Bio:
Patty Kiss, talentosa na guitarra baiana dentre outros instrumentos, iniciou-se na música aos 11 anos, e aos 12, seguindo o exemplo do mestre Armandinho Macêdo subiu num trio elétrico pra tocar sua primeira de muitas micaretas ao lado de Dera Barbosa, integrando em seguida ao grupo Kamaloka.
Aos 18 anos, mudou-se para o Rio de Janeiro, onde participou da cena musical carioca, de projetos e produções diversas e integrou a banda Zazueira, que se destacou no Verão de Campos recebendo o prêmio de banda revelação e melhor jingle.
A partir de 1997, iniciou uma série de turnês pelo mundo com a Banda Didá, acompanhando o coral Gospel Mount Moriah ao lado dos brasileiros Emílio Santiago e Sandra de Sá, a cantora Daniela Mercury e em seguida Caetano Veloso. De 1998 a 2000, integrou como guitarrista a banda As Meninas com o sucesso do CD Xibom bom bom.
De 2000 a 2013 trabalhou em tempo integral com o Trio Elétrico Armandinho Dodô e Osmar, como produtora, iluminadora e guitarrista. Ainda atua com o Trio durante os carnavais.
Atualmente faz shows instrumentais de guitarra baiana com o seu trabalho independente, além de participações ao lado de artistas de carreira nacional e internacional como a cantora Sayon Bamba da Guiné, onde integrou a Orquestra de mulheres Obirin a convite do grande maestro Letieres Leite,, participações com a cantora Aila Menezes, com a Banda Motumbá, entre outras...
Patty Kiss também é diretora musical e guitarrista no projeto A Mulherada. Ministra Workshops e Master Classes em eventos por todo o Brasil. Agora em 2020, Patty Kiss começa a lançar seu trabalho solo autoral em todas plataformas digitais, dando inicio a esse novo desafio junto â Portugal Audio Company, sendo produzida pelo renomado Giovani Goulart.
Patty Kiss Duetos de Guitarra Baiana com Marcos Stress - Frevo Dobrado (Aroldo Macêdo)
A música "Frevo Dobrado" foi composta por Aroldo Macêdo, gravada no disco É A MASSA lançado em 1975. O playback do Frevo Dobrado foi produzido por Difan Oliveira.
The canopy rises from Bahia to encircle the planet, but but the roots of the Matrix go back decades to Kingston, Jamaica...
I'm Sparrow. I used the contract above, Bob Marley's first (co-signed by his aunt because he was under 21, and this is a copy I made of Clement Dodd's original) to retrieve unpaid royalties from CBS Records. I retrieved money for Aretha Franklin, Gilberto Gil, Led Zeppelin, Barbra Streisand, Mongo Santamaria and many others. But what if Bob hadn't got out of Kingston, or Aretha out of Chicago? They would have been just as great but there would have been no way for the wider world to know. The world brims with brilliant artists without reach, including writers, filmmakers, painters... So in the Matrix, everybody can potentially be experienced from everywhere in the world. And the famous? Very few people (Bob and Michael Jackson aside) are famous everywhere, plus the famous like to recommend (connect to) too. The pathways are open. As they say in Bahia, "Laroyê!"
Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix. — Susan Rogers (Susan was personal recording engineer for Prince; she recorded "Purple Rain", "Around the World in a Day", "Parade", and "Sign o' the Times" and she is now director of the Berklee Music Perception and Cognition Laboratory)
Dear Sparrow, Many thanks for this – I am touched! — Julian Lloyd Webber (Julian is the most highly renowned cellist in the United Kingdom; he is brother of composer Andrew Lloyd Webber (Evita, Jesus Christ Superstar, Cats...)
This is super impressive work ! Congratulations ! Thanks for including me :))) — Clarice Assad (Clarice is a pianist and composer, with works performed by Yo Yo Ma and orchestras around the world)
The Matrix uncoils from the Recôncavo of Bahia, Brazil, final port-of-call for more enslaved human beings than any other such throughout all of human history and from where some of the most physically and spiritually uplifting music ever made (samba and its precursor chula, per the Saturno Brothers below) evolved...
By the same mathematics positioning some 8 billion human beings within some 6 or so steps of each other, people in the Matrix tend to within close, accessible steps of everybody else inside the Matrix.
Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.
Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.
Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).
Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.
SPARROW/PARDAL ROBERTS
SUSAN ROGERS
JULIAN LLOYD WEBBER
CLARICE ASSAD
ALICIA SVIGALS
KAMASI WASHINGTON