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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Beth Bahia Cohen
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Beth Bahia Cohen
  • City/Place: Boston
  • Country: United States

Current News

  • What's Up? Beth's CD "Weaving the Worlds" is available directly from Beth. Please email Beth for ordering information.

Life & Work

  • Bio: Beth Bahia Cohen is a violinist of Syrian Jewish and Russian Jewish heritage. Inspired at a young age by the sounds she heard at family gatherings, she went on to study with master musicians from Hungary, Greece, Turkey, and the Middle East. She plays the violin, viola, Greek lyras, Turkish bowed tanbur and kabak kemane, Norwegian hardingfele, and Egyptian rababa.

    "I have spent much of my musical life exploring how the violin is played in several different cultures, discovering bowed stringed instruments that existed before the European violin arrived, learning how endangered most traditional music is, and creating a large palette of musical colors from which to make my own music. I would love my students to be inspired to do their own journeys of discovery, to get to know other musical languages if they're interested, and to discover their own music."

    "Freelancing in all manner of gigs—from symphony, opera, and ballet orchestras to Broadway shows to Greek weddings, Hungarian tanchazes, Turkish Sufi whirling dervish ceremonies, and more—has shown me how important it is to have a transparent and easeful technique on the instrument, to be impeccable in every situation, to be open and respectful wherever we find ourselves."

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Website: http://www.bethcohen.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCKkiMUBS0QF8SU3tl5GQz9Q

More

  • Quotes, Notes & Etc. Performances with Led Zeppelin, Itzhak Perlman, Eubie Blake, Phillip Glass, numerous orchestras, and Greek, Turkish, Hungarian, and Klezmer ensembles, among others.

    Recordings include Errol Morris soundtracks, PBS Nova and American Experience shows, the film music of John Kusiak, and work with Dunya, EurAsia Ensemble, Ziyia, and Weaving the Worlds (solo), among others.

    Scholarship recipient from places such as the National Endowment for the Arts/Artists International, American Research Institute of Turkey, and Radcliffe Bunting Institute.

Clips (more may be added)

  • ΚΑΒΟΝΤΟΡΙΤΙΚΟΣ
    By Beth Bahia Cohen
    401 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Beth Bahia Cohen:

  • 1 Balkan Music
  • 1 Berklee College of Music Faculty
  • 1 Hardingfele
  • 1 Kabak Kemane
  • 1 Lyras
  • 1 Middle Eastern Music
  • 1 Rababa
  • 1 Tanbur
  • 1 Viola
  • 1 Violin
  • Jeremy Danneman Ropeadope
  • Mateus Asato Neo Fusion
  • Ethan Iverson Piano
  • Perumal Murugan India
  • Amilton Godoy Piano
  • Vanessa Moreno MPB
  • Bill Hinchberger Educator
  • Betsayda Machado Folk & Traditional
  • Sandro Albert Record Producer
  • Tele Novella Austin, Texas
  • Geraldo Azevedo Música Nordestina
  • Jonathan Scales Steel Pans
  • Tray Chaney Songwriter
  • Mulatu Astatke Percussion
  • Bodek Janke Berlin
  • John Harle Saxophone
  • Iroko Trio Latin American Music
  • Ronaldo Bastos Brazil
  • Willie Jones III Drumming Instruction
  • Barney McAll New York City
  • Adriano Giffoni Rio de Janeiro
  • Domingos Preto Samba de Roda
  • Jim Hoke Record Producer
  • David Byrne Painter
  • Art Rosenbaum Painter
  • Las Cafeteras Son Jarocho
  • Jam no MAM Brasil, Brazil
  • Margaret Renkl Nashville, Tennessee
  • Jake Webster Indiana
  • The Umoza Music Project Multi-Cultural
  • Kaia Kater Appalachian Music
  • Bule Bule Salvador
  • Meddy Gerville Maloya
  • Richard Galliano Author
  • Jorge Ben Rio de Janeiro
  • Dan Weiss Drumming Instruction
  • Darius Mans Washington, D.C.
  • Plamen Karadonev Composer
  • Morten Lauridsen Contemporary Classical Music
  • Serwah Attafuah Graphic Designer
  • Luciano Calazans Brazilian Jazz
  • Tierra Whack Hip-Hop
  • J. Pierre Painter
  • Aurino de Jesus Samba de Roda
  • Jon Faddis Jazz
  • Fidelis Melo Bahia
  • Thiago Amud Singer-Songwriter
  • Daniil Trifonov Classical Music
  • Jason Parham Editor
  • The Brain Cloud New York City
  • Edivaldo Bolagi Bahia
  • Marko Djordjevic Composer
  • Jonathan Scales New York City
  • Manuel Alejandro Rangel Classical Guitar
  • Dona Dalva Brazil
  • Patricia Janečková Prague
  • Adenor Gondim Bahia
  • Steve Coleman Composer
  • Berta Rojas Berklee College of Music Faculty
  • Alicia Svigals Jewish Music
  • Ibrahim Maalouf Classical Music
  • Bobby Vega R&B
  • Leon Bridges Singer-Songwriter
  • Mestrinho Forró
  • Linda May Han Oh Double Bass
  • VJ Gabiru Mapeamento de Projeção, Projection Mapping
  • Inaicyra Falcão Bahia
  • Nancy Ruth Multi-Cultural
  • JD Allen New York City
  • Congahead African Music
  • Sameer Gupta Brooklyn, NY
  • Orrin Evans Piano
  • Nei Lopes Writer
  • Matthew Guerrieri Music Journalist
  • Patty Kiss Salvador
  • Carla Visi Brazil
  • Abderrahmane Sissako Film Producer
  • Grégoire Maret Jazz
  • Alicia Keys Record Producer
  • Spok Frevo Orquestra Recife
  • Rowney Scott Salvador
  • Tiganá Santana Bahia
  • Stanton Moore New Orleans
  • Flavio Sala Italy
  • Joe Newberry Guitar
  • Tom Piazza Screenwriter
  • Celso de Almeida Brazilian Jazz
  • Adonis Rose New Orleans
  • Jim Lauderdale Nashville, Tennessee
  • Jeffrey Boakye Journalist
  • Ellie Kurttz England
  • Leigh Alexander Writer
  • Nei Lopes Singer-Songwriter
  • Scott Devine Bass Instruction
  • Mono/Poly DJ
  • Leon Parker Percussion
  • Monk Boudreaux Percussion
  • Toninho Nascimento Singer-Songwriter
  • Evgeny Kissin Composer
  • César Camargo Mariano MPB
  • Asma Khalid Journalist
  • Galactic Funk
  • Edward P. Jones Novelist
  • Caoimhín Ó Raghallaigh Composer
  • Jamael Dean Los Angeles
  • Nduduzo Makhathini Johannesburg
  • Adonis Rose Composer
  • Mateus Aleluia Samba
  • Alex de Mora Director
  • Lula Galvão Guitar
  • Omar Sosa Marimba
  • Omar Hakim Drums
  • Darryl Hall Composer
  • Munyungo Jackson Percussion
  • Marco Pereira Choro
  • Ajeum da Diáspora AFROBIZ Salvador
  • Theon Cross Jazz
  • Rick Beato Songwriter
  • Nei Lopes Brazil
  • Dwandalyn Reece Washington, D.C.
  • Michael Formanek Composer
  • Thiago Espírito Santo Guitarra, Guitar
  • Jericho Brown Poet
  • Maria Nunes Trinidad
  • George Porter Jr. R&B
  • Robert Randolph Soul
  • Nic Adler Restaurant Owner
  • The Weeknd Singer-Songwriter
  • Bing Futch Singer-Songwriter
  • Rosângela Silvestre Brazil
  • Guto Wirtti Brazil
  • Dafnis Prieto Author
  • Sombrinha Banjo
  • David Mattingly New York City
  • Brandon Seabrook Guitar
  • Ariane Astrid Atodji Africa
  • Gevorg Dabaghyan Yerevan
  • Adenor Gondim Brazil
  • Irma Thomas Singer
  • Susana Baca Folklorist
  • Léo Rodrigues Pandeiro
  • Samuel Organ Guitar
  • Henrique Cazes Choro
  • Marcel Camargo MPB
  • Saul Williams Filmmaker
  • Lolis Eric Elie Screenwriter
  • Ned Sublette Musicologist
  • Caoimhín Ó Raghallaigh Fiddle
  • Bobby Fouther Educator
  • Ariel Reich Dance for PD®
  • Gel Barbosa Bahia
  • Rowney Scott Faculdade da UFBA, Federal University of Bahia Faculty
  • Ramita Navai Iran
  • Ned Sublette Singer-Songwriter
  • Meddy Gerville Maloya
  • Paulinho do Reco Brazil
  • Ron Miles Trumpet
  • André Muato Brazil
  • Ben Wolfe New York City
  • Shemekia Copeland Gospel
  • Otto Recife
  • Terri Lyne Carrington Drums
  • Msaki Record Label Owner
  • Alana Gabriela Brasil, Brazil
  • Perumal Murugan India
  • Alex Rawls Music Writer
  • Carlos Blanco Compositor, Composer
  • Shoshana Zuboff Harvard Business School Faculty
  • Garth Cartwright DJ
  • Andrew Dickson Essayist
  • Kiko Freitas Samba
  • Tele Novella Texas
  • Clint Smith Poet
  • Andra Day Singer-Songwriter
  • Paulinho Fagundes Porto Alegre
  • Luques Curtis New York City
  • Brenda Navarrete Composer
  • Anders Osborne Singer-Songwriter
  • Gabriel Grossi Brazil
  • Towa Tei テイ・トウワ Japan
  • Brady Haran Filmmaker
  • Errollyn Wallen Contemporary Classical Music
  • Nelson Ayres Composer
  • 9Bach Wales
  • Jorge Washington AfroChef
  • Alex Hargreaves Fiddle
  • Logan Richardson Classical Music
  • Yunior Terry Jazz
  • Randy Lewis Writer
  • Guilherme Kastrup São Paulo
  • Philip Watson Cork
  • Bule Bule Samba Rural
  • As Ganhadeiras de Itapuã Bahia
  • Calypso Rose Trinidad & Tobago
  • Elizabeth LaPrelle Old-Time Music
  • Yotam Silberstein Multi-Cultural
  • Carlos Henriquez Jazz
  • Luciano Calazans MPB
  • Fabian Almazan Piano
  • Alex Rawls Arts Journalist
  • Bill Hinchberger Educator
  • Hua Hsu Writer
  • Rowney Scott Diretor Artístico, Artistic Director
  • Dieu-Nalio Chery Haiti
  • John Zorn Saxophone
  • Jason Moran Film Scores
  • Shirazee Singer-Songwriter
  • Stefano Bollani Composer
  • Cláudio Badega Pandeiro
  • Ivan Neville Funk
  • Lizz Wright Gospel
  • John Medeski Experimental Music
  • Hanif Abdurraqib Music Critic
  • Sérgio Pererê Brazil
  • David Mattingly Matte Painter
  • D.D. Jackson Composer
  • Johnny Vidacovich Jazz
  • Awadagin Pratt Classical Music
  • Onisajé Dramaturga, Playwright
  • Márcio Bahia Samba
  • Ben Okri Essayist
  • Stefano Bollani Italy
  • Omar Sosa Piano
  • Jeffrey Boakye England
  • Dudu Reis Salvador
  • Chris Boardman Producer
  • Sarz Multi-Instrumentalist
  • James Brandon Lewis Saxophone
  • James Brandon Lewis Essayist
  • John McLaughlin Multi-Cultural
  • Ken Avis Washington, D.C.
  • Alê Siqueira Record Producer
  • Tyshawn Sorey Wesleyan University Faculty
  • Gearóid Ó hAllmhuráin Concertina
  • Veronica Swift Singer
  • Julia Alvarez Middlebury College Faculty
  • Ajeum da Diáspora Bahia
  • Zakir Hussain Tabla
  • Dan Trueman Violin
  • Daniel Jobim Rio de Janeiro
  • Leandro Afonso Film Editor
  • Gerald Cleaver Jazz
  • Utar Artun Composer
  • Keshav Batish Jazz
  • LaTasha Lee Singer-Songwriter
  • Carlinhos Brown Bahia
  • Bob Reynolds Composer
  • André Mehmari Composer
  • Martin Koenig Liner Notes
  • Marcus Teixeira Brazil
  • Tom Moon MPB
  • Nelson Faria Composer
  • Becca Stevens Brooklyn, NY
  • Caridad De La Luz New York City
  • Jeremy Danneman New York City
  • Fred P Electronic Music
  • Ivan Huol Songwriter
  • Brian Lynch Jazz
  • Mohamed Diab Egypt
  • Jane Ira Bloom New York City
  • Dave Eggers Publisher
  • Alex Mesquita Guitar
  • Yazz Ahmed Composer
  • Robi Botos Piano
  • Michael Cuscuna Jazz
  • Giovanni Russonello Music Critic
  • Camille Thurman Jazz
  • Adonis Rose Percussion
  • Isaiah Sharkey Composer
  • Yazz Ahmed Bahrain
  • Msaki South Africa
  • Guillermo Klein Argentina
  • Anders Osborne New Orleans
  • Ivan Sacerdote Bahia
  • Helen Shaw Writer
  • Casa da Mãe Chula
  • Michael Cuscuna Writer
  • Dwayne Dopsie Zydeco
  • Arthur Verocai Arranger
  • Pierre Onassis Samba Reggae
  • Vanessa Moreno Brazilian Jazz
  • Aloísio Menezes Brazil
  • Tom Bergeron Ethnomusicologist
  • Ronaldo do Bandolim Composer
  • Filhos de Nagô Samba de Roda
  • Béla Fleck Banjo
  • Kyle Poole Jazz
  • Colson Whitehead Literary Critic
  • Ricky (Dirty Red) Gordon Jazz
  • Tommaso Zillio YouTuber
  • Dumpstaphunk Funk
  • Gabriel Grossi Composer
  • David Sánchez Georgia State University School of Music Faculty
  • Gevorg Dabaghyan Yerevan State Conservatory Faculty
  • Alex Cuadros Author
  • Larry Grenadier Bass Instruction
  • Horácio Reis Brasil, Brazil
  • Vijay Iyer Piano
  • Jerry Douglas Guitar
  • Roque Ferreira Author
  • Guillermo Klein Composer
  • Teresa Cristina Samba
  • Alana Gabriela Educadora, Educator
  • Armandinho Macêdo Bahia
  • Negrizu Afoxé
  • Nublu Experimental, Electronic Music
  • Romero Lubambo Brazilian Jazz
  • Liberty Ellman Record Producer
  • James Gavin Writer
  • Sameer Gupta Percussion
  • Danilo Caymmi MPB
  • Howard Levy Blues & Folk
  • Darol Anger Folk & Traditional
  • Christian McBride Bass
  • Bill Pearis Brooklyn, NY
  • Gringo Cardia Video Director
  • Gian Correa São Paulo
  • Kurt Rosenwinkel Composer
  • The Umoza Music Project London
  • Roosevelt Collier Pedal Steel Guitar
  • Larnell Lewis Toronto
  • Nick Douglas Journalist
  • Chris McQueen Austin, Texas
  • David Ritz Liner Notes
  • Asa Branca Federal University of Bahia Faculty
  • Lydia R. Diamond Playwright
  • Munir Hossn Brazil
  • Owen Williams Software Engineer
  • Ronald Bruner Jr. Singer
  • Wayne Escoffery Yale Faculty
  • Carlinhos 7 Cordas Violão de Sete
  • Michael Kiwanuka London
  • Joana Choumali Multimedia Artist
  • Walter Blanding Saxophone
  • Garth Cartwright Writer
  • Hugo Linns Viola Caipira
  • Otmaro Ruiz Piano
  • Benoit Fader Keita Singer-Songwriter
  • Pedrito Martinez Santeria
  • Larissa Luz Actor
  • William Parker Jazz
  • Alicia Keys Piano
  • Diosmar Filho Bahia
  • Miles Okazaki Jazz
  • Dan Nimmer Composer
  • David Chesky Record Label Owner
  • Asa Branca Guitar
  • Roberto Mendes Guitar
  • Woz Kaly Singer-Songwriter
  • Anna Webber Contemporary Classical Music

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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