CURATION
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from this page:
by Augmented Matrix
The Integrated Global Creative Economy
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Name:
Bobby Fouther
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City/Place:
Portland, Oregon
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Country:
United States
Current News
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What's Up?
The most influential people in my career have included masters and mentors from other cultures along with notables from our nations creative resources. Blending methods of artistic expression from many different cultures and art mediums, my projects are a mix of performance and visual arts workshops that foster a sense of pride in a child's culture as well as an appreciation of the diversity and unifying themes of many cultures.
My vision for our youth is that all children be given the opportunity to experience art at an early age. Having had an extremely full exposure to art as a child gave me the mindset to create and develop artistic alternatives and opportunities for youth in my community. For my students in general I want to provide them with a sense of self and an open-minded view of art as a holistic web that you can weave throughout your life.
I have used this process as a major positive life skill for myself and I hope future students will allow me the opportunity to use the traditional approach of passing it down.
Life & Work
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Bio:
Personal:
Bobby Fouther is a second-generation artist and a second generation Oregonian, born on Labor Day and raised in a house full of creativity. Bobby strives to use his gifts on a daily basis to improve his community.
Visual:
After 20 years of live performance work Mr. Fouther has revived his visual art projects as a way of continuing to dance on the page and as a source of fundraising for his creative work with children.
Based at a local school in his community Mister Bobby, as his students fondly call him, teaches through a creative process that allows the student to become successful as well as understand the entrepreneurial aspects of the art world.
Currently Mr. Fouther, a 2009 “Spirit of Portland” award winner has shown artwork in city hall and continually has featured work with “ColoredPencils:Arts & Culture Night” a New Portland project sponsored by the City of Portland’s Office of Human Relations as well as locations and events throughout the metropolitan area.
Performance:
Bobby Fouther's career in the Northwest spans over forty years of artistic expression. Of primary focus is his lifelong goal of bringing communities together through the arts. Having filled the rolls of producer, director, performer, designer, exhibitor and teacher, his work has influenced thousands of students, peers and audiences in communities throughout the United States.
For many years, this former Portland State University faculty member and current instructor for Oregon Ballet Theatre’s Outreach Programs has served as an artist-in-education for statewide artist residency programs sponsored by the Oregon, Washington and Idaho Arts Commissions and the National Endowment for the Arts.
Mr. Fouther has also served on curriculum development committees for the Children’s Museum, The World Affair’s Council of Oregon, Portland Public Schools and White Bird Dance.
Contact Information
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Email:
[email protected]
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Telephone:
503.422.3076
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Address:
Bobby Fouther
P.O. Box 9191
Portland, Oregon 97207
Clips (more may be added)
Few people know that the Bay of All Saints was final port-of-call for more enslaved human beings than any other such throughout all of human history. And few people know the transcendence these people, and their descendents, wrought. That's where this Matrix begins...
Wolfram MathWorld
The idea is simple, powerful, and egalitarian: To propagate for them, the Matrix must propagate for all. Most in the world are within six degrees of us. The concept of a "small world" network (see Wolfram above) applies here, placing artists from the Recôncavo and the sertão, from Salvador... from Brooklyn, Berlin and Mombassa... musicians, writers, filmmakers... clicks (recommendations) away from their peers all over the planet.
This Integrated Global Creative Economy (we invented the concept) uncoils from Brazil's sprawling Indigenous, African, Sephardic and then Ashkenazic, Arabic, European, Asian cultural matrix... expanding like the canopy of a rainforest tree rooted in Bahia, branches spreading to embrace the entire world...
Recent Visitors Map
Great culture is great power.
And in a small world great things are possible.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
I opened the shop in Salvador, Bahia in 2005 in order to create an outlet to the wider world for magnificent Brazilian musicians.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix, then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC (I've lived here in Brazil for 32 years now) I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Salvador is our base. If you plan to visit Bahia, there are some things you should probably know and you should first visit:
www.salvadorbahiabrazil.com
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