Ben Okri via Matrix

Ben Okri

THE INTEGRATED GLOBAL
CREATIVE ECONOMY

promulgated by
The Brazilian Ministry of Culture

fomented by
The Bahian Secretary of Culture

fomented by
The Palmares Foundation
for the promotion of Afro-Brazilian Culture

fomented by
The National Foundation of Indigenous Peoples

I CURATE/pathways out

Network Node

Name: Ben Okri
City/Place: London
Country: United Kingdom
Hometown: Minna, Nigeria

CURATION

from this node by: Criador acima/Creator above

Life & Work

Bio: Ben Okri is a poet, novelist, short story writer, essayist, aphorist, playwright, and writer of film-scripts. His writing challenges perceptions of reality. He is also a cultural activist.

He was born in Nigeria and came to England as a child. He went to school in London and returned to Nigeria with his parents on the eve of the Nigerian Civil War. The war made a defining impact on his life. He finished his secondary school education and wanted to study physics and become a scientist. But he was deemed too young then for university and that summer he read his way through his father’s library and found his true vocation. He began writing at a very early age. He began with poetry and then published articles and essays about the living conditions of the poor in the slums of Lagos. Then he wrote short stories and eventually what was to become his first novel, ‘Flowers and Shadows.’

In 1978, Ben Okri returned to London. He studied comparative Literature at Essex University. Two years later he published his first novel; and in 1982 came his second novel, ‘The Landscapes Within.’ He went through a brief period of homelessness. In 1986 came ‘Incidents at the Shrine’, a collection of stories that won him prizes and enhanced his reputation. In 1988 a second collection, ‘Stars of the new Curfew,’ cemented his reputation as a powerful new voice. But it was in 1991, with the publication of ‘The Famished Road’ that he attained international stature.

The Famished Road won the Booker Prize that year. It was the first Booker Prize winner to go straight to number one in the paperback bestseller lists. The novel has been highly influential in the decades since its release. When President Clinton went to Africa for the first time, he quoted extensively from The Famished Road. The novel was also the inspiration behind ‘Street Spirit’ by Radiohead. Recently it was one of the novels cited in an episode of American Dad. It has inspired paintings, music, classical music, plays, films, and dances. It has now been re-issued as a Vintage Classic.

‘The Famished Road’ is the first book in The Famished Road Trilogy, which included ‘Songs of Enchantment’ and ‘Infinite Riches.’ Since then there have been many novels, books of poems, collections of essays.

He is also widely known as a poet. He thinks of himself as primarily a poet, and he maintains that his artistic response to life expresses itself most naturally through poetry. His first book of poems, ‘An African Elegy,’ contains some of his best known poems, including the title poem, which is a set text in schools, and ‘ To an English friend in Africa.’ His epic poem, ‘Mental Fight,’ has been widely read and embraced. Quotations from it are a regular on the internet. ‘ Wild,’ published in 2012, is perhaps his most diverse and life-affirming volume of poems. His most recent collection of poems, ‘A Fire in my Head,’ to be published in January 2021, contains some of his most famous and highly charged political poems. One of the poems, ‘ Grenfell Tower, June 2017,’ was listened to over 6 million times on the Channel Four Facebook page.

In 2009, he invented a new form called the Stoku, which is a cross between a short story and a haiku. This was first displayed in his book ‘ Tales of Freedom’, now re-titled ‘ The Comic Destiny,’ which featured thirteen stokus. Quotations from his work are popular and have appeared in television series like Criminal Minds.

His essays have also been widely read and influential. ‘ A Way of being Free,’ published in 1997, contains some of his best-loved meditations on the power and magic of storytelling. And ‘ A Time for new Dreams,’ published in 2011, was the titular mascot of Grace Wells Bonner’s exhibition at the Serpentine in 2018. It was also a personal book recommendation by the great artist David Hammons in a New Yorker profile of him in 2019.

Ben Okri has written film scripts and plays. He wrote the text to Peter Kruger’s film ‘N: The Madness of Reason.’ The film won the 2015 Ensor Award for Best Film. He is co-writing, with Peter Kruger, the film script adaptation of his novel, ‘The Age of Magic’. He has also written a play called The Outsider, an adaptation of Camus’s famous novel, which was performed to full houses at The Coronet in September 2018. The play won the 2018 Offies Award for Best Theatre Production. In 2020, his play, ‘Madame Sosostris,’ was performed again to full houses at the Pullof Threatres in Lausanne, Switzerland.

Ben Okri has been a Fellow Commoner in Creative Arts at Trinity College, Cambridge. He was also Visiting Professor of Literature at Leicester University. He is an honorary Fellow at Mansfield College, Oxford.

In 2019 his novel, ‘Astonishing the Gods,’ was selected as one of the BBC’s ‘100 novels that shaped our world.’

Contact Information

Contact by Webpage: http://benokri.co.uk/contact/
Management/Booking: Bookings
Ben Okri
C/O Georgina Capel Associates Ltd
[email protected]
PO BOX 123
or
[email protected]

Press
Ben Okri
C/O Georgina Capel Associates Ltd
[email protected]
PO BOX 123

Media | Markets

▶ Book Purchases: http://benokri.co.uk/books/
▶ Twitter: benokri
▶ Website: http://benokri.co.uk

Clips (more may be added)

1:23:33
Quantum & Fiction: Alternative Realities for the Living by Ben Okri
By Ben Okri

94 views
3:23
Tony Allen - Cosmosis (Official Clip) ft. Skepta, Ben Okri
By Ben Okri

126 views
0:35:52
Ben Okri Interview: We Can Ascend Mountains
By Ben Okri

163 views
0:13:39
Our Secret Stories | Ben Okri | TEDxInstitutLeRosey
By Ben Okri

152 views

Ben Okri Curated
pathways in

What's Been Happening?

A video was posted re Ben Okri:

Quantum & Fiction: Alternative Realities for the Living by Ben Okri
00:00 Introduction 03:40 – Alternative Realities are True – Part 1 18:34 – Part 2 26:41 – Part 3 31:45 – Part 4 40:47 – Part 5 43:33 – Part 6 49:33 – Q&A The acclaimed Nigerian Poet and Novelist Ben Okri, one of the foremost postmodern authors, is...
- January 19, 2022
A video was posted re Ben Okri:

Tony Allen - Cosmosis (Official Clip) ft. Skepta, Ben Okri
I play yours, you play mine. The music never ends. The wisdom of Tony Allen's words was as deep as his grooves, and these two sentences, which announce the dozen songs that follow, truly capture the spirit of There is No End. Tony’s motivating concept an...
- January 19, 2022
A video was posted re Ben Okri:

Ben Okri Interview: We Can Ascend Mountains
“The time for sleepwalking is over.” Experience the Booker Prize-winning writer Ben Okri in this in-depth video, where he talks passionately about what it means to live between worlds, and why a new way of thinking is needed worldwide: “A huge awakening h...
- January 19, 2022
A video was posted re Ben Okri:

Our Secret Stories | Ben Okri | TEDxInstitutLeRosey
Ben Okri writes magical, paradoxical, playful and philosophical things. Novels, poems, essays, stokus, short stories, plays, aphorisms, provocations, meditations. Some of the titles of his books are: ' The Age of Magic', 'Astonishing the gods', 'Tales of ...
- January 19, 2022
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London
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Nigeria
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Essayist
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Short Stories
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Novelist
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Poet
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Writer
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Ben Okri is matrixed!
- January 19, 2022

ENGLISH (pra Portuguese →)

✅—João do Boi
João had something priceless to offer the world.
But he was impossible for the world to find.
So for him, for incandescent Brazil, for the entire creative world, new ways...
✅—Pardal/Sparrow

PATHWAYS
from Brazil, with love

THE MISSION: Beginning with the atavistic genius of the Recôncavo (per the bottom of this section) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Bahia is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

Why Brazil?

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

Nowhere else but here. Brazil itself is a matrix.

PORTUGUÊS (to English →)

✅—João do Boi
João tinha algo inestimável pro mundo.
Mas ele era impossível pro mundo encontrar.
Aí para ele, para o Brasil incandescente, pro mundo criativo inteiro, novos caminhos...
✅—Pardal/Sparrow

CAMINHOS
do Brasil, com amor

A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme o final desta seção) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Obrigada por me incluir neste matrix maravilhoso!"
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

A Bahia é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

Por que Brasil?

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.