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  • Mick Goodrick

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Mick Goodrick
  • City/Place: Boston
  • Country: United States

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: "I got started because of Elvis Presley. I was maybe 9 or 10 years old. I put a belt on a tennis racquet and would mime the records in front of a mirror. I told my parents I wanted a guitar because the tennis racquet didn't look so cool. They got me a ukulele, which looked even worse in the mirror than the tennis racquet. When they started offering music lessons at my school, my mother asked me if I wanted to learn music, and I said I wanted to learn guitar. So I started guitar when I was 11."

    "In my teaching, I focus on the fundamentals of what I think someone who wants to be a jazz guitar player needs to be able to do. Sometimes other things about being in the business and in the profession come up. They're unscheduled, but they often lead to some of the most interesting times that we spend together."

    "My students almost always play with a metronome. If it's a jazz tune, it's clicking on two and four. When it gets past a certain tempo, some people will turn it around so that the click is on 1 and 3. And I treat that as the worst thing that can happen. I tell them, 'You need to pay attention to the metronome as if it were the voice of God. It's the most important thing.'"

    "You can tell when you've really gotten across with someone. It kind of hits you over the head. When someone really gets something, they light up like a Christmas tree—and you get the same feeling, from having spent so much time with them. It's really very obvious, and it's very, very cool when it happens."

    From https://www.berklee.edu/people/mick-goodrick

Media | Markets

  • ▶ Book Purchases: http://www.amazon.com/Mick-Goodrick/e/B00NRRDYGK/
  • ▶ Website: http://www.berklee.edu/people/mick-goodrick
  • ▶ Spotify: http://open.spotify.com/album/2tfoVRB8ePZIqvGVpWbHLl
  • ▶ Article: http://jazztimes.com/features/profiles/guitarist-mick-goodrick/

My Writing

  • Publications: The Advancing Guitarist, by Mick Goodrick

    Veteran musician and educator Mick Goodrick presents practical information for guitarists who want to improve their playing technique and style and simply become better musicians. Rather than a step-by-step method book, the information is presented in a general essay format, discussing ways that the various techniques covered may be applied by the advancing guitarist to enhance his/her own style of playing, some of the areas discussed include: basic fingerboard mechanics * modes, scales and chords * contemporary harmony * harmonica and overtone influences * being self-critical * improvising short pieces * different playing situations.

Clips (more may be added)

  • Pat Metheny & Mick Goodrick - Meditation [HD]
    By Mick Goodrick
    469 views
  • Como foi ser aluno do mestre do mestres (Mick Goodrick)?
    By Mick Goodrick
    380 views
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Mick Goodrick Curated

  • 1 Author
  • 1 Berklee College of Music Faculty
  • 1 Guitar

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  • Mick Goodrick
    A category was added to Mick Goodrick:
    Author
    • April 27, 2020
  • Mick Goodrick
    A category was added to Mick Goodrick:
    Berklee College of Music Faculty
    • April 27, 2020
  • Mick Goodrick
    A category was added to Mick Goodrick:
    Guitar
    • April 27, 2020
  • Mick Goodrick
    A video was posted re Mick Goodrick:
    Pat Metheny & Mick Goodrick - Meditation [HD]
    Montreal Jazz Festival 2005, Pat Metheny & Mick Goodrick playing "Meditation" by Antonio Carlos Jobim. More of guitar HD videos at http://www.guitar-tube.com
    • April 27, 2020
  • Mick Goodrick
    A video was posted re Mick Goodrick:
    Como foi ser aluno do mestre do mestres (Mick Goodrick)?
    Nesse video eu narro um pouco dos 2 anos que tive debaixo da tutela do mestre dos mestres Mick Goodrick, um dos maiores guitarristas, didatas de todos os tem...
    • April 27, 2020
  • Mick Goodrick
    Mick Goodrick is matrixed!
    • April 27, 2020
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Cleber Augusto Songwriter
  • Vinson Cunningham Writer
  • Mandisi Dyantyis South African Jazz
  • Ben Harper Multi-Instrumentalist
  • Fatoumata Diawara Mali
  • André Becker Salvador
  • Ben Azar Israel
  • Reena Esmail Piano
  • Bombino Blues
  • Barlavento Salvador
  • Plinio Oyò Bahia
  • Dumpstaphunk Funk
  • Mateus Alves Recife
  • Christopher James Composer
  • Eric Harland Drums
  • James Shapiro Writer
  • Jon Lindsay Theater Scores
  • Paul McKenna Irish Traditional Music
  • Edsel Gomez Composer
  • Antonio Adolfo Escritor, Writer
  • John Patrick Murphy Saxophone
  • Shanequa Gay Installation
  • Piti Canella Gestor Público, Public Servant
  • Peter Mulvey Americana
  • David Fiuczynski Composer
  • Vincent Herring Saxophone
  • Utar Artun Piano
  • Beth Bahia Cohen Kabak Kemane
  • Jessie Reyez Canada
  • Derrick Hodge Record Producer
  • João Callado Music Producer
  • Toninho Nascimento Samba
  • Anthony Hervey Actor
  • Karla Vasquez Chef
  • Seu Regi de Itapuã Itapuã
  • Renee Rosnes Jazz
  • Helder Barbosa Bahia
  • Askia Davis Sr. Educational Consultant
  • Endea Owens New York City
  • Cristiano Nogueira Travel Marketer
  • Anthony Hervey Singer
  • Sarah Hanahan Saxophone
  • Catherine Bent Composer
  • Maria Struduth Produtora Cultural, Cultural Producer
  • Mulatu Astatke Ethio-Jazz
  • Duncan Chisholm Traditional Scottish Music
  • Delfeayo Marsalis Composer
  • Brett Orrison Austin, Texas
  • Shamarr Allen Trumpet
  • Yvette Holzwarth Violin
  • Terell Stafford Jazz
  • Sebastian Notini Brasil, Brazil
  • Gerald Clayton Los Angeles
  • Rebeca Tárique Cantora-Compositora, Singer-Songwriter
  • Zeca Baleiro MPB
  • Elza Soares Brazil
  • Otmaro Ruiz Piano
  • Marc-André Hamelin Composer
  • Herlin Riley New Orleans
  • Guto Wirtti Composer
  • Moacyr Luz Samba
  • Deesha Philyaw Writer
  • Mona Lisa Saloy Poet
  • Liz Pelly Writer
  • Eric Galm Ethnomusicologist
  • Imanuel Marcus Journalist
  • David Kirby Non-Fiction
  • Ryan Keberle MPB
  • Geovanna Costa Samba
  • Simon Shaheen Arabic Music
  • Nooriyah نوريّة DJ
  • Kendrick Scott Jazz
  • Omari Jazz Brainfeeder
  • Mauro Refosco Brasil, Brazil
  • King Britt University of San Diego Faculty
  • Daymé Arocena Composer
  • Roy Ayers Singer
  • Ann Hallenberg Opera Singer
  • Menelaw Sete Cubismo Afro-Brasileiro, Afro-Brazilian Cubism
  • Ivo Perelman Brazilian Jazz
  • Kimberlé Crenshaw UCLA Law School Faculty
  • Dhafer Youssef ظافر يوسف Multi-Cultural
  • Ricardo Bacelar Brasil, Brazil
  • Colson Whitehead Novelist
  • Jon Batiste Funk
  • Nora Fischer Classical Music
  • Dadá do Trombone Jazz Afro-Baiano, Afro-Bahian Jazz
  • Mona Lisa Saloy Folklorist
  • Doug Wamble Singer-Songwriter
  • Chico Buarque MPB
  • Román Díaz Havana
  • David Byrne Singer-Songwriter
  • Tony Trischka Old-Time Music
  • Mohamed Diab Egypt
  • Fred Hersch Piano
  • Paddy Groenland Jazz
  • Sarah Hanahan Jazz
  • Hugo Linns Pernambuco
  • Yamandu Costa Choro
  • Ayrson Heráclito Candomblé
  • 小野リサ Lisa Ono Jazz
  • Carl Joe Williams Sculptor
  • Frank Beacham New York City
  • Steve Coleman Multi-Cultural
  • Weedie Braimah Jazz
  • Arismar do Espírito Santo Brazilian Jazz
  • Seckou Keita Kora
  • André Becker Saxophone
  • Errollyn Wallen Singer-Songwriter
  • Anna Webber Saxophone
  • Zé Luíz Nascimento Paris
  • Samba de Lata Bahia
  • Angelique Kidjo Benin
  • Ilê Aiyê Bloco Afro
  • Maia Sharp Country
  • Sharita Towne Printmaker
  • Miles Mosley Singer
  • Jim Lauderdale Bluegrass
  • Negrizu Brasil, Brazil
  • Kotringo Singer-Songwriter
  • 小野リサ Lisa Ono Brazil
  • Benny Benack III Pittsburgh
  • Ravi Coltrane Composer
  • João Teoria Bandlíder, Bandleader
  • Echezonachukwu Nduka Classical Music
  • Lula Galvão MPB
  • David Simon Television Writer
  • Soweto Kinch Birmingham, UK
  • Nelson Ayres Brazil
  • Marcelo Caldi Brazil
  • Sebastian Notini Bahia
  • Hua Hsu Vassar College Faculty
  • Steve Lehman Saxophone
  • Amitava Kumar India
  • Lula Galvão Brazilian Jazz
  • Celino dos Santos Bahia
  • Paolo Fresu Theater Scores
  • Ben Monder New York City
  • Jess Gillam Saxophone
  • Guinga Guitar
  • Neo Muyanga South Africa
  • Richard Bona Composer
  • Hugo Rivas Composer
  • Pretinho da Serrinha Rio de Janeiro
  • Pururu Mão no Couro Bahia
  • James Strauss Flute
  • Thomas Àdes London
  • Vincent Herring Manhattan School of Music Faculty
  • Joan Chamorro Clarinets
  • Hugo Linns Recife
  • Michael Janisch Avant-Garde Jazz
  • João Luiz Classical Guitar
  • Matt Glaser Jazz
  • Elisa Goritzki Brazil
  • Lucio Yanel Singer
  • Jason Reynolds Poet
  • Eric Alexander Jazz
  • Dudu Reis Samba
  • Isaac Julien England
  • Paulinho do Reco Bahia
  • Jon Otis Drums
  • Ênio Bernardes Bahia
  • Eric Galm Samba
  • Hisham Mayet Filmmaker
  • Paolo Fresu Bologna, Italy
  • Zeca Freitas Maestro, Conductor
  • Yilian Cañizares Afro-Cuban Music
  • Dave Jordan Singer-Songwriter
  • Olivia Trummer Germany
  • Joe Fiedler Jazz
  • H.L. Thompson Artist Development
  • Benny Benack III Jazz
  • Anders Osborne Blues
  • Gal Costa MPB
  • Mauro Senise Rio de Janeiro
  • Nick Douglas Writer
  • João Jorge Rodrigues Ativista Cultural, Cultural Activist
  • Monty's Good Burger Vegan Chicken Sandwiches
  • Avishai Cohen אבישי כה Composer
  • Casuarina Brasil, Brazil
  • Garvia Bailey Radio Presenter
  • Rosângela Silvestre Candomblé
  • Tia Fuller Saxophone
  • Hopkinson Smith Basel
  • Ben Wendel New School Faculty
  • Manu Chao Multi-Cultural
  • Hélio Delmiro Guitar
  • Maia Sharp NYU Steinhardt Faculty
  • Anthony Wilson Jazz
  • Seu Regi de Itapuã Brasil, Brazil
  • André Muato Singer-Songwriter
  • Chucho Valdés Afro-Cuban Jazz
  • Jazzmeia Horn New York City
  • Zé Katimba Samba
  • J. Pierre New Orleans
  • Tank and the Bangas Spoken Word
  • Marc Johnson Record Producer
  • Christian Sands Jazz
  • Mauro Refosco Experimental, Eletrônica, Electronic
  • Mateus Aleluia Filho Cachoeira
  • Marcus Teixeira EMESP Tom Jobim Faculty
  • Michael Pipoquinha Brazilian Jazz
  • Darcy James Argue Brooklyn, NY
  • Gabrielzinho do Irajá Cavaquinho
  • Will Holshouser Folk & Traditional
  • Steven Isserlis London
  • Amaro Freitas Maracatu
  • Adam Rogers Guitar
  • Margaret Renkl Journalist
  • Flavio Sala Guitar Instruction, Master Classes
  • Orrin Evans Philadelphia, Pennsylvania
  • Howard Levy Latin Jazz
  • Shemekia Copeland Blues
  • John Santos Record Label Owner
  • Wayne Krantz Guitar
  • Patricia Janečková Prague
  • Magary Lord Bahia
  • Johnny Vidacovich Second Line
  • Carlos Aguirre Singer
  • Ricardo Markis Brasil, Brazil
  • Brad Mehldau Composer
  • Raymundo Sodré Brazil
  • Saul Williams Filmmaker
  • Omer Avital Composer
  • Barry Harris New York City
  • Chico César MPB
  • Tiganá Santana Trilhas Sonoras, Film Scores
  • Joe Newberry Banjo Instruction
  • Ajurinã Zwarg Brazil
  • Vivien Schweitzer New York City
  • Dan Auerbach Record Producer
  • Tom Bergeron Niterói, Rio de Janeiro
  • Jahi Sundance Hip-Hop
  • Keyon Harrold Jazz
  • Willie Jones III Jazz
  • Sharay Reed Gospel
  • Nana Nkweti Writer
  • João Luiz Brazilian Classical Guitar
  • Nicole Mitchell Flute
  • Demond Melancon Big Chief
  • John Waters Ireland
  • Chris Speed Composer
  • Andrew Huang Guitar
  • Gilson Peranzzetta Rio de Janeiro
  • Tommaso Zillio Metal
  • Carrtoons Multi-Instrumentalist
  • Mário Santana Bahia
  • Varijashree Venugopal Multi-Cultural
  • Mona Lisa Saloy Dillard University Faculty
  • Bill Laurance Classical Music
  • Alicia Hall Moran Jazz
  • Sam Reider Singer-Songwriter
  • Tutwiler Quilters Mississippi
  • Jason Treuting Composer
  • Pierre Onassis Bahia
  • Irma Thomas Gospel
  • Papa Grows Funk New Orleans
  • Fantastic Negrito Blues
  • Luciano Matos Brasil, Brazil
  • Bebel Gilberto MPB
  • Nabihah Iqbal Singer-Songwriter
  • Bill Hinchberger Communications Consultant
  • Roy Germano Filmmaker
  • Ubiratan Marques Salvador
  • Fábio Peron Compositor, Composer
  • Madhuri Vijay Novelist
  • Jon Faddis Composer
  • Seth Rogovoy Klezmer
  • Michael Kiwanuka London
  • Barry Harris Jazz
  • Keola Beamer Composer
  • Toninho Ferragutti Accordion
  • Towa Tei テイ・トウワ Keyboards
  • Toninho Horta Singer
  • Vivien Schweitzer Music Critic
  • Margareth Menezes Samba-Reggae
  • Keshav Batish Percussion
  • Vivien Schweitzer Photographer
  • Robi Botos Composer
  • Zara McFarlane Jazz
  • MicroTrio de Ivan Huol Bahia
  • Aditya Prakash Composer
  • Zara McFarlane Soul
  • Hélio Delmiro Brazil
  • J. Period Record Producer
  • Tyler Hayes Tech Writer
  • Saileog Ní Cheannabháin Fiddle
  • Tonho Matéria Samba
  • Alessandro Penezzi São Paulo
  • Jeremy Danneman New York City
  • Jamael Dean Los Angeles
  • Donnchadh Gough Ireland
  • Vik Sohonie Record Producer
  • Martin Koenig Ethnomusicologist
  • Renato Braz Percussion
  • Nancy Viégas MPB
  • Peter Dasent Television Scores
  • Gregory Hutchinson R&B
  • Cacá Diegues Diretor de Filmes, Film Director
  • Turíbio Santos Guitar
  • Damion Reid Jazz
  • Jason Marsalis Drums
  • Monty's Good Burger Southern California
  • Adenor Gondim Brazil
  • James Martins Crítico Cultural, Cultural Critic
  • Paquito D'Rivera Cuba
  • Barry Harris Educator
  • Jeremy Danneman Klezmer
  • Bruno Monteiro Brasil, Brazil
  • Arturo Sandoval Trumpet
  • Menelaw Sete Escultor, Sculptor
  • Leonardo Mendes MPB
  • Nigel Hall R&B
  • Taylor Ashton Visual Artist
  • Márcio Valverde Samba
  • Eric Roberson Singer-Songwriter
  • Diego Figueiredo Violão, Guitar
  • Samba de Lata Samba
  • João Callado Composer
  • Ahmad Sarmast Classical Music
  • Brian Q. Torff Composer
  • J. Period DJ
  • Samuel Organ Guitar
  • Cainã Cavalcante MPB
  • Marcos Suzano Rio de Janeiro
  • Antonio Sánchez Jazz
  • Sergio Krakowski Pandeiro Instruction
  • Timothy Duffy Photographer
  • Gilmar Gomes Percussion
  • Wolfgang Muthspiel Record Label Owner
  • Tommy Peoples Donegal Fiddle
  • Plínio Fernandes London
  • Muireann Nic Amhlaoibh Singer
  • Bruno Monteiro Jornalista, Journalist
  • Wayne Escoffery Saxophone Instruction / Online Classes
  • Mou Brasil Brasil, Brazil
  • Trombone Shorty Songwriter
  • Issa Malluf Riq
  • Neo Muyanga Cape Town
  • Jill Scott R&B
  • João do Boi Bahia
  • Paulinho da Viola Singer-Songwriter
  • Muireann Nic Amhlaoibh Celtic
  • Arthur L.A. Buckner Drum Instruction
  • J. Cunha Bahia
  • Gearóid Ó hAllmhuráin Concertina
  • Wilson Café Bahia
  • Joel Guzmán Conjunto
  • Nelson Cerqueira Ensaísta, Essayist
  • Ayrson Heráclito Cachoeira
  • Nabihah Iqbal Radio Presenter
  • Brandee Younger Pop Music
  • Cory Wong Funk
  • Bill Summers Batá Drums
  • Mario Ulloa Federal University of Bahia Faculty
  • Brian Jackson Keyboards
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