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  • No princípio...
  • In the beginning...
  • Carpe diem

The Birth of the Matrix →

No princípio...

Imagine uma rede em que, por alguma mágica fantástica, todos dentro tenderiam a poucos passos detectáveis ​​de todos os outros... na rede e no planeta...

 

Imagine uma rede que seria mais sobre pessoas que você não conhece do que sobre pessoas que você conhece. E ainda mais importante: sobre pessoas que não o conhecem, mas cujas vidas seriam enriquecidas se o conhecessem...

 

Imagine uma rede que incluiria todos na economia criativa global da humanidade...

 

Você está imaginando O Matrix (Rede Online)!

 

 

Esse Matrix baiano foi fundado (com afeto!) numa questão fundamental: Como é possível fazer com que os músicos mais importantes historicamente do Brasil sejam descobertos por pessoas que vivem em qualquer lugar da Terra?

 

A resposta foi incluí-los num matrix no sentido original da palavra: “fonte”, de “mater”, latim para “mãe”...

 

...um matrix que também incluiria membros da economia criativa de todo o mundo: escritores e jornalistas, pintores, cineastas, coreógrafos, programadores de computador, designers de som e cenografia, designers de moda, matemáticos…

 

Por este meio, podemos pessoalmente alcançar profundamente a realidade da economia criativa global que está realmente lá fora: Roberto Mendes de Santo Amaro pode recomendar João do Boi de São Braz. Munir Hossn de Salvador, mas agora morando em Paris, pode recomendar Roberto Mendes. Alfredo Rodriguez de Havana, mas agora morando em Nova York, pode recomendar Munir Hossn. E Quincy Jones de Los Angeles pode recomendar Alfredo Rodriguez. Quem conhece Quincy Jones agora pode descobrir João do Boi (entre os músicos absolutamente mais fundamentais do Brasil) em apenas quatro passos.

 

Este não é um exemplo isolado. Caminhos curtos de apenas alguns passos entre pessoas criativas amplamente díspares são universais em todo o Matrix. Tal é o fantástico poder matemático do fenômeno do pequeno mundo, o fenômeno responsável pelos "seis graus de separação", unindo a maioria dos seres humanos à maioria dos outros em cerca de seis passos. Essa é a superpotência do Matrix baiano.

 

O Matrix baiano está aberta a todos da economia criativa global. Foi construído numa loja de discos no Centro Histórico de Salvador por um americano que trabalhou anteriormente em Nova York recuperando royalties não pagos para artistas como Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, o primeiro produtor de Bob Marley, Clement Dodd, o mestre de jazz Jim Hall e outros.

 

Agora o projeto é mostrar ao mundo o que é que a Bahia tem. Ao permitir que todos na economia criativa global também podem estender a mão ao redor do mundo e mostram ao mundo o que é que eles têm.

 

O Matrix é capaz de atingir profundamente... esta é a vila de São Braz, no Recôncavo baiano, criada por escravizados que escaparam para uma liberdade marginal...

 

In the beginning...

Imagine a network wherein by some fantastic magic everybody within would tend to within scant, discoverable steps of everybody else... in the network, and across the planet...

 

Imagine a network that would be more about people you don't know than people you do know. And even more importantly: about people who don't know you but whose lives would be enriched if they did...

 

Imagine a network which would include all in humanity's global creative economy...

 

You are imagining The Matrix (Online Network)!

 

 

This Bahian Matrix was founded (with love!) on a fundamental question: How is it possible to make Brazil’s most historically important musicians discoverable by people living anywhere around the Earth?

 

The answer was to include them in a matrix in the original sense of the word: “source”, from “mater”, Latin for “mother”...

 

...a matrix which would also include members of the creative economy from everywhere else: writers and journalists, painters, filmmakers, choreographers, computer programmers, sound and set designers, fashion designers, mathematicians…

 

By this means we can personally reach deeply into the reality of the global creative economy that is really out there: Roberto Mendes of Santo Amaro can recommend João do Boi of São Braz. Munir Hossn of Salvador but now living in Paris can recommend Roberto Mendes. Alfredo Rodriguez of Havana but now living in New York City can recommend Munir Hossn. And Quincy Jones of Los Angeles can recommend Alfredo Rodriguez. Anybody who knows Quincy Jones can now discover João do Boi (top photo; "John of the Ox" in English, the vastly important Son House of Brazil) in just four steps.

 

This is not an isolated example. Short pathways of just a few steps between widely disparate creative people are universal throughout the Matrix. Such is the fantastic mathematical power of the small world phenomenon, the phenomenon responsible for “six degrees of separation”, joining most human beings to most others within some six or so steps. This is the Bahian Matrix’s superpower.

 

The Bahian Matrix is open to all in the global creative economy. It was built in a record shop in Salvador’s Centro Histórico by an American who formerly worked in New York city retrieving unpaid royalties for artists including Aretha Franklin, Barbra Streisand, Led Zeppelin, Cat Stevens (Yusef Islam), Astrud Gilberto, Airto Moreira, Mongo Santamaria, Ray Barretto, Bob Marley’s first producer Clement Dodd, jazz great Jim Hall and others.

 

Now the project is to show the world o que é que a Bahia tem (what it is that Bahia has). By letting everybody in the global creative economy likewise reach out across the planet to connect as they wish and show the world what it is that they have too.

 

The Matrix is capable of reaching deeply...this is João's village of São Braz, in the Bahian Recôncavo, created by enslaved who'd escaped to a marginal freedom...

 

Carpe diem

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  • Romero Lubambo
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    Michel Camilo → Composer has been recommended via Romero Lubambo.
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  • ALL IS CLOSER THAN WE IMAGINE
    (Imagine Romero Lubambo)
    I RECOMMEND
    You can recommend Romero Lubambo from below when logged in ←

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Romero Lubambo
  • City/Place: New York City
  • Country: United States

Life & Work

  • Bio: Romero's guitar playing unites the styles and rhythms of his native Brazilian musical heritage with his fluency in the American jazz tradition to form a distinctive new sound.

    From the cool, sophisticated rhythms of his native Brazil to hard bop, Romero is a guitarist who's comfortable in any musical setting. He is an uncommonly gifted soloist and musical improviser with a steady stream of unpredictably creative musical thoughts and the virtuosity to deliver them.

    After arriving in New York City, Romero quickly established himself as a "first call" session and touring guitarist who was in demand not only for his authentic Brazilian sound, but also for his command with a variety of styles.

    Lubambo has performed and recorded with many outstanding artists, including Dianne Reeves, Michael Brecker, Yo-Yo Ma, Kathleen Battle, Diana Krall, Herbie Mann, Wynton Marsalis, Gal Costa, Kurt Elling, Kenny Barron, Luciana Souza, Cyro Baptista, Sergio and Odair Assad, Ivan Lins, Grover Washington Jr., Vernon Reid, Flora Purim and Airto, Paquito D'Rivera, Harry Belafonte, Larry Coryell, Gato Barbieri, Leny Andrade, James Carter, Paula Robison, Dave Weckl, Jason Miles, and Cesar Camargo Mariano... among many others.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Twitter: romerolubambo
  • ▶ Instagram: romerolubambo
  • ▶ Website: http://www.romerolubambo.com
  • ▶ YouTube Music: http://music.youtube.com/channel/UCEbZsskQX9N4lesMdO2wW2A
  • ▶ Spotify: http://open.spotify.com/album/7EloP9mrajlDxfg5D06T1W
  • ▶ Spotify 2: http://open.spotify.com/album/2MFxHigkKrWegSpJqgVuvx
  • ▶ Spotify 3: http://open.spotify.com/album/206G6tW855a00lMGJZ6F1h
  • ▶ Spotify 4: http://open.spotify.com/album/59PQRdHDGuzJsAdzvKRUGN
  • ▶ Spotify 5: http://open.spotify.com/album/0a9QD6z4HS376HqD3rz0VS
  • ▶ Spotify 6: http://open.spotify.com/album/4OlXmHGWv6ojf59xHWSJER

More

  • Quotes, Notes & Etc. "This guitarist is a magician with an unmistakable blend of jazz, Brazilian music and perfection."

    — Felix Contreras, NPR

    "A typical Lubambo performance is packed with a winning combination of raw energy, finesse and deeply intuitive, spur-of-the-moment calls that give every take its own sparkling personality."

    — Mark Holston, Jazziz

    "SÓ is a must for all fans of Brazilian guitar and the purest expression of Lubambo's art to date."

    — DownBeat

    "Guitarist Romero Lubambo may be the best practitioner of his craft in the world today... [his] facility, creativity and energy are in a class all their own."

    — Jazziz

    "Romero is the best Brazilian guitarist there is."

    — Herbie Mann

    "...an absolute wizard of post-bop acoustic jazz..."

    — Diane Gordon, Acoustic Guitar

    "Lubambo is a masterful guitarist who writes seductive songs."

    — Thomas Conrad, JazzTimes

    "Guitarist Romero Lubambo takes melody, rhythm, and harmony and fuses them into one soaring entity, always assuming a forward-looking posture."

    — David R. Adler, All Music

    "Equally facile on electric and acoustic, Lubambo has become one of the most frequently recorded guitarists in the world..."

    — Mark Holston, Guitar Player

Clips (more may be added)

  • Stevie Wonder + Romero Lubambo + Esperanza Spalding
    By Romero Lubambo
    519 views
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Do you  recommend Romero Lubambo?

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach anybody in the global creative economy in just a few steps. It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.



  • 9 Brazil
  • 9 Brazilian Jazz
  • 9 Choro
  • 9 Guitar
  • 9 Jazz
  • 9 MPB
  • 9 New York City
  • 9 Samba

From Harlem to Bahia to the World, the Why & How of this Matrix: Window below in Portuguese here!
  • Scott Kettner New School for Jazz and Contemporary Music Faculty
  • Mark Lettieri Instructor
  • Stacy Dillard New York City
  • Nicholas Barber Arts Journalist
  • Clint Mansell Multi-Instrumentalist
  • Mingo Araújo Rio de Janeiro
  • Joshue Ashby Violin
  • Sunna Gunnlaugs Iceland
  • Brian Blade Louisiana
  • Mono/Poly Glitch
  • Lula Moreira Samba de Coco
  • Lenny Kravitz Songwriter
  • Marcos Portinari Compositor, Composer
  • Vijay Gupta Violin
  • Yoron Israel Berklee College of Music Faculty
  • Celso Fonseca Brazil
  • Zé Katimba GRES Imperatriz Leopoldinense
  • Yotam Silberstein Guitar
  • Orlando 'Maraca' Valle Composer
  • Léo Rodrigues Brazil
  • Jonathan Scales Ropeadope
  • Susheela Raman Multi-Cultural
  • Anouar Brahem Tunis
  • Ahmad Sarmast Portugal
  • George Garzone Berklee College of Music Faculty
  • Tshepiso Ledwaba University of South Africa Staff
  • Wynton Marsalis New York City
  • Academia de Música do Sertão Música Nordestina
  • Gretchen Parlato MPB
  • Restaurante Axego AFROBIZ Salvador
  • Oswaldo Amorim Escola de Música de Brasília Faculty
  • Jeremy Pelt Trumpet
  • Cory Wong Jazz
  • Jay Blakesberg Filmmaker
  • Edu Lobo Rio de Janeiro
  • Scotty Apex Composer
  • Tobias Meinhart Jazz
  • Teresa Cristina Brazil
  • Andrés Prado Composer
  • Priscila Castro Pará
  • Daniel Jobim Brazilian Jazz
  • Marc Johnson New York City
  • Don Byron Avant-Garde Jazz
  • Brian Q. Torff Writer
  • Robert Everest Multi-Instrumentalist
  • Billy O'Shea Science Fiction
  • Derrick Hodge Film Scores
  • Irma Thomas New Orleans
  • James Sullivan Writer
  • Archie Shepp Poet
  • Baiba Skride Violin
  • Andrew Huang Record Producer
  • Robert Everest Percussion
  • Ronaldo Bastos Brazil
  • Marilda Santanna Escritora, Writer
  • Les Filles de Illighadad Niger
  • Robertinho Silva Jazz
  • Martín Sued Buenos Aires
  • Rudy Royston Drums
  • Barbara Paris Painter
  • Tal Wilkenfeld Los Angeles
  • Hugues Mbenda France
  • João Camarero Violão de Sete
  • Fábio Zanon Royal Academy of Music Visiting Professor
  • Leo Nocentelli R&B
  • Capitão Corisco Bahia
  • Jane Ira Bloom Contemporary Classical Music
  • Gino Sorcinelli Journalist
  • Aruán Ortiz Contemporary Classical Music
  • Bobby Vega Rock 'n' Roll
  • Tom Bergeron Frevo
  • David Binney Saxophone Lessons
  • Alex de Mora London
  • Doug Wamble Singer-Songwriter
  • Mario Caldato Jr. Record Producer
  • David Kirby New York City
  • Ari Hoenig Drum Instruction
  • Fabian Almazan Cuba
  • Marta Sánchez Composer
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  • Monty's Good Burger Vegan Restaurant
  • Turíbio Santos Brazil
  • Matt Ulery Chicago
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  • Billy O'Shea Novelist
  • Nação Zumbi Funk
  • Daphne A. Brooks Liner Notes
  • Shuya Okino Tokyo
  • Bob Bernotas Radio Presenter
  • Ricardo Bacelar Ceará
  • Aperio Chamber Music
  • Kiko Souza Bahia
  • Terreon Gully Drums
  • Rowney Scott Jazz Brasileiro, Brazilian Jazz
  • Africania Chula
  • Fernando César Brasília
  • Negra Jhô Pelourinho
  • Meddy Gerville Singer
  • Cassie Osei Historian of Latin America & African Diaspora
  • Daniel Owoseni Ajala Dance Instructor
  • Eliane Elias Classical Music
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  • John Harle Television Scores
  • Orrin Evans Composer
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  • Joey Baron Composer
  • Richie Stearns Ithaca, New York
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  • James Strauss Brazil
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  • Geraldine Inoa Playwright
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  • Ron Carter Bass
  • Bule Bule Brazil
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  • Jeff Tweedy Record Producer
  • Anne Gisleson New Orleans
  • John Francis Flynn Flute
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  • Gilad Hekselman Guitar Instruction
  • John Medeski Composer
  • Rob Garland Musicians Institute College of Contemporary Music Faculty
  • Jan Ramsey Magazine Publisher
  • Horácio Reis Faculdade da Ucsal, Catholic University of Salvador Faculty
  • Yola R&B
  • Robert Randolph Singer-Songwriter
  • Brian Jackson Jazz
  • Jeff Parker Film Scores
  • Corey Harris Blues
  • Jaimie Branch Free Jazz
  • Sam Yahel Piano
  • Brooklyn Rider Multi-Cultural
  • Lakecia Benjamin Saxophone
  • Lakecia Benjamin Ropeadope
  • Toninho Ferragutti Brazil
  • Goran Krivokapić Contemporary Classical Music
  • Celso de Almeida Brazil
  • Caoimhín Ó Raghallaigh Ireland
  • Gustavo Caribé Santo Amaro
  • Bobby Vega Bass
  • Alexandre Leão Compositor de Televisão, Television Scores
  • RAM Mizik Rasin
  • Sierra Hull Mandolin
  • Casey Driessen Fiddle
  • Scott Kettner Second Line
  • Aruán Ortiz New York City
  • Mário Pam AFROBIZ Salvador
  • Victor Gama Contemporary Musical Instrument Design
  • Leela James R&B
  • John McLaughlin Multi-Cultural
  • Paul Mahern Singer-Songwriter
  • Grégoire Maret New York City
  • Darol Anger Fiddle
  • David Braid Film Scores
  • Kathy Chiavola Folk & Traditional
  • Trilok Gurtu Jazz
  • Yasushi Nakamura Composer
  • Tank and the Bangas Soul
  • Jaimie Branch Brooklyn, NY
  • Tommaso Zillio Prog Rock
  • Maria Struduth Ilustradora, Illustrator
  • Trombone Shorty Funk
  • Perumal Murugan Novelist
  • Caoimhín Ó Raghallaigh Irish Traditional Music
  • Abel Selaocoe Cello
  • Miles Mosley Multi-Instrumentalist
  • Afrocidade Bahia
  • Mika Mutti DJ
  • Wadada Leo Smith Multi-Instrumentalist
  • Arthur L.A. Buckner Minneapolis, MN
  • Eddie Kadi Voiceover Artist
  • Andra Day Pop
  • Chelsea Kwakye Writer
  • Jaimie Branch Composer
  • Nelson Cerqueira Academia de Letras da Bahia, Bahian Academy of Letters
  • Brian Blade Composer
  • J. Velloso MPB
  • Marilda Santanna Bahia
  • Jorge Pita Candomblé
  • Fapy Lafertin Guitar
  • Miroslav Tadić Multi-Cultural
  • Reuben Rogers Caribbean Music
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  • Harvey G. Cohen Writer
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  • 小野リサ Lisa Ono Jazz
  • Russell Malone Jazz
  • David Bruce Composer
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  • Mahsa Vahdat Composer
  • Tom Bergeron Niterói, Rio de Janeiro
  • Ronell Johnson New Orleans
  • Riley Baugus Singer
  • Madhuri Vijay India
  • Adriana L. Dutra Brazil
  • Ricardo Bacelar Piano
  • Moses Boyd Electronic Music
  • Questlove Clive Davis Institute of Recorded Music Faculty
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  • Liberty Ellman Guitar
  • Germán Garmendia Writer
  • Iroko Trio Latin American Music
  • Donald Vega Piano
  • Angel Deradoorian Singer-Songwriter
  • John Santos Composer
  • Gab Ferruz MPB
  • Sam Yahel Hammond B-3
  • Yoko Miwa Jazz
  • Chucho Valdés Afro-Cuban Jazz
  • David Sánchez Jazz
  • Chico César Poet
  • Gavin Marwick Multi-Cultural
  • Kamasi Washington Multi-Cultural
  • Art Rosenbaum Multi-Instrumentalist
  • Pharoah Sanders Saxophone
  • Stefon Harris Marimba
  • Nate Chinen Radio Director
  • Henrique Araújo Composer
  • Raymundo Sodré Brazil
  • Dr. Lonnie Smith Jazz
  • Christian Sands Piano
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  • Alicia Svigals Writer
  • Sharay Reed Chicago
  • Jessie Montgomery Violin
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  • Alan Brain Writer
  • Ariel Reich Dance for PD®
  • Daru Jones Jazz
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  • Musa Okwonga Writer
  • Laércio de Freitas Actor
  • Chad Taylor Philadelphia
  • Rahim AlHaj Iraq
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  • Léo Rugero Brazil
  • Daru Jones Hip-Hop
  • Nana Nkweti Africa
  • Thundercat Bass
  • Terrace Martin Ropeadope
  • Yazz Ahmed Arabic Jazz
  • Jerry Douglas Country
  • Ben Allison New School for Jazz and Contemporary Music Faculty
  • Erika Goldring Music Photographer
  • Nonesuch Records Contemporary Classical Music
  • Arson Fahim Cambridge, Massachusetts
  • Richard Rothstein Author
  • Adriano Souza Brazilian Jazz
  • Sameer Gupta Percussion
  • Tom Piazza Liner Notes
  • Gilberto Gil Bahia
  • Jonathan Scales New York City
  • Casa PretaHub Cachoeira Cachoeira
  • Andrew Finn Magill Fiddle
  • Liz Pelly Writer
  • Carrtoons Multi-Instrumentalist
  • Brandon Coleman Los Angeles
  • Gabriel Geszti Rio de Janeiro
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  • Walmir Lima Singer
  • Oswaldinho do Acordeon Composer
  • Jimmy Dludlu Mozambique
  • Paul Anthony Smith Brooklyn, NY
  • Gretchen Parlato New York City
  • Ben Azar Guitar Instruction

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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