Jessica Lipsky via Matrix

Jessica Lipsky

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Network Node

Name: Jessica Lipsky
City/Place: Brooklyn, NY
Country: United States

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from this node by: Matrix

Life & Work

Bio: Jessica Lipsky is an editor and reporter covering culture, politics and music. Her work has appeared in the New York Times, the Washington Post, the Los Angeles Times, Columbia Journalism Review, NPR, Buzzfeed, PRI’s “The World,” Newsweek, Salon, Billboard, Wax Poetics, Remezcla, Vice, Thrillist, LA Weekly, SF Weekly, EE Times and the San Francisco Chronicle. Jessica is the author of the award-winning book It Ain’t Retro: Daptone Records & The 21st-Century Soul Revolution (Jawbone Press). She is the senior editor of the Recording Academy’s GRAMMY.com.

Jessica has extensively covered soul, funk, reggae and alternative Latin genres as a music journalist, including multiple first-to-print profiles on up-and-coming artists. She regularly pens authoritative features on subculture, broke several music industry-focused #MeToo stories and also writes on the business of music.

As a content developer and strategist, Jessica develops marketing and social copy, as well as bios for executives, businesses and bands. Jessica has produced multiple true crime documentary episodes for Viceland and consulted for BBC music docuseries.

When she’s not pursuing the unusual, you can hear Jessica on the radio as Terry Dactyl (KUSF/SFCR and KPOO 89.5 FM) or behind the wheels of steel at a local bar.

Media | Markets

▶ Book Purchases: http://www.jlipsky.com/it-aint-retro
▶ Twitter: JessicaLipsky
▶ Instagram: interview_boogaloo
▶ Website: http://www.jlipsky.com

Clips (more may be added)

1:00:25
Bill Kopp and Jessica Lipsky, books on indie record labels Daptone and 415, PMBiP 12/13/21
By Jessica Lipsky

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Bill Kopp and Jessica Lipsky, books on indie record labels Daptone and 415, PMBiP 12/13/21
This conversation will be focused on the history and importance of two independent record labels: San Francisco’s 415 Records and Brooklyn-based Daptone Records. While each operated in different musical spheres (new wave and punk, and funk and soul, respe...
- Jun 14
Jessica Lipsky is matrixed!
- Jun 14

Jessica Lipsky

Connections Out

Human creativity is everywhere. From Brazil it's all being connected in a manner allowing one to move from any creator to any other creator in just a few steps. Artificial Intelligence & algorithms not necessary. Real intelligence, yes.

Raymundo Sodré Global

Via Matrix, artists like Raymundo Sodré (who was crushed under Brazil's dictatorship) can inspire around the world. Sodré's (and Jorge Portugual's) A MASSA is a Brazilian anthem exhorting the powerless to stand up to the powerful.

A Massa (do povo carente) / The Masses (of people in need)

A Massa (do povo carente) / The Masses (of people in need)

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Share | Report | 60,213 plays | 11,786 views

THE MATRIX IS THE MOTHER SHIP (it carries people to culture; per above, it carries culture too)

THE MATRIX IS CULTURAL DIFFUSION ON A PLANETARY SCALE (Bahia is Ground Zero)

THE MATRIX IS THE INTEGRATED GLOBAL CREATIVE ECONOMY (matrixed economist, Dr. Darius Mans, presents the Africare Award to Luiz Inácio Lula da Silva — Brazil's current president — in 2012)

SPARROW/PARDAL ROBERTS

Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix. — Susan Rogers (personal recording engineer for Prince; recorded "Purple Rain", "Around the World in a Day", "Parade", and "Sign o' the Times"; now director of the Berklee Music Perception and Cognition Laboratory)

SUSAN ROGERS

Dear Sparrow, Many thanks for this – I am touched! — Julian Lloyd Webber (most highly renowned cellist in the United Kingdom; brother of composer Andrew Lloyd Webber (Evita, Jesus Christ Superstar, Cats...)

JULIAN LLOYD WEBBER

This is super impressive work ! Congratulations ! Thanks for including me :))) — Clarice Assad (pianist, composer with works performed by Yo Yo Ma and orchestras around the world)

CLARICE ASSAD

Thanks, this is a brilliant idea!! — Alicia Svigals (world's premier klezmer violinist; founding member of The Klezmatics)

ALICIA SVIGALS

Thank you for your note below and we appreciate you including Kamasi in the matrix, Sparrow. — Banch Abegaze (manager, Kamasi Washington)

KAMASI WASHINGTON

This Matrix was built by an ex-royalty "rescuer" (Aretha Franklin, Barbra Streisand, Gilberto Gil, Astrud Gilberto, Mongo Santamaria, Jim Hall, Led Zeppelin, Bob Marley and many others) so that deep Brazilian culture, much of it otherwise impossible to find if one is not right there where it is made, might also (via an alternative to major media) be discoverable from all around the world. To do this it integrates this immensity into a system whereby ALL CULTURE EVERYWHERE — from small villages in Africa to Grammy-winning artists in Los Angeles — writers, filmmakers, painters... — can be found from anywhere on the planet.

(Clip by Jorge Pacoa)

John Patrick Murphy Saxophone

The Matrix uncoils from the Recôncavo of Bahia, Brazil, final port-of-call for more enslaved human beings than any other such throughout all of human history and from where some of the most physically and spiritually uplifting music ever made (samba and its precursor chula, per the Saturno Brothers above) evolved...

James Gavin Writer

WHAT IS THE RECÔNCAVO? The peninsula upon which Salvador is situated is like the thumb of an open and grasping hand, what is normally thought of as the Recôncavo then being defined by the curved index finger. This way of definition developed when agricultural products were brought to Salvador by boat, sometimes making their way first down the Paraguaçu river after having been carried overland from the sertão (backlands) to Cachoeira, the river debouching into the Bay of All Saints at Maragogipe. The city of Bahia (as it was usually called then) was crouched on the bay, comprised of a commercial district much smaller in area than today (landfill has increased it greatly), the area around the upper section of the elevator, and what is now called Pelourinho.

Michael Formanek Composer

Much of the remainder of the peninsula was given to sugarcane plantations, and dotted within the Atlantic rainforest were countless quilombos (Afro-Brazilian villages founded during the age of slavery); both are attested to today in commonly used city names. The neighborhood of Garcia was once Fazenda Garcia (fazenda being a farm or plantation), and this denomination is still used today to distinguish one end of Garcia (fim-de-linha) from the other (the Campo Grande end). Neighborhoods Engenho Velho de Federação and Engenho Velho de Brotas are so called for the old mills (engenhos velhos) which pressed the caldo (juice, so to speak) from the cane so laboriously hacked out of the fields. The neighborhood of Cabula is named for an nkisi (deity) of candomblé angola (the first candomblé -- a West African religious belief system -- to arrive in Bahia)...whose rhythms comprise the basis for samba, meaning that the rhythms to which so many in the world inexpertly swayed as Stan Getz's saxophone soared and João and Astrud Gilberto sensuously intoned -- this paragon of suave Brazilian sophistication -- was born in the rough senzalas (slavequarters) of Bahia. Ironically enough, the barefoot senzala version was/is far more sophisticated than the sophisticated version.

J. Velloso Songwriter

But times have changed, and Cabula is now a crowded, non-descript middle-to-working class Salvador city neighborhood (plenty of candomblé around though), and Engenhos Velhos de Federação and Brotas are swarming working class neighborhoods (ditto the candomblé); the senzala samba, the samba chula and samba-de-roda have disappeared. A simplified version -- Bahian pagode -- is heard everywhere in Salvador, but the real-deal stuff has died out here in the big city. It remains, however, a potent force on the remainder of its native ground, the Recôncavo proper, where it is danced to upon pounded earth, under moonlight broken by banana, palm and mango leaves, lifting the souls of its participants almost like something religious, which it was, and gods aside, is (again, per the Saturno brothers in the clip above).

Asma Khalid Podcaster

Connect to anybody in here. You appear on their page. Anybody in here connects to you, they appear on your page...

Bill Hinchberger Writer

...plugged into a superpower: the small world phenomenon.

Egberto Gismonti Rio de Janeiro

By the same mathematics positioning some 8 billion human beings within some 6 or so steps of each other, people in the Matrix tend to within close, accessible steps of everybody else inside the Matrix.

Raymundo Sodré Ropeadope

And by extension, to within discoverable reach of everybody everywhere on the planet.

Rhiannon Giddens Banjo

A little bit about how the math works:

EM PORTUGUÊS / IN ENGLISH

BUT WHY BRAZIL???

Mika Mutti Electronic Music

"The time has come for these bronzed people to show their worth..."

(Music by Assis Valente. Clip by Betão Aguiar. The Matrix was built in Salvador's Centro Histórico above, incorporating these marvelous people.)

Robert Glasper Piano

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

Flying Lotus Hip-Hop

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

Jill Scott Actor

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

Billy Strings Bluegrass

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

G. Thomas Allen Countertenor

Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof.

Manoel Cordeiro Guitarrada

Nowhere else but here. Brazil itself is a matrix.

'mātriks / "source" / from "mater", Latin for "mother"
A real mother for ya!

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