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  • Dermot Hussey

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Dermot Hussey
  • City/Place: Washington, D.C.
  • Country: United States

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Hussey is co-author of Bob Marley: Reggae King of the World and producer of the Marley interview on Marley's album Talkin' Blues. He's been awarded a Musgrave Medal, the prestigious Jamaican award for services to media and music, and he was inducted into the Air Jamaica Jazz & Blues Hall of Fame.

    He's a DJ on Sirius XM Satellite Radio, broadcasting weekdays from 3 p.m. to 9 p.m. ET.

Media | Markets

  • ▶ Twitter: dermot_hussey
  • ▶ Article: http://www.jamaicaobserver.com/entertainment/dermot-hussey-satellite-radio-pioneer_130825

Clips (more may be added)

  • 2:46
    Bob Marley - So Much Trouble: Dermott Hussey Interview (Preview)
    By Dermot Hussey
    220 views
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Dermot Hussey Curated
pathways in

  • 3 Author
  • 3 Broadcaster
  • 3 Jamaica
  • 3 Musicologist
  • 3 Pan-Africana
  • 3 Reggae
  • 3 Washington, D.C.

What's Been Happening?

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  • Dermot Hussey
    Raymundo Sodré → Ropeadope has been recommended via Dermot Hussey.
    • January 18, 2022
  • Dermot Hussey
    A video was posted re Dermot Hussey:
    Bob Marley - So Much Trouble: Dermott Hussey Interview (Preview)
    • October 7, 2020
  • Dermot Hussey
    Richard Bona → Singer has been recommended via Dermot Hussey.
    • January 14, 2020
  • Dermot Hussey
    Woz Kaly → Singer-Songwriter has been recommended via Dermot Hussey.
    • July 31, 2019
  • Dermot Hussey
    Woz Kaly → Senegal has been recommended via Dermot Hussey.
    • July 31, 2019
  • Dermot Hussey
    Woz Kaly → African Music has been recommended via Dermot Hussey.
    • July 31, 2019
  • Dermot Hussey
    Woz Kaly → Africa has been recommended via Dermot Hussey.
    • July 31, 2019
  • Dermot Hussey
    João do Boi → Samba de Roda has been recommended via Dermot Hussey.
    • March 28, 2019
  • Dermot Hussey
    João do Boi → Chula has been recommended via Dermot Hussey.
    • March 28, 2019
    • Dermot Hussey
      Ken Dossar João do Boi is Brazil's most historically important virtually unknown artist!
      • March 23, 2019
  • Dermot Hussey
    João do Boi → Brazil has been recommended via Dermot Hussey.
    • March 28, 2019
  • Dermot Hussey
    João do Boi → Bahia has been recommended via Dermot Hussey.
    • March 28, 2019
View More
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  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 

THE MATRIX BEGAN IN AFRICAN BRAZIL BUT NOW ENCOMPASSES THE WORLD

Explore above a complete (and vast) list of artists and other members of the global creative economy interconnected by matrix. If you fit, join them (from the top of any page) and create your own matrix page.


WHY BRAZIL?

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene below — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 


✅—João do Boi
João had something priceless to offer the world.
But he was impossible for the world to find...
✅—Pardal/Sparrow
PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per "RESPLENDENT BAHIA..." below) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington


RESPLENDENT BAHIA...

...is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

PORTUGUÊS (to English →)

 

O MATRIX COMEÇOU NO BRASIL AFRICANO MAS AGORA ENGLOBA O MUNDO

Explore acima uma lista completa (e vasta) de artistas e outros membros da economia criativa global interconectados por matrix. Se você se encaixar, junte-se a nós (do topo de qualquer página) e cria sua própria página matrix.


POR QUE BRASIL?

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas — de três continentes — correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 


✅—João do Boi
João tinha algo inestimável pro mundo.
Mas ele era impossível pro mundo encontrar...
✅—Pardal/Sparrow
CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme "RESPLANDECENTE BAHIA..." abaixo) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Obrigada por me incluir neste matrix maravilhoso!"
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


RESPLANDECENTE BAHIA...

...é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

  • A-KILL Building Art
  • Béco Dranoff Record Label Owner
  • Masao Fukuda Samba
  • Shannon Alvis Choreographer
  • Jamael Dean Piano
  • John McWhorter Linguist
  • Carrtoons Multi-Instrumentalist
  • John Harle Television Scores
  • Shalom Adonai Brazil
  • Bernardo Aguiar Brazil
  • Restaurante Axego Pelourinho
  • Béla Fleck Songwriter
  • Ambrose Akinmusire Trumpet
  • Gilmar Gomes Brazil
  • Gaby Moreno Singer-Songwriter
  • Shankar Mahadevan Film Scores
  • Howard Levy Record Label Owner
  • Alicia Svigals Violin
  • Las Cafeteras East Los Angeles
  • Zakir Hussain Hindustani Classical Music
  • Maria Calú Atriz, Actor
  • Iara Rennó Produtora Musical, Music Producer
  • Zé Katimba Cavaquinho
  • Vijay Gupta Classical Music
  • Toninho Nascimento Rio de Janeiro
  • Leigh Alexander Video Game Story Designer
  • Beeple Graphic Designer
  • Berkun Oya Turkey
  • Gringo Cardia Rio de Janeiro
  • Margareth Menezes Bahia
  • Hilton Schilder South Africa
  • Fernando Brandão Pífano
  • Ben Harper Rock
  • Henrique Araújo Composer
  • Adam Neely YouTuber
  • Jorge Alfredo Roteirista, Screenwriter
  • Eder Muniz Arte da Rua, Street Art
  • Paulo Paulelli São Paulo
  • John Patrick Murphy Accordion
  • Ben Azar Guitar Instruction
  • Steve Lehman Composer
  • Jacám Manricks Composer
  • Eli Teplin Guitar
  • Kimberlé Crenshaw Author
  • Jen Shyu Multi-Instrumentalist
  • Plínio Fernandes Classical Guitar
  • Siba Veloso Brazil
  • Eddie Kadi Voiceover Artist
  • Jovino Santos Neto Brazilian Jazz
  • Geovanna Costa Samba
  • Jon Batiste Melodica
  • Merima Ključo Author
  • Nara Couto Diretora, Director
  • Toumani Diabaté Bamako
  • Stefan Grossman New York City
  • John Edwin Mason University of Virgina Faculty
  • Rachael Price Tin Pan Alley
  • Morgan Page EDM
  • Ibrahim Maalouf Paris, France
  • Bill Pearis Writer
  • MARO Singer-Songwriter
  • Urânia Munzanzu Bahia
  • Jeremy Pelt Trumpet Instruction
  • Adonis Rose Drum Instruction
  • Antonio García Arranger
  • John Edward Hasse Curator
  • Negra Jhô Bahia
  • João Teoria Bandlíder, Bandleader
  • Maria Marighella Bahia
  • Mahsa Vahdat Iran
  • Keita Ogawa Multi-Cultural
  • Paulinho Fagundes Violão Gaúcho
  • Brian Stoltz Guitar
  • Chief Xian aTunde Adjuah Ropeadope
  • NEOJIBA Orquestra Sinfônica, Symphony Orquestra
  • Julien Libeer Belgium
  • Cláudia Leitão Brasil, Brazil
  • Eric Galm Ethnomusicologist
  • Luê Soares Brasil, Brazil
  • Susan Rogers Berklee Faculty
  • Antônio Pereira Amazonas
  • Muri Assunção Writer
  • Jason Parham Publisher
  • Stephen Guerra Choro
  • Adrian Younge Multi-Instrumentalist
  • Aneesa Strings Composer
  • Garvia Bailey Toronto
  • Larry Grenadier Composer
  • Martin Fondse Film Scores
  • James Poyser Television Scores
  • Custódio Castelo Fado
  • Wajahat Ali Essayist
  • Kazemde George Jazz
  • Iara Rennó Brasil, Brazil
  • Michael Doucet Mandolin
  • Marcus Rediker Activist
  • Aloísio Menezes Bahia
  • Maurício Massunaga Multi-Instrumentista, Multi-Instrumentalist
  • Felipe Guedes Multi-Instrumentalist
  • Cristovão Bastos Piano
  • Thiago Trad Brasil, Brazil
  • Anthony Hervey New York City
  • Lizz Wright Singer
  • Sunn m'Cheaux Photographer
  • Dave Weckl Drums
  • Jake Webster Painter
  • John Medeski Experimental Music
  • Kevin Hays Piano Instruction
  • Turíbio Santos Choro
  • Luiz Antônio Simas Brasil, Brazil
  • Mário Pam Brazil
  • Sean Jones Jazz
  • Rogê Singer-Songwriter
  • Yoron Israel R&B
  • Donald Vega Jazz
  • Paulo Dáfilin Composer
  • Grant Rindner Journalist
  • Stefan Grossman Blues
  • Gunter Axt Produtor Cultural, Cultural Producer
  • Courtney Pine London
  • Tessa Hadley Writer
  • Jura Margulis Musik und Kunst Privatuniversität der Stadt Wien Faculty
  • Tommaso Zillio YouTuber
  • Kermit Ruffins Jazz
  • Catherine Bent Berklee College of Music Faculty
  • Speech Music Production
  • Frank Negrão Music Director
  • Brandon Coleman Keyboards
  • Omari Jazz Music Producer
  • Leela James R&B
  • Jazzmeia Horn New York City
  • Rudresh Mahanthappa Composer
  • Dee Spencer Piano
  • Cássio Nobre Guitar
  • Paulinho da Viola Rio de Janeiro
  • George Garzone Jazz
  • David Sacks Vocals
  • Dorian Concept Keyboards
  • Greg Spero Record Label Owner
  • Yilian Cañizares Classical Music
  • Susan Rogers Sound Engineer
  • Janine Jansen Netherlands
  • Harvey G. Cohen Writer
  • Missy Mazolli New York City
  • Nabil Ayers Writer
  • Milton Primo Viola Machete
  • César Camargo Mariano Brazilian Jazz
  • Brian Cox Scotland
  • Shez Raja Composer
  • Errollyn Wallen Piano
  • Bruce Williams Composer
  • Robertinho Silva Rio de Janeiro
  • Alex Cuadros Author
  • Rick Beato Educator
  • Ray Angry Songwriter
  • João Jorge Rodrigues Presidente de Bloco Afro
  • Meddy Gerville Piano
  • Brian Blade Drums
  • Guto Wirtti Rio de Janeiro
  • Jocelyn Ramirez Online Cooking Classes
  • Tatiana Campêlo Bahia
  • Casey Benjamin DJ
  • Alan Williams Sculptor
  • Adriene Cruz Quilts
  • Jeff Coffin Author
  • Shoshana Zuboff Author
  • Dan Trueman New Instrument Creator
  • Carlos Aguirre Composer
  • Eric Alexander Composer
  • David Sánchez Ropeadope
  • Lilli Lewis Folk Rock
  • Pedro Aznar Poet
  • Loli Molina Piano
  • Joe Lovano Clarinet
  • Ben Hazleton Composer
  • Tatiana Campêlo Afro-Brazilian Dance Instruction
  • Jam no MAM Jazz Brasileiro, Brazilian Jazz
  • Abhijith P. S. Nair Indian Classical Music
  • Şener Özmen Writer
  • Jeff Coffin Vanderbilt University Blair School of Music Faculty
  • David Bruce Opera
  • Jon Lindsay Music Director
  • Maciel Salú Singer
  • Tomo Fujita Songwriter
  • Jocelyn Ramirez Chef
  • Harish Raghavan Educator
  • João Parahyba Songwriter
  • Deesha Philyaw Short Stories
  • Terell Stafford Classical Music
  • Marilda Santanna Brasil, Brazil
  • Choronas Maxixe
  • Mohini Dey Mumbai
  • Elisa Goritzki Bahia
  • Giovanni Russonello Journalist
  • Tia Fuller Jazz
  • Nelson Ayres Piano
  • Aubrey Johnson Queens College Faculty
  • Safy-Hallan Farah Magazine Publisher
  • Elio Villafranca Juilliard Faculty
  • Plamen Karadonev Accordion
  • Ariel Reich Dance for PD®
  • Grégoire Maret Harmonica
  • Hercules Gomes São Paulo
  • Gabriel Grossi Brazilian Jazz
  • Gilad Hekselman Guitar
  • Brandee Younger Classical Music
  • Nikole Hannah -Jones Journalist
  • Mokhtar Samba Percussion
  • Carlos Prazeres Sinfônica de Campinas
  • Giveton Gelin Jazz
  • Darius Mans Economist
  • Arturo Sandoval Timbales
  • Wayne Krantz Guitar
  • Marc Ribot Brooklyn, NY
  • Milford Graves Percussion
  • Yacouba Sissoko Griot
  • Plamen Karadonev Jazz
  • Ivan Bastos MPB
  • David Binney New York City
  • Susana Baca Singer-Songwriter
  • Alan Bishop Singer-Songwriter
  • Greg Kurstin Jazz
  • Cathal McNaughton Photographer
  • Sandro Albert Record Producer
  • Michael W. Twitty Food Writer
  • Aubrey Johnson Brazilian Music
  • Dale Barlow New York City
  • Tray Chaney Author
  • Irmandade da Boa Morte Cachoeira
  • John Waters Playwright
  • Rogê Samba
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