Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Myles Weinstein
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Myles Weinstein
  • City/Place: Aberdeen, New Jersey
  • Country: United States

Current News

  • What's Up? Unlimited Myles is celebrating its 20th year as one of the leading jazz booking agencies today. Our boutique-style approach has allowed us to maintain a small but highly superior roster of artists. Our goal has always been to serve both our artists and the concert presenter with the utmost integrity. We are very proud of our roster's diversity. Each artist is uniquely different from the next and each is considered by critics and fans alike to be the absolute best in their field.

    Between them all, our artists boast an incredible list of awards, including multiple Grammy-winners and multiple nominees; a MacArthur "Genius" Award winner, Guggenheim Fellows and countless "Best" awards in their instrument or vocal categories from the Jazz Journalist Association, JazzTimes Readers and Critics' Polls and Downbeat Critic Readers and Critics' Polls...

Life & Work

  • Bio: Like many musicians, drummer and percussionist Myles Weinstein has led two different professional lives. One as a performing artist and the other as an agent to many of the finest jazz artists today.

    In 2001, Myles founded his own booking agency, Unlimited Myles, Inc., exclusively representing multi-award-winning artists, such as Regina Carter, Kenny Barron, Stefon Harris, Luciana Souza, Vijay Iyer and Russell Malone. Before that, Myles served as the director of the jazz division at Herbert Barrett Management, where he established a jazz division within this primarily classical agency. He worked there from 1993-2001.

    As a performing artist, Myles has played percussion, timpani and drums with a diverse list of artists and orchestras, including Stefon Harris, Steve Turre, the Long Island Philharmonic and the Joffrey Ballet Orchestra. It was with Stefon Harris that he toured and recorded the Grammy-nominated work "The Grand Unification Theory." In the 90's, he co-led a group with Chris Potter called "The Jazz Mentality", which toured throughout the northeast and Midwest regions and recorded two CDs: "Maxwell's Torment" and "Show Business Is My Life." Both of these recordings reached the top of the jazz radio charts.

    Since 2004 Myles has served on the board of directors for the North American Performing Arts Managers and Agents (NAPAMA.) He received his Bachelor of Music degree at Rutgers University (1985) and his Master of Music at Manhattan School of Music (1987.) He also attended the New England Conservatory in Boston (1985).

Contact Information

  • Email: [email protected]
  • Contact by Webpage: http://www.unlimitedmyles.com/contact
  • Management/Booking: Myles Weinstein
    President
    Tel: 732-566-2881
    Fax: 732-566-8157
    [email protected]

    Lorraine Kelley Weinstein
    Managing Director
    Tel: 732-566-2880
    Fax: 732-566-8157
    [email protected]

    Rory Trainor
    Booking Agent (Northeast, South)
    Tel: 508-280-1941
    Fax: 732-566-8157
    [email protected]

    Julia Keefe
    Administrative and Managerial Assistant
    [email protected]

Media | Markets

  • ▶ Twitter: mylesweinstein
  • ▶ Website: http://www.unlimitedmyles.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UClCpBgm1h0F1vFhp8CwEvgw

Clips (more may be added)

  • 4:26
    We'll Be Together Again
    By Myles Weinstein
    42 views
  • 0:14:38
    Sean Jones - Dizzy Spellz, feat. Brinae Ali at Dizzy's Club Coca-Cola, NYC
    By Myles Weinstein
    49 views
  • 0:06:26
    Sean Jones - Dizzy Spellz, feat. Brinae Ali at Dizzy's Club Coca-Cola, NYC - "Salt Peanuts"
    By Myles Weinstein
    49 views
  • 5:56
    Ulysses Owens Jr. and Generation Y: Chicken an' Dumplings (Ray Bryant)
    By Myles Weinstein
    37 views
  • 0:09:38
    Ulysses Owens Jr. and Generation Y: Soul Conversation (Ulysses Owens Jr.)
    By Myles Weinstein
    33 views
  • 0:15:08
    Ulysses Owens Jr. and Generation Y: The Core (Freddie Hubbard)
    By Myles Weinstein
    30 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Myles Weinstein:

  • 8 Agent
  • 8 Drums
  • 8 Jazz
  • 8 Percussion

Nodes below are randomly generated. Reload for a different stack.

  • Muireann Nic Amhlaoibh Flute
  • Martin Koenig Folk & Traditional
  • Riley Baugus Fiddle
  • Nancy Viégas Produtora Áudiovisual, Audiovisual Producer
  • Zé Luíz Nascimento Bahia
  • Fidelis Melo Bahia
  • Intisar Abioto Writer
  • Béla Fleck Banjo
  • Tiganá Santana Poeta, Poet
  • Lianne La Havas Singer-Songwriter
  • Jean Rondeau Composer
  • Kiko Loureiro Rio de Janeiro
  • Daniil Trifonov Russia
  • Michael Janisch Record Producer
  • Giba Conceição Bahia
  • Bruce Molsky Old-Time Music
  • Kyle Poole New York City
  • Elio Villafranca Juilliard Faculty
  • Daedelus DJ
  • Fabiana Cozza Phonoaudiologist
  • Rogê Samba
  • Cainã Cavalcante Brazil
  • Alicia Svigals Writer
  • Marc Johnson MPB
  • Huey Morgan Guitar
  • Sameer Gupta Drums
  • Elodie Bouny Venezuela
  • LaTasha Lee R&B
  • Swizz Beatz Art Collector
  • Dan Nimmer Piano
  • Hélio Delmiro Rio de Janeiro
  • Márcio Valverde Singer-Songwriter
  • Martin Koenig Liner Notes
  • Brandee Younger New School College of Performing Arts Faculty
  • Jerry Douglas Dobro
  • Little Simz Photographer
  • Aneesa Strings Singer
  • Casa da Mãe MPB
  • Orrin Evans Piano
  • William Parker Poet
  • Áurea Martins Brasil, Brazil
  • Moses Boyd Jazz
  • Vijay Gupta Los Angeles Philharmonic
  • Howard Levy Record Label Owner
  • Miroslav Tadić Contemporary Classical Music
  • Celso Fonseca Record Producer
  • Léo Rugero Accordion
  • Corey Henry Trombone
  • Alicia Keys Piano
  • Nikki Yeoh Jazz
  • Carwyn Ellis Experimental Music
  • Tony Austin Composer
  • James Gadson Blues
  • Ênio Bernardes Choro
  • Dave Jordan Americana
  • Leela James Blues
  • Nick Douglas Journalist
  • Cécile McLorin Salvant Illustrator
  • Jonga Cunha Bahia
  • Darol Anger Fiddle
  • Frank Negrão Jazz
  • Corey Harris Folk & Traditional
  • Shankar Mahadevan Mumbai
  • Samuel Organ Experimental Rock
  • César Orozco Composer
  • Márcio Bahia Rio de Janeiro
  • Kiya Tabassian كيا طبسيان Multi-Cultural
  • David Chesky Multi-Cultural
  • Restaurante Axego Salvador
  • The Bayou Mosquitos Zydeco
  • David Bragger Guitar Instruction
  • Chris McQueen Austin, Texas
  • David Byrne Film Scores
  • Lula Moreira Documentary Filmmaker
  • Tessa Hadley Novelist
  • Liberty Ellman Record Producer
  • Alex Clark Journalist
  • Samuel Organ Composer
  • James Martin Funk
  • Alexandre Vieira Bahia
  • Welson Tremura Singer
  • Dadá do Trombone Trombone
  • Asma Khalid Washington, D.C.
  • Ben Monder Guitar
  • Joey Alexander Piano
  • Weedie Braimah Jazz
  • Elodie Bouny Composer
  • Stomu Takeishi Jazz
  • Safy-Hallan Farah Journalist
  • Raynald Colom Jazz
  • Wayne Shorter Composer
  • Gabriel Policarpo Rio de Janeiro
  • Zeca Pagodinho Singer-Songwriter
  • Thiago Trad Música Experimental, Experimental Music
  • Gilberto Gil Bahia
  • Randy Lewis Music Critic
  • Donna Leon Venice
  • Manassés de Souza Ceará
  • Willie Jones III Drumming Instruction
  • Carlos Blanco Guitarra, Violão, Guitar
  • Robi Botos Hungary
  • Rodrigo Caçapa São Paulo
  • Christopher James Piano
  • Nicholas Daniel England
  • Dan Trueman Princeton University Faculty
  • Raelis Vasquez Drawings
  • Matt Glaser Folk & Traditional
  • Nublu Istanbul
  • Ben Hazleton Double Bass
  • Jas Kayser Afrobeat
  • Asma Khalid Journalist
  • Asali Solomon Novelist
  • Alessandro Penezzi Choro
  • Tony Austin Sound Designer
  • Art Rosenbaum Muralist
  • Ivan Huol Salvador
  • Alex de Mora Photographer
  • Kiya Tabassian كيا طبسيان Film Scores
  • Jeff 'Tain' Watts Composer
  • André Becker Brasil, Brazil
  • King Britt Electronic Music
  • BIGYUKI Brooklyn, NY
  • Elio Villafranca Piano
  • Keith Jarrett Multi-Instrumentalist
  • Ben Okri Novelist
  • Lakecia Benjamin Funk
  • João Camarero Rio de Janeiro
  • Antonio Sánchez Jazz
  • David Binney Saxophone
  • Ron McCurdy USC Thornton School of Music Faculty
  • Rob Garland Musicians Institute College of Contemporary Music Faculty
  • Milford Graves New York City
  • Jacám Manricks Saxophone
  • Xenia França São Paulo
  • Nicolas Krassik MPB
  • Rudy Royston Jazz
  • Maia Sharp NYU Steinhardt Faculty
  • Lokua Kanza African Music
  • Joshua White Composer
  • Gian Correa São Paulo
  • João Teoria Brasil, Brazil
  • Elie Afif Dubai
  • Susheela Raman London
  • Mono/Poly Glitch
  • Germán Garmendia Writer
  • Paddy Groenland Ireland
  • Chubby Carrier Zydeco
  • Jam no MAM Jazz
  • John Medeski Experimental Music
  • Nancy Viégas Salvador
  • H.L. Thompson DJ
  • Mona Lisa Saloy Louisiana
  • Bebê Kramer Choro
  • Frank Negrão Salvador
  • Mahsa Vahdat Persian Classical Music
  • Igor Osypov Germany
  • Onisajé Brasil, Brazil
  • Los Muñequitos de Matanzas Santeria
  • Tarus Mateen Bass
  • Ariel Reich Actor
  • Robin Eubanks Trombone
  • Fidelis Melo Produtor Cultural, Cultural Producer
  • Fantastic Negrito Guitar
  • Robby Krieger Los Angeles
  • Caoimhín Ó Raghallaigh Irish Traditional Music
  • Reena Esmail Composer
  • Tom Green Guitar
  • Etienne Charles Michigan State University Faculty
  • Perumal Murugan Poet
  • Nate Smith Composer
  • Django Bates Bern University of the Arts Faculty
  • Loli Molina Guitar
  • Rick Beato Record Producer
  • Lívia Mattos Accordion
  • Felipe Guedes Brazilian Jazz
  • Bonerama R&B
  • Renato Braz Guitar
  • Cécile Fromont Art Historian
  • Becca Stevens Multi-Instrumentalist
  • James Gadson Funk
  • Laércio de Freitas Brazil
  • Eric Bogle Australia
  • Abel Selaocoe Singer
  • Abel Selaocoe Manchester
  • Aloísio Menezes Bahia
  • MARO Singer-Songwriter
  • Musa Okwonga Songwriter
  • Spok Frevo Orquestra Recife
  • Ana Luisa Barral Composer
  • VJ Gabiru Salvador
  • Logan Richardson Composer
  • Nelson Sargento Rio de Janeiro
  • Edgar Meyer Multi-Cultural
  • Nathan Amaral Salzburg
  • André Vasconcellos Baixo, Bass
  • Sombrinha Samba
  • Calida Rawles Writer
  • Goran Krivokapić Serbia
  • Riley Baugus North Carolina
  • Tiganá Santana Salvador
  • Riley Baugus Luthier
  • Ubiratan Marques Música Clássica Contemporânia, Contemporary Classical Music
  • Michael Janisch Avant-Garde Jazz
  • Monk Boudreaux Percussion
  • Dani Deahl DJ
  • Scotty Barnhart Florida State University College of Music Faculty
  • Jane Ira Bloom Saxophone
  • Laura Marling Singer-Songwriter
  • Natan Drubi Brasil, Brazil
  • Gary Clark Jr. Guitar
  • Deesha Philyaw University of Pittsburgh Faculty
  • Brandon Coleman Los Angeles
  • Soweto Kinch Composer
  • Anoushka Shankar Piano
  • Zakir Hussain Multi-Cultural
  • Joana Choumali Photographer
  • Tom Bergeron Frevo
  • Ryan Keberle R&B
  • Kenny Garrett Flute
  • Gregory Tardy Jazz
  • Darren Barrett R&B
  • Benoit Fader Keita Electro Music
  • Ajurinã Zwarg Drums
  • Pedro Abib Bahia
  • Tomoko Omura Composer
  • Aruán Ortiz Afro-Cuban Jazz
  • Mavis Staples Chicago
  • Aperio Texas
  • João Teoria Trompete, Trumpet
  • Louis Marks Apparel & Fashion
  • Ivan Lins Piano
  • Mateus Aleluia Filho Bahia
  • Nêgah Santos Jazz
  • Danilo Pérez Multi-Cultural
  • Isaias Rabelo Salvador
  • Fapy Lafertin Guitar
  • Shankar Mahadevan Singer
  • Ken Avis Singer-Songwriter
  • Arthur L.A. Buckner Drum Instruction
  • Missy Mazolli Composer
  • John Edward Hasse Jazz
  • Atlantic Brass Quintet Classical Music
  • Jorge Ben Brazil
  • Jan Ramsey Creole Music
  • Nação Zumbi Olinda
  • Eivør Pálsdóttir Singer-Songwriter
  • Richie Stearns Old-Time Music
  • Etan Thomas Basketball
  • Keyon Harrold New York City
  • Eddie Kadi Radio Presenter
  • Tia Fuller Composer
  • Diana Fuentes Havana
  • Ed O'Brien Guitar
  • Bernardo Aguiar Pandeiro
  • Brigit Katz Writer
  • Ray Angry Gospel
  • King Britt Record Label Owner
  • Regina Carter Manhattan School of Music Faculty
  • Nate Chinen Music Critic
  • Brandee Younger New York University Faculty
  • Steve Cropper Record Producer
  • David Mattingly Matte Painter
  • Mischa Maisky Cello
  • Carlos Malta Flute
  • Anders Osborne Singer-Songwriter
  • Chris Boardman Film Scores
  • John McWhorter Linguist
  • Chris Dingman Vibraphone
  • Nilze Carvalho Samba
  • Ry Cooder Americana
  • Yosvany Terry Jazz
  • Carwyn Ellis Multi-Instrumentalist
  • Otmaro Ruiz Jazz
  • Aperio Chamber Music
  • Chris Dingman Jazz
  • Michael Olatuja Jazz
  • Kareem Abdul-Jabbar Television Producer
  • Gearóid Ó hAllmhuráin Author
  • Tia Surica Rio de Janeiro
  • Luis Perdomo Composer
  • Marcos Sacramento Samba
  • John McLaughlin Jazz
  • Brian Jackson Jazz
  • Dan Auerbach Multi-Instrumentalist
  • Dafnis Prieto Composer
  • Joshue Ashby Violin
  • Henrique Cazes Brazil
  • Gui Duvignau Brooklyn, NY
  • Arismar do Espírito Santo Samba
  • Nubya Garcia England
  • Amaro Freitas Frevo
  • George Garzone Berklee College of Music Faculty
  • Casey Driessen Bluegrass
  • Ben Williams Composer
  • Tray Chaney Rapper
  • Jamie Dupuis Singer
  • Noam Pikelny Banjo
  • Darrell Green New York City
  • Catherine Bent Jazz
  • Marc-André Hamelin Piano
  • Rumaan Alam Literary Critic
  • Caroline Shaw NYU Faculty
  • Joe Newberry Singer-Songwriter
  • Luques Curtis Bass
  • Christian Sands New York City
  • Ken Avis Washington, D.C.
  • Issa Malluf Daf
  • Armandinho Macêdo Guitarra Baiana
  • Ferenc Nemeth New York City
  • Michael Cuscuna Record Producer
  • Kiko Souza R&B
  • Anoushka Shankar Tanpura
  • Roy Nathanson Saxophone
  • Plamen Karadonev Composer
  • Rachel Aroesti Writer
  • OVANA Cunene
  • Third Coast Percussion Percussion Ensemble
  • Abel Selaocoe Classical Music
  • Antonio García Virginia Commonwealth University Faculty
  • Alexandre Leão Salvador
  • Garth Cartwright Music Critic
  • Issa Malluf Doumbek
  • Ceumar Coelho Brazil
  • Victor Gama Luanda
  • Jussara Silveira Brazil
  • Gabi Guedes Brazil
  • Wayne Escoffery Jazz
  • Sarz Sample Creator
  • Musa Okwonga Berlin
  • Tommy Orange Native American Literature
  • Cara Stacey Piano
  • Gail Ann Dorsey Multi-Instrumentalist
  • Alexa Tarantino Woodwinds
  • Thiago Trad Bateria, Drums
  • Pedro Aznar Jazz
  • Victoria Sur Singer-Songwriter
  • Ari Rosenschein Seattle
  • Kenyon Dixon R&B
  • Stacy Dillard Saxophone
  • Marisa Monte Record Producer
  • Buck Jones Cantor, Singer
  • Gavin Marwick Scottish Traditional Music
  • Joel Guzmán Accordion
  • Philip Sherburne Menorca
  • Orlando 'Maraca' Valle Havana
  • Avishai Cohen אבישי כה Folk Jazz
  • Kengo Kuma Japan
  • Chris McQueen Guitar
  • Alan Williams Architectural Installations
  • Kirk Whalum Memphis, Tennessee

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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