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  • Peter Dasent

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Peter Dasent
  • City/Place: Sydney
  • Country: Australia

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: PETER DASENT is a composer, songwriter, pianist and music arranger/director.

    He has composed music for film and television (including three early Peter Jackson films), led his own ensemble The Umbrellas for 30 years, written songs for kids (Justine Clarke’s platinum-selling children’s albums) and has played piano for the long-running ABC-TV children’s show Play School since 2000.

    Peter was born in Wellington, New Zealand in 1954 and learned piano from age 8, discovering the Beatles and other classic sixties pop groups and the music of his father’s collection of jazz 78’s along the way.

    1970s

    He studied music briefly at Victoria University of Wellington and was a founder member of the bands Spats (1977-79) and The Crocodiles (1980). Two other members of these bands, Tony Backhouse and Fane Flaws, were to become long-time friends and musical collaborators, along with lyricist Arthur Baysting.

    1980s

    In 1981 Peter moved to Sydney, where he studied for the Associate Diploma in Jazz Studies at the NSW Conservatorium of Music . Encouraged by then course director Don Burrows, Peter formed The Umbrellas in 1985. The band released three albums between 1986 and 1991, and from 1992-2002 toured for the Musica Viva In Schools program, performing throughout NSW and on tours to Fiji and Singapore.

    Peter began his screen composition career in 1989 with Peter Jackson’s second film, the Muppets send-up splatter epic Meet The Feebles. He subsequently scored two more Peter Jackson films, Braindead (aka Dead Alive outside Australasia) and the Oscar-nominated Heavenly Creatures.

    1990s

    During the 90s Peter was in demand as a composer for television, concentrating mainly on documentaries and children’s drama.

    2000 to present

    His involvement in children’s music began in 2000 with The Underwatermelon Man, a book of absurd poems by Fane Flaws and Arthur Baysting, illustrated by Fane, and set to music by Fane and Peter for an accompanying CD. Singers included Neil and Tim Finn, Renee Geyer, Don McGlashan, Bic Runga, Dave Dobbyn and Jenny Morris.

    In 2000 Peter was asked to fill in as pianist on ABC-TV’s PlaySchool, and he has been the regular PlaySchool pianist ever since, writing numerous original songs and producing 3 CDs. In 2005 he produced the first of PlaySchool presenter Justine Clarke’s 3 best selling CDs “I Like To Sing”, and a fourth album, Pyjama Jam, was released in October 2015. Nearly all the songs on these albums were written by Peter with Arthur Baysting.

    In 2003 Peter was awarded a Churchill Fellowship to research his long-time interest in the music Italian composer Nino Rota wrote for the films of Federico Fellini. He travelled to the US to meet the composer's daughter and to Italy where he was given access to the Rota archive at the Fondazione Cini in Venice.

    He lectures regularly on Rota's Fellini scores at AFTRS in Sydney.

    In 2013 Peter recorded a CD of original music for solo piano at the legendary Abbey Road Studio in London. “Songs For Solo Piano” was released on November 6 2015.

    In 2015 The Umbrellas released their first album of original music in 20 years "Lounge Suite Tango", and in 2016 "Bravo Nino Rota" was re-released with a new cover and booklet.

    In 2017 Blessed Relief, Peter's long-awaited collaboration with Tony Backhouse released their first album "Design For Living".

    In 2018 Peter is touring Europe for the first time, playing solo piano concerts in Italy and Germany.

Contact Information

  • Email: [email protected]
  • Contact by Webpage: http://www.peterdasent.com/contact/

Media | Markets

  • ▶ Twitter: peterdasent
  • ▶ Instagram: peterdasent
  • ▶ Website: http://www.peterdasent.com
  • ▶ YouTube Channel: http://www.youtube.com/user/peterdasent
  • ▶ YouTube Music: http://music.youtube.com/channel/UCBffv4sOU-qzR87AKeWJybw
  • ▶ Spotify: http://open.spotify.com/album/3WDhbU9Z3F1liLeYqBS0HJ

More

  • Quotes, Notes & Etc. Armchair Records is the label set up by Peter Dasent to release his own music.

    The latest release, in August 2016, is actually a re-release of "Bravo Nino Rota" (ARM02), the CD recorded in 2001 of Peter's arrangements of Italian composer Nino Rota's scores for the films of Fererico Felini. The album includes such classics as La Strada, La Dolce Vita and Amarcord. The new 2016 version of the album includes a revised booklet with beautiful artwork from Fane Flaws.

    The first Armchair Records release, in May 2015, was "Lounge Suite Tango" (ARM01) by The Umbrellas. Then Peter's solo piano album, recorded at Abbey Road, "Songs for Solo Piano" (ARM03) was released on November 6, 2015. Also on that date the first three Umbrellas albums, "The Umbrellas" (ARM04), "Age of ELegance", (ARM05), and "Soundtrack to the Passing Parade" (ARM06) were re-released - all 3 in digital form and "The Umbrellas" and "Soundtrack to the Passing Parade" on CD.

    You can purchase any of these at your local red store (yes, they do exist and should be able to order it for you - if not please let me know) or head to HERE, Watefront Records, and find it on there. They are also available for digital download and previewing on iTunes.

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    By Peter Dasent
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Peter Dasent Curated

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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Walter Pinheiro Brazilian Jazz
  • Martin Hayes County Clare
  • Nelson Ayres Arranger
  • Elio Villafranca Jazz
  • Roberto Mendes Singer-Songwriter
  • Renato Braz São Paulo
  • Chris Dingman Multi-Cultural
  • Andra Day Los Angeles
  • Tom Schnabel DJ
  • Janine Jansen Classical Music
  • Daniel Jobim Rio de Janeiro
  • Patricia Janečková Opera
  • Mario Caldato Jr. Keyboards
  • Antonio García Trombone
  • Yelaine Rodriguez Bronx, NY
  • Choronas Maxixe
  • Renato Braz Brazil
  • Rick Beato Multi-Instrumentalist
  • Alex Mesquita Federal University of Bahia Faculty
  • Deesha Philyaw Essayist
  • David Ngwerume Zimbabwe
  • David Fiuczynski Guitar
  • Jonathan Finlayson Composer
  • David Bragger UCLA Herb Alpert School of Music Faculty
  • João Luiz Guitar
  • Veronica Swift Composer
  • Brian Q. Torff Composer
  • Jimmy Dludlu Composer
  • Ben Hazleton Double Bass
  • Terry Hunter House Music
  • Reena Esmail Hindustani Classical Music
  • Léo Rodrigues Choro
  • Jason Marsalis Drums
  • Biréli Lagrène Composer
  • Evgeny Kissin Contemporary Classical Music
  • Zé Luíz Nascimento Multi-Cultural
  • Doug Wamble Guitar
  • Seu Regi de Itapuã Samba de Roda
  • Mestre Nelito Chula
  • PATRICKTOR4 Produtor Musical, Music Producer
  • Brandee Younger Harp
  • João Luiz Hunter College Faculty
  • Tray Chaney Record Producer
  • Sharita Towne Stereo Photography
  • Carlinhos Brown Salvador
  • Mônica Salmaso Brazil
  • Oded Lev-Ari Composer
  • Eamonn Flynn Piano
  • Asa Branca Federal University of Bahia Faculty
  • Adriene Cruz Quilts
  • Chris McQueen Video Producer
  • Sunna Gunnlaugs Iceland
  • Samuca do Acordeon Accordion
  • Jim Hoke Composer
  • Catherine Russell New York City
  • César Camargo Mariano MPB
  • Logan Richardson New York City
  • Joe Fiedler Jazz
  • 9Bach Multi-Cultural
  • Kalani Pe'a Hawaiian Music
  • Yilian Cañizares Cuba
  • Fábio Luna Percussão, Percussion
  • Nabih Bulos Los Angeles
  • Adam Shatz Cultural Critic
  • Gilson Peranzzetta Piano
  • Barlavento Brazil
  • Arany Santana Ativista do Movimento Negro, Black Power Movement Activist
  • Bill Pearis Music Critic
  • Sheryl Bailey New York City
  • Béco Dranoff New York City
  • Pedro Martins Choro
  • Cinho Damatta Cantor-Compositor, Singer-Songwriter
  • Patrice Quinn Singer
  • Henrique Cazes Brazil
  • Steven Isserlis Writer
  • Casa PretaHub Cachoeira Estúdio de Fotografía, Photography Studio
  • Jeff Tweedy Multi-Instrumentalist
  • Chucho Valdés Afro-Cuban Jazz
  • Ed O'Brien Singer-Songwriter
  • Eric Bogle Australia
  • Keshav Batish Tabla
  • Robertinho Silva Rio de Janeiro
  • Elif Şafak Turkey
  • David Ritz Lyricist
  • William Parker Essayist
  • Sam Eastmond Multi-Cultural
  • William Parker Bass
  • Miroslav Tadić Composer
  • Brian Stoltz Singer
  • Fernando Brandão Berklee College of Music Faculty
  • Andrew Dickson London
  • Leonardo Mendes São Paulo
  • Danilo Brito Bandolim
  • Yuja Wang Piano
  • Elie Afif Composer
  • Antônio Queiroz Repente
  • Nádia Taquary Escultura, Sculptor
  • Paul Mahern Bloomington, Indiana
  • Adriano Souza Samba
  • Lívia Mattos Brazil
  • Mariene de Castro Samba de Roda
  • Darrell Green Composer
  • NEOJIBA Musica Brasileira, Brazilian Music
  • Ariane Astrid Atodji Cameroon
  • Deesha Philyaw Public Speaker
  • Logan Richardson Kansas City, Missouri
  • Tom Schnabel Music Salon
  • Arthur Verocai Arranger
  • Terri Hinte Jazz Publicist
  • Mauro Senise Choro
  • Giba Conceição Candomblé
  • Jared Sims Composer
  • Barbara Paris Austin, Texas
  • Alex Rawls Music, Culture Website Owner, Editor
  • Kurt Andersen Screenwriter
  • Onisajé Dramaturga, Playwright
  • Jupiter Bokondji Singer-Songwriter
  • Kenyon Dixon Singer-Songwriter
  • NEOJIBA Música Clássica, Classical Music
  • Teodor Currentzis Classical Music
  • Trombone Shorty Songwriter
  • Juca Ferreira Bahia
  • Bob Reynolds Composer
  • Dezron Douglas Bass
  • Musa Okwonga Football Journalist
  • Elio Villafranca Manhattan School of Music Faculty
  • Paddy Groenland Jazz
  • Kiko Souza Flauta, Flute
  • Marcus Miller R&B
  • Guto Wirtti Samba
  • Fatoumata Diawara African Music
  • Tiganá Santana Poeta, Poet
  • Liam Farrell 'Dr L' Composer
  • Pharoah Sanders Composer
  • Matt Garrison Record Producer
  • Tony Austin Sound Designer
  • Christian Sands Composer
  • Renata Flores Peru
  • Tiganá Santana Salvador
  • Ethan Iverson Jazz
  • Wynton Marsalis New Orleans
  • Nooriyah نوريّة Arabic Music
  • Keyon Harrold Singer
  • THE ROOM Shibuya Soul
  • Maurício Massunaga Compositor, Composer
  • Simon McKerrell Glasgow Caledonian University Staff
  • Wayne Escoffery Yale Faculty
  • Bobby Sanabria Composer
  • Jennifer Koh Classical Music
  • Chico César Paraíba
  • Alain Pérez Singer
  • Ryuichi Sakamoto Electronic Music
  • Nooriyah نوريّة Radio Presenter
  • Alexia Arthurs Short Stories
  • Léo Brasileiro Guitarra, Guitar
  • Willy Schwarz Jewish Music
  • Huey Morgan BBC
  • Rumaan Alam Essayist
  • Alicia Keys Actor
  • Camille Thurman Jazz
  • Juca Ferreira Brasil, Brazil
  • Anissa Senoussi London
  • Robin Eubanks Trombone
  • David Simon Television Writer
  • Renata Flores Quechua
  • Grant Rindner Writer
  • Natalia Contesse Singer-Songwriter
  • Mohini Dey Indian Fusion
  • Danilo Brito São Paulo
  • Logan Richardson Jazz
  • Tal Wilkenfeld Jazz
  • Geraldo Azevedo Frevo
  • Dwandalyn Reece Singer
  • Mohamed Diab Cairo
  • Romulo Fróes Samba
  • Afrocidade Rap
  • Turtle Island Quartet Jazz
  • Larissa Fulana de Tal Cineasta, Filmmaker
  • Melissa Aldana New York City
  • Serginho Meriti Singer
  • Mario Ulloa Salvador
  • Martyn DJ
  • Congahead World Music
  • Léo Rugero Accordion
  • Marcelinho Oliveira Brazil
  • Tia Surica Brazil
  • Munyungo Jackson Composer
  • Rissi Palmer Americana
  • Scotty Apex Record Producer
  • Tarus Mateen New York City
  • Lynn Nottage Pulitzer Prize
  • David Simon Television Producer
  • Arto Tunçboyacıyan Jazz
  • Matthew F Fisher Collaborative Artist
  • Aindrias de Staic Fiddle
  • Cláudia Leitão Fortaleza
  • Tatiana Eva-Marie Manouche
  • Gabriel Grossi Rio de Janeiro
  • Chris Potter Composer
  • João Camarero Composer
  • Ambrose Akinmusire Composer
  • Yasushi Nakamura Bass
  • Sierra Hull Bluegrass
  • Guto Wirtti Bass
  • Léo Brasileiro Brasil, Brazil
  • Rebeca Omordia Piano
  • Anat Cohen Brazilian Music
  • Harish Raghavan Jazz
  • Shannon Alvis Chicago
  • Louis Marks Record Label Owner
  • David Simon Journalist
  • Chico Buarque Samba
  • Catherine Bent Cello Instruction
  • Jimmy Duck Holmes Mississippi
  • Luciana Souza Bossa Nova
  • Marc Ribot Punk
  • David Fiuczynski Composer
  • Sarz Contemporary R&B
  • Piti Canella Gestor Público, Public Servant
  • Rodrigo Amarante Singer-Songwriter
  • Vanessa Moreno MPB
  • Aditya Prakash Multi-Cultural
  • Sunna Gunnlaugs Reykjavik
  • Astrig Akseralian Ceramic Artist
  • Rosa Cedrón Cello
  • Geraldo Azevedo Música Nordestina
  • Bruce Molsky Old-Time Music
  • Bob Mintzer Jazz
  • The Rheingans Sisters England
  • Jurandir Santana Guitar
  • Amitava Kumar Vassar College Faculty
  • Nego Álvaro Brazil
  • Logan Richardson Classical Music
  • Juçara Marçal Brazil
  • Chris Speed Composer
  • Scotty Apex Singer
  • Sérgio Pererê Brazil
  • Ricardo Herz MPB
  • Capinam Poeta, Poet
  • Jeff Preiss Director
  • Alan Williams Furniture
  • Capinam Bahia
  • Carlos Prazeres Oboé, Oboe
  • Michael League Bandleader
  • James Gadson Blues
  • Rodrigo Amarante Rock
  • Matt Glaser Jazz
  • Walter Smith III Jazz
  • Cale Glendening Film Director
  • H.L. Thompson Rio de Janeiro
  • Fred P Electronic Music
  • Miles Okazaki University of Michigan Faculty
  • Hopkinson Smith Schola Cantorum Basiliensis Faculty
  • Steve Earle Country
  • Isaac Butler Actor
  • Fred Dantas Euphonium
  • The Weeknd Actor
  • Archie Shepp Paris, France
  • Júlio Caldas Guitarra Baiana
  • Woz Kaly Singer-Songwriter
  • Steve Coleman Saxophone
  • Román Díaz Cuba
  • Bob Reynolds Saxophone Instruction
  • Tatiana Campêlo Afro-Brazilian Dance Instruction
  • The Rheingans Sisters Folk & Traditional
  • Sam Yahel New York City
  • Elza Soares Brazil
  • Ivan Huol Brazil
  • Terri Hinte Music Writer
  • Donald Vega Jazz
  • Mauro Senise Brazil
  • Jimmy Cliff Rocksteady
  • Steve Abbott Music Producer
  • Zeca Baleiro Maranhão
  • Michael Formanek Bandleader
  • Alexa Tarantino Jazz at Lincoln Center Faculty
  • Cedric Watson Accordion
  • Gab Ferruz Bahia
  • Tom Zé Bahia
  • Isaac Julien London
  • Msaki Record Label Owner
  • Camilla A. Hawthorne Writer
  • Missy Mazolli New York City
  • Yoron Israel Composer
  • Bright Red Dog Improvising Collective
  • Jared Jackson Columbia Faculty
  • Oriente Lopez Director de Musica, Music Director
  • Tommaso Zillio YouTuber
  • Marisa Monte Brazil
  • Rob Garland Musicians Institute College of Contemporary Music Faculty
  • Turtle Island Quartet Multi-Cultural
  • Brandon Coleman Composer
  • Ruven Afanador Colombia
  • Stanton Moore Drums
  • Rodrigo Amarante Multi-Instrumentalist
  • Tom Green Glasgow
  • Welson Tremura University of Florida Faculty
  • Rissi Palmer Singer-Songwriter
  • Doug Wamble New York City
  • Lorna Simpson Photographer
  • Nelson Cerqueira Academia de Letras da Bahia, Bahian Academy of Letters
  • Rory Marx Anderson Australia
  • Joshue Ashby Composer
  • Shannon Ali Writer
  • Dave Douglas Festival Director
  • Nádia Taquary Brasil, Brazil
  • Marko Djordjevic Jazz
  • Issa Malluf Middle Eastern Percussion
  • Chris Boardman Film Scores
  • Sam Reider Composer
  • Lívia Mattos Bahia
  • Alegre Corrêa Brazilian Jazz
  • Ajeum da Diáspora Afro-Bahian Cuisine
  • Joshue Ashby Afro-Caribbean Music
  • Brigit Katz Journalist
  • Jon Batiste Funk
  • Jake Oleson Brooklyn, NY
  • Dee Spencer Musical Director
  • Conrad Herwig Afro-Caribbean Jazz
  • Paolo Fresu Composer
  • Jubu Smith Blues
  • Jam no MAM Local de Música ao Vivo, Live Music Venue
  • Papa Mali Funk
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