Peter Dasent via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...
- Steps from Peter Dasent:
I'LL TAKE YOU THERE! ▶
'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!
I'LL TAKE YOU THERE! ▶
- Steps forward by: The Matrix
Who I Am & Where I Live
- Name: Peter Dasent
- City: Sydney
- Country: Australia
My Life & Work
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Bio:
PETER DASENT is a composer, songwriter, pianist and music arranger/director.
He has composed music for film and television (including three early Peter Jackson films), led his own ensemble The Umbrellas for 30 years, written songs for kids (Justine Clarke’s platinum-selling children’s albums) and has played piano for the long-running ABC-TV children’s show Play School since 2000.
Peter was born in Wellington, New Zealand in 1954 and learned piano from age 8, discovering the Beatles and other classic sixties pop groups and the music of his father’s collection of jazz 78’s along the way.
1970s
He studied music briefly at Victoria University of Wellington and was a founder member of the bands Spats (1977-79) and The Crocodiles (1980). Two other members of these bands, Tony Backhouse and Fane Flaws, were to become long-time friends and musical collaborators, along with lyricist Arthur Baysting.
1980s
In 1981 Peter moved to Sydney, where he studied for the Associate Diploma in Jazz Studies at the NSW Conservatorium of Music . Encouraged by then course director Don Burrows, Peter formed The Umbrellas in 1985. The band released three albums between 1986 and 1991, and from 1992-2002 toured for the Musica Viva In Schools program, performing throughout NSW and on tours to Fiji and Singapore.
Peter began his screen composition career in 1989 with Peter Jackson’s second film, the Muppets send-up splatter epic Meet The Feebles. He subsequently scored two more Peter Jackson films, Braindead (aka Dead Alive outside Australasia) and the Oscar-nominated Heavenly Creatures.
1990s
During the 90s Peter was in demand as a composer for television, concentrating mainly on documentaries and children’s drama.
2000 to present
His involvement in children’s music began in 2000 with The Underwatermelon Man, a book of absurd poems by Fane Flaws and Arthur Baysting, illustrated by Fane, and set to music by Fane and Peter for an accompanying CD. Singers included Neil and Tim Finn, Renee Geyer, Don McGlashan, Bic Runga, Dave Dobbyn and Jenny Morris.
In 2000 Peter was asked to fill in as pianist on ABC-TV’s PlaySchool, and he has been the regular PlaySchool pianist ever since, writing numerous original songs and producing 3 CDs. In 2005 he produced the first of PlaySchool presenter Justine Clarke’s 3 best selling CDs “I Like To Sing”, and a fourth album, Pyjama Jam, was released in October 2015. Nearly all the songs on these albums were written by Peter with Arthur Baysting.
In 2003 Peter was awarded a Churchill Fellowship to research his long-time interest in the music Italian composer Nino Rota wrote for the films of Federico Fellini. He travelled to the US to meet the composer's daughter and to Italy where he was given access to the Rota archive at the Fondazione Cini in Venice.
He lectures regularly on Rota's Fellini scores at AFTRS in Sydney.
In 2013 Peter recorded a CD of original music for solo piano at the legendary Abbey Road Studio in London. “Songs For Solo Piano” was released on November 6 2015.
In 2015 The Umbrellas released their first album of original music in 20 years "Lounge Suite Tango", and in 2016 "Bravo Nino Rota" was re-released with a new cover and booklet.
In 2017 Blessed Relief, Peter's long-awaited collaboration with Tony Backhouse released their first album "Design For Living".
In 2018 Peter is touring Europe for the first time, playing solo piano concerts in Italy and Germany.
Contact Information
- Email: peterdasent@mac.com
- Contact by Webpage: http://www.peterdasent.com/contact/
My Media & Markets
- ▶ Twitter: peterdasent
- ▶ Instagram: peterdasent
- ▶ Website: http://www.peterdasent.com
- ▶ YouTube Channel: http://www.youtube.com/user/peterdasent
- ▶ YouTube Music: http://music.youtube.com/channel/UCBffv4sOU-qzR87AKeWJybw
- ▶ Spotify: http://open.spotify.com/album/3WDhbU9Z3F1liLeYqBS0HJ
More
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Quotes, Notes & Etc.
Armchair Records is the label set up by Peter Dasent to release his own music.
The latest release, in August 2016, is actually a re-release of "Bravo Nino Rota" (ARM02), the CD recorded in 2001 of Peter's arrangements of Italian composer Nino Rota's scores for the films of Fererico Felini. The album includes such classics as La Strada, La Dolce Vita and Amarcord. The new 2016 version of the album includes a revised booklet with beautiful artwork from Fane Flaws.
The first Armchair Records release, in May 2015, was "Lounge Suite Tango" (ARM01) by The Umbrellas. Then Peter's solo piano album, recorded at Abbey Road, "Songs for Solo Piano" (ARM03) was released on November 6, 2015. Also on that date the first three Umbrellas albums, "The Umbrellas" (ARM04), "Age of ELegance", (ARM05), and "Soundtrack to the Passing Parade" (ARM06) were re-released - all 3 in digital form and "The Umbrellas" and "Soundtrack to the Passing Parade" on CD.
You can purchase any of these at your local red store (yes, they do exist and should be able to order it for you - if not please let me know) or head to HERE, Watefront Records, and find it on there. They are also available for digital download and previewing on iTunes.
The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...
... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.
All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!
IF YOU CAN'T STAND THE HEAT
Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.
But!
Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.
For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...
Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.
Raimundo Sodré, in a conversation ranging through New Orleans and Harlem and the South Side of Chicago ... and Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"
A pandeirista on the roof. And it's not just music. And it's not just Brazil.
