Lorna Simpson, steps away
Lorna Simpson and most of humanity are within 6 degrees of each other. This matrix combines the small-world principle behind this seemingly magical fact with inter-artist recommendations-in-series in order to make all artists potential curators and discoverable within a handful of steps from everywhere on the planet. It works like this:
I RECOMMEND people (do you?)Lorna Simpson & degrees of proximity
Why again is Lorna Simpson mere steps away from other artists in here, and by extension, most everybody on the planet???
WHO CURATES "I RECOMMEND" ABOVE?
- Vertex/Edges Out by: The Matrix
Artist & Where
- Name: Lorna Simpson
- City/Place: Brooklyn, NY
- Country: United States
Life & Work
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Bio:
Lorna Simpson received her BFA in Photography from the School of Visual Arts, New York, and her MFA from the University of California, San Diego. When Lorna Simpson emerged from the graduate program at San Diego in 1985, she was already considered a pioneer of conceptual photography. Feeling a strong need to re-examine and re-define photographic practice for contemporary relevance, Simpson was producing work that engaged the conceptual vocabulary of the time by creating exquisitely crafted documents that are as clean and spare as the closed, cyclic systems of meaning they produce. Her initial body of work alone helped to incite a significant shift in the view of the photographic art’s transience and malleability.
Lorna Simpson first became well-known in the mid-1980s for her large- scale photograph-and-text works that confront and challenge narrow, conventional views of gender, identity, culture, history and memory. With unidentified figures as a visual point of departure, Simpson uses the figure to examine the ways in which gender and culture shape the interactions, relationships and experiences of our lives in contemporary America. In the mid-1990s, she began creating large multi-panel photographs printed on felt that depict the sites of public – yet unseen – sexual encounters. Over time she turned to film and video works in which individuals engage in enigmatic conversations that seem to address the mysteries of both identity and desire. Throughout her body of work, Simpson questions memory and representation, whether in her moving juxtaposition of text and image, in her haunting video projection Cloudscape and its echo in the felt work Cloud, or in her large-scale video installation Momentum which recreates a childhood dance performance. Using the camera as a catalyst, Simpson constructs work comprising text and image, parts to wholes, which comment on the documentary nature of found or staged images. In Simpson’s latest works, characteristic ambivalence is presented with hazy ink washes to present isolated figures amidst nebulous spaces– a return to and departure from her earlier unidentified figures in a deepened exploration of contemporary culture.
Her works have been exhibited at and are in the collections of the Museum of Modern Art, New York; the Museum of Contemporary Art, Chicago; the Walker Art Center, Minneapolis; Whitney Museum of American Art, New York; Los Angeles Museum of Contemporary Art, Los Angeles; and Haus der Kunst; Munich amongst others. Important international exhibitions have included the Hugo Boss Prize at the Guggenheim Museum, New York, Documenta XI in Kassel, Germany, and the 56th Venice Biennale, Venice, Italy. Lorna Simpson is represented by Hauser & Wirth.
Contact Information
- Email: info@lsimpsonstudio.com
- Management/Booking: Lorna Simpson is represented by Hauser & Wirth.
Media & Markets
- ▶ Instagram: lornasimpson
- ▶ Website: http://lsimpsonstudio.com
More
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Quotes, Notes & Etc.
Exhibitions
Hauser & Wirth London, UK 2018
Hauser & Wirth Los Angeles Special Presentation 2018
Frieze New York, Hauser & Wirth, 2017
Modern Art Museum of Fort Worth, Texas 2016-17
Salon 94, Bowery, New York, New York 2016
Addison Gallery of American Art, Andover, Massachusetts, 2014-15
Baltic Centre for Contemporary Art, Gateshead, UK 2014
Haus Der Kunst, Munich, Germany 2013-14
Jeu De Paume, Paris, France 2013
Aspen Art Museum, Colorado 2013
Brooklyn Museum, Brooklyn, New York 2011
Whitney Museum of American Art, New York 2007
Museum of Contemporary Art Los Angeles 2006
Clips (more may be added)
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On Artist Lorna Simpson, Recipient of the 2019 Getty Medal
162 views
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Lorna Simpson: In The Studio
137 views
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Lorna Simpson at TEDxMet
226 views
ABOUT THE MATRIX
This matrix is dedicated to creative artists and non-algorithmic discovery.
It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):
www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world
While the Brazilian musicians I work with now you may not know, I formerly worked (chasing unpaid royalties!) on behalf of Aretha Franklin, Barbra Streisand, Led Zeppelin, Jim Hall, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Wah Wah Watson (Melvin Ragin), Philip Glass, The Cadillacs (Earl Carroll), The Flamingos (Zeke and Jake Carey), and others, including Oscar-winning world-class great-guy Robb Royer. I was interviewed by David Dye for broadcast on U.S. National Public Radio several years ago ... about the Brazilians:
- Randy "Pardal/Sparrow" Roberts
All is more connected than we know.
w/ David Dye for U.S. National Public Radio
The matrix was inspired in (the kabbalah-inspired fiction of) Borges' El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone...
Our logo, per the "spirit" above, is a cortador de cana, a cane cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.
