Beth Bahia Cohen via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...
- Steps from Beth Bahia Cohen:
I'LL TAKE YOU THERE! ▶
'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!
I'LL TAKE YOU THERE! ▶
- Steps forward by: The Matrix
Who I Am & Where I Live
- Name: Beth Bahia Cohen
- City: Boston
- Country: United States
Current News
- What's Up? Beth's CD "Weaving the Worlds" is available directly from Beth. Please email Beth for ordering information.
My Life & Work
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Bio:
Beth Bahia Cohen is a violinist of Syrian Jewish and Russian Jewish heritage. Inspired at a young age by the sounds she heard at family gatherings, she went on to study with master musicians from Hungary, Greece, Turkey, and the Middle East. She plays the violin, viola, Greek lyras, Turkish bowed tanbur and kabak kemane, Norwegian hardingfele, and Egyptian rababa.
"I have spent much of my musical life exploring how the violin is played in several different cultures, discovering bowed stringed instruments that existed before the European violin arrived, learning how endangered most traditional music is, and creating a large palette of musical colors from which to make my own music. I would love my students to be inspired to do their own journeys of discovery, to get to know other musical languages if they're interested, and to discover their own music."
"Freelancing in all manner of gigs—from symphony, opera, and ballet orchestras to Broadway shows to Greek weddings, Hungarian tanchazes, Turkish Sufi whirling dervish ceremonies, and more—has shown me how important it is to have a transparent and easeful technique on the instrument, to be impeccable in every situation, to be open and respectful wherever we find ourselves."
Contact Information
- Email: beth@bethbahiacohen.com
My Media & Markets
- ▶ Website: http://www.bethcohen.com
- ▶ YouTube Channel: http://www.youtube.com/channel/UCKkiMUBS0QF8SU3tl5GQz9Q
More
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Quotes, Notes & Etc.
Performances with Led Zeppelin, Itzhak Perlman, Eubie Blake, Phillip Glass, numerous orchestras, and Greek, Turkish, Hungarian, and Klezmer ensembles, among others.
Recordings include Errol Morris soundtracks, PBS Nova and American Experience shows, the film music of John Kusiak, and work with Dunya, EurAsia Ensemble, Ziyia, and Weaving the Worlds (solo), among others.
Scholarship recipient from places such as the National Endowment for the Arts/Artists International, American Research Institute of Turkey, and Radcliffe Bunting Institute.
The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...
... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.
All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!
IF YOU CAN'T STAND THE HEAT
Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.
But!
Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.
For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...
Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.
Raimundo Sodré, in a conversation ranging through New Orleans and Harlem and the South Side of Chicago ... and Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"
A pandeirista on the roof. And it's not just music. And it's not just Brazil.
