie Louise
    By The Bayou Mosquitos
    734 views
Previous
Next

The Bayou Mosquitos Curated

  • 7 Amsterdam
  • 7 Cajun Music
  • 7 Netherlands
  • 7 Tex-Mex
  • 7 Zydeco

What's Been Happening?

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  • The Bayou Mosquitos
    Mark Bingham → Singer-Songwriter has been recommended via The Bayou Mosquitos.
    • October 15, 2021
  • The Bayou Mosquitos
    Mark Bingham → Guitar has been recommended via The Bayou Mosquitos.
    • October 15, 2021
  • The Bayou Mosquitos
    A video was posted re The Bayou Mosquitos:
    The Bayou Mosquitos - Hey Rosita
    Abel de Lange: Guitar, vocals Marius Bos: Accordeon, vocals Louis Ter Burg: Percussion Ad van Beusekom: Double bass.
    • October 6, 2020
  • The Bayou Mosquitos
    A video was posted re The Bayou Mosquitos:
    Bayou Mosquitos - Mendocino
    Bezetting: Abel de Lange: gitaar, zang Marius Bos: keyboard, zang Louis ter Burg: mandoline, percussie Ad van Beusekom: bas, zang
    • October 6, 2020
  • The Bayou Mosquitos
    A video was posted re The Bayou Mosquitos:
    The Bayou Mosquitos - Steel Guitar Rag - Live uit Lloyd
    • October 6, 2020
  • The Bayou Mosquitos
    A video was posted re The Bayou Mosquitos:
    Bayou Mosquitos - Goodnight Irene
    • October 6, 2020
  • The Bayou Mosquitos
    A video was posted re The Bayou Mosquitos:
    Bayou Mosquitos Ain't No More Cane (Leadbelly)
    Bayou Mosquitos @Looiershof Amsterdam 30 juli 2017 met Joe Hudson uit Saugerties NY. Gefilmd door Hans Voorwerk.
    • October 6, 2020
  • The Bayou Mosquitos
    A video was posted re The Bayou Mosquitos:
    Bayou Mosquitos - No Me Digas Que Te Vas
    Abel de Lange: gitaar, zang Marius Bos: accordeon, zang Louis ter Burg: mandoline, percussie Ad van Beusekom: bas, zang
    • October 6, 2020
  • The Bayou Mosquitos
    Gilson Peranzzetta → Record Producer has been recommended via The Bayou Mosquitos.
    • December 15, 2019
  • The Bayou Mosquitos
    Gilson Peranzzetta → Composer has been recommended via The Bayou Mosquitos.
    • December 15, 2019
  • The Bayou Mosquitos
    Gilson Peranzzetta → Record Producer has been recommended via The Bayou Mosquitos.
    • December 15, 2019
  • The Bayou Mosquitos
    Gilson Peranzzetta → Composer has been recommended via The Bayou Mosquitos.
    • December 15, 2019
View More
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Lalah Hathaway Record Producer
  • Vincent Herring Manhattan School of Music Faculty
  • Hugo Rivas Argentina
  • Walter Pinheiro Samba
  • Moses Boyd Record Label Owner
  • Ivan Sacerdote Brazil
  • Arturo O'Farrill New York City
  • Endea Owens Double Bass
  • As Ganhadeiras de Itapuã Folk & Traditional
  • Imanuel Marcus Journalist
  • James Martins Jornalista, Journalist
  • The Assad Brothers San Francisco
  • Neo Muyanga Cape Town
  • Justin Kauflin Jazz
  • André Mehmari Contemporary Classical Music
  • Christopher Silver Montreal
  • Maciel Salú Composer
  • Orrin Evans Piano
  • Julian Lloyd Webber Classical Music
  • Garth Cartwright Writer
  • Zisl Slepovitch New York City
  • Larry Achiampong Ghana
  • Regina Carter Jazz
  • Nonesuch Records Americana
  • Ari Hoenig Author
  • Tiganá Santana Trilhas Sonoras, Film Scores
  • Fred Dantas Euphonium
  • Chris Acquavella Germany
  • Ana Moura Portugal
  • Daphne A. Brooks Yale Faculty
  • Aurino de Jesus Chula
  • Elodie Bouny Lisbon, Portugual
  • Chris Dave Drums
  • Rissi Palmer Americana
  • Joana Choumali Multimedia Artist
  • Liam Farrell 'Dr L' Senegal
  • Ali Jackson Drums
  • Stacy Dillard R&B
  • Marc Cary New York City
  • Cyro Baptista Brazil
  • Melvin Gibbs Funk, HIp-Hop, Alternative
  • Mona Lisa Saloy Louisiana
  • Burhan Öçal Bendir
  • Paul Cebar Multi-Cultural
  • Richie Stearns Old-Time Music
  • Rudy Royston Percussion
  • Juliana Ribeiro Brazil
  • Marisa Monte Record Producer
  • Yilian Cañizares Ecole de Jazz et de Musique Actuelle Faculty
  • Ivo Perelman Brazil
  • Rebeca Tárique Música Afro-Baiana, Afro-Bahian Music
  • Nancy Viégas Fotógrafa, Photographer
  • Sarah Jarosz New York City
  • Juçara Marçal Brazil
  • Malin Fezehai Brooklyn, NY
  • Gilberto Gil Bahia
  • Chris Thile New York City
  • Steve Earle Multi-Instrumentalist
  • Ariel Reich Mark Morris Dance Group Teaching Artist Faculty
  • Darren Barrett Reggae
  • Sunn m'Cheaux Writer
  • Christopher James Musicologist
  • Oleg Fateev Moldavia
  • Isaac Butler Actor
  • Noam Pikelny Banjo Instruction
  • Johnny Vidacovich Drums
  • Ferenc Nemeth Hungary
  • Nardis Jazz Club Istanbul
  • Chico Buarque MPB
  • Turíbio Santos Composer
  • Fabrício Mota Historiador, Historian
  • Paulo Dáfilin Guitar
  • Kim Hill DJ
  • Philip Cashian Royal Academy of Music Staff
  • Giba Gonçalves Bahia
  • Gino Banks Drums
  • Gui Duvignau Brooklyn, NY
  • Matias Traut Jazz
  • Spider Stacy Singer-Songwriter
  • Tierra Whack Philadelphia
  • Zulu Araújo Produtor Cultural, Cultural Producer
  • Timothy Duffy Photographer
  • Marko Djordjevic Composer
  • Curly Strings Tallinn
  • Christopher Wilkinson Movie Director
  • Chris Boardman Orchestrator
  • Ana Moura Lisbon
  • Babau Santana Brasil, Brazil
  • Arturo Sandoval Composer
  • Célestin Monga Author
  • Onisajé Educadora, Educator
  • Ron Miles Trumpet
  • Andrew Huang Multi-Instrumentalist
  • Joel Guzmán Tex-Mex
  • Judith Hill Soul
  • Mike Compton Folk & Traditional
  • Marco Pereira Samba
  • Maladitso Band African Music
  • Branford Marsalis Saxophone
  • Jeremy Danneman Singer-Songwriter
  • Tia Fuller Jazz
  • Brian Stoltz Singer
  • Nelson Latif Violão de Sete
  • Celso Fonseca Record Producer
  • Conrad Herwig New York City
  • Gerald Albright Saxophone
  • Scott Yanow Music Critic
  • Jonga Cunha Radio Presenter
  • Sérgio Pererê Brazil
  • Arismar do Espírito Santo Choro
  • Mika Mutti Brazil
  • Vincent Valdez Printmaker
  • Nego Álvaro Brazil
  • Martin Hayes Fiddle
  • Willie Jones III New York City
  • Kehinde Wiley New York City
  • Renato Braz Brazil
  • Brentano String Quartet Classical Music
  • Maurício Massunaga Rio de Janeiro
  • Jean-Paul Bourelly Record Producer
  • Anders Osborne Americana
  • Guto Wirtti Rio de Janeiro
  • Júlio Lemos Choro
  • Paulinho da Viola Brazil
  • Celso Fonseca Bossa Nova
  • Kenyon Dixon Soul
  • THE ROOM Shibuya DJs
  • Capinam Bahia
  • Jon Faddis Jazz
  • Amy K. Bormet Singer
  • Jon Lindsay Brooklyn, NY
  • Joe Fiedler Multi-Cultural
  • Damon Krukowski Journalist
  • Soweto Kinch Composer
  • Tero Saarinen Choreographer
  • Mykia Jovan Jazz
  • Thundercat Los Angeles
  • Joe Chambers Piano
  • Steven Isserlis London
  • John Edward Hasse Record Producer
  • Harold López-Nussa Composer
  • Yamandu Costa Choro
  • Joachim Cooder Drums
  • Bai Kamara Jr. Sierra Leone
  • Daymé Arocena Santeria
  • William Skeen Cello
  • Courtney Pine Clarinet
  • Gavin Marwick Fiddle
  • Marko Djordjevic Jazz
  • Andra Day Actor
  • Brandee Younger Classical Music
  • Luizinho Assis Salvador
  • Nathan Amaral Classical Music
  • Pedrão Abib Bahia
  • Nelson Cerqueira Salvador
  • Emily Elbert Guitar
  • Chris Thile Composer
  • Maia Sharp Nashville, Tennessee
  • Eric Bogle Australia
  • Stephen Kurczy The King's College Faculty
  • Sophia Deboick England
  • Ron McCurdy Writer
  • Jason Moran Composer
  • Hendrik Meurkens Harmonica
  • Swizz Beatz Art Collector
  • Mateus Asato Songwriter
  • Marília Sodré Cantora, Singer
  • Zisl Slepovitch Composer
  • Shamarr Allen Singer-Songwriter
  • Bhi Bhiman Americana
  • Cimafunk Cuba
  • Evgeny Kissin Writer
  • Celino dos Santos Terra Nova
  • Raynald Colom Flamenco
  • Monty's Good Burger Fries, Tots & Shakes
  • Owen Williams Writer
  • Colm Tóibín Novelist
  • Art Rosenbaum Folklorist
  • Renee Rosnes Jazz
  • Rachael Price Jazz
  • George Porter Jr. Bass
  • Tero Saarinen Helsinki
  • Luciano Calazans Bahia
  • Joe Chambers New York City
  • Luke Daniels Scotland
  • Sam Harris Piano
  • Ben Azar Guitar Instruction
  • Cory Wong Jazz
  • Ricky (Dirty Red) Gordon Percussion
  • Garvia Bailey Radio Producer
  • Arthur Jafa Multidisciplinary Artist
  • Paulinho do Reco Percussion
  • Tia Fuller Composer
  • Luciano Matos DJ
  • Jurandir Santana Brazilian Jazz
  • Tshepiso Ledwaba Classical Music
  • THE ROOM Shibuya Cocktail Bar
  • Timothy Jones Violin
  • Milton Primo Singer-Songwriter
  • Kalani Pe'a Hawaiian Music
  • Reena Esmail Piano
  • Kiko Souza Salvador
  • Silas Farley Choreographer
  • Africania Bahia
  • Guto Wirtti Guitar
  • Evgeny Kissin Poet
  • Maria Drell Higher Education Professional
  • Martin Koenig Ethnomusicologist
  • Nabih Bulos Classical Music
  • Kazemde George Jazz
  • Kim Hill Songwriter
  • Gaby Moreno Singer-Songwriter
  • Rogê Rio de Janeiro
  • Luíz Paixão Forró
  • Gringo Cardia Brazil
  • Cécile McLorin Salvant New York City
  • Andrew Huang Songwriter
  • Amaro Freitas Piano
  • Jon Cowherd Record Producer
  • Mariana Zwarg Samba
  • Inaicyra Falcão Cantora, Singer
  • Marília Sodré MPB
  • Marcus Strickland Composer
  • Luis Perdomo Piano
  • Nettrice R. Gaskins Cultural Critic
  • Jeremy Pelt New York City
  • Bob Bernotas Jazz Historian
  • Archie Shepp Record Label Owner
  • Restaurante Axego Brazil
  • Daniel Jobim Rio de Janeiro
  • Ed O'Brien London
  • Caroline Shaw Record Producer
  • Burhan Öçal Istanbul
  • Igor Osypov Guitar
  • Kotringo Tokyo
  • José Antonio Escobar Spain
  • Nguyên Lê Film Scores
  • Frank Negrão Blues
  • Chano Domínguez Cádiz
  • Matthew F Fisher Collaborative Artist
  • Toninho Ferragutti Accordion
  • Philipp Meyer Novelist
  • Nara Couto Bahia
  • Isaiah J. Thompson New York City
  • Anthony Hamilton Los Angeles
  • Martyn DJ
  • Teresa Cristina Singer
  • Romero Lubambo Choro
  • Giba Gonçalves Percussion
  • Nicole Mitchell Flute
  • Luiz Santos Multi-Cultural
  • David Byrne Writer
  • Terrace Martin Record Label Owner
  • Oteil Burbridge Jazz
  • Menelaw Sete Artista Plástico, Artist
  • Nailor Proveta Brasil, Brazil
  • Jill Scott Actor
  • Michel Camilo Music Director
  • Angel Bat Dawid Jazz
  • Papa Grows Funk New Orleans
  • Teddy Swims Singer-Songwriter
  • Hélio Delmiro Brazil
  • Barlavento Brazil
  • Jeff Preiss Producer
  • Burhan Öçal Kös
  • Egberto Gismonti Brazil
  • MonoNeon Composer
  • Lucía Fumero Barcelona
  • James Martins Brasil, Brazil
  • Peter Erskine USC Thornton School of Music Faculty
  • Toumani Diabaté Kora
  • Lynne Arriale University of North Florida Faculty
  • Oscar Peñas Jazz
  • Lenny Kravitz Record Producer
  • Edsel Gomez Puerto Rico
  • Jon Madof Educator
  • Burhan Öçal Turkish Music
  • Carlos Malta Composer
  • Michael Peha Talent Management
  • Lauranne Bourrachot Television Producer
  • Welson Tremura Choro
  • Karim Ziad Jazz
  • Karsh Kale कर्ष काळे Electronic Music
  • Ronell Johnson New Orleans
  • Mestre Barachinha Maracatu
  • Mazz Swift Brooklyn, NY
  • Fred Dantas Big Band Leader
  • Luciana Souza Brazil
  • Trilok Gurtu Multi-Cultural
  • Marcus Rediker Activist
  • Ronaldo Bastos Rio de Janeiro
  • David Ngwerume Africa
  • Camille Thurman Saxophone
  • Filhos de Nagô Samba de Roda
  • Ivan Bastos Jazz Brasileiro, Brazilian Jazz
  • Darcy James Argue Big Band
  • Lívia Mattos Salvador
  • Alexia Arthurs Writer
  • Lynne Arriale Piano
  • Willy Schwarz Multi-Cultural
  • Bukassa Kabengele Guitar
  • Shuya Okino Radio Presenter
  • Spok Frevo Orquestra Brazil
  • Wolfgang Muthspiel Record Label Owner
  • Aaron Diehl Composer
  • Jorge Washington Chef
  • Scott Devine Bass Instruction
  • Gregory Porter Songwriter
  • Denzel Curry Los Angeles
  • Serginho Meriti Composer
  • Stephanie Soileau Writer
  • Reggie Ugwu Pop Culture Reporter
  • Eric Alper Public Relations
  • Giorgi Mikadze გიორგი მიქაძე Microtonal
  • Elizabeth LaPrelle Old-Time Music
  • Fábio Zanon São Paulo
  • Kurt Rosenwinkel Composer
  • Tito Jackson R&B
  • Anne Gisleson Writer
  • Roy Ayers New York City
  • Scott Kettner Jazz
  • Nancy Viégas Indie Experimental
  • Weedie Braimah Jazz
  • Sandi Bachom New York City
  • Les Thompson Goldsmith
  • Alicia Svigals Violin
  • Jane Cornwell Journalist
  • Alberto Pitta Bahia
  • Musa Okwonga Essayist
  • Asma Khalid Journalist
  • Gail Ann Dorsey Bass
  • Maia Sharp NYU Steinhardt Faculty
  • Sharita Towne Video Artist
  • João Callado Cavaquinho
  • Glória Bomfim Bahia
  • Gevorg Dabaghyan Yerevan State Conservatory Faculty
  • Sheryl Bailey New York City
  • Tyshawn Sorey Composer
  • 小野リサ Lisa Ono Guitar
  • Toumani Diabaté Multi-Cultural
  • Paolo Fresu Paris, France
  • Kengo Kuma Tokyo
  • Kaia Kater Singer-Songwriter
  • Siba Veloso Brazil
  • Trombone Shorty Second Line
  • Hercules Gomes Piano
  • Iara Rennó Produtora Musical, Music Producer
  • Mauro Senise Brazilian Jazz
  • Casey Benjamin Jazz
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