Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Cainã Cavalcante
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Cainã Cavalcante
  • City/Place: São Paulo
  • Country: Brazil
  • Hometown: Fortaleza, Ceará

Life & Work

  • Bio: Cainã Cavalcante – Nascido em Fortaleza-CE, vem de uma família musical e teve sua iniciação na música aos 7 anos de idade. Dois anos depois, já tocando profissionalmente, foi considerado pelos músicos, críticos e jornalistas como um prodígio da música.

    Com apenas 10 anos conquistou o 1° lugar no IV Concurso Nacional de Violão “Musicalis”, realizado em São Paulo no ano de 2000. Hoje, com 25 anos, deixa a condição de prodígio para ser um respeitado músico brasileiro e possui um currículo correspondente de um veterano.

    Em 2001 gravou seu primeiro CD “Morador do Mato”, com produção de Manassés de Sousa, Tarcísio Sardinha, Aroldo Araújo e participação mais do que especial do poeta e padrinho de batismo, Patativa do Assaré.

    Em 2005, esteve no 19° Festival Internacional de Musique Universitaire de Ville, em Belfort, e no Festival Mundial da Água, nas margens do Rio Sena, em Paris, ambos na França. Ainda durante a turnê, apresentou-se no Espaço Cultural Jemmapes (Paris) com o integrante do Trio Madeira Brasil e Época de Ouro Ronaldo do Bandolim e seu irmão Rogério Sousa.

    A convite do músico Celinho Barros se apresentou no espaço Mam`Bia (uma casa de cultura de Cabo Verde). No sul da França, na cidade de Chntloup-Les-Vignes, tocou um autêntico forró nordestino ao lado do músico brasileiro Renato Velasques e do maestro argentino Júlio Pardo.

    No mesmo ano lançou o seu segundo CD, “Samburá”. Com produção de Raimundo Fagner e arranjos de Aroldo Araújo o álbum traz músicas de Lauro Maia (“Trem de Ferro”), Manassés de Souza, Ferreira Júnior, Tarcísio Sardinha, Américo Jacomino (“Marcha do Marinheiro”), Carlinhos Patriolino e João Lyra.

    Nos dias de hoje, Cainã está morando em São Paulo e divide sua carreira trabalhando ao lado de artistas como Mestrinho, Elba Ramalho e Arismar do Espírito Santo e dedicando ao seu mais recente projeto o “Corrente”, onde realiza um show de violão solo e autoral correspondente ao seu CD homônimo.

    Cainã vem se dedicando também ao ensino musical de crianças, adolescentes e adultos, participando como professor de diversos festivais de música que atuam no campo da formação musical, oferecendo oficinas, workshows unindo sempre a vivência do músico, técnica e musicalidade.

Media | Markets

  • ▶ Twitter: cainacavalcant
  • ▶ Instagram: cainacavalcante
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCjn9D3Dz04DYMgRRY3v5Qsg
  • ▶ YouTube Music: http://music.youtube.com/channel/UC0c380w9rEXb-Q3sF1wvT8w
  • ▶ Spotify: http://open.spotify.com/album/3aYBojiSVfBguZccOR0rT1
  • ▶ Spotify 2: http://open.spotify.com/album/0sDXxTy23sBZDRZNkfI6Zs
  • ▶ Spotify 3: http://open.spotify.com/album/0Wa3nLl9unpfgMUTLWbAf8
  • ▶ Spotify 4: http://open.spotify.com/album/2pGE0wKZG4s78uZ7NRsGEv
  • ▶ Spotify 5: http://open.spotify.com/album/4oLn1uYa6zEuhKWlpUUr2a

Clips (more may be added)

  • Cainã Cavalcante feat. Mestrinho | Te faço um cafuné.
    By Cainã Cavalcante
    255 views
  • Cainã Cavalcante feat. Hamilton de Holanda | 1 Byte 10 cordas.
    By Cainã Cavalcante
    231 views
  • Cainã Cavalcante feat. Marcos Lessa | Chega de Saudade
    By Cainã Cavalcante
    285 views
  • Pedacinho do Céu (Waldir Azevedo)
    By Cainã Cavalcante
    208 views
  • Cainã Cavalcante & Manassés de Sousa | Meninos de Rua.
    By Cainã Cavalcante
    220 views
  • Cainã Cavalcante, Márcio Marinho e Victor Angeleas | Naquele Tempo (Pixinguinha e Benedito Lacerda)
    By Cainã Cavalcante
    401 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Cainã Cavalcante:

  • 4 Brazil
  • 4 Brazilian Jazz
  • 4 Choro
  • 4 Composer
  • 4 Guitar
  • 4 MPB

Nodes below are randomly generated. Reload for a different stack.

  • Leela James Singer-Songwriter
  • Gui Duvignau Brooklyn, NY
  • Casa da Mãe Restaurante-Bar, Restaurant-Bar
  • Taylor Ashton Brooklyn, NY
  • Sérgio Mendes Singer-Songwriter
  • J. Pierre New Orleans
  • Masao Fukuda Japan
  • Keshav Batish Jazz
  • D.D. Jackson Television Scores
  • Susana Baca Multi-Cultural
  • Daedelus Electronic Music
  • Mohamed Diab Cairo
  • Meddy Gerville Singer
  • Abel Selaocoe Multi-Cultural
  • Anat Cohen Clarinet
  • Neymar Dias São Paulo
  • Djuena Tikuna Tikuna
  • Theo Bleckmann Germany
  • Luis Perdomo New York City
  • Ricky (Dirty Red) Gordon Composer
  • Isaias Rabelo Bahia
  • Onisajé Candomblé
  • Issac Delgado Composer
  • Asali Solomon Haverford College Faculty
  • Celso de Almeida Drums
  • Joey Baron Drums
  • Moses Boyd England
  • OVANA Homemade Instruments
  • Rez Abbasi New York City
  • Joshue Ashby Jazz
  • Phakama Mbonambi Johannesburg
  • Joshua Abrams Film Scores
  • Eddie Kadi Actor
  • Luiz Brasil MPB
  • Mona Lisa Saloy Louisiana
  • Saul Williams Filmmaker
  • Robby Krieger Los Angeles
  • Third Coast Percussion Percussion Ensemble
  • Ofer Mizrahi Indian Slide Guiter
  • Nara Couto Brasil, Brazil
  • Itamar Vieira Júnior Journalist
  • Duane Benjamin Orchestrator
  • Paddy Groenland Jazz
  • Michael Doucet Mandolin
  • John Donohue Artist
  • Otto Percussion
  • Tiganá Santana Cantor-Compositor, Singer-Songwriter
  • Fernando Brandão Brazil
  • Casa Preta Brasil, Brazil
  • Gail Ann Dorsey Singer-Songwriter
  • Sunna Gunnlaugs Reykjavik
  • Loli Molina Argentina
  • Mary Halvorson Brooklyn, NY
  • Bob Bernotas Jazz Historian
  • Merima Ključo Sephardic Music
  • Gord Sheard Accordion
  • Herlin Riley New Orleans
  • Tatiana Eva-Marie Singer
  • Anna Webber Flute
  • Lula Moreira Samba de Coco
  • Buck Jones Brasil, Brazil
  • Sérgio Pererê Percussion
  • Otis Brown III Composer
  • Welson Tremura Bossa Nova
  • Ravi Coltrane Record Producer
  • Marilda Santanna Bahia
  • Guilherme Kastrup Drums
  • THE ROOM Shibuya DJs
  • Ben Monder Guitar
  • Marcus Strickland Brooklyn, NY
  • Caterina Lichtenberg Soprano Lute
  • Conrad Herwig Afro-Caribbean Jazz
  • João Luiz Classical Guitar
  • Soweto Kinch Composer
  • Bobby Sanabria Afro-Cuban Jazz
  • Kyle Poole New York City
  • Matt Ulery Bass
  • Randy Lewis Writer
  • Mayra Andrade Cape Verde
  • Kathy Chiavola Folk & Traditional
  • Betsayda Machado Folk & Traditional
  • Bernardo Aguiar Pandeiro
  • Nettrice R. Gaskins Ford Global Fellow
  • 9Bach Welsh Traditional Music
  • Tim Hittle Filmmaker
  • Conrad Herwig Jazz
  • Edil Pacheco Songwriter
  • Bule Bule Salvador
  • Flor Jorge Singer-Songwriter
  • David Sánchez Saxophone
  • Jeff 'Tain' Watts Drums
  • David Castillo Los Angeles
  • Aruán Ortiz New York City
  • Scotty Apex Composer
  • Walter Pinheiro Flute
  • Kurt Andersen Writer
  • Stephanie Soileau Short Stories
  • Wadada Leo Smith Jazz
  • Aruán Ortiz Composer
  • China Moses Singer
  • Siphiwe Mhlambi Johannesburg
  • Nancy Ruth Vocal Instruction
  • Miles Mosley Double Bass
  • Tommaso Zillio Guitar
  • Leyla McCalla New Orleans
  • Conrad Herwig Trombone
  • Marcus Miller Los Angeles
  • Keita Ogawa Drums
  • Tatiana Eva-Marie Swing
  • Rotem Sivan Guitar
  • Mike Compton Country Blues
  • Giovanni Russonello Washington, D.C.
  • Cimafunk Singer-Songwriter
  • Bill Callahan Singer-Songwriter
  • Alessandro Penezzi Brazil
  • Giorgi Mikadze გიორგი მიქაძე Contemporary Classical Music
  • Chano Domínguez Jazz
  • Michael Doucet Accordion
  • Guinha Ramires Brazil
  • Sebastian Notini Produtor Musical, Music Producer
  • Buck Jones Música Afro-Baiana, Afro-Bahian Music
  • Miho Hazama Composer
  • Vânia Oliveira Bahia
  • Abel Selaocoe Singer
  • Paulo Costa Lima Escritor, Writer
  • Aurino de Jesus Samba de Roda
  • Muri Assunção Journalist
  • Kevin Hays Jazz
  • Geraldine Inoa Television Writer
  • Lolis Eric Elie Journalist
  • Alphonso Johnson Jazz
  • Arto Lindsay MPB
  • Gerson Silva Music Director
  • Derrick Hodge Jazz
  • Forrest Hylton Documentary Filmmaker
  • Martin Fondse Piano
  • Msaki Singer-Songwriter
  • Marcelo Caldi Brazil
  • Arthur Jafa Sculptor
  • Adonis Rose Percussion
  • Immanuel Wilkins Composer
  • Walter Smith III Saxophone
  • Tessa Hadley Short Stories
  • Simon Singh Mathematics
  • Michael Cuscuna Record Producer
  • Adriano Giffoni Brazil
  • Marcelinho Oliveira Salvador
  • Ben Hazleton Indian Classical Music
  • Massimo Biolcati Brooklyn, NY
  • Christopher Seneca Drums
  • Kurt Andersen Playwright
  • Tomo Fujita Funk
  • David Byrne Film Scores
  • Intisar Abioto Portland, Oregon
  • John Patrick Murphy Irish Traditional Music
  • Capitão Corisco Salvador
  • Abderrahmane Sissako Film Producer
  • Antonio García Trombone
  • Diedrich Diederichsen Music Journalist
  • Guilherme Kastrup Percussion
  • Leo Nocentelli Guitar
  • Yosvany Terry Cuba
  • Patty Kiss Guitarra Baiana
  • Joachim Cooder Keyboards
  • Swami Jr. Guitar
  • Leigh Alexander Public Speaker
  • Doug Adair Braver Angels
  • Walter Blanding New York City
  • Judith Hill Jazz
  • Casa da Mãe Música ao Vivo, Live Music
  • Leo Genovese Keyboards
  • Sierra Hull Mandolin
  • Shankar Mahadevan India
  • Dr. Lonnie Smith Jazz
  • Papa Mali Swamp
  • Roots Manuva Record Producer
  • Custódio Castelo Castelo Branco
  • Billy O'Shea Ireland
  • Alex Cuadros Author
  • Samba de Lata Brazil
  • Burhan Öçal Istanbul
  • Rowney Scott Diretor Artístico, Artistic Director
  • Siba Veloso Guitar
  • Dale Farmer Appalachian Music
  • Gilson Peranzzetta Piano
  • Cory Wong Minneapolis, Minnesota
  • Ivan Lins Singer-Songwriter
  • Igor Levit Berlin
  • Jon Cowherd Record Producer
  • Nic Adler Live Music Venue Owner
  • Jim Hoke Session Musician
  • Henrique Cazes Brazil
  • June Yamagishi Guitar
  • Eduardo Kobra Muralista, Muralist
  • Rolando Herts Mississippi
  • Craig Ross Guitar
  • David Binney New York City
  • Andrew Finn Magill Violin
  • Ofer Mizrahi Tel Aviv
  • Joe Newberry Banjo Instruction
  • Mateus Asato Songwriter
  • Gabrielzinho do Irajá Cavaquinho
  • Paul McKenna Singer-Songwriter
  • Fatoumata Diawara African Music
  • David Wax Museum Mexo-Americana
  • Billy Strings Bluegrass
  • Lazzo Matumbi Singer-Songwriter
  • Tank and the Bangas Soul
  • Natan Drubi Violão de Sete, Seven-string Guitar
  • Mike Moreno Aaron Copeland School of Music Faculty
  • Robb Royer Screenwriter
  • Victor Wooten Berklee College of Music Faculty
  • Geovanna Costa Brasil, Brazil
  • Ajurinã Zwarg Brazil
  • Henrique Araújo Escola de Choro de São Paulo Faculty
  • David Sánchez Pan-Africana
  • Walmir Lima Salvador
  • Robb Royer R&B
  • Aaron Parks Composer
  • Edivaldo Bolagi Bahia
  • Bukassa Kabengele Singer-Songwriter
  • MicroTrio de Ivan Huol Carnaval, Carnival
  • OVANA Xangongo
  • Eddie Kadi Radio Presenter
  • Barlavento Brazil
  • Terence Blanchard New Orleans
  • Dadá do Trombone Brasil, Brazil
  • Tank and the Bangas R&B
  • Peter Evans Avant-Garde Jazz
  • Béla Fleck Americana
  • Priscila Castro Brasil, Brazil
  • Third Coast Percussion Chicago, Illinois
  • Joachim Cooder Americana
  • Keith Jarrett Multi-Instrumentalist
  • Dave Holland Bass
  • Tom Piazza Liner Notes
  • Luiz Santos Drums
  • Johnny Lorenz Literary Critic
  • André Muato Brazil
  • Ron Blake Composer
  • Cimafunk Cuba
  • Ron McCurdy Composer
  • Dale Barlow Jazz
  • Benjamin Grosvenor Classical Music
  • Carol Soares Samba de Roda
  • Rogério Caetano Violão de Sete
  • Mario Ulloa Salvador
  • Virgínia Rodrigues Singer
  • Nels Cline Guitar
  • Flavio Sala Italy
  • Danilo Brito Mandolin
  • Brenda Navarrete Composer
  • Nate Smith Jazz
  • Dudu Reis Brasil, Brazil
  • Aaron Parks Brooklyn, NY
  • Chris Potter Jazz
  • Gilsons Bahia
  • Ron Carter Educator
  • Adam Rogers Classical Guitar
  • Gilad Hekselman Guitar Instruction
  • Philip Watson Journalist
  • Nick Douglas Comedy Writer
  • Monk Boudreaux Funk
  • Fabiana Cozza São Paulo
  • Jessie Reyez Singer-Songwriter
  • Dan Tyminski Mandolin
  • Archie Shepp Pianist
  • Musa Okwonga Writer
  • Roberto Mendes Brazil
  • Pharoah Sanders Saxophone
  • Oded Lev-Ari Arranger
  • Shamarr Allen New Orleans
  • Echezonachukwu Nduka Musicologist
  • Hilton Schilder Cape Jazz
  • Joshua Abrams Bass
  • Little Simz Rapper
  • David Castillo New Orleans
  • Teodor Currentzis Russia
  • Fantastic Negrito Oakland, California
  • Roberto Fonseca Piano
  • Sean Jones Trumpet
  • Kevin Burke Fiddle
  • Michael Janisch Experimental Music
  • Bertram Drum Set Performance
  • Igor Levit Piano
  • James Carter Blue Note Records
  • MicroTrio de Ivan Huol Bahia
  • Walter Pinheiro Brazil
  • Darryl Hall Composer
  • Jeff Ballard Drums
  • Itamar Vieira Júnior Novelist
  • Ronaldo Bastos Lyricist
  • Astrig Akseralian Painter
  • Ivan Neville Singer-Songwriter
  • Jam no MAM Local de Música ao Vivo, Live Music Venue
  • Tank and the Bangas Hip-Hop
  • Jupiter Bokondji African Music
  • Judith Hill Singer-Songwriter
  • Taylor Ashton Banjo
  • Karla Vasquez El Salvador
  • Stephen Guerra Author
  • Ferenc Nemeth App Developer
  • Congahead Afro-Cuban Jazz
  • Jean-Paul Bourelly Composer
  • Ben Williams New York City
  • John Patitucci Jazz
  • Jon Otis Singer-Songwriter
  • Adriano Giffoni Bass
  • Laura Marling Singer-Songwriter
  • John Harle Saxophone
  • Casa PretaHub Cachoeira Afroempreendedorismo, Afro-Entrepreneurship
  • Jurandir Santana Barcelona
  • Michael Janisch Funk
  • Chucho Valdés Piano
  • Aurino de Jesus Chula
  • Edu Lobo Singer-Songwriter
  • Luciana Souza Singer
  • Jason Reynolds Young People's Literature
  • Aaron Parks Jazz
  • Luíz Paixão Fiddle
  • John Patitucci Berklee College of Music Faculty
  • Sandro Albert Composer
  • Carlos Henriquez Composer
  • MonoNeon Bass
  • Kaveh Rastegar Multi-Instrumentalist
  • Roberta Sá Singer
  • Sarah Jarosz Mandolin
  • Nahre Sol Contemporary Classical Music
  • Isaak Bransah Bahia
  • David Bragger Mandolin Instruction
  • Yazz Ahmed Flugelhorn
  • Margaret Renkl Writer
  • Dee Spencer Jazz
  • Art Rosenbaum Muralist
  • Ned Sublette Guitar
  • Jon Faddis Manhattan School of Music Faculty
  • Adriene Cruz Portland, Oregon
  • Gino Banks Mumbai
  • Ênio Bernardes Percussão, Percussion
  • Zeca Pagodinho Samba
  • Walter Blanding Clarinet
  • Beeple Graphic Designer
  • Zara McFarlane Jazz
  • Jan Ramsey Jazz
  • Colson Whitehead Short Stories
  • Gilmar Gomes Percussion
  • Gonzalo Rubalcaba Composer
  • Kim Hill Entrepreneur
  • Willie Jones III Jazz
  • Samba de Nicinha Samba de Roda

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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