Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Bob Telson
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Bob Telson
  • City/Place: New York City
  • Country: United States

Life & Work

  • Bio: Bob Telson is a man in and out of time and place. Born in Cannes, raised in Brooklyn, years in Argentina, he's now back in Brooklyn. He's played keyboards for Philip Glass, Machito, Tito Puente, and The Five Blind Boys of Alabama. Bonnie Raitt was a singer in one of his early bands.

    He composed the musical The Gospel at Colonus, starring Morgan Freeman, the Five Blind Boys, and the Soul Stirrers (the gospel group which birthed Sam Cooke). He's composed soundtracks for American, French, German and Argentinian films, his theme for Bagdad Café (Calling You) having been recorded by Barbra Streisand, Celine Dion, and a long who's who of vocal talent.

Contact Information

  • Contact by Webpage: http://www.bobtelson.com/contact

Media | Markets

  • ▶ Website: http://www.bobtelson.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UC6rnyenqyfz4GH7FinANQxQ
  • ▶ YouTube Music: http://music.youtube.com/channel/UCnQ5DsUJ4WbqxDKLbYKPB6g
  • ▶ Spotify: http://open.spotify.com/album/0Fkc8S6RIzJTrjV5JpVOSh
  • ▶ Spotify 2: http://open.spotify.com/album/3eH5KxTvBazT7Wtr806ekr
  • ▶ Spotify 3: http://open.spotify.com/album/5TCbfp5GHRMqclpv2tgsVw
  • ▶ Spotify 4: http://open.spotify.com/album/1IaW5XlqAQmdwdbG4HWNUh
  • ▶ Spotify 5: http://open.spotify.com/album/3MLnkH3Eg98gRlxf4uq2i6
  • ▶ Spotify 6: http://open.spotify.com/album/4DGVUUQMOgWhBS37i8JS4t
  • ▶ Articles: http://www.bobtelson.com/press

Clips (more may be added)

  • 1:09:35
    Telson sings "The Gospel At Colonus"
    By Bob Telson
    156 views
  • 4:32
    Bob Telson sings "Calling You"
    By Bob Telson
    130 views
  • The Gospel at Colonus
    By Bob Telson
    564 views
  • BAGDAD CAFE
    By Bob Telson
    604 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Bob Telson:

  • 2 Composer
  • 2 Film Scores
  • 2 New York City
  • 2 Piano

Nodes below are randomly generated. Reload for a different stack.

  • Roque Ferreira Salvador
  • Melanie Charles R&B
  • Denzel Curry Rapper
  • Melanie Charles Brooklyn, NY
  • Isaias Rabelo Jazz
  • Jas Kayser Drums
  • Jason Moran Jazz
  • Msaki South Africa
  • Buck Jones Cantor, Singer
  • Bonerama R&B
  • Chano Domínguez Brooklyn, NY
  • Robertinho Silva Jazz
  • Reggie Ugwu Pop Culture Reporter
  • Horácio Reis Choro
  • Babau Santana Salvador
  • Samba de Nicinha Chula
  • Lavinia Meijer Contemporary Classical Music
  • John Waters Public Speaker
  • César Camargo Mariano Arranger
  • João Rabello Guitar
  • Ibram X. Kendi Writer
  • Mário Pam AFROBIZ Salvador
  • Irma Thomas Blues
  • Woody Mann Folk & Traditional
  • Edgar Meyer Multi-Cultural
  • Jason Parham Publisher
  • Ben Hazleton Tabla
  • Stefon Harris Marimba
  • Gretchen Parlato MPB
  • Hugo Rivas Argentina
  • Alex Rawls Music Writer
  • Louis Marks Ropeadope Sur
  • Kotringo Japan
  • Julian Lage Blues
  • Renell Medrano New York City
  • Diana Fuentes Singer-Songwriter
  • James Andrews Jazz
  • Andy Kershaw DJ
  • Mohini Dey Indian Fusion
  • Jay Mazza New Orleans
  • Lula Galvão Brazilian Jazz
  • Joe Lovano Clarinet
  • Tony Kofi Flute
  • Ana Luisa Barral Bahia
  • Harold López-Nussa Havana
  • D.D. Jackson Opera
  • Sunna Gunnlaugs Reykjavik
  • Román Díaz Santeria
  • Andrés Beeuwsaert Composer
  • Thomas Àdes Conductor
  • Karsh Kale कर्ष काळे Indian Classical Music
  • Nei Lopes Rio de Janeiro
  • Nora Fischer Contemporary Classical Music
  • Brentano String Quartet String Quartet
  • Bai Kamara Jr. Sierra Leone
  • Eduardo Kobra Ativista da Paz, Peace Activist
  • Alê Siqueira Composer
  • Oscar Bolão Photographer
  • J. Period Record Producer
  • Judith Hill R&B
  • Gino Banks Drums
  • Quincy Jones Trumpet
  • Cláudio Jorge Arranger
  • Júlio Caldas Viola Machete
  • David Byrne Painter
  • Alphonso Johnson Jazz
  • Dan Nimmer Composer
  • Daniil Trifonov Russia
  • Snigdha Poonam Journalist
  • Ivan Huol Percussion
  • Mauro Senise Choro
  • Ofer Mizrahi Israel
  • Thiago Espírito Santo Guitarra, Guitar
  • Matt Ulery Loyola University Faculty
  • Jau Brazil
  • Mateus Alves Film Scores
  • Horace Bray Experimental, Electronic Music
  • Irma Thomas R&B
  • Duane Benjamin Arranger
  • Paddy Groenland Guitar
  • Tom Bergeron Samba
  • John Boutté New Orleans
  • Will Holshouser Composer
  • Lenine Singer-Songwriter
  • Marcelinho Oliveira Music Producer
  • Joey Alexander Piano
  • Johnny Lorenz Literary Critic
  • Zé Luíz Nascimento Paris
  • Tom Piazza New Orleans
  • NIcholas Casey International Correspondent
  • Don Byron Jazz
  • Luis Perdomo Venezuela
  • Miles Mosley Multi-Instrumentalist
  • Gel Barbosa Sanfona
  • Maria Drell Chicago, Illinois
  • Anthony Hervey Jazz
  • Jaimie Branch Composer
  • Luiz Brasil Salvador
  • Arturo O'Farrill Afro-Cuban Jazz
  • Daphne A. Brooks Writer
  • Alma Deutscher Classical Music
  • Siobhán Peoples Irish Traditional Music
  • Robertinho Silva Jazz
  • Sérgio Pererê Brazil
  • Andra Day Los Angeles
  • Bob Telson Piano
  • Keshav Batish Drums
  • Nate Smith Drums
  • Lakecia Benjamin R&B
  • Frank Negrão Brazil
  • Kotringo Japan
  • Mário Pam Percussion
  • Alexandre Gismonti Belo Horizonte
  • Rodrigo Caçapa Record Producer
  • Capitão Corisco Brazil
  • Otis Brown III Drums
  • Roberta Sá Brazil
  • Gonzalo Rubalcaba Cuba
  • Jupiter Bokondji African Music
  • Bill Callahan Americana
  • Carlinhos Brown Painter
  • Johnathan Blake Jazz
  • Arthur L.A. Buckner Drums
  • Shankar Mahadevan Playback Singer
  • Ron Wyman Documentary Filmmaker
  • Lívia Mattos Salvador
  • Hot Dougie's Porto da Barra
  • Musa Okwonga Uganda
  • Tom Moon Saxophone
  • Ronaldo Bastos Composer
  • Marc Ribot Composer
  • Elio Villafranca Piano
  • Luciano Salvador Bahia Singer-Songwriter
  • Bruce Molsky Appalachian Music
  • Phakama Mbonambi Journalist
  • Reggie Ugwu New York City
  • Jorge Pita Salvador
  • Tommy Orange Novelist
  • Quatuor Ebène Contemporary Classical Music
  • Egberto Gismonti Rio de Janeiro
  • Jan Ramsey Second Line
  • Chris Boardman Orchestrator
  • Yo La Tengo Experimental Rock
  • Muireann Nic Amhlaoibh Fiddle
  • Arifan Junior Samba
  • Joe Newberry Banjo
  • Karla Vasquez Los Angeles
  • Michael Janisch Funk
  • Lokua Kanza African Music
  • Anthony Hervey Singer
  • Jen Shyu Composer
  • Kim Hill Singer
  • Gab Ferruz Cantora-Compositora, Singer-Songwriter
  • Zé Luíz Nascimento Drums
  • Estrela Brilhante do Recife Pernambuco
  • Ryan Keberle Melodica
  • Rosa Passos Bahia
  • Dafnis Prieto Afro-Latin Music
  • Darrell Green Composer
  • Philip Ó Ceallaigh Translator
  • Magary Lord Brazil
  • Laura Marling Singer-Songwriter
  • Airto Moreira Jazz
  • Henry Cole Manhattan School of Music Faculty
  • Fred Dantas Big Band Leader
  • Ricardo Bacelar Direitos Autorais, Royalties
  • Leandro Afonso Federal University of Bahia
  • Tal Wilkenfeld Bass
  • Hélio Delmiro Brazilian Jazz
  • Carol Soares Brazil
  • Gearóid Ó hAllmhuráin Ethnomusicologist
  • Shirazee Benin
  • Tiganá Santana Salvador
  • Clarice Assad Singer
  • Lynn Nottage Playwright
  • Ilê Aiyê Bahia
  • Ferenc Nemeth Drums
  • Marcus Strickland Jazz
  • Jubu Smith Bass
  • Inaicyra Falcão Bahia
  • Dona Dalva Cachoeira
  • Justin Brown Jazz
  • Wayne Escoffery Saxophone
  • Caroline Shaw Composer
  • Isaac Julien Installation Artist
  • Plinio Oyò Bahia
  • Laura Beaubrun Art Therapist
  • James Brandon Lewis New York City
  • Nelson Latif Cavaquinho
  • Siba Veloso Viola Nordestina
  • Robert Randolph Steel Guitar
  • King Britt University of San Diego Faculty
  • Leela James Soul
  • Michael Cleveland Fiddle
  • Jay Mazza New Orleans
  • Rema Namakula African Music
  • Diedrich Diederichsen Writer
  • Ronaldo Bastos Record Producer
  • Gord Sheard Toronto
  • Melanie Charles Flute
  • Caridad De La Luz New York City
  • Filhos da Pitangueira Brazil
  • Meddy Gerville Composer
  • Merima Ključo Los Angeles
  • Patty Kiss Salvador
  • James Elkington Chicago, Illinois
  • Sameer Gupta Brooklyn, NY
  • Greg Ruby Author
  • Stephanie Foden Toronto
  • Clint Smith Writer
  • Anna Mieke Singer-Songwriter
  • Sérgio Pererê Minas Gerais
  • Musa Okwonga Songwriter
  • Jan Ramsey New Orleans
  • Anat Cohen Choro
  • LaTasha Lee R&B
  • Brian Jackson Record Producer
  • Kiko Horta Brazil
  • Hilton Schilder Cape Jazz
  • Questlove Music Journalist
  • J. Period Hip-Hop
  • Aperio Houston
  • NIcholas Casey Madrid
  • Andra Day Actor
  • Gian Correa Choro
  • Jonga Cunha Brazil
  • Elif Şafak Writer
  • Case Watkins Writer
  • Ofer Mizrahi Guitar
  • Jason Moran Theater Composer
  • Guga Stroeter Samba
  • Román Díaz Havana
  • H.L. Thompson Rio de Janeiro
  • Max ZT Brooklyn, NY
  • Archie Shepp Paris, France
  • Tommaso Zillio Author
  • Luiz Santos Rio de Janeiro
  • Roots Manuva London
  • Neo Muyanga Cape Town
  • Ivan Bastos Faculdade da UFBA, Federal University of Bahia Faculty
  • Marquis Hill Jazz
  • David Binney Los Angeles
  • Jelly Green Painter
  • Manu Chao Multi-Cultural
  • Dadá do Trombone Salvador
  • G. Thomas Allen Countertenor
  • Los Muñequitos de Matanzas Rumba
  • Keshav Batish Composer
  • Banning Eyre Writer
  • Jason Moran Piano
  • TaRon Lockett Los Angeles
  • Will Holshouser Accordion
  • Brandon Wilner New York City
  • Ray Angry Piano
  • Alan Brain Filmmaker
  • Gustavo Di Dalva Percussion
  • Otto Singer-Songwriter
  • Nels Cline Jazz, Rock, Country, Experimental
  • Mauro Diniz Violão de Sete
  • Tom Green Writer
  • Frank Negrão Bass
  • Billy O'Shea Denmark
  • James Martins Locutor de Rádio, Radio Presenter
  • Mick Goodrick Author
  • Astrig Akseralian Ceramic Artist
  • Judith Hill Jazz
  • Wouter Kellerman African Music
  • Nigel Hall Soul
  • The Rheingans Sisters England
  • Ben Allison New School for Jazz and Contemporary Music Faculty
  • John Santos Record Label Owner
  • Buck Jones Brasil, Brazil
  • Bill Frisell Composer
  • Rudresh Mahanthappa Composer
  • Gerald Cleaver Drums
  • Ruven Afanador Portrait Photographer
  • Johnny Vidacovich Second Line
  • Justin Stanton Composer
  • Daphne A. Brooks Liner Notes
  • Tigran Hamasyan Composer
  • César Camargo Mariano São Paulo
  • André Becker Bahia
  • Marcos Portinari Produtor Multimídea, Multimedia Producer
  • Carlos Lyra Rio de Janeiro
  • Stephan Crump Brooklyn, NY
  • Luciano Salvador Bahia Guitar
  • Ofer Mizrahi Jazz, Folk, Eastern Music
  • Júlio Caldas Produtor de Discos, Record Producer
  • Vincent Herring Jazz
  • Bongo Joe Records Geneva, Switzerland
  • Zigaboo Modeliste New Orleans
  • Billy Strings Songwriter
  • Munyungo Jackson Percussion
  • Amaro Freitas Maracatu
  • Curly Strings Americana
  • Bai Kamara Jr. Brussels, Belgium
  • Yunior Terry Jazz
  • Forrest Hylton Salvador
  • Mino Cinélu Composer
  • Jam no MAM Jam Sessions
  • Philip Sherburne Music & Culture Writer
  • Denzel Curry Hip-Hop
  • Restaurante Axego Pelourinho
  • Joshua White Jazz
  • Nathan Amaral Brazil
  • José Antonio Escobar Classical Guitar
  • Serwah Attafuah Multidisciplinary Artist
  • Elza Soares Singer
  • Mario Caldato Jr. Keyboards
  • Billy Strings Singer
  • Paulão 7 Cordas Cavaquinho
  • Kaia Kater Banjo
  • Zé Luíz Nascimento Percussion
  • Caoimhín Ó Raghallaigh Hardanger d'Amoré 10-string Fiddle
  • Russell Malone Jazz
  • Derron Ellies Steel Pans
  • John Francis Flynn Guitar
  • Jeff Ballard Drums
  • Alexandre Gismonti Composer
  • Chucho Valdés Piano
  • Gilmar Gomes Bahia
  • Magda Giannikou Greece
  • Logan Richardson Kansas City, Missouri
  • Fábio Luna Multi-Instrumentalista, Multi-Instrumentalist
  • Juçara Marçal São Paulo
  • 9Bach Multi-Cultural
  • Estrela Brilhante do Recife Brazil
  • Azadeh Moussavi Iran
  • Iroko Trio São Paulo
  • David Ngwerume Africa
  • Baiba Skride Violin
  • Joe Lovano Berklee College of Music Faculty
  • Rez Abbasi Pakistani Music
  • Nduduzo Makhathini Composer
  • Restaurante Axego Afro-Bahian Cuisine
  • Bebê Kramer Composer
  • Ibrahim Maalouf Composer
  • Liberty Ellman Audio Engineer
  • Arismar do Espírito Santo Brazil
  • Ryuichi Sakamoto Record Producer
  • Cut Worms Singer-Songwriter
  • Renee Rosnes New York City
  • Dan Weiss Tabla
  • Nilze Carvalho Choro
  • Colm Tóibín Playwright
  • Kyle Poole Jazz
  • Matt Glaser Folk & Traditional
  • Armen Donelian New School for Jazz and Contemporary Music Faculty
  • Maia Sharp Singer-Songwriter
  • Inaicyra Falcão Cantora, Singer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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