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  • Terri Hinte

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Terri Hinte
  • City/Place: San Francisco Bay Area
  • Country: United States

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Soon after arriving in the Bay Area from her native New York in the early 1970s, Terri Hinte began working at Berkeley’s Fantasy Records. By the end of that decade she’d become the label’s publicity director, a post she held for nearly 30 years. She was privileged during that time to promote the music and professional endeavors of many hundreds of artists, ranging from Bill Evans and Hank Crawford to Sylvester and Sonny Rollins. Terri took a special interest in Brazilian music, learning Portuguese and traveling extensively in Brazil. In 2006—the year she left the company—she was honored as the De Facto Curator of Fantasy Records by the Jazz Journalists Association, which presented her with one of its A Team Awards.

    As a freelancer, Terri continues to handle public relations for artists and musical enterprises whose work she admires. She is also a travel writer and essayist, a longtime student of metaphysics, and former chair of the Arts and Culture Commission for the city of Richmond, California, where she works and gardens.

    Terri is currently working with Sonny Rollins, whom she has represented since 1978; Chicago vocalist Carolyn Fitzhugh, whose second album Living in Peace was produced by Mark Ruffin and arranged by Amina Figarova; Songs: The Music of Allen Toussaint, the new album by the New Orleans Jazz Orchestra and their first under the artistic direction of Adonis Rose; vocalist Laurie Antonioli's The Constant Passage of Time, her third recording with her American Dreams band; Encantada Live, the latest by Rio-born, California-based vocalist-composer Claudia Villela; keyboardist-composer Marcos Silva's third album (and first in 30 years), Brasil From Head to Toe; Transitions, the latest work by the Marcus Shelby Orchestra, featuring a four-part suite exploring Negro League baseball; and Sailing Home, the new Origin CD by Texas singer-songwriter Rosana Eckert, produced by Peter Eldridge.

    During her many years at Fantasy Records, Terri Hinte was responsible for writing, assigning, and/or editing all bios, press releases, liner notes, newsletters, ads, brochures, and miscellaneous copy generated in connection with the company’s CDs and supporting promotional materials. “Her newsletters and advisories were light-years beyond the puffery that passes for publicity in too many precincts of the music business,” wrote Doug Ramsey in his blog, Rifftides.

    Terri was the principal contributor to the Brazilian music section of the original All Music Guide (1993). Travelers’ Tales Brazil (1997) includes two of her essays, one of which—“Argentino”—was a first-prize winner in the 1994 Book Passage Travel Writing Conference writing contest. Since 1994 she has been a member of the Women Writers’ Workshop of Oakland, California. She co-edited (with Elizabeth Fishel) and contributed to the group’s two collections, Wednesday Writers: Ten Years of Writing Women’s Lives (2003) and Something That Matters (2007).

    In 2006 Terri wrote the booklet essay for the boxed set The Prime of Antonio Carlos Jobim (Runt/Water Music). She was honored in the annual Solas Awards for Best Travel Writing in 2007 (Silver Certificate for her story “Ask and Receive,” in the Travel and Healing category) and 2010 (Gold Certificate for “Hulk and Me,” Animal Encounter category).

Contact Information

  • Email: [email protected]
  • Contact by Webpage: http://www.terrihinte.com/home/#contact
  • Telephone: + 1 (510) 234-8781

Media | Markets

  • ▶ Twitter: terrihinte
  • ▶ Website: http://www.terrihinte.com
  • ▶ Article: http://www.allaboutjazz.com/terri-hinte-co-creating-the-image-of-jazz-sonny-rollins-by-victor-l-schermer
  • ▶ Article 2: http://static1.squarespace.com/static/5cb134e6b2cf790d711e7a92/t/5cb18f299b747a58e89ecaf1/1555140396677/JI_interview.pdf

Clips (more may be added)

  • 0:08:42
    Terri Hinte, Jazz Publicist: "My Client, Sonny Rollins"
    By Terri Hinte
    118 views
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Terri Hinte Curated

  • 3 Jazz Publicist
  • 3 Liner Notes
  • 3 Music Writer
  • 3 Travel Writer

What's Been Happening?

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  • Terri Hinte
    Sandi Bachom → Visual Journalist has been recommended via Terri Hinte.
    • August 16, 2022
  • Terri Hinte
    Sandi Bachom → Press Photographer has been recommended via Terri Hinte.
    • August 16, 2022
  • Terri Hinte
    Sandi Bachom → New York City has been recommended via Terri Hinte.
    • August 16, 2022
  • Terri Hinte
    Sandi Bachom → Documentary Filmmaker has been recommended via Terri Hinte.
    • August 16, 2022
  • Terri Hinte
    Ana Moura → Singer has been recommended via Terri Hinte.
    • April 22, 2022
  • Terri Hinte
    Ana Moura → Portugal has been recommended via Terri Hinte.
    • April 22, 2022
  • Terri Hinte
    Ana Moura → Lisbon has been recommended via Terri Hinte.
    • April 22, 2022
  • Terri Hinte
    Ana Moura → Fado has been recommended via Terri Hinte.
    • April 22, 2022
  • Terri Hinte
    Alyn Shipton → Writer has been recommended via Terri Hinte.
    • April 21, 2022
  • Terri Hinte
    Alyn Shipton → Radio Presenter has been recommended via Terri Hinte.
    • April 21, 2022
  • Terri Hinte
    Alyn Shipton → Music Critic has been recommended via Terri Hinte.
    • April 21, 2022
  • Terri Hinte
    Alyn Shipton → Jazz Historian has been recommended via Terri Hinte.
    • April 21, 2022
  • Terri Hinte
    Alyn Shipton → Double Bass has been recommended via Terri Hinte.
    • April 21, 2022
  • Terri Hinte
    Alyn Shipton → Bass has been recommended via Terri Hinte.
    • April 21, 2022
  • Terri Hinte
    Jared Sims → West Virginia University Faculty has been recommended via Terri Hinte.
    • March 31, 2022
  • Terri Hinte
    Jared Sims → Saxophone has been recommended via Terri Hinte.
    • March 31, 2022
  • Terri Hinte
    Jared Sims → Ropeadope has been recommended via Terri Hinte.
    • March 31, 2022
  • Terri Hinte
    Jared Sims → Jazz has been recommended via Terri Hinte.
    • March 31, 2022
  • Terri Hinte
    Jared Sims → Funk has been recommended via Terri Hinte.
    • March 31, 2022
  • Terri Hinte
    Jared Sims → Flute has been recommended via Terri Hinte.
    • March 31, 2022
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Teresa Cristina Rio de Janeiro
  • Anat Cohen Clarinet
  • Chucho Valdés Cuba
  • Flora Purim Brazil
  • Harvey G. Cohen Songwriter
  • John Harle Author
  • Kiko Souza MPB
  • Mark Stryker Author
  • Hamilton de Holanda Mandolin
  • Emmet Cohen Piano
  • John Zorn Multi-Instrumentalist
  • Stephen Guerra Samba
  • Kiko Loureiro Rio de Janeiro
  • Little Simz Singer-Songwriter
  • John Santos Record Label Owner
  • Lula Galvão Arranger
  • Dermot Hussey Pan-Africana
  • Oteil Burbridge Southern Rock
  • Dan Moretti Composer
  • Aperio Chamber Music
  • Toumani Diabaté Multi-Cultural
  • Wilson Café Percussão, Percussion
  • Rob Garland Jazz, Funk
  • Case Watkins Writer
  • Glória Bomfim Singer
  • Jamberê Cerqueira Bahia
  • Barbara Paris Austin, Texas
  • Celino dos Santos Viola Machete
  • Mariana Zwarg Saxophone
  • Cedric Watson Fiddle
  • Bombino Multi-Cultural
  • Gary Clark Jr. Austin, Texas
  • Archie Shepp Paris, France
  • Martyn Record Label Owner
  • Sátyra Carvalho Bahia
  • Jane Ira Bloom Multi-Cultural
  • Antonio García Piano
  • Timothy Jones Contemporary Classical Music
  • Brian Q. Torff Piano
  • Nilze Carvalho Bandolim
  • Tonho Matéria Cantor-Compositor, Singer-Songwriter
  • Catherine Bent Berklee College of Music Faculty
  • Sierra Hull Americana
  • Morgan Page DJ
  • Bertram Drum Set Performance
  • Eric Roberson Record Producer
  • Diedrich Diederichsen Academy of Fine Arts Vienna Faculty
  • Antibalas Pan-Africana
  • Igor Osypov Germany
  • Darius Mans Economist
  • Sérgio Pererê Singer
  • Teodor Currentzis Conductor
  • Jeremy Pelt Jazz
  • Francisco Mela New York City
  • Les Thompson Cinema Engineer
  • Maria Drell Produção Cultural, Cultural Production
  • Flying Lotus Record Label Owner
  • Ravi Coltrane Saxophone
  • Bill Summers Batá Drums
  • Marcos Sacramento Samba
  • David Kirby Writer
  • Fred Dantas Trombone
  • Marquis Hill Hip-Hop
  • Alfredo Rodriguez Cuba
  • Ben Paris Bahia
  • Marcus Miller Film Scores
  • Oswaldo Amorim Brasília
  • Yola England
  • Vinnie Colaiuta Session Drummer
  • Ron McCurdy Trumpet
  • John Patitucci Berklee College of Music Faculty
  • Larry Achiampong Multidisciplinary Artist
  • Albin Zak Musicologist
  • Zara McFarlane London
  • Brian Stoltz Singer
  • Colson Whitehead Writer
  • Michael Cuscuna Writer
  • Kirk Whalum Jazz
  • Ronaldo do Bandolim Bandolim
  • Laura Cole Singer-Songwriter
  • Bob Bernotas Writer
  • Siba Veloso Recife
  • Larry Grenadier Basel Music Academy Faculty
  • Nara Couto Afropop
  • Towa Tei テイ・トウワ Japan
  • Sônia Guajajara Terra Indígena Arariboia
  • Peter Serkin Classical Music
  • Anthony Coleman Klezmer
  • Jazzmeia Horn Jazz
  • Marcelinho Oliveira Salvador
  • Lula Moreira Composer
  • Gord Sheard Accordion
  • Moreno Veloso Rio de Janeiro
  • Jeff Preiss Director
  • Johnny Lorenz Essayist
  • Zebrinha Salvador
  • Vincent Valdez Houston, Texas
  • Bernardo Aguiar Pandeiro
  • Alphonso Johnson Funk
  • Dale Farmer Screenwriter
  • Zeca Freitas Saxophone
  • Olga Mieleszczuk Accordion
  • Welson Tremura Latin American Classical Guitar
  • Juca Ferreira Brasil, Brazil
  • Michael Sarian Composer
  • Ronald Angelo Jackson Writer
  • Christian Sands Composer
  • Andrew Huang Record Producer
  • Bobby Sanabria Percussion
  • Tommy Peoples Ireland
  • Branford Marsalis Saxophone
  • Guto Wirtti Samba
  • Dudu Reis Choro
  • Martyn House
  • Jam no MAM Jam Sessions
  • Issac Delgado Havana
  • Brian Cox Director
  • Cara Stacey Piano
  • Ellie Kurttz London
  • Paulo Costa Lima Música Clássica Contemporânea, Contemporary Classical Music
  • Matt Parker Author
  • Djuena Tikuna Brazil
  • Edmar Colón Saxophone
  • Lianne La Havas Singer-Songwriter
  • Pedro Martins Choro
  • William Parker Bass
  • Howard Levy Record Label Owner
  • Ranky Tanky South Carolina
  • Rose Aféfé Artista de Instalação, Installation Artist
  • Ari Rosenschein Writer
  • Rahim AlHaj Composer
  • Gabriel Grossi Composer
  • Dermot Hussey Jamaica
  • Omari Jazz Music Producer
  • Speech Rap
  • Bhi Bhiman Americana
  • João Jorge Rodrigues Salvador
  • Lauranne Bourrachot Television Producer
  • James Andrews Singer
  • Ricardo Bacelar Ceará
  • Nettrice R. Gaskins Lesley University Faculty
  • Gevorg Dabaghyan Yerevan
  • Richard Galliano Author
  • Helado Negro Avant-Pop Music
  • Ashley Pezzotti New York City
  • John Harle Composer
  • Gui Duvignau Brazil
  • Jorge Glem Composer
  • Hot Dougie's Bahia
  • Booker T. Jones Songwriter
  • Mick Goodrick Berklee College of Music Faculty
  • Robb Royer Songwriter
  • Jon Cowherd Record Producer
  • Júlio Lemos Samba
  • Michael Peha Record Producer
  • Herlin Riley Second Line
  • Varijashree Venugopal Multi-Cultural
  • Richard Bona Cameroon
  • John Francis Flynn Guitar
  • Itiberê Zwarg Composer
  • Edivaldo Bolagi Brasil, Brazil
  • Alan Bishop Singer-Songwriter
  • Maria Rita Samba
  • Marc Maron Guitar
  • Branford Marsalis Film Scores
  • Arismar do Espírito Santo Multi-Instrumentalist
  • Questlove Clive Davis Institute of Recorded Music Faculty
  • VJ Gabiru VJ
  • Nabil Ayers Writer
  • Anton Fig Drums
  • Cláudio Badega Percussão, Percussion
  • Richie Stearns Americana
  • Brian Jackson Keyboards
  • Gonzalo Rubalcaba Piano
  • Terri Hinte Jazz Publicist
  • Béco Dranoff Record Label Owner
  • Rumaan Alam Literary Critic
  • Luques Curtis Jazz
  • Merima Ključo Author
  • Walter Blanding Jazz
  • Rodrigo Amarante Singer-Songwriter
  • Brandon J. Acker Lute
  • Susheela Raman Singer-Songwriter
  • Celso Fonseca Songwriter
  • Orquestra Afrosinfônica Música Clássica Contemporânia, Contemporary Classical Music
  • Sharita Towne Multidisciplinary Artist
  • Roque Ferreira Samba de Roda
  • Chris Speed New York City
  • Paulo Paulelli MPB
  • Juca Ferreira Bahia
  • Yelaine Rodriguez Bronx, NY
  • Tab Benoit Blues
  • Rogério Caetano Choro
  • Jorge Aragão Brazil
  • David Chesky Multi-Cultural
  • Rebeca Omordia Romania
  • John Medeski Experimental Music
  • Nora Fischer Amsterdam
  • Miles Mosley Television Scores
  • Bob Reynolds Saxophone Instruction
  • Arifan Junior Cavaquinho
  • Jamz Supernova London
  • Hercules Gomes Samba
  • Pedrito Martinez Percussion
  • Nicholas Gill Writer
  • Steve Earle Country
  • Gustavo Caribé Bahia
  • Bai Kamara Jr. Guitar
  • Jeff Parker Chicago, Illinois
  • Fantastic Negrito Oakland, California
  • Alan Bishop Egypt
  • Aditya Prakash India
  • Philip Glass Contemporary Classical Music
  • Nego Álvaro Brazil
  • Aditya Prakash Los Angeles
  • Beats Antique Oakland, California
  • Shana Redmond Columbia University Faculty
  • Joana Choumali Abidjan
  • THE ROOM Shibuya Tokyo
  • Fabian Almazan Film Scores
  • Mestre Nenel Bahia
  • Mark Markham Piano Master Classes
  • Celso de Almeida MPB
  • Mestre Barachinha Brazil
  • Henrique Cazes Brazil
  • Seckou Keita Composer
  • Azadeh Moussavi Film Director
  • Henry Cole Jazz
  • Scotty Apex Record Producer
  • Raymundo Sodré Samba
  • Dezron Douglas New York City
  • Roosevelt Collier Lap Steel Guitar
  • Philipp Meyer Writer
  • Lenine Brazil
  • Neymar Dias São Paulo
  • João Luiz Brazilian Classical Guitar
  • Laércio de Freitas Actor
  • Stanton Moore New Orleans
  • Corey Ledet University of Louisiana at Lafayette Faculty
  • Amit Chatterjee Vocalist
  • Alma Deutscher Piano
  • Questlove Rapper
  • Lizz Wright Jazz
  • Alex Rawls New Orleans
  • Custódio Castelo Castelo Branco
  • Susan Rogers Cognitive Neuroscience
  • Chucho Valdés Afro-Cuban Jazz
  • Burhan Öçal Istanbul
  • Nublu East Village
  • Mestre Nelito Chula
  • Chau do Pife Maceió
  • Gregory Hutchinson Drum Clinics
  • Babau Santana Partido Alto
  • Mauro Refosco Compositor de Teatro, Theater Scores
  • Anthony Wilson Los Angeles
  • James Martin Singer-Songwriter
  • Zara McFarlane Soul
  • Mariene de Castro Samba de Roda
  • Casey Benjamin Vocoder
  • Rhuvaal Scottish Traditional Music
  • Wayne Escoffery Saxophone Instruction / Online Classes
  • Irma Thomas Soul
  • César Orozco Composer
  • James Brady Composer
  • Ronell Johnson Jazz
  • Roots Manuva Hip-Hop
  • Stormzy London
  • Milton Nascimento Brazil
  • Helder Barbosa Dono de Site de Cultura, Cultural Website Owner
  • Logan Richardson Saxophone
  • Warren Wolf Drums
  • Marcel Powell Rio de Janeiro
  • The Weeknd Record Producer
  • Amy K. Bormet Composer
  • Frank Beacham Journalist
  • Alana Gabriela Brasil, Brazil
  • Seu Jorge Singer-Songwriter
  • Jorge Glem Venezuela
  • Helder Barbosa Bahia
  • Richie Barshay Percussion
  • Fernanda Bezerra Salvador
  • Loli Molina Guitar
  • Hugo Rivas Guitar
  • Johnny Vidacovich Second Line
  • Chris Acquavella Mandolin Instruction
  • Elza Soares Rio de Janeiro
  • George Garzone Saxophone
  • Marcelinho Oliveira Record Producer
  • Bebê Kramer Jazz
  • Amaro Freitas Composer
  • Julian Lloyd Webber Classical Music
  • Sahba Aminikia Iran
  • Tele Novella Austin, Texas
  • John Patrick Murphy Saxophone
  • Adanya Dunn Soprano
  • Gerald Albright Songwriter
  • Omari Jazz Composer
  • Pierre Onassis Música AFRO
  • Shakespeare and Company Paris, France
  • Menelaw Sete Brasil, Brazil
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