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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Chris Cheek
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Chris Cheek
  • City/Place: Brooklyn, NY
  • Country: United States
  • Hometown: St. Louis, Missouri

Life & Work

  • Bio: Chris Cheek
    Chris is one of the most sought after saxophonists in the Jazz world today, having played in the the groups of legends such as Paul Motian, Charlie Haden, Steve Swallow and Bill Frisell. As a leader he has performed with the likes of Jorge Rossy, Brad Mehldau, Steve Cardenas and Kurt Rosenwinkle. His latest CD "Saturday Songs" (on Sunnyside Records) along with his recordings (on Fresh Sound records) "I Wish I Knew", "A Girl Named Joe", "Vine", and "Blues Cruise" have all received rave reviews internationally and have become favorites among players and listeners alike. He is also Co-leader of the bands "Rudder" (19/8 records), "the Bloomdaddies" (Fresh Sound) and "Reeds Ramble" (Criss Cross records).

    Chris' music encompasses a wide vista, firmly rooted in the Jazz tradition with a foot towards the unknown. As Steve Swallow and Carla Bley put it: "On the one hand, he's the very embodiment of gentle, graceful lyricism. But he's unable to resist the urge to subvert. He's a master of the sucker punch; just when he's convinced you that things couldn't be sweeter, he'll play something that jolts you right back to real life, something as direct and succinct as an uppercut. Do not trust this man! Listen at your peril."

    His colleague Guillermo Klein says of Cheek: "(Chris) is one of my favorite people in this world. An amazingly gifted musician in constant communion with sound. For more than 20 years I've been blessed to share music with him, and I have to say that every note and phrase he played to date it has been beautiful and meaningful, so inspiring to hear his interpretation of the music and also his own tunes have a unique beauty. He makes a place a happening place ...I think he doesn't realize it that much because he's always there."

    His flexible, dynamic sound on all the saxophones, along with his adaptability and inventiveness makes him a valuable contribution to every band he plays with.

    Chris Cheek was born in St. Louis, Missouri in 1968.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Website: http://chrischeek.net
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCQCeofqg1rRdi8VN3qSy87w
  • ▶ YouTube Music: http://music.youtube.com/channel/UCQCeofqg1rRdi8VN3qSy87w
  • ▶ Spotify: http://open.spotify.com/album/36zTcljhwpPoVvJCzjrP99
  • ▶ Spotify 2: http://open.spotify.com/album/0LcvYI1IU4mzRcWXD63Ywb
  • ▶ Spotify 3: http://open.spotify.com/album/2Jx5XKujsNcJVh4NZnkEzE
  • ▶ Spotify 4: http://open.spotify.com/album/0t9mC1GNErxVMBizzB12DT
  • ▶ Spotify 5: http://open.spotify.com/album/60TPvRxQTospC1PGMJ1752
  • ▶ Spotify 6: http://open.spotify.com/album/4jWRaPmgnSrobk6RLirNOG

Clips (more may be added)

  • Chris Cheek, Gustav Lundgren , Jorge Rossy, Tom Warburton "Why Do I Love You?"
    By Chris Cheek
    192 views
  • Chris Cheek Berklee Quintet - Strawberry Jam (Berklee Studio Recording)
    By Chris Cheek
    180 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Chris Cheek:

  • 1 Brooklyn, NY
  • 1 Composer
  • 1 Jazz
  • 1 New School for Jazz and Contemporary Music Faculty
  • 1 Saxophone
  • Keola Beamer Hawaii
  • Jon Otis Percussion
  • Leo Genovese Jazz
  • Taylor Ashton Singer-Songwriter
  • Michael Pipoquinha Composer
  • Kirk Whalum R&B
  • Antônio Pereira Amazonas
  • The Umoza Music Project London
  • Marc Johnson MPB
  • Chris Dingman Jazz
  • Anna Webber Contemporary Classical Music
  • Jen Shyu Multi-Instrumentalist
  • Shannon Ali New York City
  • Paul Mahern Punk Rock
  • Raul Midón Guitar
  • Mary Halvorson Guitar
  • Sabine Hossenfelder Singer-Songwriter
  • Tyshawn Sorey Multi-Instrumentalist
  • James Martin Brass Band
  • Alessandro Penezzi Guitar
  • Ivan Bastos Salvador
  • Sebastian Notini Produtor Musical, Music Producer
  • Paulinho da Viola Rio de Janeiro
  • Zigaboo Modeliste New Orleans
  • Fred Dantas Choro
  • Luciana Souza New York City
  • A-KILL Building Art
  • Nêgah Santos New York City
  • Mark Bingham New Orleans
  • Miguel Atwood-Ferguson Arranger
  • VJ Gabiru DJ
  • Alana Gabriela Educadora, Educator
  • María Grand Jazz
  • Tatiana Eva-Marie Gypsy Jazz
  • Laura Beaubrun Interior Architect
  • Inaicyra Falcão Brasil, Brazil
  • Kaveh Rastegar Los Angeles
  • Billy Strings Songwriter
  • Mário Santana Candomblé
  • Carlos Blanco Brasil, Brazil
  • Chico César São Paulo
  • Gevorg Dabaghyan Yerevan State Conservatory Faculty
  • Julien Libeer Brussels
  • James Carter Flute
  • Melvin Gibbs Brooklyn, NY
  • Antônio Pereira Manaus
  • Rita Batista Apresentadora de Rádio, Radio Presenter
  • Terrace Martin Hip-Hop
  • Kevin Hays Composer
  • Vivien Schweitzer Culture Journalist
  • Chano Domínguez Flamenco
  • Alfredo Del-Penho Brazil
  • Pierre Onassis Bahia
  • Emicida Singer-Songwriter
  • Mário Santana Brazil
  • Glória Bomfim Rio de Janeiro
  • César Camargo Mariano Piano
  • Marcus Teixeira EMESP Tom Jobim Faculty
  • Rez Abbasi Multi-Cultural
  • Fred Hersch Piano
  • Julien Libeer Piano
  • Lívia Mattos Brazil
  • Seth Rogovoy Writer
  • Mark Lettieri Composer
  • Leela James Soul
  • Nardis Jazz Club Jazz Club
  • Elizabeth LaPrelle Banjo
  • Utar Artun Composer
  • Seth Swingle Kora
  • Quincy Jones Trumpet
  • Julian Lloyd Webber London
  • Virgínia Rodrigues Bahia
  • Bianca Gismonti Rio de Janeiro
  • Alma Deutscher Composer
  • Marcelinho Oliveira Songwriter
  • Tom Piazza Novelist
  • Saileog Ní Cheannabháin Raelach Records
  • Paulo Costa Lima Salvador
  • Soweto Kinch Birmingham, UK
  • Michael League Multi-Instrumentalist
  • Ruven Afanador Colombia
  • Dermot Hussey Author
  • Armandinho Macêdo Bandolim
  • Meklit Hadero Ethiopia
  • Teddy Swims Singer-Songwriter
  • Chucho Valdés Composer
  • Brian Q. Torff Piano
  • Jurandir Santana Timple
  • Tommy Orange Native American Literature
  • Thiago Espírito Santo São Paulo
  • Kenny Garrett Jazz
  • Alphonso Johnson Funk
  • Ryuichi Sakamoto Film Scores
  • Morgan Page DJ
  • Nelson Sargento Rio de Janeiro
  • Matt Ulery Composer
  • Kiko Loureiro Guitar Instruction
  • Darren Barrett Jazz
  • Varijashree Venugopal Multi-Cultural
  • PATRICKTOR4 Global Bass
  • Bernardo Aguiar Rio de Janeiro
  • Yo La Tengo Hoboken, New Jersey
  • Shannon Alvis Choreographer
  • Mark Bingham Guitar
  • Kurt Andersen Playwright
  • Eli Degibri אלי דג'יברי Saxophone
  • Ofer Mizrahi Guitar
  • Gabrielzinho do Irajá Cavaquinho
  • Paulinho Fagundes Guitar
  • Eli Saslow Writer
  • Gab Ferruz Brasil, Brazil
  • Ben Okri Nigeria
  • George Garzone Author
  • Curtis Hasselbring Trombone
  • Louis Marks Apparel & Fashion
  • Rachael Price Jazz
  • Donnchadh Gough Ireland
  • Adonis Rose Drum Instruction
  • Herlin Riley New Orleans
  • Paulo Costa Lima Faculdade da UFBA, Federal University of Bahia Faculty
  • Sam Eastmond Bandleader
  • Fidelis Melo Salvador
  • Tom Bergeron Composer
  • Stanton Moore Funk
  • Mauro Diniz Violão de Sete
  • Shoshana Zuboff Social Psychology
  • Marcel Camargo Cavaquinho
  • John Boutté New Orleans
  • Rumaan Alam New York City
  • Randy Lewis Writer
  • Dee Spencer Jazz
  • Mestrinho MPB
  • Nancy Ruth Spain
  • Jorge Washington Brazil
  • Mark Lettieri Record Producer
  • Samba de Lata Samba de Roda
  • Jon Otis Drums
  • Tyshawn Sorey Avant-Garde Jazz
  • Mono/Poly Los Angeles
  • Mateus Alves Composer
  • Barlavento Bahia
  • Alex Clark Documentary Filmmaker
  • Cyro Baptista Brazil
  • Ken Avis Music Writer
  • Oscar Bolão Brazil
  • Antonio García Latin Music
  • Marc Johnson Jazz
  • Kurt Andersen Screenwriter
  • Nick Douglas Journalist
  • Mary Stallings San Francisco
  • Tomoko Omura Japan
  • Steve Cropper Soul
  • Célestin Monga Economist
  • Ron McCurdy Jazz
  • Alegre Corrêa Guitar
  • Maria Bethânia Samba de Roda
  • Ricardo Bacelar Compositor, Composer
  • Dan Trueman Electronic Music
  • Karsh Kale कर्ष काळे Brooklyn, NY
  • Spider Stacy Singer-Songwriter
  • Antônio Pereira Amazonas
  • Negrizu Salvador
  • Molly Tuttle Banjo
  • Flor Jorge Rio de Janeiro
  • James Andrews Second Line
  • João Luiz Jazz
  • David Castillo Singer
  • Lina Lapelytė Installation Artist
  • Asanda Mqiki Port Elizabeth
  • Richard Bona Africa
  • Orlando 'Maraca' Valle Afro-Cuban Jazz
  • Béla Fleck Songwriter
  • Ryan Keberle Manhattan School of Music Faculty
  • Tyshawn Sorey Multi-Instrumentalist
  • Richard Galliano Accordion
  • Muhsinah Soul
  • Deesha Philyaw University of Pittsburgh Faculty
  • Vanessa Moreno São Paulo
  • Alisa Weilerstein Contemporary Classical Music
  • Guilherme Kastrup Record Producer
  • Berta Rojas Berklee College of Music Faculty
  • Jess Gillam Saxophone
  • Jason Reynolds Young People's Literature
  • Andrew Gilbert Jazz
  • Arto Lindsay MPB
  • Rumaan Alam Writer
  • Endea Owens Double Bass
  • J. Velloso Singer
  • Eric Galm Ethnomusicologist
  • Marcus Miller Los Angeles
  • Gabriel Policarpo Rio de Janeiro
  • Orrin Evans Jazz
  • Luiz Santos New York City
  • Ambrose Akinmusire Trumpet
  • Armen Donelian Author
  • Gord Sheard Composer
  • Raynald Colom Spain
  • Toumani Diabaté Kora
  • Ibram X. Kendi Historian
  • Hanif Abdurraqib Poet
  • Derrick Hodge R&B
  • Otis Brown III Composer
  • Ray Angry Keyboards
  • Kendrick Scott Composer
  • Scott Kettner Maracatu
  • Soweto Kinch Composer
  • Mika Mutti DJ
  • Igor Levit Berlin
  • Casa da Mãe Brasil, Brazil
  • Antonio Sánchez Drums
  • André Vasconcellos Jazz Brasileiro, Brazilian Jazz
  • Yoko Miwa Jazz
  • Yamandu Costa Violão de Sete
  • Harvey G. Cohen King's College London Faculty
  • Ferenc Nemeth App Developer
  • Melissa Aldana Composer
  • Ibrahim Maalouf Paris, France
  • Fred P Future Jazz
  • OVANA Cunene
  • Nei Lopes Singer-Songwriter
  • Dumpstaphunk New Orleans
  • Courtney Pine Jazz
  • Danilo Pérez Boston
  • Laércio de Freitas Composer
  • Thana Alexa Singer-Songwriter
  • Lizz Wright Blues
  • Ben Monder New York City
  • Huey Morgan Guitar
  • Kareem Abdul-Jabbar Essayist
  • Aindrias de Staic Cainteoir Gaeilge
  • Peter Mulvey Guitar
  • Victoria Sur Colombia
  • Zigaboo Modeliste New Orleans
  • Kiko Souza Jazz Brasileiro, Brazilian Jazz
  • Oscar Peñas Jazz
  • Antonio García University of KwaZulu-Natal Faculty
  • Sarz Multi-Instrumentalist
  • Tony Allen Afrobeat
  • Ofer Mizrahi Israel
  • Asma Khalid Podcaster
  • Eric Bogle Australia
  • Arturo O'Farrill Latin Jazz
  • Chico Buarque Samba
  • Brian Jackson Composer
  • João Teoria Bahia
  • Bruce Molsky Old-Time Music
  • Magda Giannikou Film Scores
  • Siobhán Peoples Irish Traditional Music
  • Milton Nascimento Brazil
  • Safy-Hallan Farah Writer
  • Issac Delgado Composer
  • Elodie Bouny Composer
  • Spok Frevo Orquestra Big Band
  • Bonerama Brass Band
  • Dan Tepfer Classical Music
  • Yoruba Andabo Rumba
  • Jorge Washington Bahia
  • Chubby Carrier Louisiana
  • Áurea Martins MPB
  • Linda Sikhakhane Composer
  • Maladitso Band Lilongwe
  • Ry Cooder Singer-Songwriter
  • Zara McFarlane Jazz
  • Caterina Lichtenberg Author
  • Nublu East Village
  • Jean-Paul Bourelly Record Producer
  • Samba de Nicinha Brazil
  • Jim Lauderdale Singer-Songwriter
  • Delfeayo Marsalis Trombone
  • Kenyon Dixon R&B
  • Issa Malluf Percussion
  • Nação Zumbi Maracatu
  • James Strauss Classical Music
  • Cristiano Nogueira Brazil
  • Rudresh Mahanthappa New York City
  • Mateus Asato Guitar
  • Ricky (Dirty Red) Gordon Percussion
  • Varijashree Venugopal Film Scores
  • Banning Eyre African Music
  • Brian Lynch Composer
  • Bai Kamara Jr. Brussels, Belgium
  • Mohamed Diab Filmmaker
  • Frank Negrão Bahia
  • Roberto Mendes Chula
  • H.L. Thompson Rio de Janeiro
  • Dan Moretti Composer
  • Andrew Gilbert International Music
  • Dee Spencer Singer
  • Mário Santana Percussion
  • Wayne Krantz New York City
  • Alegre Corrêa Florianópolis
  • Miguel Atwood-Ferguson Arranger
  • Carlinhos 7 Cordas Guitar
  • Archie Shepp Paris, France
  • Jake Webster Indiana
  • Cyro Baptista Percussion
  • David Chesky Record Label Owner
  • Carlinhos Brown Painter
  • Darius Mans Economist
  • João Bosco Guitar
  • 小野リサ Lisa Ono Multi-Cultural
  • Natan Drubi Salvador
  • Vânia Oliveira Bahia
  • Capitão Corisco Pífano
  • Nahre Sol Composer
  • McCoy Mrubata Cape Town
  • Léo Rugero São Paulo
  • Jamz Supernova London
  • Snigdha Poonam Journalist
  • Frank Negrão Music Director
  • Tony Austin Sound Designer
  • Lucian Ban Composer
  • Inaicyra Falcão Candomblé
  • Cláudio Badega Pandeiro
  • Yotam Silberstein Israel
  • Rebeca Omordia Piano
  • Gino Banks Mumbai
  • Ivan Huol Salvador
  • Derrick Adams Multidisciplinary Artist
  • Taylor Ashton Visual Artist
  • Anoushka Shankar Author
  • Ed O'Brien Guitar
  • Jorge Alfredo Cineasta, Filmmaker
  • Omar Sosa Marimba
  • Fernando César Brazil
  • Luizinho do Jêje Bahia
  • Bob Mintzer Multi-Instrumentalist
  • Caoimhín Ó Raghallaigh Dublin
  • Wadada Leo Smith Composer
  • Musa Okwonga Podcaster
  • Buck Jones Cantor, Singer
  • Mestrinho Sergipe
  • Intisar Abioto Portland, Oregon
  • Shemekia Copeland R&B
  • Karla Vasquez Food Writer
  • Lô Borges Belo Horizonte
  • Gamelan Sekar Jaya Bali
  • Anissa Senoussi London
  • Steve Cropper R&B
  • Caoimhín Ó Raghallaigh Uilleann Pipes
  • Chico Buarque MPB
  • Béco Dranoff Record Producer
  • James Elkington Singer-Songwriter
  • Brigit Katz Writer
  • The Weeknd Record Producer
  • Warren Wolf Vibraphone
  • Elza Soares Brazil
  • Lina Lapelytė Contemporary Classical Music
  • McIntosh County Shouters Ring Shouts
  • Felipe Guedes Guitar

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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