Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Milford Graves
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Milford Graves
  • City/Place: New York City
  • Country: United States

Current News

  • What's Up? Milford Graves is with God.

Life & Work

  • Bio: Milford Graves (b. 1941, Jamaica, Queens) is a percussionist, acupuncturist, herbalist, martial artist, programmer, and professor.

    A pioneer of free Jazz, Graves was a member of the New York Art Quartet, whose iconic first recording in 1964 featured LeRoi Jones (Amiri Baraka) reading his poem "Black Dada Nihilismus." In 1967, he played at John Coltrane’s funeral. A consummate autodidact with a syncretic approach, Graves invented a martial art form called Yara based on the movements of the Praying Mantis, African ritual dance, and Lindy Hop in 1972. Shortly thereafter, Graves joined the Black Music Division at Bennington College, where he taught for 39 years and is now Professor Emeritus.

    In 2000 he was awarded a Guggenheim Fellowship and began to study human heart vibrations to better understand music’s healing potential, and in 2015 he received the Doris Duke Foundation Impact Award.

    He is the subject of a critically acclaimed, feature-length documentary, Milford Graves Full Mantis (2018), directed by his former student, Jake Meginsky, with Neil Young.

    Additional notable recordings include In Concert At Yale University (with Don Pullen, 1966); Dialogue of the Drums (with Andrew Cyrille, 1974); Babi (1977); Meditation Among Us (1977); Real Deal (with David Murray, 1992); Grand Unification (1998); Beyond Quantum (with Anthony Braxton and William Parker, 2008); and Space/Time Redemption (with Bill Laswell, 2014)

    He continues to live and work in South Jamaica, Queens in the home that formerly belonged to his grandmother.

Media | Markets

  • ▶ Twitter: fullmantismovie
  • ▶ Instagram: fullmantismovie
  • ▶ Website: http://www.milfordgraves.com
  • ▶ Website 2: http://www.fullmantis.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCdhxmsyD5BAVX7iDQh6U3yA
  • ▶ YouTube Music: http://music.youtube.com/channel/UCdhxmsyD5BAVX7iDQh6U3yA
  • ▶ Vimeo Channel: http://vimeo.com/user77121745
  • ▶ Spotify: http://open.spotify.com/album/48yOX2StApgDLDxrQB4FL2
  • ▶ Spotify 2: http://open.spotify.com/album/1b3L4iZKFE5cDOT1bb1jkk
  • ▶ Spotify 3: http://open.spotify.com/album/3uGGfXaGmJqg79zmbze4P2

Clips (more may be added)

  • Milford Graves Full Mantis - trailer | IFFR 2018
    By Milford Graves
    205 views
  • Milford Graves: Sounding the Universe
    By Milford Graves
    215 views
  • Milford Graves Quartet 1973
    By Milford Graves
    183 views
  • 1:32:40
    Milford Graves Full Mantis
    By Milford Graves
    262 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Milford Graves:

  • 2 Composer
  • 2 Drums
  • 2 Jazz
  • 2 Multi-Cultural
  • 2 New York City
  • 2 Percussion
  • 2 Vocals

Nodes below are randomly generated. Reload for a different stack.

  • Moses Boyd Drums
  • André Vasconcellos Jazz Brasileiro, Brazilian Jazz
  • Imani Winds Chamber Music
  • Bukassa Kabengele Singer-Songwriter
  • Jared Sims Composer
  • Anthony Hamilton R&B
  • Imani Winds New York City
  • Dónal Lunny Irish Traditional Music
  • Mariana Zwarg Samba
  • China Moses Actor
  • Swizz Beatz Record Producer
  • Sombrinha Banjo
  • Capitão Corisco Brazil
  • James Sullivan Journalist
  • Silas Farley Ballet
  • Sam Wasson Cultural Historian
  • Magary Lord Percussion
  • Paul Mahern Punk Rock
  • Cory Henry Singer-Songwriter
  • Mauro Refosco Percussão, Percussion
  • Maria Drell Salvador
  • Geraldine Inoa Playwright
  • Elizabeth LaPrelle Banjo
  • Nguyên Lê Record Producer
  • Luiz Brasil Salvador
  • Ferenc Nemeth App Developer
  • Kurt Andersen Television Writer
  • Paulinho do Reco Brazil
  • Jurandir Santana Timple
  • Ned Sublette Singer-Songwriter
  • Pedro Abib Samba
  • Lianne La Havas Singer-Songwriter
  • Sierra Hull Nashville, Tennessee
  • Walmir Lima Salvador
  • Mingus Big Band New York City
  • Yazhi Guo 郭雅志 Saxophone
  • MonoNeon Bass
  • Anthony Hervey Jazz
  • Roberta Sá Samba
  • Mark Lettieri Guitar
  • Shanequa Gay Storyteller
  • César Camargo Mariano Arranger
  • Alex Hargreaves New School for Jazz and Contemporary Music Faculty
  • Fantastic Negrito Blues
  • Samuca do Acordeon Choro
  • Logan Richardson New York City
  • Stefon Harris Vibraphone
  • Sam Eastmond London
  • Hendrik Meurkens Harmonica
  • Sharay Reed Composer
  • Nelson Cerqueira Bahia
  • Ed O'Brien Singer-Songwriter
  • Gui Duvignau Brazilian Jazz
  • Mona Lisa Saloy New Orleans
  • Gian Correa São Paulo
  • Robert Randolph Singer-Songwriter
  • Natalia Contesse Chilean Folk Music
  • Mateus Aleluia Samba
  • Stephen Kurczy Journalist
  • James Grime University of Cambridge Faculty
  • Brett Orrison Record Label Owner
  • Peter Serkin Contemporary Classical Music
  • Wadada Leo Smith Multi-Instrumentalist
  • Issa Malluf Daf
  • Super Chikan Mississippi
  • Uli Geissendoerfer Jazz
  • Kiko Souza Salvador
  • Jamael Dean Composer
  • Jorge Ben Rio de Janeiro
  • Horácio Reis MPB
  • LaTasha Lee R&B
  • TaRon Lockett Drums
  • Hendrik Meurkens Jazz
  • Samuca do Acordeon Samba
  • Gail Ann Dorsey Singer-Songwriter
  • Derrick Adams Sculptor
  • Darius Mans Economist
  • Logan Richardson Composer
  • Donnchadh Gough Bodhrán
  • Carl Allen Drums
  • Cedric Watson Cajun Music
  • Otmaro Ruiz Jazz
  • Augustin Hadelich New York City
  • Maia Sharp Americana
  • James Strauss Contemporary Classical Music
  • Stacy Dillard Saxophone
  • Alegre Corrêa Brazil
  • Phakama Mbonambi South Africa
  • Steve McKeever Record Label Owner
  • Toninho Horta Guitar
  • Etienne Charles Trumpet
  • Louis Michot Louisiana
  • Armandinho Macêdo Brazil
  • Yelaine Rodriguez Multimedia Art
  • Justin Kauflin New York City
  • Mateus Asato Los Angeles
  • Eddie Kadi Comedian
  • Angel Bat Dawid Singer
  • Steve Cropper Guitar
  • Ariane Astrid Atodji Yaoundé
  • Tommaso Zillio Guitar Instruction
  • Léo Rodrigues Brazil
  • Fabian Almazan Jazz
  • Wolfgang Muthspiel Vienna, Austria
  • Tim Hittle Filmmaker
  • Ta-Nehisi Coates Journalist
  • Jared Jackson Literary Critic
  • Michael Cuscuna Writer
  • Chano Domínguez Jazz
  • Raymundo Sodré Ropeadope
  • The Umoza Music Project London
  • Geovanna Costa Violão, Guitar
  • Jeff 'Tain' Watts Composer
  • Weedie Braimah Jazz
  • Márcio Valverde Santo Amaro
  • Anders Osborne New Orleans
  • Jamel Brinkley Iowa Writers' Workshop Faculty
  • Ênio Bernardes Samba
  • Bodek Janke Jazz
  • Cristiano Nogueira Travel Writer
  • Ryuichi Sakamoto Actor
  • John McLaughlin Jazz Fusion
  • Harish Raghavan Brooklyn, NY
  • Manuel Alejandro Rangel Venezuela
  • Stephanie Soileau University of Chicago Faculty
  • William Parker New York City
  • Deesha Philyaw Essayist
  • Anouar Brahem Jazz
  • David Hoffman YouTuber
  • Alfredo Rodriguez Piano
  • Will Vinson Composer
  • Ken Dossar Educator
  • Merima Ključo Balkan Music
  • Harish Raghavan Jazz
  • Hisham Mayet Photographer
  • Marcus J. Moore DJ
  • Nath Rodrigues Multi-Instrumentalist
  • Jess Gillam London
  • Zé Katimba Samba
  • Michel Camilo Music Director
  • Vânia Oliveira Salvador
  • David Sacks Bossa Nova
  • Bianca Gismonti Rio de Janeiro
  • John Patrick Murphy Author
  • Parker Ighile NIgeria
  • Rolando Herts Delta State University Faculty
  • David Greely Songwriter
  • Kareem Abdul-Jabbar Writer
  • Alicia Svigals New York City
  • Gerald Clayton Composer
  • Dan Moretti Berklee College of Music Faculty
  • Paulo César Figueiredo Jornalista, Journalist
  • Questlove Record Producer
  • Amit Chatterjee Sitar
  • Joey Baron Composer
  • Neymar Dias São Paulo
  • Francisco Mela New York City
  • June Yamagishi Blues
  • Jamz Supernova DJ
  • Ricardo Herz Jazz
  • Arthur L.A. Buckner Drums
  • Guillermo Klein Composer
  • Lula Moreira Pernambuco
  • César Camargo Mariano Brazil
  • Philip Glass Piano
  • Nancy Ruth Multi-Cultural
  • Baiba Skride Violin
  • Donny McCaslin Saxophone
  • Bhi Bhiman R&B
  • Adam Cruz Jazz
  • John Santos Percussion
  • Negra Jhô Bahia
  • Rosa Cedrón Galicia
  • Kiko Loureiro Helsinki
  • Karim Ziad Multi-Instrumentalist
  • Elie Afif Beirut
  • Saileog Ní Cheannabháin Raelach Records
  • Tab Benoit Louisiana
  • Stephanie Foden Montreal
  • Alan Bishop Bass
  • Delfeayo Marsalis New Orleans
  • Paulinho da Viola Singer-Songwriter
  • Jean Rondeau Classical Music
  • Plamen Karadonev Piano
  • Luciano Calazans Bahia
  • Abderrahmane Sissako Mali
  • Andrew Finn Magill Appalachian Music
  • James Gadson Blues
  • Magary Lord Semba
  • Guillermo Klein Jazz
  • Eric Alexander Saxophone Instruction
  • Parker Ighile Progressive Afro Pop
  • Darrell Green New York City
  • Daru Jones Jazz
  • Vivien Schweitzer Piano
  • Jimmy Dludlu Mozambique
  • Gregory Tardy Composer
  • Arifan Junior Cantor-Compositor, Singer-Songwriter
  • Martín Sued Bandoneon
  • Mingo Araújo Percussion
  • Savoy Family Cajun Band Cajun Music
  • Casey Benjamin Saxophone
  • Sahba Aminikia Composer
  • Jennifer Koh Violin
  • Reuben Rogers Bass
  • Bebê Kramer Choro
  • Jared Sims Funk
  • Şener Özmen Multimedia Art
  • Gringo Cardia Rio de Janeiro
  • Jorge Washington Chef
  • Jamie Dupuis Composer
  • Sameer Gupta Drums
  • Billy Strings Americana
  • Iuri Passos Brazil
  • Paulinho Fagundes Rio Grande do Sul
  • Yacouba Sissoko New York City
  • Craig Ross Multi-Instrumentalist
  • Huey Morgan Guitar
  • Nara Couto Afropop
  • Bodek Janke Tabla
  • Yosvany Terry Saxophone
  • MonoNeon Gospel
  • Victor Wooten Record Label Owner
  • Maladitso Band Lilongwe
  • Tony Austin Film Scores
  • Keshav Batish Composer
  • Yazhi Guo 郭雅志 Suona
  • Brad Mehldau Jazz
  • Samuca do Acordeon Forró
  • Frank Beacham Photographer
  • John Santos Record Producer
  • Jerry Douglas Resonator Guitar
  • Jeff Coffin Vanderbilt University Blair School of Music Faculty
  • Linda May Han Oh Composer
  • Mary Halvorson Composer
  • Ajeum da Diáspora Bahia
  • Merima Ključo Theater Scores
  • Anissa Senoussi VFX Artist
  • Dhafer Youssef ظافر يوسف Tunis
  • David Fiuczynski Guitar
  • Andy Kershaw DJ
  • Larisa Wiegant Graphic Design
  • Bill Frisell Guitar
  • Camille Thurman Flute
  • Glória Bomfim Brazil
  • John Waters Songwriter
  • Eduardo Kobra Ativista da Paz, Peace Activist
  • Banning Eyre African Music
  • Linda May Han Oh Film Scores
  • Marília Sodré Instrução de Violão, Guitar Instruction
  • Gilberto Gil Singer-Songwriter
  • Kotringo Tokyo
  • Dave Douglas New York City
  • Ron Miles Cornet
  • Isaias Rabelo Brazil
  • Jean-Paul Bourelly Educator
  • Yasmin Williams Alexandria, Virginia
  • Marcel Camargo Jazz
  • Nêgah Santos New York City
  • Hank Roberts Avant-Garde, Folk, Classical
  • Jon Cowherd Piano
  • Nigel Hall Singer
  • Manolo Badrena Composer
  • Jurandir Santana Composer
  • Hélio Delmiro Jazz
  • Branford Marsalis Composer
  • Giba Conceição Candomblé
  • 9Bach Wales
  • Jim Lauderdale Nashville, Tennessee
  • Siba Veloso Composer
  • Olivia Trummer Berlin
  • Sam Yahel Jazz
  • Lokua Kanza Paris
  • Yosvany Terry Afro-Cuban Jazz
  • Elio Villafranca Afro-Cuban Jazz
  • Lokua Kanza Congo
  • Edmar Colón Berklee College of Music Faculty
  • Ronaldo Bastos Record Producer
  • Donald Harrison Jazz
  • Karim Ziad Composer
  • Fantastic Negrito Blues
  • Seckou Keita Senegal
  • Nicholas Daniel Trossingen Musikhochschule Staff
  • César Camargo Mariano MPB
  • Herbie Hancock Jazz
  • Henry Cole Drums
  • Papa Mali Louisiana
  • Roy Ayers Singer
  • Joel Guzmán Accordion
  • Lizz Wright Singer
  • Jan Ramsey Creole Music
  • Intisar Abioto Writer
  • Antonio García Latin Music
  • Dermot Hussey Reggae
  • MicroTrio de Ivan Huol Bahia
  • Maia Sharp Nashville, Tennessee
  • Jam no MAM Jam Sessions
  • Guinha Ramires Rio Grande do Sul
  • Seu Jorge MPB
  • Mark Turner Saxophone
  • Anthony Hervey Trumpet
  • Anoushka Shankar Sitar
  • Nelson Latif Cavaquinho
  • Olivia Trummer Classical Guitar
  • Francisco Mela Cuba
  • Maia Sharp Singer-Songwriter
  • Avishai Cohen אבישי כה Razdaz Recordz
  • Carlos Aguirre Composer
  • Jonathan Scales New York City
  • Alexandre Vieira Jazz Brasileiro, Brazilian Jazz
  • Carwyn Ellis Samba
  • H.L. Thompson Brazilian Funk
  • Jon Batiste R&B
  • Robert Glasper Record Producer
  • David Sacks MPB
  • Damon Albarn Film Scores
  • 9Bach Folk-Based
  • Muireann Nic Amhlaoibh Fiddle
  • Júlio Lemos Composer
  • Peter Dasent Author
  • Adam O'Farrill Trumpet
  • Victor Wooten Composer
  • Berta Rojas Paraguay
  • Tony Trischka Old-Time Music
  • Nubya Garcia London
  • Daniel Jobim MPB
  • Dave Smith Jazz
  • Rahim AlHaj Composer
  • Şener Özmen Video Artist
  • Fatoumata Diawara African Music
  • Barlavento Samba de Roda
  • Atlantic Brass Quintet Jazz
  • Jurandir Santana Bahia
  • Emily Elbert Folk Funk Jazz Blues
  • Alex Mesquita Federal University of Bahia Faculty
  • Michel Camilo Piano
  • Robert Glasper Hip-Hop
  • Horace Bray Los Angeles
  • Sandro Albert New York City
  • Kaveh Rastegar Bass
  • Cássio Nobre Ethnomusicologist
  • Tommaso Zillio YouTuber
  • Wayne Escoffery Composer
  • Vincent Valdez Drawings
  • Dan Trueman New Instrument Creator
  • Lokua Kanza Singer-Songwriter
  • Bhi Bhiman Los Angeles
  • Swami Jr. Brazilian Jazz
  • Shemekia Copeland Chicago
  • Ofer Mizrahi Tel Aviv

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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