CURATION
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from this page:
by Matrix
The Integrated Global Creative Economy
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Name:
Luiz Santos
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City/Place:
New York City
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Country:
United States
Life
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Bio:
The vibrant and joyful music of Luiz Santos, a worldwide artist from New York City USA, will make you feel alive. His brilliant mix of Brazilian percussion, Caribbean, Chamber Music and Jazz as he plays the drums and the piano will fill your heart with hope. Simply put on one of his albums and you'll be sure to feel uplifted and encouraged. What makes the music of this world-class Brazilian drummer, percussionist, pianist and composer so unique and incredibly special? His unparalleled creativity in making music and has been doing so since his childhood.
His love of music stems from the passion for music his Brazilian parents had while growing up. They knew that as a young child of nine years old when they first heard Luiz play the drums, he had talent beyond his years. The more he played, the more he aspired to play many different rhythms.
The self-taught instrumentalist played his first professional gig at the age of 13 while living in Rio de Janeiro. Opportunities arose to play with older musicians which helped him to explore many different styles of music.
Eventually he began performing all over Brazil with well-known recording musicians such as bassist Arthur Maia, Jovino Santos, Hermeto Pascoal and many others. The passion Luiz had for music fueled him to begin composing and arranging full orchestral pieces.
He also toured extensively in Europe as part of "Brazil Fusion". His music became in high demand, enabling him to play for bands and work on music projects in several countries including Germany, France, Norway, Sweden, Holland, Belgium, Greece, Luxembourg and Italy.
Influenced by the music of Chick Corea, John Coltrane, Miles Davis, Strawinsky, Debussy, Bartok, Hermeto Pascoal, Egberto Gismonti, Keith Jarrett, Weather Report, Pat Metheny, Elvin Jones, Peter Erskine, Billy Cobham, Tony Williams, Dave Weckl and Steve Gadd, he creates unique flavors of music by combining typical jazz sounds with classical and Brazilian percussion. He has also written compositions for everything from jazz to contemporary classical, modern music to string quartets.
He has also been on demand in New York City playing with musicians like Richie Goods, Lonnie Plaxico, Benito Gonzalez, Vic Juris, Tim Armacost, Peter Brendler, Russ Nolan, Sean Nowell, Helio Alves, Paul Meyers, Edward Perez, John Benitez, Hector Martignon, Mark Weinstein, Nilson Matta, just to name a few.
Luiz has recorded several CD Projects in Rio de Janeiro, all which feature his own compositions. Other musicians on his CD projects include: Humberto Mirabelli (guitar), Fernando Roza (bass), Fernando Trocado (tenor sax and flute), Marcelo Martins (alto/soprano sax and flute).
Life is filled with many sounds and as an accomplished and talented musician, Luiz Santos captures the sounds of life like no other. If you desire to hear music in a whole new way that brings refreshing to your soul and excitement to your everyday life, you will want to have the albums of Luiz Santos.
Clips (more may be added)
When creators curate people (and entities) for what they do and where they do it, a matrix is generated.
Following human society, by the mathematical magic of the small-world phenomenon, all inside such a matrix tend to within degrees of all others inside.
And by logical extension, to within degrees of all humanity.
It is almost completely unknown that the Recôncavo of Bahia was final port-of-call for more enslaved human beings than any other place throughout the entirety of mankind’s existence on this planet.
And widely unknown that Brazil — a repository of African deities now largely forgotten in their lands of origin — absorbed over ten times the number of Africans taken to the United States of America.
And unknown that Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil’s national music — the pandeiro — was almost certainly brought to Brazil by these people).
Across the parched savannas of the interior of Brazil’s culturally fecund nordeste/northeast (where wizard Hermeto Pascoal was born in Lagoa da Canoa — Lagoon of the Canoe — and raised in Olho d’Águia — Eye of the Eagle), much of Brazil’s aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.
Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth.
Great culture is great power. This matrix begins here and opens pathways to cultures and creators everywhere.
Recently accessed from:
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
Ground Zero for the project was the culture born in Brazil's quilombos (in Angola a kilombo is a village; in Brazil it is a village either founded by Africans or Afro-Brazilians who had escaped slavery, or — as in the case of São Francisco do Paraguaçu below — occupied by such after abandonment by the ruling class):
...theme for a Brazilian Matrix, from an Afro-Brazilian Mass by
Milton Nascimento
I opened the shop in Salvador, Bahia in 2005 in order to create an outlet to the wider world for magnificent Brazilian musicians.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix, then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC (I've lived here in Brazil for 32 years now) I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Across the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
For a complete list of everybody inside, tap TOTAL below:
TOTAL
Hermeto Pascoal
Alicia Svigals
Susan Rogers
Julian Lloyd Webber
Clarice Assad
Kamasi Washington
Randy Brecker
Matt Garrison
RÁDIO MATRIX