• Sign in
  • Be a Node
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • AFROBIZ Salvador
  • Questions?
  • IMPORTANT →
  • Recommendations In(8)
  • What's Up
  • Why a "Matrix"?
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • From Harlem to Bahia

IMPORTANT →

Recommendations In


Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Nilze Carvalho:

  • 9 Bandolim
  • 9 Brazil
  • 9 Cavaquinho
  • 9 Choro
  • 9 Mandolin
  • 9 Rio de Janeiro
  • 9 Samba
  • 9 Singer

What's Up

The post was not added to the feed. Please check your privacy settings.
  • Nilze Carvalho
    Fabiana Cozza → Writer has been recommended via Nilze Carvalho.
    • Jan 9
  • Nilze Carvalho
    Fabiana Cozza → Singer has been recommended via Nilze Carvalho.
    • Jan 9
  • Nilze Carvalho
    Fabiana Cozza → São Paulo has been recommended via Nilze Carvalho.
    • Jan 9
  • Nilze Carvalho
    Fabiana Cozza → Samba has been recommended via Nilze Carvalho.
    • Jan 9
  • Nilze Carvalho
    Fabiana Cozza → Poet has been recommended via Nilze Carvalho.
    • Jan 9
  • Nilze Carvalho
    Fabiana Cozza → Phonoaudiologist has been recommended via Nilze Carvalho.
    • Jan 9
  • Nilze Carvalho
    Fabiana Cozza → MPB has been recommended via Nilze Carvalho.
    • Jan 9
  • Nilze Carvalho
    Fabiana Cozza → Brazil has been recommended via Nilze Carvalho.
    • Jan 9
  • Nilze Carvalho
    Toninho Nascimento → Singer-Songwriter has been recommended via Nilze Carvalho.
    • September 26, 2021
  • Nilze Carvalho
    Toninho Nascimento → Samba has been recommended via Nilze Carvalho.
    • September 26, 2021
  • Nilze Carvalho
    Toninho Nascimento → Rio de Janeiro has been recommended via Nilze Carvalho.
    • September 26, 2021
  • Nilze Carvalho
    Toninho Nascimento → Brazil has been recommended via Nilze Carvalho.
    • September 26, 2021
  • Nilze Carvalho
    Toninho Nascimento → Belém do Pará has been recommended via Nilze Carvalho.
    • September 26, 2021
  • Nilze Carvalho
    Henrique Cazes → Viola Caipira has been recommended via Nilze Carvalho.
    • September 30, 2020
  • Nilze Carvalho
    Henrique Cazes → Tenor Guitar has been recommended via Nilze Carvalho.
    • September 30, 2020
  • Nilze Carvalho
    Henrique Cazes → Samba has been recommended via Nilze Carvalho.
    • September 30, 2020
  • Nilze Carvalho
    Henrique Cazes → Rio de Janeiro has been recommended via Nilze Carvalho.
    • September 30, 2020
  • Nilze Carvalho
    Henrique Cazes → Composer has been recommended via Nilze Carvalho.
    • September 30, 2020
  • Nilze Carvalho
    Henrique Cazes → Choro has been recommended via Nilze Carvalho.
    • September 30, 2020
  • Nilze Carvalho
    Henrique Cazes → Cavaquinho has been recommended via Nilze Carvalho.
    • September 30, 2020
View More
Loading ...

Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

And João said (in Portuguese), repeating what I'd just told him, with one addition: "A matrix where musicians can recommend other musicians, and you can move from one to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

From Harlem to Bahia



  • Nilze Carvalho
    I RECOMMEND

CURATION

  • from this node by: Sparrow/Pardal

This is the Universe of

  • Name: Nilze Carvalho
  • City/Place: Rio de Janeiro
  • Country: Brazil

Life & Work

  • Bio: Nilze Carvalho first picked up the cavaquinho at 5 years of age, and at 6 played on television (twice). She recorded her first record, Choro de Menina, at 12 (the title is literally "Girl's Cry", but the Portuguese word for "cry", "choro", also refers to a beautiful and difficult style of music, something akin to Brazilian jazz). Nilze turned to mandolin and by 14 years of age had recorded a series of four more records, in two of them accompanied by the most famous choro group in Brazil (Época de Ouro).

    She has since recorded and toured widely, and has appeared alongside Brazil's most highly respected sambistas and chorões (choro players).

Contact Information

  • Management/Booking: BIANCA LUCENET
    55 21 99661-8078
    [email protected]
    [email protected]

Media | Markets

  • ▶ Twitter: nilzec
  • ▶ Instagram: nilze.carvalho
  • ▶ Website: http://www.nilzecarvalho.com.br
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCFgklcNZ1XIoIzECdJDHeHQ
  • ▶ YouTube Music: http://music.youtube.com/channel/UCduNqdQkS7N1vyvxEyIU3eg
  • ▶ Spotify: http://open.spotify.com/album/7xhAs2HH5x3jXb9o2AMx8Q
  • ▶ Spotify 2: http://open.spotify.com/album/0b3BNjh82FFCAmyGdG5MrV
  • ▶ Spotify 3: http://open.spotify.com/album/41mnwm5xiw9zeRNHRb0bgD
  • ▶ Spotify 4: http://open.spotify.com/album/6k4c6cluBJptZkp9bL1hyv

Clips (more may be added)

  • O Que é Meu
    By Nilze Carvalho
    590 views
Previous
Next
  • Julian Lloyd Webber Cello
  • Mário Pam AFROBIZ Salvador
  • Taj Mahal Blues
  • Herbie Hancock Jazz
  • Kurt Rosenwinkel Guitar
  • Hermeto Pascoal Multi-Instrumentalist
  • Christopher Wilkinson Screenwriter
  • Lazzo Matumbi Salvador
  • Juliana Ribeiro Salvador
  • Kamasi Washington Saxophone
  • Airto Moreira Brazil
  • Magary Lord AFROBIZ Salvador
  • Mateus Aleluia Candomblé
  • Margareth Menezes Salvador
  • Lauranne Bourrachot Movie Producer
  • Nduduzo Makhathini South Africa
  • Gilberto Gil Salvador
  • Louis Marks Ropeadope
  • João do Boi Samba de Roda
  • Paulinho da Viola Samba
  • Iuri Passos AFROBIZ Salvador
  • Robert Glasper Hip-Hop
  • Pedrito Martinez Congas
  • Alicia Svigals Klezmer Fiddle
  • Jorge Washington AFROBIZ Salvador
  • Ilê Aiyê Salvador
  • Gal Costa Salvador
  • Kareem Abdul-Jabbar Writer
  • Raymundo Sodré Bahia
  • Simon Brook Filmmaker
  • Yosvany Terry Harvard University Faculty
  • Darius Mans Economist
  • Toby Gough Musical Theater
  • Luedji Luna Salvador
  • Caetano Veloso Salvador
  • Gabi Guedes Salvador
  • Bobby Sanabria Manhattan School of Music Faculty
  • Mestre Nenel AFROBIZ Salvador
  • Bob Mintzer USC Thornton School of Music Faculty
  • Armandinho Macêdo Salvador
  • Vijay Iyer Harvard University Faculty
  • Chief Xian aTunde Adjuah New Orleans
  • Jay Mazza Journalist
  • Jau Salvador
  • Seu Jorge Brazil
  • Jean-Paul Bourelly Multi-Cultural
  • Curly Strings Multi-Cultural
  • Amilton Godoy Classical Music
  • David Chesky Composer
  • Shamarr Allen New Orleans
  • Dafnis Prieto Cuba
  • Robby Krieger Jazz
  • Mark Stryker Detroit
  • Spok Frevo Orquestra Frevo
  • H.L. Thompson Brazil
  • Tom Oren Israel
  • Alex Mesquita Composer
  • Luciano Salvador Bahia Salvador
  • Nicholas Daniel Classical Music
  • Tom Bergeron Choro
  • Brentano String Quartet Contemporary Classical Music
  • Richard Galliano Paris, France
  • Milton Primo Viola Machete
  • Dwandalyn Reece Washington, D.C.
  • Yelaine Rodriguez Bronx, NY
  • Adenor Gondim Salvador
  • Phakama Mbonambi Publisher
  • João Callado Samba
  • Jeff Tweedy Multi-Instrumentalist
  • Jason Parham Editor
  • Márcio Bahia MPB
  • Mika Mutti Record Producer
  • Stefano Bollani Jazz
  • Tom Zé Singer-Songwriter
  • Romero Lubambo Samba
  • Cédric Villani France
  • Samba de Nicinha Maculelê
  • Mokhtar Samba Paris
  • Patricia Janečková Soprano
  • Teresa Cristina Rio de Janeiro
  • Fred Dantas Big Band Leader
  • Gustavo Di Dalva Singer
  • Joel Guzmán Tejano
  • Carrtoons Record Producer
  • Arto Tunçboyacıyan Singer-Songwriter
  • Saileog Ní Cheannabháin Fiddle
  • Kiya Tabassian كيا طبسيان Setar
  • Mick Goodrick Author
  • Fred Hersch Piano
  • Mingo Araújo Percussion
  • Howard Levy Multi-Cultural
  • Ben Cox Director of Photography
  • MARO Portugal
  • Gustavo Di Dalva Percussion Instruction Online
  • David Sánchez Puerto Rico
  • Rick Beato YouTuber
  • Berkun Oya Playwright
  • Django Bates Bern University of the Arts Faculty
  • Olga Mieleszczuk Jerusalem
  • Adenor Gondim Brazil
  • Jon Faddis Manhattan School of Music Faculty
  • G. Thomas Allen Columbia College Chicago Faculty
  • Scott Kettner Second Line
  • Jared Sims Jazz
  • Gonzalo Rubalcaba Afro-Cuban Jazz
  • Charles Munka Painter
  • Antônio Pereira Brazil
  • Ann Hallenberg Mezzo-Soprano
  • Joachim Cooder Keyboards
  • Jamel Brinkley Writer
  • Joe Lovano Berklee College of Music Faculty
  • Kyle Poole Jazz
  • Swami Jr. Cuban Music
  • Elio Villafranca Cuba
  • Tito Jackson Pop
  • Seth Swingle Banjo
  • Colson Whitehead Literary Critic
  • Olga Mieleszczuk Singer
  • Terell Stafford Temple University Boyer College of Music & Dance Faculty
  • Tommy Peoples Fiddle
  • Jake Oleson Brooklyn, NY
  • Carrtoons Songwriter
  • Lívia Mattos Accordion
  • Miles Mosley Multi-Instrumentalist
  • John Patrick Murphy Ethnomusicologist
  • Kermit Ruffins New Orleans
  • Nelson Sargento Singer-Songwriter
  • Cécile Fromont Writer
  • Margareth Menezes Axé
  • Bob Mintzer Composer
  • Nicolas Krassik Rio de Janeiro
  • Peter Slevin Northwestern University Faculty
  • Jon Faddis Jazz
  • Daniel Jobim MPB
  • Leandro Afonso Federal University of Bahia
  • Dónal Lunny Record Producer
  • Fantastic Negrito R&B
  • Echezonachukwu Nduka Classical Music
  • Tal Wilkenfeld Los Angeles
  • Walter Ribeiro, Jr. Forró
  • Bob Bernotas Music Journalist
  • Tigran Hamasyan Armenia
  • Célestin Monga Author
  • Bodek Janke Jazz
  • Mônica Salmaso Singer
  • Berta Rojas Paraguay
  • The Rheingans Sisters Folk & Traditional
  • John Francis Flynn Dublin
  • Jean-Paul Bourelly Guitar
  • Nilze Carvalho Samba
  • Mona Lisa Saloy Poet
  • Anoushka Shankar Sitar
  • Alicia Svigals Writer
  • Muireann Nic Amhlaoibh Singer
  • Dee Spencer Composer
  • Natalia Contesse Guitar
  • Alain Mabanckou Writer
  • Gustavo Di Dalva Composer
  • Bonerama R&B
  • Niwel Tsumbu Singer
  • Wolfgang Muthspiel Jazz
  • Issa Malluf North African Percussion
  • Ethan Iverson Writer
  • Melvin Gibbs Funk/HIp Hop/Alternative
  • Yasushi Nakamura Jazz
  • Les Filles de Illighadad Tuareg Music
  • Ben Okri Writer
  • Angelique Kidjo Multi-Cultural
  • Roosevelt Collier Songwriter
  • Monk Boudreaux Mardi Gras Indian
  • Mahsa Vahdat Composer
  • Carwyn Ellis Alternative Indie
  • Michael Cuscuna Writer
  • THE ROOM Shibuya Cocktail Bar
  • Carlos Aguirre Argentina
  • Bule Bule Repente
  • Manu Chao Multi-Cultural
  • Rodrigo Caçapa Percussion
  • Ariel Reich Dance for PD®
  • Stanton Moore New Orleans
  • Doug Adair Braver Angels
  • Zé Luíz Nascimento Paris
  • Marc Johnson Jazz
  • Nick Douglas Writer
  • Elie Afif Lebanon
  • Sharita Towne Portland, Oregon
  • Mino Cinélu Drums
  • Walter Pinheiro São Paulo
  • Cyro Baptista Percussion
  • Armen Donelian New School for Jazz and Contemporary Music Faculty
  • Ajeum da Diáspora AFROBIZ Salvador
  • Nelson Ayres São Paulo
  • Richie Stearns Old-Time Music
  • Andra Day Actor
  • Joatan Nascimento Trumpet
  • Orlando Costa Salvador
  • Biréli Lagrène Composer
  • Carlos Malta Bass Clarinet
  • Keita Ogawa Percussion Samples
  • Wynton Marsalis Classical Music
  • Cassie Kinoshi Saxophone
  • Lucio Yanel Guitar Courses
  • Ronell Johnson Tuba
  • Rebeca Omordia Piano
  • Alex Cuadros Author
  • Vijith Assar Writer
  • Dezron Douglas NYU Steinhardt Faculty
  • Africania Chula
  • Jaques Morelenbaum MPB
  • Kenny Barron New York City
  • David Hepworth Publishing Industry Analyst
  • Larnell Lewis Drums
  • Casey Driessen Bluegrass
  • Kiya Tabassian كيا طبسيان Montreal
  • Chris Dave Houston
  • Azi Schwartz החזן עזי שוורץ Jewish Liturgical Music
  • Steve Cropper Record Producer
  • James Carter Flute
  • Sierra Hull Guitar
  • Luíz Paixão Ciranda
  • Stephan Crump Brooklyn, NY
  • Julie Fowlis Scottish Gaelic
  • Donna Leon Venice
  • Mohamed Diab Egypt
  • Lula Galvão MPB
  • John Schaefer Writer
  • Robi Botos Hungary
  • Carlinhos Brown Bahia
  • Willie Jones III Drumming Instruction
  • Yoron Israel Multi-Cultural
  • Marco Pereira Samba
  • Ned Sublette Cuba
  • David Greely Songwriter
  • Sam Wasson Author
  • Celso Fonseca MPB
  • Jack Talty Record Label Owner
  • Kathy Chiavola Folk & Traditional
  • Dan Auerbach Record Producer
  • Aneesa Strings Composer
  • Toninho Nascimento Singer-Songwriter
  • Stormzy London
  • Cainã Cavalcante Choro
  • Bodek Janke World Music
  • Rudy Royston Drums
  • Reena Esmail Hindustani Classical Music
  • Matt Ulery Bass
  • Timothy Duffy Photographer
  • Ben Allison Jazz
  • Molly Tuttle Banjo
  • Chris McQueen Guitar
  • Bonerama Brass Band
  • Jakub Knera Writer
  • Nikki Yeoh London
  • Jan Ramsey New Orleans
  • H.L. Thompson Hip-Hop
  • Jeffrey Boakye England
  • Jau Singer-Songwriter
  • Msaki Record Label Owner
  • Alessandro Penezzi Composer
  • Michael Olatuja Nigeria
  • Elif Şafak Novelist
  • Yamandu Costa Choro
  • Frank Beacham Playwright
  • Aditya Prakash Carnatic Music
  • Omer Avital North African Music
  • Serwah Attafuah Punk
  • Marcel Camargo Choro
  • Mário Santana São Braz
  • Kiko Loureiro Progressive Metal
  • Nubya Garcia Composer
  • Cassie Kinoshi Composer
  • Guillermo Klein Composer
  • Andy Romanoff Photographer
  • Doug Adair TechBeat
  • Beth Bahia Cohen Rababa
  • Daniel Owoseni Ajala Lagos
  • William Parker New York City
  • Garvia Bailey Radio Producer
  • Madhuri Vijay Novelist
  • Nate Chinen Radio Director
  • Doug Wamble Jazz
  • Beeple NFTs
  • Asma Khalid White House Correspondent
  • The Umoza Music Project London
  • Zé Luíz Nascimento Brazil
  • Muhsinah Singer-Songwriter
  • Eric Galm Trinity College Faculty
  • Martyn Drum and Bass
  • Dafnis Prieto Drums
  • Di Freitas Composer
  • Mykia Jovan Singer-Songwriter
  • John Santos San Francisco State University Faculty
  • Stanton Moore R&B
  • Aruán Ortiz New York City
  • Hélio Delmiro Samba
  • Ivo Perelman Brooklyn, NY
  • Nels Cline New York City
  • Mario Ulloa Salvador
  • Mokhtar Samba Percussion
  • Janine Jansen Netherlands
  • Dwayne Dopsie New Orleans
  • Johnny Lorenz Literary Critic
  • Spok Frevo Orquestra Pernambuco
  • Chris Potter Multi-Instrumentalist
  • Papa Mali Funk
  • Andrew Finn Magill Forró
  • Amaro Freitas Jazz
  • Marcelo Caldi Singer
  • Mateus Alves Bass
  • Alex Conde Arranger
  • Keyon Harrold Jazz
  • Derrick Hodge Composer
  • Massimo Biolcati App Developer
  • Joshua Abrams Chicago
  • Jura Margulis Piano
  • Mingus Big Band New York City
  • Mateus Aleluia Bahia
  • Dumpstaphunk New Orleans
  • Leon Bridges R&B
  • Celso Fonseca Bossa Nova
  • David Sacks Latin Jazz
  • Joel Ross Brooklyn, NY
  • Peter Serkin Piano
  • Garvia Bailey Arts Journalist
  • Béco Dranoff Brazilian Music
  • Rebeca Omordia London
  • Mohini Dey Bass
  • João Rabello Classical Guitar
  • Capitão Corisco Pife
  • Dave Douglas Composer
  • Adonis Rose New Orleans
  • Nicholas Barber Arts Journalist
  • Arthur L.A. Buckner Drum Instruction
  • Benjamin Grosvenor United Kingdom
  • Sergio Krakowski Brazil
  • Tyler Hayes Tech Writer
  • June Yamagishi Funk
  • Anoushka Shankar Multi-Cultural
  • Mazz Swift Brooklyn, NY
  • Fernando César Educator
  • Afrocidade Rap
  • Steve McKeever Hidden Beach Recordings
  • Zigaboo Modeliste Drums
  • Mário Pam Bahia

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share