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Juel D. Lane
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Network Node

  • Name: Juel D. Lane
  • City/Place: New York City
  • Country: United States
  • Hometown: Atlanta, Georgia

Connections Out

  • from this node by: Matrix

Current News

  • What's Up? “Influenced by six years of dancing with Ronald K. Brown, the lithe Atlanta native combines African and contemporary forms, delving into charged social issues with depth and compassion—in his own voice.”

    — From Dance Magazine's "25 to Watch"

Life & Work

  • Bio: Celebrated as one of the most gifted and innovative new voices in American dance, Juel D. Lane was anything but fearless growing up in Atlanta, Georgia. Overcome by severe anxiety as a child, Lane would soon discover it was that same body that would unlock his freedom.

    Lane’s serendipitous encounter with dance occurred while he studied theater in Tri-Cities High School’s Visual and Performing Arts magnet program. Picking up on his faculty and fluidity with movement, teachers Freddie Hendricks and Dawn Axam suggested Lane register for dance classes. And like a tsunami stirred by a butterfly in flight, Lane’s dance destiny was set into motion.

    After receiving elite training from Tri-Cities High School and the Youth Ensemble of Atlanta, Lane earned his Bachelor of Fine Arts (BFA) from the University of North Carolina School of the Arts with a focus on Contemporary Dance. It was the unconstrained self-expression offered by this style of dance that freed Lane from his severe anxiety.

    Lane pushes the boundaries of contemporary dance through choreography that “strips labels and shows humanity,” as he puts it. Whether he examines political concepts, gender roles, or his own intimate experiences, Lane stays unapologetically true to his singular perspective. Lane’s clear vision is met by his extraordinary technical talent, resulting in ever-growing national acclaim that is helping to launch his career to new heights.

    World-renowned Alvin Ailey American Dance Theater recently invited Lane to flex his creative muscle as a featured choreographer for Ailey II, a secondary company that focuses on emerging young dancers and innovative choreographers. This addition to Lane’s resume lends global flare to an already robust list of accolades and achievements.

    Lane’s exceptional repertoire has landed him on the cover of Dance Studio Magazine and on Dance Magazine’s “25 to Watch” list.

    Currently dancing with Bessie Award-winning Camille A. Brown & Dancers, Lane made history in 2012 as the first local and independent black choreographer to have his work commissioned by the Atlanta Ballet. From there, he participated in the 2015-2016 Alvin Ailey Dance Foundation New Directions Choreography Lab, and collaborated with dance legends across the United States.

    In 2010, he began incorporating multimedia into his performative work. His film projects, "Just Another Day," "How to Kill a Ghost," and "When The Beat Drops," showcase the complexity, playfulness and creativity within this dynamic choreographer’s mind.

    Lane’s choreographic voice and the growth of his repertoire share one common thread: they are fast. Lane nods to his up-tempo inclinations when he says, “My work is fast because the hyperactive boy with anxiety is still in there.” Lucky for us, he is helping to shape the future of dance before our very eyes.

Contact Information

  • Contact by Webpage: http://jueldlane.com/contact

Media | Markets

  • ▶ Buy My Merch: http://jueldlane.com/store-2
  • ▶ Twitter: JuelDLane
  • ▶ Instagram: jueldlane
  • ▶ TikTok http://www.tiktok.com/@jueld.lane
  • ▶ Website: http://jueldlane.com
  • ▶ YouTube Channel: http://www.youtube.com/@jueldlanefilms
  • ▶ YouTube Channel 2: http://www.youtube.com/@dancejdl
  • ▶ Articles: http://jueldlane.com/press#headlines

Clips (more may be added)

  • 4:27
    The Maestro 2018
    By Juel D. Lane
    22 views
  • 0:07:46
    When The Beat Drops
    By Juel D. Lane
    91 views
  • 0:13:32
    Just Another Day Dance Film
    By Juel D. Lane
    26 views
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Connect to Juel D. Lane to appear here:
  • 1 Choreographer
  • 1 Dancer
  • 1 Filmmaker
  • 1 New York City

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  • Juel D. Lane
    A category was added to Juel D. Lane:
    New York City
    • May 6
  • Juel D. Lane
    A category was added to Juel D. Lane:
    Filmmaker
    • May 6
  • Juel D. Lane
    A category was added to Juel D. Lane:
    Choreographer
    • May 6
  • Juel D. Lane
    A category was added to Juel D. Lane:
    Dancer
    • May 6
  • Juel D. Lane
    A video was posted re Juel D. Lane:
    The Maestro 2018
    Award-winning choreographer, Juel D. Lane, is closing out the year in celebration of the life of painter, Ernie Barnes. Lane's tribute, which uses the medium 'dance on film,' draws inspiration from Barnes’s 1978 painting, “The Maestro.” It depicts a black...
    • May 6
  • Juel D. Lane
    A video was posted re Juel D. Lane:
    When The Beat Drops
    Juel D. Lane directed and choreographed "When the Beat Drops"to explore the relationship between the physical, material world and the sonic world. The film illustrates a harmonious collaboration with The University of North Carolina School of the Arts. ...
    • May 6
  • Juel D. Lane
    A video was posted re Juel D. Lane:
    Just Another Day Dance Film
    "Just Another Day" ( I do not own the rights to songs presented in this film) Dance is universal and everybody at some point will dance in his or her lifetime. The natural law of rhythm is constructed to allow human beings to dance. We dance uncons...
    • May 6
  • Juel D. Lane
    Juel D. Lane is matrixed!
    • May 6
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Juel D. Lane
Connections Out

 

 

 

Human creativity is everywhere. From Brazil it's all being connected in a manner allowing one to move from any creator to any other creator in just a few steps. Artificial Intelligence & algorithms not necessary. Real intelligence, yes.

 

Raymundo Sodré
Raymundo Sodré Global

A Massa (do povo carente) / The Masses (of people in need)

A Massa (do povo carente) / The Masses (of people in need)
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THE MATRIX IS THE MOTHER SHIP (it carries people to culture; per above, it carries culture too)

 

THE MATRIX IS CULTURAL DIFFUSION ON A PLANETARY SCALE (Bahia is Ground Zero)

 

 

THE MATRIX IS THE INTEGRATED GLOBAL CREATIVE ECONOMY (matrixed economist, Dr. Darius Mans, presents the Africare Award to Luiz Inácio Lula da Silva — Brazil's current president — in 2012)

SPARROW/PARDAL ROBERTS

 

Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix. — Susan Rogers (personal recording engineer for Prince; recorded "Purple Rain", "Around the World in a Day", "Parade", and "Sign o' the Times"; now director of the Berklee Music Perception and Cognition Laboratory)

SUSAN ROGERS

 

Dear Sparrow, Many thanks for this – I am touched! — Julian Lloyd Webber (most highly renowned cellist in the United Kingdom; brother of composer Andrew Lloyd Webber (Evita, Jesus Christ Superstar, Cats...)

JULIAN LLOYD WEBBER

 

This is super impressive work ! Congratulations ! Thanks for including me :))) — Clarice Assad (pianist, composer with works performed by Yo Yo Ma and orchestras around the world)

CLARICE ASSAD

 

Thanks, this is a brilliant idea!! — Alicia Svigals (world's premier klezmer violinist; founding member of The Klezmatics)

ALICIA SVIGALS

 

Thank you for your note below and we appreciate you including Kamasi in the matrix, Sparrow. — Banch Abegaze (manager, Kamasi Washington)

KAMASI WASHINGTON

 

This Matrix was built by an ex-royalty "rescuer" (Aretha Franklin, Barbra Streisand, Gilberto Gil, Astrud Gilberto, Mongo Santamaria, Jim Hall, Led Zeppelin, Bob Marley and many others) so that deep Brazilian culture, much of it otherwise impossible to find if one is not right there where it is made, might also (via an alternative to major media) be discoverable from all around the world. To do this it integrates this immensity into a system whereby ALL CULTURE EVERYWHERE — from small villages in Africa to Grammy-winning artists in Los Angeles — writers, filmmakers, painters... — can be found from anywhere on the planet.

 

 

(Clip by Jorge Pacoa)

  • Sandro Albert Guitar

The Matrix uncoils from the Recôncavo of Bahia, Brazil, final port-of-call for more enslaved human beings than any other such throughout all of human history and from where some of the most physically and spiritually uplifting music ever made (samba and its precursor chula, per the Saturno Brothers above) evolved...

  • Bruce Molsky Fiddle Instruction

WHAT IS THE RECÔNCAVO? The peninsula upon which Salvador is situated is like the thumb of an open and grasping hand, what is normally thought of as the Recôncavo then being defined by the curved index finger. This way of definition developed when agricultural products were brought to Salvador by boat, sometimes making their way first down the Paraguaçu river after having been carried overland from the sertão (backlands) to Cachoeira, the river debouching into the Bay of Saints at Maragogipe. The city of Bahia (as it was usually called then) was crouched on the bay, comprised of a commercial district much smaller in area than today (landfill has increased it greatly), the area around the upper section of the elevator, and what is now called Pelourinho.

  • Tank and the Bangas New Orleans

Much of the remainder of the peninsula was given to sugarcane plantations, and dotted within the Atlantic rainforest were countless quilombos (Afro-Brazilian villages founded during the age of slavery); both are attested to today in commonly used city names. The neighborhood of Garcia was once Fazenda Garcia (fazenda being a farm or plantation), and this denomination is still used today to distinguish one end of Garcia (fim-de-linha) from the other (the Campo Grande end). Neighborhoods Engenho Velho de Federação and Engenho Velho de Brotas are so called for the old mills (engenhos velhos) which pressed the caldo (juice, so to speak) from the cane so laboriously hacked out of the fields. The neighborhood of Cabula is named for an nkisi (deity) of candomblé angola (the first candomblé -- a West African religious belief system -- to arrive in Bahia)...whose rhythms comprise the basis for samba, meaning that the rhythms to which so many in the world inexpertly swayed as Stan Getz's saxophone soared and João and Astrud Gilberto sensuously intoned -- this paragon of suave Brazilian sophistication -- was born in the rough senzalas (slavequarters) of Bahia. Ironically enough, the barefoot senzala version was/is far more sophisticated than the sophisticated version.

  • Nei Lopes Samba

But times have changed, and Cabula is now a crowded, non-descript middle-to-working class Salvador city neighborhood (plenty of candomblé around though), and Engenhos Velhos de Federação and Brotas are swarming working class neighborhoods (ditto the candomblé); the senzala samba, the samba chula and samba-de-roda have disappeared. A simplified version -- Bahian pagode -- is heard everywhere in Salvador, but the real-deal stuff has died out here in the big city. It remains, however, a potent force on the remainder of its native ground, the Recôncavo proper, where it is danced to upon pounded earth, under moonlight broken by banana, palm and mango leaves, lifting the souls of its participants almost like something religious, which it was, and gods aside, is.

  • Scott Devine YouTuber

Connect to anybody in here. You appear on their page. Anybody in here connects to you, they appear on your page...

  • Thomas Àdes Opera

...plugged into a superpower: the small world phenomenon.

  • Maria Struduth Ilustradora, Illustrator

By the same mathematics positioning some 8 billion human beings within some 6 or so steps of each other, people in the Matrix tend to within close, accessible steps of everybody else inside the Matrix.

  • Kevin Burke Irish Traditional Music

And by extension, to within discoverable reach of everybody everywhere on the planet.

  • Alan Bishop Cairo

A little bit about how the math works:

EM PORTUGUÊS / IN ENGLISH

 

BUT WHY BRAZIL???

  • Vijay Iyer Harvard University Faculty

"The time has come for these bronzed people to show their worth..."

 

 

(Music by Assis Valente. Clip by Betão Aguiar. The Matrix was built in Salvador's Centro Histórico above, incorporating these marvelous people.)

  • Eddie Palmieri Bandleader

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

  • Bertram Ethnomusicologist

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

  • Edmar Castañeda Harp

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

  • G. Thomas Allen Singer-Songwriter

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

  • Fernando Brandão Jazz

Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof.

  • Walmir Lima Salvador

Nowhere else but here. Brazil itself is a matrix.

  • Dale Farmer Fiddle
  • Del McCoury Guitar
  • Art Rosenbaum Illustrator
  • Gabrielzinho do Irajá Samba
  • Casey Benjamin Record Producer
  • Vanessa Moreno Samba
  • Seu Regi de Itapuã Itapuã
  • Shuya Okino Music Venue Owner
  • Jon Lindsay North Carolina
  • Gal do Beco Samba
  • Anna Webber Contemporary Classical Music
  • Bill T. Jones Choreographer
  • Atlantic Brass Quintet Balkan Music
  • Ben Allison New School Faculty
  • Hansen Bahia Museu, Museum
  • Gêge Nagô Brazil
  • Matthew Guerrieri Music Journalist
  • Tom Moon Music Critic
  • Lô Borges Belo Horizonte
  • Jake Oleson Brooklyn, NY
  • Laércio de Freitas Composer
  • Léo Rodrigues Pandeiro
  • Martin Fondse Film Scores
  • Eddie Kadi Voiceover Artist
  • Fabrício Mota Salvador
  • Yoron Israel R&B
  • Gabriel Policarpo Samba
  • Sônia Guajajara Ativista Indígena Brasileira, Indigenous Brazilian Activist
  • Harvey G. Cohen Songwriter
  • Sunn m'Cheaux Photographer
  • Liberty Ellman Guitar
  • Aurino de Jesus Bahia
  • Bianca Gismonti Brazil
  • Gabriel Geszti Jazz Brasileiro, Brazilian Jazz
  • Elie Afif Beirut
  • Louis Marks Ropeadope Sur
  • Mono/Poly Experimental Music
  • Howard Levy Blues & Folk
  • Charles Munka Painter
  • Jamz Supernova London
  • João Jorge Rodrigues Bahia
  • Zé Katimba Samba
  • Christopher Silver Writer
  • Pierre Onassis Singer-Songwriter
  • Yo La Tengo Indie Rock
  • Toninho Ferragutti São Paulo
  • Michael Kiwanuka Singer-Songwriter
  • Robert Glasper Songwriter
  • Sarah Jarosz Americana
  • Peter Erskine Drums
  • Waldonys Cantor, Singer
  • Ron McCurdy Jazz
  • Papa Mali Swamp
  • Cristovão Bastos Brazil
  • David Hoffman YouTuber
  • John Morrison Hip-Hop
  • Barney McAll Composer
  • Reza Filsoofi Tehran
  • Guga Stroeter Candomblé
  • Alicia Svigals Klezmer Fiddle
  • Mateus Alves Film Scores
  • Bem Bahia TVE Cultura e Arte da Bahia, Culture and Art of Bahia, Brazil
  • Arthur L.A. Buckner Drum Instruction
  • Safy-Hallan Farah Somalia
  • Mary Stallings Singer
  • Melanie Charles Flute
  • Magary Lord Cantor-Compositor, Singer-Songwriter
  • Arturo Sandoval Afro-Cuban Jazz
  • Mestre Nenel AFROBIZ Salvador
  • Dona Dalva Cachoeira
  • Steve Lehman CalArts Music Faculty
  • Dani Deahl Record Producer
  • João Luiz Brazil
  • Terence Blanchard Trumpet
  • Pedro Luís Samba
  • Alessandro Penezzi São Paulo
  • Maria Calú Atriz, Actor
  • Yuja Wang Piano
  • Warren Wolf Bass
  • Jon Madof New York City
  • John Edward Hasse Music Historian
  • Christone 'Kingfish' Ingram Singer
  • Filhos da Pitangueira Bahia
  • Edivaldo Bolagi Candomblé
  • Anna Mieke Multi-Instrumentalist
  • Leela James Blues
  • Toumani Diabaté Kora
  • João Callado Painter
  • Nana Nkweti Short Stories
  • Eric Alper Public Relations
  • Yilian Cañizares Ecole de Jazz et de Musique Actuelle Faculty
  • Alaíde Costa Brasil, Brazil
  • Eli Degibri אלי דג'יברי Israel
  • Milad Yousufi Conductor
  • Michael W. Twitty Food Writer
  • William Skeen USC Thornton School of Music Faculty
  • Asa Branca Bahia
  • Congahead Afro-Cuban Jazz
  • Dave Jordan Singer-Songwriter
  • THE ROOM Shibuya DJs
  • Colm Tóibín Journalist
  • Django Bates Composer
  • Ana Tijoux Rapper
  • Ivo Perelman Jazz
  • Jeremy Danneman Multi-Cultural
  • The Bayou Mosquitos Netherlands
  • Dwayne Dopsie Singer-Songwriter
  • Luciano Matos Produtor Musical, Music Producer
  • Zeca Freitas Salvador
  • Carlos Lyra Singer-Songwriter
  • Nick Douglas Journalist
  • Raimundo Rodrigues Samba
  • Ali Jackson Composer
  • Alan Bishop Record Label Owner
  • Brian Stoltz Songwriter
  • J. Cunha Artista Plástico, Artist
  • Giba Gonçalves Batalá
  • Tarus Mateen R&B
  • John Patrick Murphy Jazz
  • Ron McCurdy Composer
  • Branford Marsalis Theater Composer
  • Isaak Bransah Brazil
  • Amit Chatterjee Sitar
  • Betsayda Machado Venezuela
  • Flora Gil Produtora de Filmes, Film Producer
  • Tony Kofi Saxophone
  • Anthony Coleman Avant-Garde Jazz
  • Marcus Strickland Brooklyn, NY
  • Michael Janisch Experimental Music
  • Eric R. Danton Writer
  • Stefon Harris Composer
  • David Sacks Bossa Nova
  • Simone Sou Record Producer
  • Maria Drell Chicago, Illinois
  • Brandon Seabrook Avant-Garde Jazz
  • Demond Melancon Young Seminole Hunters
  • Mateus Aleluia Filho Salvador
  • Alexa Tarantino Jazz
  • John Medeski Funk
  • Fantastic Negrito Blues
  • Piti Canella Brasil, Brazil
  • Samuca do Acordeon Brazil
  • Ben Wendel Brooklyn, NY
  • Negra Jhô AFROBIZ Salvador
  • Elizabeth LaPrelle Appalachian Music
  • Gringo Cardia Rio de Janeiro
  • Jim Hoke Saxophone
  • Fabiana Cozza Phonoaudiologist
  • Gunter Axt Produtor Cultural, Cultural Producer
  • Shez Raja Indo-Jazz Funk
  • Zulu Araújo Bahia
  • Sandi Bachom Visual Journalist
  • Gian Correa Guitar
  • James Brandon Lewis Poet
  • Booker T. Jones Songwriter
  • Beth Bahia Cohen Middle Eastern Music
  • Alaíde Costa Rio de Janeiro
  • 9Bach Multi-Cultural
  • Jeremy Pelt Trumpet
  • Melanie Charles Singer-Songwriter
  • Uli Geissendoerfer Jazz
  • Eliane Elias MPB
  • Aneesa Strings Bass
  • Vânia Oliveira Dança Afro
  • Terence Blanchard Educator
  • Nadinho do Congo Candomblé
  • Nelson Sargento Brazil
  • André Vasconcellos Baixo, Bass
  • Djuena Tikuna Amazonas
  • Walter Ribeiro, Jr. Salvador
  • Pablo Albarenga Visual Storyteller
  • Becca Stevens Brooklyn, NY
  • Chucho Valdés Cuba
  • Flying Lotus Hip-Hop
  • Adanya Dunn Soprano
  • Yotam Silberstein Jazz
  • Bebel Gilberto Singer-Songwriter
  • Adanya Dunn Toronto
  • Darren Barrett Reggae
  • James Elkington Folk Rock
  • Dani Deahl Public Speaker
  • Fabian Almazan Film Scores
  • Ron McCurdy Writer
  • Hilary Hahn Violin
  • Ari Rosenschein Indie Pop
  • Kengo Kuma Tokyo
  • David Chesky Record Producer
  • Djuena Tikuna Indigenous Brazilian Music
  • Hugo Rivas Composer
  • Peter Mulvey Americana
  • The Umoza Music Project Senga Bay
  • Eric Coleman Photographer
  • Saileog Ní Cheannabháin Theater Composer
  • Curtis Hasselbring Trombone
  • Wouter Kellerman Fife
  • Marcos Bezerra Samba
  • Dónal Lunny Songwriter
  • Arto Tunçboyacıyan Armenian Folk Music
  • Cleber Augusto Brazil
  • Luiz Santos New York City
  • Geovan Bantu Militante LGBT, LGBT Militant
  • Edgar Meyer Multi-Cultural
  • Avner Dorman Conductor
  • Logan Richardson Composer
  • Ukrainian Freedom Orchestra Класична музика, Classical Music
  • Shane Parish Athens, Georgia
  • Bistrô do Rei (Paripe) Bahia
  • Michael Peha Guitar
  • Mona Lisa Saloy Writer
  • Ivo Perelman Brazilian Jazz
  • Joe Chambers Composer
  • Bodek Janke Jazz
  • Sharita Towne Portland, Oregon
  • Dorothy Berry Ethnomusicologist
  • Kevin David Moda, Fashion
  • Swizz Beatz New York City
  • Don Byron Jazz
  • Luciano Matos Apresentador de Rádio, Radio Presenter
  • Scott Yanow Jazz Journalist
  • Stacy Dillard Saxophone
  • Astrig Akseralian Cambridge, England
  • Luciano Calazans Brazilian Jazz
  • Hugues Mbenda Marseille
  • Cut Worms Singer-Songwriter
  • João Camarero Composer
  • Luques Curtis Afro-Latin Dance Music
  • Luke Daniels Melodeon
  • Marc Ribot Guitar
  • Kurt Andersen Radio Presenter
  • Daniel Owoseni Ajala Lagos
  • Walter Mariano Cachoeira
  • Michael Garnice New York City
  • Paulo Paulelli São Paulo
  • Jared Sims Composer
  • Alaíde Costa Bossa Nova
  • João Callado Cavaquinho
  • Myron Walden Recorder
  • Theo Bleckmann Composer
  • Mike Marshall Violin
  • Mark Lettieri Record Producer
  • Cássio Nobre Samba de Roda
  • Alita Moses Jazz
  • Moses Boyd Drums
  • Rick Beato Multi-Instrumentalist
  • Lenine Singer-Songwriter
  • Betsayda Machado Tambor
  • Hugo Linns Recife
  • Larry McCray Keeping the Blues Alive Records
  • Jupiter Bokondji Congo
  • Michael Olatuja Nigeria
  • Walter Ribeiro, Jr. Forró
  • Seu Jorge Samba
  • Leo Genovese New York City
  • Marcel Camargo Arranger, Orchestrator
  • Edil Pacheco Singer
  • Jakub Józef Orliński Opera
  • Mahsa Vahdat Multi-Cultural
  • Shalom Adonai Brazil
  • Nonesuch Records Multi-Cultural
  • Jorge Pita Candomblé
  • Marcos Sacramento Brazil
  • Teddy Swims Soul
  • Roots Manuva Hip-Hop
  • Roque Ferreira Samba
  • Zé Maurício Machline Escritor, Writer
  • Yazhi Guo 郭雅志 Suona
  • Paul Mahern Punk Rock
  • Timothy Duffy Photographer
  • Walmir Lima Samba
  • Lula Gazineu Choro
  • Marco Pereira Rio de Janeiro
  • Ó Paí, Ó Restaurante Salvador
  • Simon McKerrell Scottish Traditional Music
  • Jason Moran New England Conservatory of Music Faculty
  • Hopkinson Smith Switzerland
  • Tom Green Composer
  • David Fiuczynski Berklee College of Music Faculty
  • Georgia Anne Muldrow Record Producer
  • Debora Gurgel Educadora, Educator
  • Elisa Goritzki Flute
  • Dezron Douglas Bass
  • Nabaté Isles Composer
  • Nublu Istanbul
  • Michael Formanek Composer
  • Merima Ključo Contemporary Classical Music
  • Jessie Montgomery New York City
  • Sanjay K Roy Arts Festival Producer
  • Robertinho Silva Brazil
  • Vinnie Colaiuta Session Drummer
  • Eliane Elias Bossa Nova
  • Sérgio Pererê Singer
  • Maria Struduth Produtora Cultural, Cultural Producer
  • Maciel Salú Fiddle
  • Lonnie Liston Smith Composer
  • Jan Ramsey Second Line
  • Ceumar Coelho MPB
  • Eduardo Kobra Muralista, Muralist
  • Martin Fondse Piano
  • Daphne A. Brooks Black American Culture & History
  • Michael Olatuja Lagos
  • Inon Barnatan Classical Music
  • George Garzone Author
  • Júlio Lemos Guitar
  • Alma Deutscher Classical Music
  • Lalah Hathaway Record Producer
  • Ron Wyman Photographer
  • María Mercedes Coroy Kaqchikel
  • Marco Pereira Choro
  • Lakecia Benjamin Jazz
  • Allen Morrison Jazz History Lecturer
  • Ayrson Heráclito Cachoeira
  • Benoit Fader Keita Africa
  • Luê Soares Brasil, Brazil
  • Wadada Leo Smith Composer
  • Tonho Matéria Capoeira
  • Jason Treuting Composer
  • Roy Germano Filmmaker
  • Nadinho do Congo Produtor Musical, Music Producer
  • Yazz Ahmed Arabic Jazz
  • Michael Olatuja New York City
  • Luciano Matos DJ
  • Lia de Itamaracá Itamaracá
  • John Doyle Dublin
  • Mirceia Jordana MPB
  • Adriano Giffoni MPB
  • Alex Conde Piano Instruction
  • Orrin Evans Record Label Owner
  • Bodek Janke Berlin
  • Caoimhín Ó Raghallaigh Irish Traditional Music
  • Keshav Batish Percussion
  • David Castillo Trumpet
  • Diego Figueiredo Jazz Brasileiro, Brazilian Jazz
  • Joshua White San Diego, California
  • Dale Farmer Screenwriter
  • Conrad Herwig Afro-Caribbean Jazz
  • Eric Roberson Neo Soul
  • Azadeh Moussavi Tehran
  • Hank Roberts Avant-Garde, Folk, Classical
  • Guilherme Kastrup São Paulo
  • Jermaine Stone Public Speaker
  • Bill Laurance Jazz Fusion
  • Andra Day Jazz
  • Shaun Martin Record Producer
  • Bertram Writer
  • Nelson Latif Cavaquinho
  • Jon Madof Guitar
  • Yo La Tengo Film Scores
  • Marília Sodré Violão, Guitar
  • Antônio Queiroz Forró
  • Judy Bady Gospel
  • Ana Paula Cruz Música Clássica, Classical Music
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