Ron Blake - THE MATRIX

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Ron Blake...

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Who I Am & Where I Live:

Name: Ron Blake
City: New York City
Country: United States
Hometown: Virgin Islands

My Life

Biographical: Multi-talented saxophonist Ron Blake inhabits many worlds, and nowhere is this more apparent than on his third release for Mack Avenue, Shayari (shy-ree). Produced by pianist Michael Cain (who also appears on the CD), Shayari (the meaning, in Urdu, a type of ancient poetry consisting of couplets and a highly stylized form of verse considered extremely beautiful) combines fertile ground from each of Blake’s worlds to create an extraordinary landscape of its own. Showcased here in an intimate, unplugged, trio setting, the CD also features performances by special guests drummer Jack DeJohnette, bassist Christian McBride, violinist Regina Carter and percussionist Gilmar Gomes.

Blake, a strikingly tall, Virgin Islands-born native, is based in New York City. He is a well-rounded musician and has recorded three CDs as a leader; in addition, his discography numbers more than 50 recordings as either a guest or sideman with leading artists. They include Roy Hargrove; Art Farmer; the Christian McBride Band; Spirit Music Jamia; Red, Hot + Riot; and the Grammy® nominated, Latin pop group, Yerba Buena; also, Blake has recorded soundtracks (most recently on El Cantante starring Marc Anthony/Jennifer Lopez). The multi-talented musician is entering his third season as a member of NBC’s Saturday Night Live Band. About the new recording, Shayari, Blake says, “This record is more introspective than earlier projects. It’s an acoustic collection of trios. Compositionally, it lends itself to some of the ideas introduced on my most recent recording, Sonic Tonic. I worked with Michael Cain to put this recording together; everything stemmed from us trying to find people to collaborate with to create a distinct, aural setting not unlike Sonic Tonic.”

That aural setting primarily features the tenor saxophone, the piano, drums and percussion. Blake’s broad, tenor tones irradiate all of the 13 tracks buoyed by Michael Cain’s florid and fluid piano; Gilmar Gomes’s sympathetic nuances, and Jack DeJohnette’s all-world drumming. Some of Shayari’s songs are reprises of Blake’s older material. The opener “Waltz For Gwen,” is a pleasing ode to his mother, previously recorded with Blake playing soprano sax on his first outing as a leader, Up Front and Personal, distributed by his (then) own Tahmun Records label. The foreboding piano ostinato drives “Atonement,” a previously un-recorded Blake composition in two sections, laced with DeJohnette’s dramatic fills and solo. Says Blake, “The groove on this lends itself to something I would connect with [songs/grooves on] Sonic Tonic [on this CD]; structurally, it’s a more improvisational approach.”

“Of Kindred Souls” is another original Blake composition. It was first recorded by Roy Hargrove in 1993 on the CD of the same name, but has been re-cast here with Regina Carter’s classic violin strains. Blake states, “I was looking for a melody that would lend itself to a duet for violin and tenor. Regina came and did what she does so well, adding a beautiful color and presence to the song.” Bassist Christian McBride, with whom Blake has worked for eight years, and who produced Lest We Forget, is featured on Bobby Hutcherson’s composition, “Teddy,” and also on the soulful “What Is Your Prayer For?” composed by Blake.

As a musician who is at-home with the jazz tradition, Blake also included some standards on the date. “Please Be Kind,” from the Sammy Cahn songbook, is rendered in telepathic reverence as a sax/piano duet. Blake, Cain, and the Brazilian percussionist Gomes add their own interpretation to Ivan Lins’ immortal composition, “The Island.” “This was a song Michael suggested,” says Blake. “All we had to do was let it play itself.” About “Remember The Rain,” the other sax/piano duet featured on Shayari and another original composition, he adds, “This song is related to ‘What Is Your Prayer For?’ It’s a chance to interpret melody without harmonic improvisation unlike other songs on the recording.”

Pianist Michael Cain’s influence on Shayari is also evident on his two contributions, the Latin-tinged “76” and “Come Sun,” a composition that highlights Blake’s classical lyricism. Other selections include “Hanuman,” named for the Hindu deity [from the Sanskrit epic Ramayan (Way of the Rama) of ancient India]. The track, “Abhaari”—another word from the sub-continent meaning “gratitude”—is a two-movement composition that, along with “Hanuman,” was composed collectively by Blake, Cain, and DeJohnette.

The origins of Ron Blake’s tradition-honed eclecticism can be traced back to the Virgin Islands where he was born and reared. At age 8, Blake took guitar lessons; then, two years later, he switched to the alto saxophone in his elementary school band. He loved playing calypso and other music from the region. He graduated from Michigan’s Interlochen Arts Academy, and later matriculated into Northwestern University in Evanston, IL, where he received the Presidential Award for Outstanding Artistic and Academic Achievement. In 1987, Blake’s jazz career began in St. Thomas, where he taught in summer music programs. He was introduced by, and performed with jazz luminaries Dizzy Gillespie, Bobby Hutcherson, and Gary Bartz at the first Virgin Islands Jazz Festival. Later, he won a National Endowment for the Arts Grant to study with Bartz.

After his graduation from Northwestern University, Blake worked extensively in the Chicago-area with the Chicago Jazz Orchestra, performing behind such legends as Louis Bellson, Clark Terry, Nancy Wilson. He was mentored by many of the Windy City’s jazz statesmen, including Von Freeman, Willie Pickens, and Bunky Green.

In 1990, Blake moved to Tampa, FL, and began work as an Assistant Professor of Jazz Studies at the University of South Florida, and nurtured his classical interests by performing with the Florida Symphony Orchestra. Occasionally, he would fly to New York to sit-in with Branford Marsalis; Mulgrew Miller; and Kenny Kirkland. In 1992, Blake re-located to New York City and joined Roy Hargrove’s Quintet, a collaboration that spanned five years. During this period, Blake also worked with dozens of jazz greats including: Johnny Griffin, Art Farmer, Stanley Turrentine, Roy Haynes, Art Taylor, Benny Golson, Betty Carter, Shirley Horn, Abbey Lincoln, and Ray Brown. In 1998, Blake recorded 21st Century, a unique Caribbean-influenced jazz project, with drummer and fellow-Virgin Islander Dion Parson.

In addition to his 2000 debut as a leader on Up Front and Personal with special guest Johnny Griffin, Ron Blake released his first Mack Avenue recording, Lest We Forget in 2003, followed by Sonic Tonic in 2005. In 2005, he was featured in Meshell Ndegéocello’s group, Spirit Music Jamia (with Michael Cain), which released a critically acclaimed recording, Dance of the Infidel. Since the year 2000, Blake has been a member of the Christian McBride Band and is featured on McBride’s Live at Tonic. Blake also has guest appearances on several Mack Avenue recordings, including: Gerald Wilson, Sean Jones, and Tia Fuller. In 2005, he was invited to join NBC’s Saturday Night Live Band, where he plays the baritone saxophone and flute. In 2007, Blake was appointed to teach in the Jazz Studies program at the Juilliard School of Music. Currently, he is member of the faculty at both New York University and Nyack College (Manhattan campus).

Shayari is Ron Blake’s most comprehensive and compelling work to date. It is a recording that unveils all of the musical inventions and dimensions of this evolving artist who has inherited the wisdom of the masters, and has captured the attention of today’s young musicians

My Media

Website: http://www.ronblakemusic.com

Listen on Spotify

Spotify: http://open.spotify.com/album/12tXTK6kbaKtPxadMguZBK
Spotify 2: http://open.spotify.com/album/2coGDgXn6Mt0Wr4Y2LI1Gl
Spotify 3: http://open.spotify.com/album/7ElbgmRihzzsXMlOVhQFlW
Spotify 4: http://open.spotify.com/album/2YbaiIUC7dKKa0b57bxM1N
Spotify 5: http://open.spotify.com/album/4JXr2tIOrY6vfUh6I0xeeU

Contact Information

Email: info@ronblakemusic.com

Clips

Roy Hargrove & The Tenors of Our Time
By Ron Blake

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This is a matrix navigable from artist to artist following recommendations-as-guideposts. It's based in the concept behind small world (so-called "six degrees of separation") networks...meaning that everybody inside the matrix is somehow findable/reachable from everybody else in a limited number of steps. And this heralds — for the first time since mankind began blowing through bone flutes some 30,000 years ago — the potential for a completely open and totally accessible artistic universe!

THE MATRIX IS MUSICIAN / ARTIST-IN-GENERAL RECOMMENDATIONS BY THE MOST POWERFUL, SOPHISTICATED & SUBTLE SOFTWARE YET DEVISED:

⇒ the collective human mind

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⇒ To wherever people want to take it...

IT IS THE NEXT-STEP EVOLUTION OF A SPECIALTY RECORD SHOP

⇒ ...opened in Salvador to showcase magisterial musicians almost completely unknown to the world...many of them living in poverty or close to it and unable to avail themselves of traditional (and costly) means of publicizing.

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BY WHAT WIZARDRY?

⇒ We've all heard of six degrees of separation, more properly called a small world network. Within six or so steps we can move through a chain of people knowing other people to just about anybody on the planet.

SIMPLY CHANGE "KNOW" TO "RECOMMEND"

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LIKE THIS...

⇒ From Quincy Jones we access one of his protégés, stellar young Cuban pianist Alfredo Rodriguez. From Alfredo Rodriguez we access a fabulous multinstrumentalist Alfredo plays with, Munir Hossn. Two more steps and we've reached the above-mentioned Raimundo Sodré, formerly virtually unreachable in Bahia...

Raimundo Sodré Now

Dengo

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DICTATED SILENCE

⇒ Sodré's meteoric major-label career was crushed by the Brazilian dictatorship years ago and he was forced to flee Brazil under threat of death...into a 19 year exile. He became almost impossible to find and hear, even after returning to Brazil.

MUSIC FALLS LIKE RAIN

⇒ But now lines of everbranching interlinked recommendations rise from Bahia to form a (small world) network rounding the planet like the arboreal canopy of a vast Amazonian rainforest. When the dictatorship ground Sodré into the dust, they unwittingly planted a seed.

FROM SODRÉ, A WORLDLINE TO SPLENDID BULE BULE (LEATHER HAT) ABOVE... AND TO OTHERS IN THE CLIP...

⇒ "The time has arrived for these people of color to show their worth ... I want to see Uncle Sam play tambourine so the whole world can samba!"

AND FROM BULE ON...

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THROUGH ARTISTS ACROSS THE BOARD

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IS THE MATRIX AN ALTERNATE REALITY?

⇒ Only if your reality has been defined by corporate mass media. The original meaning of "matrix" is "source", from "mater", Latin for "mother". We're real mothers for ya!

DOES THE MATRIX WATCH YOU?

⇒ Zero surreptitious tracking, data mining and data brokerage per Cambridge Analytica, Facebook, et al.