Are you inside? Should you be?

  • Artists by Category
  • Categories are Here!
  • Matrix Rádio
  • Matrix Home
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • Questions?
  • Sign up
  • Sign in
    Loading ...
View All Updates Mark All Read
  • Yoruba Andabo

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Yoruba Andabo
  • City/Place: Havana
  • Country: Cuba

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: La Compañía tiene su génesis en los muelles del puerto de La Habana, en 1961, cuando un grupo de trabajadores se reunía en fiestas y eventos artísticos sindicales. Ellos dieron origen al Guaguancó Marítimo Portuario, conjunto que, en 1985, inició una labor profesional con el nombre de Yoruba Andabo.

    A partir de ese momento, ofreció su arte en diversas actividades de la Unión de Escritores y Artistas de Cuba (UNEAC), trabajó con la firma discográfica EGREM, por iniciativa del compositor y cantante Pablo Milanés, y compartió la escena con la cantante folclórica Merceditas Valdés.

    Actualmente, integran la compañía 16 artistas, entre cantantes, percusionistas y bailarines. El elenco cultiva los disímiles géneros musicales que conforman las raíces africanas de la cultura cubana y que incluyen los ciclos Congo, Yoruba, Abakuá y el llamado complejo de la rumba, con sus tradicionales ritmos, especialmente el yambú, el guaguancó y la columbia, pero también incluyen elementos de fusión con otros géneros musicales, creando voces y sonidos contemporáneos.

    Varios artistas de Yoruba Andabo se desdoblan como maestros e imparten clases magistrales y talleres de canto, danza y percusión. Les motiva el amplio repertorio musical imbricado con singulares coreografías que crece cada año de manera profunda y minuciosa.

    La discografía de Yoruba Andabo supera la veintena de títulos, muchos de ellos premiados nacional e internacionalmente. Conquistó un premio Juno, equivalente canadiense de los Grammy norteamericanos, nominaciones a los premios de la Academia de la Música de España y un premio compartido y dos nominaciones a los Grammy Latinos.

    El arte de Yoruba Andabo ha sido apreciado por exigentes públicos de relevantes teatros y plazas de Canadá, EEUU, Costa Rica, Panamá, Colombia, México, España, Ginebra, París y Londres.

Contact Information

  • Management/Booking: Jose & Antonio Productions
    José Luis Lobato (Manager y Productor General)
    Teléfonos: (+535) 290 8771
    Email: [email protected]
    Correo Alternativo: [email protected]
    Havana, Cuba
    Antonio Savaris (Associate Producer)
    [email protected]
    Cell: 514-743-2870
    Work: 514-382-9898
    9430 Boul. St. Laurent

Media | Markets

  • ▶ Twitter: yorubaandabo1
  • ▶ Instagram: yorubaandaboofficialpage
  • ▶ YouTube Music: http://music.youtube.com/channel/UCvjUa-uXAY5v6mcpDs4Xo3Q
  • ▶ Spotify: http://open.spotify.com/album/2ZOZ2ndaVgnlu9Fh2Wjajc
  • ▶ Spotify 2: http://open.spotify.com/album/7Lw1ocWTC8k5y0RslgUjHp
  • ▶ Spotify 3: http://open.spotify.com/album/3v5JVS7OEpcBadjAQgB9C7
  • ▶ Spotify 4: http://open.spotify.com/album/6zwX6ne6lTPjg7figzB7Ak
  • ▶ Spotify 5: http://open.spotify.com/album/0v6dCjxt2vR6aG2PC9OzRF
  • ▶ Spotify 6: http://open.spotify.com/album/5wvk74pZOZvczV3G4hyq72

Clips (more may be added)

  • YORUBA ANDABO - SEGUIMOS SONANDO
    By Yoruba Andabo
    625 views
  • Yoruba Andabo - La Cafetera
    By Yoruba Andabo
    939 views
Previous
Next

Yoruba Andabo Curated
pathways in

  • 1 Cuba
  • 1 Havana
  • 1 Rumba

What's Been Happening?

The post was not added to the feed. Please check your privacy settings.
  • Yoruba Andabo
    A video was posted re Yoruba Andabo:
    YORUBA ANDABO - SEGUIMOS SONANDO
    Yoruba Andabo, La Compania folklorica Cubana mas rapresentativa de Cuba a nivel Mundial - Seguimos Sonando. Tour europa Marzo / April 2020 Info & Booking: fi...
    • November 8, 2019
  • Yoruba Andabo
    A video was posted re Yoruba Andabo:
    Yoruba Andabo - La Cafetera
    La Rumba mas pegada y sabrosa en Cuba y en el mundo. Despues de La Gozadera la agrupacion Yoruba Andabo sigue pegando internacionalmente temas sabrosos y ale...
    • November 8, 2019
  • Yoruba Andabo
    A category was added to Yoruba Andabo:
    Cuba
    • November 8, 2019
  • Yoruba Andabo
    A category was added to Yoruba Andabo:
    Havana
    • November 8, 2019
  • Yoruba Andabo
    A category was added to Yoruba Andabo:
    Rumba
    Guarapachangueo
    • November 8, 2019
  • Yoruba Andabo
    Yoruba Andabo is matrixed!
    • November 8, 2019
View More
Loading ...
  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 

THE MATRIX BEGAN IN AFRICAN BRAZIL BUT NOW ENCOMPASSES THE WORLD

Explore above a complete (and vast) list of artists and other members of the global creative economy interconnected by matrix. If you fit, join them (from the top of any page) and create your own matrix page.


WHY BRAZIL?

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene below — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 


✅—João do Boi
João had something priceless to offer the world.
But he was impossible for the world to find...
✅—Pardal/Sparrow
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per "RESPLENDENT BAHIA..." below) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington


RESPLENDENT BAHIA...

...is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

PORTUGUÊS (to English →)

 

O MATRIX COMEÇOU NO BRASIL AFRICANO MAS AGORA ENGLOBA O MUNDO

Explore acima uma lista completa (e vasta) de artistas e outros membros da economia criativa global interconectados por matrix. Se você se encaixar, junte-se a nós (do topo de qualquer página) e cria sua própria página matrix.


POR QUE BRASIL?

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas — de três continentes — correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 


✅—João do Boi
João tinha algo inestimável pro mundo.
Mas ele era impossível pro mundo encontrar...
✅—Pardal/Sparrow
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme "RESPLANDECENTE BAHIA..." abaixo) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Obrigada por me incluir neste matrix maravilhoso!"
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


RESPLANDECENTE BAHIA...

...é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

  • Thiago Trad Brasil, Brazil
  • Melanie Charles Beatmaker
  • Jeff Spitzer-Resnick Disability Law
  • Ray Angry Keyboards
  • Tshepiso Ledwaba Clarinet
  • Terry Hunter Record Producer
  • Christopher James New York City
  • Rogério Caetano Guitar
  • Barney McAll Bulbul Tarang
  • Scott Devine Bass Instruction
  • Arson Fahim Contemporary Classical Music
  • Shabaka Hutchings Composer
  • Nate Smith Television Scores
  • Danilo Brito São Paulo
  • Jim Farber Writer
  • Glenn Patscha Canada
  • Lorna Simpson Brooklyn, NY
  • Leonardo Mendes São Paulo
  • Lynn Nottage Columbia University Faculty
  • Ilya Kaminsky Georgia Institute of Technology Faculty
  • Dave Jordan New Orleans
  • Jon Batiste Funk
  • Toumani Diabaté Malian Traditional Music
  • Paul McKenna Irish Traditional Music
  • Alicia Keys Author
  • Corey Harris Guitar
  • Africania Chula
  • Keshav Batish Percussion
  • Rhiannon Giddens Composer
  • Mingo Araújo Brazil
  • Raelis Vasquez Dominican Republic
  • Ranky Tanky Gullah Geechee
  • Celso de Almeida Drums
  • James Strauss Brazil
  • Jennifer Koh Violin
  • Matt Glaser Fiddle
  • Cainã Cavalcante Composer
  • Gilberto Gil Bahia
  • Renell Medrano Dominican Republic
  • Rebeca Omordia Classical Music
  • Oksana Zabuzhko Writer
  • Elizabeth LaPrelle Singer-Songwriter
  • Kenny Barron Jazz
  • Giovanni Russonello Electoral Politics
  • David Bruce Composer
  • Mika Mutti MPB
  • Bill Frisell Guitar
  • James Martins Jornalista, Journalist
  • Luiz Inácio Lula da Silva Sindicalista, Union Leader
  • Ben Wendel Jazz
  • Curly Strings Estonia
  • Muireann Nic Amhlaoibh Fiddle
  • Mauro Senise Flute
  • Shahzad Ismaily Multi-Instrumentalist
  • Bombino Blues
  • Jeffrey Boakye Educator
  • Wayne Krantz Composer
  • Jonny Geller Public Speaker
  • John Edward Hasse Ragtime
  • Emily Elbert Folk Funk Jazz Blues
  • Priscila Castro Carimbó
  • Matt Ulery Loyola University Faculty
  • Guto Wirtti MPB
  • Elza Soares Singer
  • Wajahat Ali Essayist
  • Zachary Richard Zydeco
  • Jas Kayser Composer
  • Kim André Arnesen Choral Works
  • Dorothy Berry Museum Curator
  • Joatan Nascimento Salvador
  • Vadinho França Presidente de Bloco de Carnaval, Carnival Bloco President
  • David Byrne Writer
  • Danilo Brito Bandolim
  • Rhiannon Giddens Americana
  • Abhijith P. S. Nair Composer
  • Tony Austin Recording Engineer
  • BaianaSystem Música Pan Afro-Baiano, Pan Afro-Bahian Music
  • Bill Hinchberger Communications Consultant
  • Theon Cross Composer
  • Keb' Mo' Guitar
  • Conrad Herwig Rutgers University Faculty
  • Mingus Big Band New York City
  • Amilton Godoy Piano
  • Cássio Nobre Bahia
  • Eric Roberson Singer-Songwriter
  • Mateus Asato Neo Fusion
  • Raynald Colom Composer
  • Astrig Akseralian Painter
  • Marc-André Hamelin Composer
  • David Bragger Banjo Instruction
  • Kiko Freitas Brazil
  • Fabrício Mota IFBA Faculdade, Federal Institute of Education, Science and Technology of Bahia Faculty
  • The Bayou Mosquitos Netherlands
  • Yamandu Costa Composer
  • G. Thomas Allen Columbia College Chicago Faculty
  • Billy O'Shea Ireland
  • Edsel Gomez Piano
  • Chelsea Kwakye Writer
  • Roy Nathanson Jazz
  • Nicolas Krassik Violin
  • Damion Reid Jazz
  • Gary Clark Jr. Austin, Texas
  • Zé Katimba GRES Imperatriz Leopoldinense
  • Tony Kofi Composer
  • Andrew Huang Record Producer
  • Tia Surica Brazil
  • Ore Ogunbiyi UK
  • Curtis Hasselbring Trombone
  • Keita Ogawa Percussion
  • Angelique Kidjo New York City
  • Fabiana Cozza Singer
  • Tom Wilcox London
  • Reza Filsoofi Percussion
  • Steve Coleman Multi-Cultural
  • Bobby Fouther Educator
  • Riley Baugus Old-Time Music
  • Jay Blakesberg Filmmaker
  • Hilton Schilder Multi-Instrumentalist
  • Jonga Lima MPB
  • Archie Shepp Paris, France
  • Betão Aguiar Bass
  • Benny Benack III Piano
  • James Carter Composer
  • Marisa Monte MPB
  • Gretchen Parlato MPB
  • Howard Levy Blues & Folk
  • Donald Vega Juilliard Faculty
  • Alfredo Rodriguez New York City
  • Amy K. Bormet Jazz
  • Benjamin Grosvenor Piano
  • Berta Rojas Berklee College of Music Faculty
  • Courtney Pine Jazz
  • BaianaSystem Reggae
  • Barry Harris Jazz
  • Super Chikan Blues
  • Myles Weinstein Percussion
  • Raymundo Sodré Samba
  • Betsayda Machado Tambor
  • Lucía Fumero Singer
  • THE ROOM Shibuya Cocktail Bar
  • Andrés Beeuwsaert Composer
  • Onisajé Dramaturga, Playwright
  • Gilmar Gomes Bahia
  • Edmar Colón Jazz
  • Milton Nascimento MPB
  • Tom Oren Israel
  • Neo Muyanga Cape Town
  • Miho Hazama New York City
  • John Santos San Francisco State University Faculty
  • Kamasi Washington Jazz, Funk, R&B, Soul, Hip-Hop
  • Jericho Brown Emory University Faculty
  • Nooriyah نوريّة DJ
  • Marcus Miller Film Scores
  • Jeremy Pelt Trumpet
  • Stefano Bollani Jazz
  • Gaby Moreno Guitar
  • Mark Markham New York City
  • Tom Green Guitar
  • Rudresh Mahanthappa Jazz
  • Sam Harris Piano
  • Tom Moon Music Critic
  • Warren Wolf Drums
  • THE ROOM Shibuya Tokyo
  • Jon Faddis Purchase College Conservatory of Music Faculty
  • Vanessa Moreno Samba
  • Dhafer Youssef ظافر يوسف Composer
  • Menelaw Sete Brasil, Brazil
  • J. Period Hip-Hop
  • Mulatu Astatke Ethiopia
  • Judy Bady Jazz
  • Michael Janisch Record Producer
  • Victoria Sur Bogotá
  • Luciano Calazans Brazilian Jazz
  • Flor Jorge Los Angeles
  • Rodrigo Caçapa Pernambuco
  • Snigdha Poonam Delhi
  • Bodek Janke Percussion
  • Alisa Weilerstein Cello
  • Matt Glaser Jazz
  • Michael Pipoquinha MPB
  • Lô Borges Brasil, Brazil
  • Kim Hill Entrepreneur
  • Toninho Horta Composer
  • Bongo Joe Records Record Label
  • Casey Benjamin Songwriter
  • Mulatu Astatke Keyboards
  • Art Rosenbaum Folk & Traditional
  • Meddy Gerville Piano
  • Ashley Page Record Label Owner
  • Pasquale Grasso Guitar
  • Wolfgang Muthspiel Guitar
  • Meddy Gerville Composer
  • Stephen Guerra New York City
  • Nicholas Payton Composer
  • Garvia Bailey Arts Journalist
  • Brigit Katz Writer
  • Gabrielzinho do Irajá Brazil
  • Augustin Hadelich Violin
  • THE ROOM Shibuya Japan
  • Shannon Sims Writer
  • Ari Rosenschein Writer
  • Phineas Harper Architecture Critic
  • Celso Fonseca Rio de Janeiro
  • Jonathon Grasse Capoeira
  • Ron Blake Flute
  • Arismar do Espírito Santo Samba
  • Mateus Asato Los Angeles
  • Andra Day Pop
  • Iara Rennó Cantora-Compositora, Singer-Songwriter
  • Munir Hossn Salvador
  • Richie Stearns Bluegrass
  • Tigran Hamasyan Piano
  • Adriene Cruz Tapestry Crochet
  • Kermit Ruffins Trumpet
  • Maria Drell Produção Cultural, Cultural Production
  • Natalia Contesse Singer-Songwriter
  • Philip Cashian London
  • Şener Özmen Kurdish Culture
  • Yilian Cañizares Afro-Cuban Music
  • BaianaSystem Música Alternativa, Alternative Music
  • Dan Trueman New Instrument Creator
  • Rayendra Sunito Indonesia
  • Kiko Souza Jazz Brasileiro, Brazilian Jazz
  • Irmandade da Boa Morte Irmandade
  • Moreno Veloso Singer-Songwriter
  • Zeca Freitas Compositor, Composer
  • Tom Bergeron Frevo
  • Gilson Peranzzetta Composer
  • Lynne Arriale Composer
  • Gilberto Gil Singer-Songwriter
  • Xenia França MPB
  • Oksana Zabuzhko Novelist
  • Kris Davis Composer
  • Amilton Godoy Piano Course Online
  • Ivan Bastos Bahia
  • Sônia Guajajara Maranhão
  • Louis Marks Music Producer
  • Alexa Tarantino New York City
  • Alyn Shipton Writer
  • Hugo Linns Pernambuco
  • Ben Azar Composer
  • Johnny Vidacovich Drums
  • Zisl Slepovitch Klezmer
  • Asali Solomon Haverford College Faculty
  • Dan Weiss Composer
  • Alexandre Vieira Compositor, Composer
  • Rudy Royston Jazz
  • Chris Speed Composer
  • Margaret Renkl Journalist
  • Ryan Keberle Manhattan School of Music Faculty
  • Arany Santana Bahia
  • Richie Stearns Appalachian Music
  • Obed Calvaire Jazz
  • Speech Singer-Songwriter
  • Melvin Gibbs Record Producer
  • Paul Anthony Smith Jamaica
  • James Strauss Classical Music
  • Bill Summers Composer
  • Yotam Silberstein Guitar
  • Charles Munka Collage
  • Flora Gil Produtora Musical, Music Producer
  • Gel Barbosa Paraiba
  • Fred Hersch Classical Music
  • Azadeh Moussavi Film Director
  • Gord Sheard Piano
  • Djamila Ribeiro YouTuber
  • Toninho Horta Brasil, Brazil
  • Barry Harris Piano
  • G. Thomas Allen Countertenor
  • Onisajé Educadora, Educator
  • Ed Roth Songwriter
  • Paulo Paulelli Brazilian Jazz
  • Adriano Souza Rio de Janeiro
  • Barlavento Salvador
  • Marc Ribot Composer
  • Aloísio Menezes Candomblé
  • Cashmere Cat Norway
  • Itiberê Zwarg Multi-Instrumentalist
  • Marquis Hill African-American Music
  • Scotty Barnhart Big Band Leader
  • John Patitucci Composer
  • Gab Ferruz Bahia
  • Tim Hittle Animator
  • Amy K. Bormet Piano
  • Henrique Cazes Rio de Janeiro
  • Della Mae Nashville, Tennessee
  • John Edward Hasse Curator
  • Jim Farber Music Critic
  • Kiya Tabassian كيا طبسيان Film Scores
  • Sam Wasson Author
  • Brian Cross aka B+ Album Covers
  • Joe Chambers Jazz
  • Eric Bogle Scotland
  • Nduduzo Makhathini Johannesburg
  • Michelle Burford Collaborative Memoirist
  • Caridad De La Luz Actor
  • Chris Thile Bluegrass
  • George Porter Jr. R&B
  • Arto Tunçboyacıyan Multi-Instrumentalist
  • Celso de Almeida São Paulo
  • Robby Krieger Singer-Songwriter
  • Laura Cole Canada
  • Marcus J. Moore DJ
  • Nigel Hall Funk
  • Yo La Tengo Experimental Rock
  • Wynton Marsalis New York City
  • Molly Jong-Fast Podcaster
  • Imanuel Marcus Journalist
  • Martin Shore Guitar
  • Marcel Powell Samba
  • Chano Domínguez Cádiz
  • Di Freitas Brazil
  • Chris Boardman Producer
  • Abderrahmane Sissako Film Director
  • Ray Angry Gospel
  • Derek Sivers Record Producer
  • Larissa Fulana de Tal Salvador
  • Nana Nkweti Writer
  • Sam Eastmond Multi-Cultural
  • Lívia Mattos Brazil
  • Isaac Butler Podcaster
  • Jess Gillam Contemporary Classical Music
  • Jamael Dean Jazz
  • Simon McKerrell Glasgow Caledonian University Staff
  • James Carter Saxophone
  • Olga Mieleszczuk Singer
  • Anna Mieke Singer-Songwriter
  • Nação Zumbi Manguebeat
  • Dadá do Trombone Jazz Brasileiro, Brazilian Jazz
  • André Vasconcellos Brasil, Brazil
  • Edsel Gomez Latin Jazz
  • Cécile Fromont Martinique
  • Bob Bernotas Jazz
  • Terrace Martin Jazz
  • Carlos Paiva Especialista em Políticas Públicas e Gestão Governamental, Specialist in Public Policy and Government Management
  • Tedy Santana Drums
  • Doug Adair Americana
  • Inon Barnatan Classical Music
  • Little Simz Hip-Hop
  • Dave Douglas Record Label Owner
  • Toumani Diabaté Mali
  • Swizz Beatz Rapper
  • Glenn Patscha Jazz
  • Lenny Kravitz Record Producer
  • Aindrias de Staic Actor
  • Maracatu Ventos de Ouro Salvador
  • Gabrielzinho do Irajá Composer
  • Rolando Herts Mississippi
  • Gabriel Geszti Rio de Janeiro
  • David Braid England
  • Goran Krivokapić Serbia
  • Antônio Pereira Amazonas
  • Rosa Passos Guitar
  • Chano Domínguez Spain
  • Gel Barbosa Sanfona
  • Nguyên Lê Guitar
  • Niwel Tsumbu Africa
  • Dave Douglas Festival Director
  • Dee Spencer Singer
  • Seu Regi de Itapuã Samba de Roda
  • Aindrias de Staic Television Presenter
  • Omar Sosa Vibraphone
  • Raphael Saadiq Singer-Songwriter
  • Ben Hazleton London
  • Joan Chamorro Saxophone
  • Tomo Fujita Songwriter
  • Shankar Mahadevan Mumbai
  • Saileog Ní Cheannabháin Classical Music
  • Betão Aguiar Rio de Janeiro
  • Maria de Xindó Bahia
  • Armen Donelian Piano
  • Fatoumata Diawara Paris
  • Peter Dasent Songwriter
  • Sam Yahel Piano
  • Gregory Hutchinson Drumming Instruction
  • David Virelles Piano
  • Beeple Concert Visuals
  • Kim André Arnesen Oslo
  • Daymé Arocena Havana
  • John Edwin Mason Writer
  • Nomcebo Zikode Singer-Songwriter
  • Alan Bishop Record Label Owner
  • Corey Harris Folk & Traditional
  • Mike Compton Folk & Traditional
  • Michael Formanek Peabody Conservatory of Music Faculty
  • Moses Boyd Record Producer
  • David Simon Television Writer
  • THE ROOM Shibuya Shibuya
  • Olivia Trummer Classical Guitar
  • Criolo São Paulo
  • Tom Wilcox Singer-Songwriter
  • Bobby Fouther Multidisciplinary Artist
  • Sabine Hossenfelder YouTuber
  • Yola Singer-Songwriter
  • Linda Sikhakhane Composer
  • Questlove Author
  • Ambrose Akinmusire Composer
  • Mestre Nelito Salvador
  • Paquito D'Rivera Clarinet
  • Nate Chinen Journalist
  • Giovanni Russonello Journalist
  • Mulatu Astatke Addis Ababa
  • Maria Struduth Ilustradora, Illustrator
  • Djuena Tikuna Amazonas
  • Christopher Nupen Filmmaker
  • Tyshawn Sorey Multi-Instrumentalist
  • Monk Boudreaux Percussion
  • Darryl Hall Paris
  • Celsinho Silva Record Producer
  • Mark Markham Vocal Coach
  • Curtis Hasselbring Arranger
  • Paulinho do Reco Candomblé
  • Rumaan Alam Literary Critic
  • Evgeny Kissin Classical Music
  • Rebeca Tárique Produtora Cultural, Cultural Producer
  • Cristovão Bastos Choro
  • Jurandir Santana Timple
  • Dan Trueman Hardanger Fiddle
  • Pharoah Sanders Jazz
  • Moses Boyd Electronic Music
  • Gian Correa Violão de Sete
  • Asali Solomon Essayist
  • Chico César Brazil
  • Michael Kiwanuka London
  • BIGYUKI Japan
  • Saul Williams Multi-Instrumentalist
  • Joatan Nascimento Brazil
  • Ben Street New York City
  • Darcy James Argue Composer
  • James Martin Brass Band
  • Jeff Coffin Author
  • PATRICKTOR4 DJ
  • João do Boi Chula
  • Gino Banks Drums
  • Muri Assunção Latinx
  • H.L. Thompson Brazil
  • Liron Meyuhas Percussion Instruction
  • Júlio Lemos San Francisco
  • James Andrews Singer
  • Casa Preta Brasil, Brazil
  • Jeff Ballard Jazz
  • DJ Sankofa Salvador
  • Stuart Duncan Bluegrass
  • Jubu Smith Singer-Songwriter
  • David Bragger UCLA Herb Alpert School of Music Faculty
  • Scotty Apex Singer
  • Sarah Jarosz Guitar
  • Rebeca Tárique Brasil, Brazil
  • Jorge Alfredo Salvador
  • VJ Gabiru VJ
  • Ruven Afanador New York City
  • Thiago Trad Percussão, Percussion
  • Roy Germano Author
  • Wadada Leo Smith Composer
  • Eric Coleman Documentary Filmmaker
  • Marcus Miller Jazz
  • José James Jazz
  • Bruno Monteiro Ativista Cultural, Cultural Activist
  • Conrad Herwig Jazz
  • Daniel Gonzaga Brasil, Brazil
  • Hendrik Meurkens Jazz
  • Marvin Dunn African American History
  • Luis Paez-Pumar Writer
  • Maria Bethânia MPB
  • Paddy Groenland Dublin
  • Serginho Meriti Brazil
  • Eddie Kadi Radio Presenter
  • David Sánchez Ropeadope
  • China Moses R&B
  • Hilton Schilder Cape Jazz
  • Moreno Veloso Cello
  • Sheryl Bailey Berklee College of Music Faculty
  • Paulo Costa Lima Brasil, Brazil
  • Ofer Mizrahi Israel
  • Mingo Araújo Composer
  • Shakespeare and Company Café
  • Berkun Oya Turkey
  • Chris Dave Hip-Hop
  • Marilda Santanna Cantora, Singer
  • Howard Levy Harmonica Instruction
  • Helado Negro Avant-Pop Music
  • Donna Leon Writer
  • The Brain Cloud Americana
  • Gregory Hutchinson Jazz
  • Daniel Bennett Composer
  • Ronell Johnson Funk
  • Shane Parish Composer
  • Corey Ledet Creole Music
  • Anderson Lacerda Choro
  • Alana Gabriela Percussão, Percussion
  • Veronica Swift New York City
  • Flavio Sala Guitar Instruction, Master Classes
  • Celso Fonseca Record Producer
  • Ricardo Bacelar Brasil, Brazil
  • Alessandro Penezzi São Paulo
  • Devin Naar Jewish Studies
  • Yotam Silberstein Composer
  • Moreno Veloso Brazil
  • Richie Stearns Banjo
  • Itiberê Zwarg Rio de Janeiro

 'mātriks / "source" / from "mater", Latin for "mother"
A real mother for ya!

 

Copyright ©2023  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share