Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Robb Royer
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Robb Royer
  • City/Place: Virgin Islands / Nashville, Tennessee
  • Country: United States
  • Hometown: Los Angeles, California

Life & Work

  • Bio: Robb Royer's music career took off as a founding member of Bread, his and their music part of the all-encompassing American soundtrack of the early '70s. He was lyricist for For All We Know, an Oscar-winning song released by the Carpenters in the United States, and Shirley Bassey in the UK.

    His circuitous career took yet another turn when he co-wrote Sold (The Grundy County Auction Incident), which — sung by John Michael Montgomery — went to number one on the country charts in 1995.

    Robb's songwriting credits include also works for Jimmy Griffin, The Remingtons, Mary Chapin Carpenter, Randy Travis, Billy Burnette, The Finnigan Brothers and others.

Media | Markets

  • ▶ Twitter: TXFartingsworth
  • ▶ YouTube Music: http://music.youtube.com/channel/UCuNGfdjQ7czkvOpClT-q3qQ

Clips (more may be added)

  • 4:00
    John Michael Montgomery - Sold (The Grundy County Auction Incident) (Official Music Video)
    By Robb Royer
    81 views
  • 3:48
    Shirley Bassey -For All We Know-
    By Robb Royer
    91 views
  • 2:23
    The Carpenters - For All We Know (1971)
    By Robb Royer
    121 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Robb Royer:

  • 6 Country
  • 6 Multi-Instrumentalist
  • 6 Pop
  • 6 R&B
  • 6 Record Producer
  • 6 Screenwriter
  • 6 Songwriter

Nodes below are randomly generated. Reload for a different stack.

  • Alexandre Vieira Jazz
  • Dadá do Trombone Trombone
  • Scotty Apex Singer
  • Paddy Groenland Guitar
  • Frank Olinsky Artist
  • J. Period Remixer
  • Dave Douglas Record Label Owner
  • Missy Mazolli New York City
  • Vânia Oliveira Salvador
  • Olivia Trummer Classical Guitar
  • Mike Moreno Aaron Copeland School of Music Faculty
  • Sunna Gunnlaugs Piano
  • Jess Gillam Concert Promoter
  • Lucía Fumero Singer
  • Carlinhos Pandeiro de Ouro Brazil
  • Kermit Ruffins New Orleans
  • Gustavo Caribé Produtor Musical, Music Producer
  • Edmar Colón Piano
  • Adonis Rose Drum Instruction
  • Deesha Philyaw Columnist
  • Barlavento Brazil
  • Maciel Salú Brazil
  • Savoy Family Cajun Band Cajun Music
  • Avner Dorman Contemporary Classical Music
  • Keyon Harrold R&B
  • Gabriel Geszti Acordeon, Accordion
  • Sabine Hossenfelder Singer-Songwriter
  • Delfeayo Marsalis Composer
  • Eli Teplin Guitar
  • Mick Goodrick Guitar
  • Randy Lewis Journalist
  • Daniel Jobim MPB
  • Léo Rugero Accordion
  • Perumal Murugan Poet
  • Nelson Faria Guitar Instruction, Master Classes
  • Mokhtar Samba Author
  • Marc Ribot Guitar
  • Alisa Weilerstein Cello
  • Ryan Keberle Hunter College Faculty
  • Robert Glasper Songwriter
  • Luques Curtis Record Label Owner
  • Russell Malone Guitar
  • Safy-Hallan Farah Somalia
  • Meddy Gerville Composer
  • Donny McCaslin Brooklyn, NY
  • Molly Tuttle Nashville, Tennessee
  • Lina Lapelytė Lithuania
  • Ari Hoenig Jazz
  • Negra Jhô Tranças, Braids
  • Caterina Lichtenberg Soprano Lute
  • Shaun Martin Ropeadope
  • Catherine Russell New York City
  • Alicia Keys R&B
  • Marc Ribot Guitar
  • Iuri Passos Percussion
  • Matt Garrison Brooklyn, NY
  • Ênio Bernardes Samba
  • Magary Lord Percussion
  • Tyshawn Sorey Wesleyan University Faculty
  • Anna Webber Composer
  • Márcio Valverde Santo Amaro
  • Laura Cole Canada
  • François Zalacain New York City
  • Alex Conde Flamenco
  • Courtney Pine London
  • Monk Boudreaux Mardi Gras Indian
  • Greg Osby Composer
  • Jill Scott R&B
  • Kamasi Washington Multi-Cultural
  • Trilok Gurtu Multi-Cultural
  • Les Filles de Illighadad Tende
  • Myles Weinstein Drums
  • Eric Bogle Singer-Songwriter
  • Gabrielzinho do Irajá Cavaquinho
  • Marcel Powell MPB
  • Carwyn Ellis Alternative Indie
  • Júlio Caldas Produtor de Discos, Record Producer
  • Sarah Jarosz Folk & Traditional
  • Bright Red Dog Improvising Collective
  • Emily Elbert Singer-Songwriter
  • Robert Glasper Songwriter
  • Nigel Hall Funk
  • Felipe Guedes Guitar
  • Howard Levy Composer
  • Lorna Simpson Sculptor
  • Allen Morrison Music Journalist
  • Alex Clark Columbia Journalism School Faculty
  • Maladitso Band African Music
  • Judith Hill Jazz
  • Michael Cleveland Folk & Traditional
  • Arthur Verocai Singer-Songwriter
  • Dieu-Nalio Chery Photojournalist
  • Charles Munka Drawings
  • Munir Hossn Guitar
  • Leandro Afonso Federal University of Bahia
  • Casa da Mãe Música ao Vivo, Live Music
  • Johnathan Blake New York City
  • ANNA Brazil
  • Casa da Mãe MPB
  • Walmir Lima Brazil
  • Bule Bule Repente
  • Bruce Williams Saxophone
  • Stefon Harris Composer
  • Joan Chamorro Barcelona
  • Brian Jackson Jazz
  • Anna Mieke Multi-Instrumentalist
  • Miroslav Tadić Film, Theater, Dance Scores
  • Pedro Martins Brasília
  • Lalah Hathaway Record Producer
  • Carlos Blanco Compositor, Composer
  • Rosa Cedrón Composer
  • Asali Solomon Writer
  • Alessandro Penezzi Composer
  • Otmaro Ruiz Piano Instruction
  • Mona Lisa Saloy Storyteller
  • Nathan Amaral Violin
  • Jon Cowherd Record Producer
  • Ivan Bastos Bahia
  • The Bayou Mosquitos Tex-Mex
  • Toninho Horta Minas Gerais
  • Jan Ramsey Creole Music
  • Fábio Zanon Classical Guitar
  • Yilian Cañizares Havana
  • Sarah Jarosz Americana
  • RAM Mizik Rasin
  • Mono/Poly Electronic Music
  • Sam Reider Accordion
  • 小野リサ Lisa Ono Bossa Nova
  • Marcos Portinari Produtor Multimídea, Multimedia Producer
  • Karla Vasquez Recipe Developer
  • Giorgi Mikadze გიორგი მიქაძე Jazz
  • Pretinho da Serrinha Songwriter
  • The Umoza Music Project Senga Bay
  • Ann Hallenberg Opera Singer
  • Mehdi Rajabian Composer
  • Roberto Mendes Bahia
  • Musa Okwonga Football Journalist
  • Lorna Simpson Photographer
  • Liz Pelly NYU Tisch School of the Arts Faculty
  • Frank London Composer
  • Charlie Bolden Jazz
  • Wouter Kellerman Flute
  • John Morrison Hip-Hop
  • Felipe Guedes Bahia
  • Tele Novella Psych Pop
  • Marc Ribot Writer
  • Derron Ellies Singer
  • Bobby Sanabria New York City
  • Jeremy Danneman Ropeadope
  • Joe Newberry Singer-Songwriter
  • Nana Nkweti Writer
  • Mykia Jovan Jazz
  • Adam Rogers New York City
  • Oded Lev-Ari New York City
  • Jon Otis Drums
  • Bertram Ethnomusicologist
  • Darol Anger Americana
  • Justin Brown Jazz
  • Roy Nathanson Composer
  • Elodie Bouny Classical Guitar
  • MicroTrio de Ivan Huol Bahia
  • Toninho Nascimento Singer-Songwriter
  • Etan Thomas Basketball
  • Flor Jorge Singer-Songwriter
  • Isaac Julien Installation Artist
  • Larry Achiampong London
  • Academia de Música do Sertão Música Clássica Contemporânea, Contemporary Classical Music
  • Otto Recife
  • Moses Boyd Composer
  • Roy Nathanson Saxophone
  • Robin Eubanks Trombone
  • 小野リサ Lisa Ono Multi-Cultural
  • Flying Lotus Record Label Owner
  • Barry Harris New York City
  • Germán Garmendia YouTuber
  • Giba Conceição Candomblé
  • Soweto Kinch Rapper
  • Wynton Marsalis Jazz
  • Richie Stearns Banjo
  • Dale Barlow Jazz
  • Evgeny Kissin Poet
  • Michael League Record Label Owner
  • Christopher James Piano
  • Bill Hinchberger Communications Consultant
  • Alana Gabriela Cantora, Singer
  • Tab Benoit Music Venue Owner
  • ANNA DJ
  • Yola Bristol
  • Virgínia Rodrigues Brazil
  • Mário Santana Candomblé
  • Sérgio Pererê Brazil
  • Chris Cheek Saxophone
  • Issac Delgado Havana
  • Fred Hersch New York Jazz Academy Faculty
  • Gabi Guedes Brazil
  • Kehinde Wiley Portrait Painter
  • Melvin Gibbs Funk, HIp-Hop, Alternative
  • Burhan Öçal Istanbul
  • João Rabello Guitar
  • Ivan Sacerdote Brazilian Jazz
  • Yuja Wang New York City
  • Ricardo Bacelar Ceará
  • João Teoria Salvador
  • Ayrson Heráclito Federal University of the Recôncavo of Bahia Faculty
  • Trombone Shorty Trumpet
  • Rebeca Omordia Classical Music
  • Marcus Strickland Jazz
  • Gearóid Ó hAllmhuráin Ireland
  • Mingo Araújo Percussion
  • Nigel Hall R&B
  • Steve McKeever Los Angeles
  • Bonerama R&B
  • Tab Benoit Baton Rouge
  • Luizinho Assis Jazz
  • Kiya Tabassian كيا طبسيان Multi-Cultural
  • Molly Tuttle Singer-Songwriter
  • Stuart Duncan Violin
  • Giba Conceição Brazil
  • Olivia Trummer Composer
  • André Mehmari Brazil
  • Sameer Gupta Percussion
  • Al Kooper Record Producer
  • Larry Achiampong Multidisciplinary Artist
  • Kim Hill DJ
  • Pururu Mão no Couro Sambalanço
  • Jurandir Santana Bahia
  • Colm Tóibín Playwright
  • Cory Wong Minneapolis, Minnesota
  • Alexa Tarantino Saxophone
  • Mauro Refosco Marimba
  • Otmaro Ruiz Venezuela
  • Bonerama Funk
  • Danilo Caymmi Singer-Songwriter
  • Wolfgang Muthspiel Record Label Owner
  • Ellie Kurttz England
  • Carlos Lyra Rio de Janeiro
  • Derrick Hodge Bass
  • Elodie Bouny Lisbon, Portugual
  • Carlos Aguirre Piano
  • Third Coast Percussion Contemporary Classical Music
  • Otmaro Ruiz Piano
  • Marcus Miller Los Angeles
  • George Cables Composer
  • Stacy Dillard New York City
  • Lilli Lewis Piano
  • André Becker Bahia
  • Jau Salvador
  • Paulo Paulelli Brazil
  • Tim Hittle Filmmaker
  • John Doyle Ireland
  • Fábio Zanon Royal Academy of Music Visiting Professor
  • Zara McFarlane London
  • Marcus J. Moore Pundit
  • Dave Jordan Americana
  • Sérgio Mendes Brazil
  • Nação Zumbi Brazil
  • Swizz Beatz Record Producer
  • Aurino de Jesus Samba
  • Jupiter Bokondji Kinshasa
  • Milton Primo Bahia
  • Sérgio Mendes Piano
  • Wayne Shorter Saxophone
  • Joe Lovano Clarinet
  • Bernardo Aguiar Percussion Instruction
  • Woody Mann Guitar Instruction
  • Kirk Whalum Flute
  • Daedelus Hip-Hop
  • Paul Anthony Smith Jamaica
  • Michael Kiwanuka London
  • Esperanza Spalding Singer
  • Monty's Good Burger Southern California
  • Alicia Keys Art Collector
  • Irma Thomas Blues
  • Jerry Douglas Bluegrass
  • Mauro Refosco Compositor de Teatro, Theater Scores
  • Lizz Wright Blues
  • Victor Gama Angola
  • Wayne Krantz Jazz
  • Paulo Dáfilin São Paulo
  • José James Singer-Songwriter
  • Daniel Jobim Brazil
  • Bobby Fouther Educator
  • Chief Xian aTunde Adjuah Trumpet
  • Brigit Katz Canada
  • Eli Saslow Writer
  • Fred Dantas Composer
  • Custódio Castelo Guitarra Portuguesa, Portuguese Guitar
  • Onisajé Educadora, Educator
  • Ênio Bernardes Salvador
  • Chick Corea Contemporary Classical Music
  • Bonerama Jazz
  • THE ROOM Shibuya Dance Club
  • Inaicyra Falcão Bahia
  • Casa PretaHub Cachoeira Afroempreendedorismo, Afro-Entrepreneurship
  • Kaveh Rastegar Record Producer
  • Saileog Ní Cheannabháin Fiddle
  • Ta-Nehisi Coates Black American Culture & History
  • Sean Jones Jazz
  • Gilmar Gomes Brazil
  • Lolis Eric Elie Writer
  • Monty's Good Burger Vegan Burgers
  • Ronaldo do Bandolim Samba
  • Leonardo Mendes Cantor-Compositor, Singer-Songwriter
  • Gord Sheard Toronto
  • James Gavin Journalist
  • Gretchen Parlato Jazz
  • Walmir Lima Bahia
  • François Zalacain Record Producer
  • Michael Janisch Record Producer
  • Gaby Moreno Singer-Songwriter
  • Jim Hoke Composer
  • Ben Azar Guitar
  • Philip Sherburne Menorca
  • Tatiana Eva-Marie Swing
  • Jimmy Duck Holmes Mississippi
  • Jamz Supernova Radio Presenter
  • Hisham Mayet Filmmaker
  • Mohamed Diab Filmmaker
  • Ben Hazleton Double Bass
  • Jurandir Santana Composer
  • Avner Dorman Gettysburg College Faculty
  • Mário Pam Salvador
  • MicroTrio de Ivan Huol Trio Elétrico
  • Bill Pearis Journalist
  • Shaun Martin Keyboards
  • Rez Abbasi Multi-Cultural
  • Andrés Prado Composer
  • NIcholas Casey Madrid
  • Caetano Veloso Singer-Songwriter
  • Peter Mulvey Milwaukee, Wisconsin
  • Jussara Silveira Salvador
  • Henrique Araújo California Brazil Camp Faculty
  • Seckou Keita Multi-Cultural
  • Stephan Crump Jazz
  • Erika Goldring New Orleans
  • Shaun Martin Songwriter
  • Bruce Molsky Fiddle
  • Onisajé Dramaturga, Playwright
  • Corey Ledet Creole Music
  • Ivan Neville R&B
  • Caterina Lichtenberg Soprano Lute
  • Missy Mazolli Mannes School of Music Faculty
  • Dale Farmer Old-Time Music
  • Elizabeth LaPrelle Virginia
  • Keyon Harrold Hip-Hop
  • Stephanie Foden Brazil
  • Nahre Sol Toronto
  • Alana Gabriela Salvador
  • Yotam Silberstein Jazz
  • Raymundo Sodré Forró

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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