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I RECOMMEND

David Fiuczynski
  • 2 Berklee College of Music Faculty
  • 2 Composer
  • 2 Guitar
  • 2 Jazz
  • 2 Multi-Ethnic
  • RECOMMENDS 0 people/categories
  • ↳ outgoing recommendations by the matrix

Who I Am & Where I Live:

  • Name: David Fiuczynski
  • City: Boston
  • Country: United States

My Life

  • Biographical: David “Fuze” Fiuczynski is an iconoclastic innovator and a rebel with a guitar. Fluent in funk, rock, fusion, wicked fretless blues slides, Eastern melodicism, Western microtonalism and everything in-between, his remarkably open-minded and versatile approach to his instrument and music in general has made him a “first call” player, and lead to tours and recording projects with a remarkably diverse cast of characters, including Stewart Copeland (The Police), Jack DeJohnette (Miles Davis, John Coltrane), John Zorn, Hiromi, JoJo Mayer, Marc Guiliana (David Bowie), Bernie Worrell (P-Funk), Dennis Chambers, Me’shell NdegeOcello, Rudresh Mahanthappa, Marcus Miller, Billy Hart, John Medeski, Cuong Vu, Ronald Shannon Jackson’s Decoding Society and countless others.

    He has played on nearly 100 recordings as a session musician, band leader or band member, won a Guggenheim Fellowship in 2011 and is a professor at the prestigious Berklee College of Music in Boston. Best known as the leader of the Screaming Headless Torsos, KiF and as a member of Hasidic New Wave, Fuze launched Planet MicroJam, an institute that explores the use of microtones in groove, jazz, ethnic, folk and other contexts, in 2012. With this impressive resume under his belt, the mad-scientist guitar hero is now seeking to bring his music to new audiences.

My Media

  • Website: http://www.davidfiuczynski.com
  • Instagram: davidfiuczynski

Listen on Spotify

  • Spotify: http://open.spotify.com/album/2fv4DzvZRzPnJdhezg5au4
  • Spotify 2: http://open.spotify.com/album/5MELBMCBQvrEQws5uurvfk
  • Spotify 3: http://open.spotify.com/album/2Twe4IEsK6XPfHU9UomJwb
  • Spotify 4: http://open.spotify.com/album/6KMpBZdXcTstv1Om9PKEqc

Clips

  • Best Composition Advice I Ever Got
    By David Fiuczynski
    90 views
  • Microtonal Guitar
    By David Fiuczynski
    105 views
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This is a matrix navigable from artist to artist following recommendations-as-guideposts. It's based in the concept behind small world (so-called "six degrees of separation") networks...meaning that everybody inside the matrix is somehow findable/reachable from everybody else in a limited number of steps. And this  heralds — for the first time since mankind began blowing through bone flutes some 30,000 years ago — the potential for a completely open and totally accessible artistic universe! 

 

THE MATRIX IS MUSICIAN / ARTIST-IN-GENERAL RECOMMENDATIONS BY THE MOST POWERFUL, SOPHISTICATED & SUBTLE SOFTWARE YET DEVISED:

⇒ the collective human mind

 

IT IS BASED IN BAHIA, GROUND ZERO FOR BRAZIL'S SUN-CARONA VIBRANT AFRO-BRAZILIAN CULTURE

⇒ ...rooted in a region called the Recôncavo, analogous in Brazil to the Mississippi Delta in the United States.

 

THE MATRIX REACHES FROM BRAZIL TO CUBA TO BROOKLYN TO BERLIN TO TOKYO TO TIMBUKTU

⇒ To wherever people want to take it...

 

IT IS THE NEXT-STEP EVOLUTION OF A SPECIALTY RECORD SHOP

⇒ ...opened in Salvador to showcase magisterial musicians almost completely unknown to the world...many of them living in poverty or close to it and unable to avail themselves of traditional (and costly) means of publicizing.

 

Matrix Headquarters

 

PRE-BRAZIL — IN NEW YORK CITY — WE "RESCUED" UNPAID ROYALTIES FOR PERFORMERS & COMPOSERS INCLUDING:

⇒ Aretha Franklin, Barbra Streisand, Led Zeppelin, Philip Glass, Mongo Santamaria, Airto Moreira, Gilberto Gil, Astrud Gilberto, Jim Hall, Taj Mahal, Robb Royer of Bread, Speedo & the Cadillacs, and many more! With Speedo's (Earl Carroll) amazing story (kid singing on the streetcorners of Harlem to doo-wop fame to working as a beloved school janitor) I learned — as Quincy Jones figured out decades before me — that greatness and fame are completely independent. I'd see that the wave had been repeated here in Brazil with a man by the name of Raimundo Sodré, who'd gone from zero to national fame and back to zero.

 

IN LIGHT OF ALL THE ABOVE I BUILT A (THE WORLD'S FIRST EVER!) SMALL WORLD CURATION NETWORK...

⇒ A wave of a cyberwand opening pathways allowing ANY ARTIST — FAMOUS OR NOT — in ANY FIELD — in ANY PLACE in the world — to potentially  be reached by ANYBODY from ANYWHERE.

 

BY WHAT WIZARDRY?

⇒ We've all heard of six degrees of separation, more properly called a small world network. Within six or so steps we can move through a chain of people knowing other people to just about anybody on the planet.

 

SIMPLY CHANGE "KNOW" TO "RECOMMEND"

⇒ In exactly the same way, step by step we can move through chains of ARTISTS CURATING ARTISTS to to just about any artist on the planet.

 

LIKE THIS...

⇒ From Quincy Jones we access one of his protégés, stellar young Cuban pianist Alfredo Rodriguez. From Alfredo Rodriguez we access a fabulous multinstrumentalist Alfredo plays with, Munir Hossn. Two more steps and we've reached the above-mentioned Raimundo Sodré, formerly virtually unreachable in Bahia...

 

  • Raimundo Sodré Now
  • Raimundo Sodré 1980

Raimundo Sodré Now

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    Sina de Cantador - Raimundo Sodré (6,524 plays)
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    Casa de Trois - Raimundo Sodré (2,868 plays)
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    Mulher é Laço que Prende o Coração do Va... (2,531 plays)
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Raimundo Sodré 1980

The Festivals of Brazilian Music (Os Festivais de Música Brasileira) were a series of televised festivals featuring original songs over the period from 1965 to 1985. Many of Brazil's most popular artists of the period (including Elis Regina, Chico Buarque, Caetano Veloso, Gilberto Gil, Gal Costa, Geraldo Vandré, Nara Leão, Edu Lobo, Jair Rodrigues, Tom Jobim) participated or began their careers in these festivals.

 

Sodré was launched in 1980. He only placed third but was so much the popular favorite that the festival winner, Oswaldo Montenegro, was booed when awarded first place.

 

The sound and video quality of this recorded are pretty terrible, but nevertheless it gives some idea of that day...

 

The song itself, "A Massa", was a protest song. Sodré sings "a massa da mandioca mãe" (manioc dough, mother)...but this is a metaphor for the mass of common people being squeezed by the powerful in the government. The style is called "chula"; it's the primordial Afro-Brazilian samba born on the sugarcane plantations of Bahia, precursor to Brazil's national music.

 


 

DICTATED SILENCE

⇒ Sodré's meteoric major-label career was crushed by the Brazilian dictatorship years ago and he was forced to flee Brazil under threat of death...into a 19 year exile. He became almost impossible to find and hear, even after returning to Brazil.

 

MUSIC FALLS LIKE RAIN

⇒ But now lines of everbranching interlinked recommendations rise from Bahia to form a (small world) network rounding the planet like the arboreal canopy of a vast Amazonian rainforest. When the dictatorship ground Sodré into the dust, they unwittingly planted a seed.

 

 

FROM SODRÉ, A WORLDLINE TO SPLENDID BULE BULE (LEATHER HAT) ABOVE... AND TO OTHERS IN THE CLIP...

⇒ "The time has arrived for these people of color to show their worth ... I want to see Uncle Sam play tambourine so the whole world can samba!"

 

AND FROM BULE ON...

⇒ ...tendrils twining through urban centers and beautiful backwaters... through New York boroughs, Burkina Faso... County Clare... Cape Town...

 

THROUGH ARTISTS ACROSS THE BOARD

⇒ ...writers, journalists, photographers, painters, illustrators, architects, choreographers, filmmakers...

 

IS THE MATRIX AN ALTERNATE REALITY?

⇒ Only if your reality has been defined by corporate mass media. The original meaning of "matrix" is "source", from "mater", Latin for "mother". We're real mothers for ya!

 

DOES THE MATRIX WATCH YOU?

⇒ Zero surreptitious tracking, data mining and data brokerage per Cambridge Analytica, Facebook, et al.

 

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