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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Timothy Duffy
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Timothy Duffy
  • City/Place: Hillsborough, North Carolina
  • Country: United States

Life & Work

  • Bio: Timothy Duffy is a renowned photographer and founder of the Music Maker Relief Foundation. Timothy has been recording and photographing traditional artists in the South since the age of 16, when he became interested in ethnomusicology. After earning a BA from Friends World College and MA from the Curriculum in Folklore at the UNC, Timothy and his wife Denise founded Music Maker Relief Foundation in 1994 to assist traditional musicians in need.

    As a photographer he edited and took many of the photographs for Portraits and Songs from the Roots of America, and was the sole photographer for the nationally touring exhibitions: We Are the Music Makers! & Our Living Past. Both exhibits received support from the NEA. Timothy Duffy’s photographs were published by 21st Editions in a monograph entitled BLUE in 2017 — his current project is a monograph published by UNC Press in association with the New Orleans Museum of Art entitled Blue Muse: Timothy Duffy’s Southern Photographs. Works from Blue Muse will be premiered in a solo exhibition at the New Orleans Museum of Art in April 2019. Timothy’s work has been featured in TIME Lightbox as well as the NY Times LENS Blog.

    Duffy’s photographs are in permanent collections of the National Gallery of Art, National Museum of African American History and Culture, the New Orleans Museum of Art, Northwestern University, University of Minnesota, and the Morris Museum of Art.

Contact Information

  • Email: [email protected]
  • Telephone: (504) 568-1313
  • Address: A GALLERY FOR FINE PHOTOGRAPHY
    241 CHARTRES ST.
    NEW ORLEANS, LA 70130
  • Management/Booking: MUSIC MAKER FOUNDATION
    224 W. CORBIN ST
    HILLSBOROUGH, NC 27278

Media | Markets

  • ▶ Book Purchases: http://www.uncpress.org/book/9781469648262/blue-muse/
  • ▶ Book Purchases 2: http://musicmaker.app.neoncrm.com/np/clients/musicmaker/product.jsp?product=464&catalogId=11&
  • ▶ Website: http://www.timothyduffyphotography.com
  • ▶ Website 2: http://www.musicmaker.org
  • ▶ Article: http://www.npr.org/2019/07/07/738019387/capturing-the-undersung-blues-people-of-the-rural-south
  • ▶ Article 2: http://www.washingtonpost.com/photography/2019/07/05/their-ancestral-cultures-have-been-oppressed-forbidden-yet-they-rise-up-singing/?utm_term=.a2df1c7dacff
  • ▶ Article 3: http://www.nola.com/entertainment_life/arts/article_f73eaa30-3eb9-56d7-8368-c23566795d80.html

More

  • Quotes, Notes & Etc. “ …Duffy’s images have a timeless quality. One has to look hard for clues that belie their vintage appearance, if any are to be found at all. The lengthy process of making a tintype means Duffy might work all day for just four or five shots, greatly increasing the level of attention devoted to each one…

    Because there is no photographic negative with tintypes—the tintype itself is the source material—Duffy was, until recently, limited in his ability to exhibit the work. But a chance meeting with Steven Albahari, the publisher of literary art bookmakers 21st Editions, led to a partnership that will allow the images not only to be duplicated, but to be printed in an unusually beautiful photographic process…Because the platinum palladium process allows for one of the broadest tonal ranges in photographic printing, the end result seems to glow, its subject almost jarringly proximate. The ink becomes ingrained in the paper, rather than sitting on top of it, allowing for a depth uncharacteristic of the medium…

    Taj Mahal, a Grammy-winning blues musician who has known Duffy for more than two decades and recently posed for a tintype, credits Duffy’s work not just for its rich aesthetic quality, but for his genuine respect and affection for his subjects. ‘So many photographs of older bluesmen or African-Americans are more voyeuristic, as opposed to the energy of the people—what they do, what it is they’re into—coming across in the photograph,’ he tells TIME. But Duffy ‘never treads on people’s dignity.’”

    – Eliza Berman, TIME

Clips (more may be added)

  • Blue Muse: Timothy Duffy's Southern Photographs
    By Timothy Duffy
    427 views
  • Alabama Slim & Tim Duffy
    By Timothy Duffy
    456 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Timothy Duffy:

  • 1 Folklorist
  • 1 New Orleans
  • 1 Photographer
  • Ênio Bernardes Produtor de Discos, Record Producer
  • Clint Smith Writer
  • Andrew Dickson London
  • Mestrinho Accordion
  • Marcel Camargo Brazil
  • Weedie Braimah Pan-African Culture
  • Musa Okwonga Podcaster
  • Peter Dasent Sydney
  • Mingo Araújo Composer
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  • Yvette Holzwarth Violin
  • Thundercat Bass
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  • Damon Albarn Record Producer
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  • James Carter Contemporary Classical Music
  • Daymé Arocena Santeria
  • Antonio García Latin Music
  • Antibalas New York City
  • Hopkinson Smith Switzerland
  • Les Filles de Illighadad Niger
  • Ivan Lins Singer-Songwriter
  • Justin Kauflin Jazz
  • Justin Stanton Sound Design
  • Lavinia Meijer Contemporary Classical Music
  • Yacouba Sissoko New York City
  • Gilberto Gil MPB
  • Robert Glasper Composer
  • The Weeknd Toronto
  • Elio Villafranca Piano
  • Ben Azar Israel
  • André Vasconcellos Brasil, Brazil
  • Igor Osypov Germany
  • Jupiter Bokondji African Music
  • Gamelan Sekar Jaya Indonesia
  • Marquis Hill African-American Music
  • Geraldine Inoa Playwright
  • Quatuor Ebène France
  • OVANA Africa
  • Miles Mosley Television Scores
  • Eamonn Flynn Singer-Songwriter
  • Celino dos Santos Chula
  • Larry Achiampong Multidisciplinary Artist
  • Jorge Glem Venezuela
  • Luis Perdomo Jazz
  • André Mehmari Contemporary Classical Music
  • Bernardo Aguiar Percussion Instruction
  • Benoit Fader Keita Senegal
  • Guillermo Klein Argentina
  • Guto Wirtti Brazilian Jazz
  • Juliana Ribeiro MPB
  • Nora Fischer Singer
  • Imani Winds New York City
  • Rita Batista Apresentadora de Rádio, Radio Presenter
  • Mark Stryker Arts Critic
  • Paulinho Fagundes Brazil
  • Şener Özmen Poet
  • George Porter Jr. New Orleans
  • Barlavento Brazil
  • Jericho Brown Poet
  • Martin Hayes Ireland
  • Plinio Oyò Chula
  • Munir Hossn Guitar
  • Flying Lotus Hip-Hop
  • Yelaine Rodriguez Wearable Art
  • Stacy Dillard Composer
  • Daniil Trifonov Classical Music
  • Albin Zak Author
  • Pururu Mão no Couro Bahia
  • Chris Potter New York City
  • Melissa Aldana Saxophone
  • Hélio Delmiro Guitar
  • Adriano Giffoni Brazilian Jazz
  • Scott Yanow Liner Notes
  • Leyla McCalla Singer-Songwriter
  • Rebeca Omordia London
  • Lionel Loueke African Music
  • Léo Rugero Brazil
  • Nabih Bulos Beirut, Lebanon
  • Şener Özmen Writer
  • Stormzy Writer
  • Mavis Staples R&B
  • Elizabeth LaPrelle Folk & Traditional
  • Mike Moreno Jazz
  • Jane Ira Bloom Multi-Cultural
  • Michael Peha Talent Management
  • Dave Douglas Trumpet
  • Ben Williams Bass
  • Yvette Holzwarth Multi-Cultural
  • Safy-Hallan Farah Magazine Publisher
  • Mickalene Thomas Brooklyn, NY
  • Jimmy Dludlu Guitar
  • Flor Jorge MPB
  • Jas Kayser Panama
  • Matthew Guerrieri Composer
  • Olga Mieleszczuk Singer
  • Muhsinah Hip-Hop
  • Brandee Younger Classical Music
  • Benoit Fader Keita Mënik
  • King Britt University of San Diego Faculty
  • Larissa Fulana de Tal Bahia
  • James Brandon Lewis Composer
  • Marcelinho Oliveira Songwriter
  • Toumani Diabaté Malian Traditional Music
  • Luíz Paixão Fiddle
  • Teddy Swims R&B
  • Allen Morrison Writer
  • Mingo Araújo Brazil
  • Tambay Obenson Writer
  • David Mattingly New York City
  • Robert Randolph Funk
  • David Fiuczynski Composer
  • Nabihah Iqbal London
  • Evgeny Kissin Writer
  • Yola R&B
  • Harvey G. Cohen King's College London Faculty
  • Brady Haran YouTuber
  • Jaimie Branch Free Jazz
  • André Mehmari Composer
  • Nelson Latif Cavaquinho
  • Matt Parker YouTuber
  • Colson Whitehead Short Stories
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  • Pururu Mão no Couro Samba Rock
  • Willy Schwarz Songwriter
  • Henrique Cazes Bandolim
  • Roberto Fonseca Havana
  • Melanie Charles Brooklyn, NY
  • Larissa Luz Music Producer
  • Snigdha Poonam Journalist
  • Run the Jewels Hip-Hop
  • Dezron Douglas Bass
  • Plamen Karadonev Composer
  • Mariana Zwarg Universal Music
  • Echezonachukwu Nduka Classical Music
  • Hercules Gomes Piano
  • Gregory Hutchinson Jazz
  • MonoNeon Bass
  • Walter Ribeiro, Jr. MPB
  • Vincent Valdez Printmaker
  • James Poyser Film Scores
  • Tommy Peoples Ireland
  • Alegre Corrêa Violin
  • Nomcebo Zikode South Africa
  • David Ritz Novelist
  • Fábio Luna Bateria, Drums
  • Martyn Dubstep
  • RAM Haiti
  • Bruce Molsky Banjo
  • Omar Sosa Cuba
  • Trombone Shorty Trumpet
  • Mikki Kunttu Set Designer
  • Helado Negro Ecuador
  • Karsh Kale कर्ष काळे Composer
  • Logan Richardson Flute
  • Ricardo Herz São Paulo
  • Babau Santana Percussão, Percussion
  • Vijay Iyer Piano
  • Yilian Cañizares Havana
  • Serwah Attafuah Singer
  • Tony Trischka Bluegrass
  • NIcholas Casey International Correspondent
  • Bertram Educator
  • Neo Muyanga African Music
  • J. Period Record Producer
  • Paulo Costa Lima Bahia
  • Orquestra Afrosinfônica Brasil, Brazil
  • THE ROOM Shibuya Soul
  • Sandro Albert Guitar
  • Aneesa Strings Composer
  • Liron Meyuhas Israel
  • David Bragger Record Label Owner
  • Dafnis Prieto Composer
  • Bai Kamara Jr. Brussels, Belgium
  • Olivia Trummer Jazz
  • David Sánchez Ropeadope
  • Michael Janisch Double Bass
  • Emicida São Paulo
  • Buck Jones Salvador
  • James Martin New Orleans
  • Lavinia Meijer Contemporary Classical Music
  • Yasushi Nakamura New York City
  • Leandro Afonso Salvador
  • Robert Glasper R&B
  • Saul Williams Filmmaker
  • Luques Curtis Bass
  • Yoruba Andabo Cuba
  • Sarz Africa
  • Tom Bergeron Samba
  • Paul McKenna Scottish Traditional Music
  • Aubrey Johnson Composer
  • Sameer Gupta Jazz
  • Jack Talty Musicologist
  • China Moses Voiceovers
  • Sergio Krakowski Rio de Janeiro
  • Brian Jackson Jazz
  • Brian Blade Jazz
  • Ivan Huol Songwriter
  • Safy-Hallan Farah Journalist
  • John Schaefer Radio Presenter
  • Omar Hakim Composer
  • Casa da Mãe MPB
  • César Camargo Mariano Brazilian Jazz
  • Isaiah J. Thompson Artistic Director
  • Stephanie Soileau Louisiana
  • Tero Saarinen Dancer
  • Regina Carter Violin
  • Plínio Fernandes London
  • David Hoffman YouTuber
  • Fábio Peron Choro
  • Renato Braz MPB
  • Anthony Hamilton Singer-Songwriter
  • The Umoza Music Project Rap
  • Vanessa Moreno Samba
  • Manolo Badrena Composer
  • André Becker Bahia
  • Dave Douglas Jazz
  • Ronaldo do Bandolim Samba
  • Sarz Multi-Instrumentalist
  • Otto Brazil
  • Andrés Prado Afro-Peruvian Music
  • Cássio Nobre Chula
  • Rachael Price Tin Pan Alley
  • Tom Green Guitar
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  • Kenny Garrett Flute
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  • Bill Frisell Jazz
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  • Christian McBride Composer
  • Ben Wendel Jazz
  • Lina Lapelytė Multi-Instrumentalist
  • Fred Dantas Ethnomusicologist
  • Jura Margulis Classical Music
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  • Philip Sherburne Music Producer
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  • Osvaldo Golijov Composer
  • Sharay Reed Chicago
  • Larry Achiampong Composer
  • Donald Harrison New Orleans
  • Andrew Huang Record Producer
  • Negra Jhô Pelourinho
  • Raymundo Sodré Ropeadope
  • Nelson Cerqueira Ensaísta, Essayist
  • Matt Garrison Jazz
  • Musa Okwonga Berlin
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  • David Virelles Composer
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  • Django Bates Bern University of the Arts Faculty
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  • Lô Borges Brasil, Brazil
  • Liz Pelly Journalist
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  • Sophia Deboick England
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  • Will Holshouser Musette
  • Tito Jackson Pop
  • Rick Beato Recording Engineer
  • Dani Deahl Journalist
  • Oded Lev-Ari New York City
  • Chris McQueen Guitar
  • Luíz Paixão Rabeca
  • James Shapiro Writer
  • Urânia Munzanzu Cineasta, Filmmaker
  • MicroTrio de Ivan Huol Brasil, Brazil
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  • King Britt Composer
  • Antônio Pereira Manaus
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  • Nikki Yeoh Jazz
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  • Dave Jordan Singer-Songwriter
  • Sharay Reed Composer
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  • Don Byron Clarinet
  • Béla Fleck Songwriter
  • Aruán Ortiz Piano
  • Hugo Linns Pernambuco
  • Ray Angry Brooklyn, NY
  • Bill T. Jones Choreographer
  • James Martins Brasil, Brazil
  • Mino Cinélu New York City
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  • Abel Selaocoe Singer
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  • Molly Tuttle Bluegrass
  • Miroslav Tadić Composer
  • Billy O'Shea Science Fiction
  • Tarus Mateen New York City
  • Manolo Badrena Percussion
  • Pierre Onassis Salvador
  • Ed O'Brien Guitar
  • Asa Branca Bahia
  • Arto Tunçboyacıyan Multi-Cultural
  • Nilze Carvalho Mandolin
  • Keith Jarrett Piano
  • Donald Vega Nicaragua
  • Adriano Souza Piano
  • Askia Davis Sr. Educational Consultant
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  • Russell Malone Jazz
  • Keyon Harrold Composer
  • Edmar Colón Saxophone
  • Teresa Cristina Brazil
  • Júlio Lemos Choro
  • Dadi Carvalho Rio de Janeiro
  • Plamen Karadonev Balkan Music

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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