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  • Carlinhos 7 Cordas

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE/pathways out

Network Node

  • Name: Carlinhos 7 Cordas
  • City/Place: Rio de Janeiro
  • Country: Brazil

CURATION

  • from this node by: Criador acima/Creator above

Life & Work

  • Bio: Carlos Moraes dos Santos was flying a kite with a friend one day when they found a broken guitar in the street. Carlinhos took it home, and when he woke up the next day to find it had been thrown away he made such an uproar that another guitar was bought for him.

    The rest is history.

Media | Markets

  • ▶ Instagram: carlinhos7cordas
  • ▶ YouTube Channel: http://www.youtube.com/channel/UC-gMNNdrH2SE5KRfvrrxnmw
  • ▶ Spotify: http://open.spotify.com/playlist/0iJh9ckFFAEe2SD3DD5SYJ

Clips (more may be added)

  • Quilombo com Rafael Caçula e Carlinhos 7 cordas
    By Carlinhos 7 Cordas
    602 views
Previous
Next

Carlinhos 7 Cordas Curated
pathways in

  • 2 Brazil
  • 2 Guitar
  • 2 Rio de Janeiro
  • 2 Samba
  • 2 Violão de Sete

What's Been Happening?

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  • Carlinhos 7 Cordas
    Paulinho da Viola → Choro has been recommended via Carlinhos 7 Cordas.
    • April 30, 2020
  • Carlinhos 7 Cordas
    Paulinho da Viola → Singer-Songwriter has been recommended via Carlinhos 7 Cordas.
    • July 29, 2019
  • Carlinhos 7 Cordas
    Paulinho da Viola → Samba has been recommended via Carlinhos 7 Cordas.
    • July 29, 2019
  • Carlinhos 7 Cordas
    Paulinho da Viola → Rio de Janeiro has been recommended via Carlinhos 7 Cordas.
    • July 29, 2019
  • Carlinhos 7 Cordas
    Paulinho da Viola → Brasil, Brazil has been recommended via Carlinhos 7 Cordas.
    • July 29, 2019
  • Carlinhos 7 Cordas
    Nelson Sargento → Singer-Songwriter has been recommended via Carlinhos 7 Cordas.
    • July 29, 2019
  • Carlinhos 7 Cordas
    Nelson Sargento → Samba has been recommended via Carlinhos 7 Cordas.
    • July 29, 2019
  • Carlinhos 7 Cordas
    Nelson Sargento → Rio de Janeiro has been recommended via Carlinhos 7 Cordas.
    • July 29, 2019
  • Carlinhos 7 Cordas
    Nelson Sargento → Brazil has been recommended via Carlinhos 7 Cordas.
    • July 29, 2019
  • Carlinhos 7 Cordas
    A video was posted re Carlinhos 7 Cordas:
    Quilombo com Rafael Caçula e Carlinhos 7 cordas
    • March 31, 2019
  • Carlinhos 7 Cordas
    A category was added to Carlinhos 7 Cordas:
    Brazil
    • March 31, 2019
  • Carlinhos 7 Cordas
    A category was added to Carlinhos 7 Cordas:
    Rio de Janeiro
    • March 31, 2019
  • Carlinhos 7 Cordas
    A category was added to Carlinhos 7 Cordas:
    Samba
    • March 31, 2019
  • Carlinhos 7 Cordas
    A category was added to Carlinhos 7 Cordas:
    Violão de Sete
    • March 31, 2019
  • Carlinhos 7 Cordas
    A category was added to Carlinhos 7 Cordas:
    Guitar
    • March 31, 2019
  • Carlinhos 7 Cordas
    Carlinhos 7 Cordas is matrixed!
    • March 31, 2019
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  • ENGLISH (pra Portuguese →)
  • PORTUGUÊS (to English →)

ENGLISH (pra Portuguese →)

 


João do Boi, first into the Matrix. João had something priceless to offer the world.
✅—João do Boi
✅—Pardal/Sparrow

 

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers

Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

PATHWAYS
from Brazil, with love
THE MISSION: Beginning with the atavistic genius of the Recôncavo (per the bottom of this section) & the great sertão (the backlands of Brazil's nordeste) — make artists across Brazil — and around the world — discoverable as they never were before.

HOW: Integrate them into a vast matrixed ecosystem together with musicians, writers, filmmakers, painters, choreographers, fashion designers, educators, chefs et al from all over the planet (are you in this ecosystem?) such that these artists all tend to be connected to each other via short, discoverable, accessible pathways. Q.E.D.

"Matrixado! Laroyê!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil


The matrix was created in Salvador's Centro Histórico, where Bule Bule below, among first-generation matrixed colleagues, sings "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: Open curation beginning with Brazilian musicians recommending other Brazilian musicians and moving on around the globe...

Where by the seemingly magical mathematics of the small world phenomenon, and in the same way that most human beings are within some six or so steps of most others, all in the matrix tend to proximity to all others...

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park Recording Studio
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington



Bahia is a hot cauldron of rhythms and musical styles, but one particular style here is so utterly essential, so utterly fundamental not only to Bahian music specifically but to Brazilian music in general — occupying a place here analogous to that of the blues in the United States — that it deserves singling out. It is derived from (or some say brother to) the cabila rhythm of candomblé angola… …and it is called…

Samba Chula / Samba de Roda

Mother of Samba… daughter of destiny carried to Bahia by Bantus ensconced within the holds of negreiros entering the great Bahia de Todos os Santos (the term referring both to a dance and to the style of music which evolved to accompany that dance; the official orthography of “Bahia” — in the sense of “bay” — has since been changed to “Baía”)… evolved on the sugarcane plantations of the Recôncavo (that fertile area around the bay, the concave shape of which gave rise to the region’s name) — in the vicinity of towns like Cachoeira and Santo Amaro, Santiago do Iguape and Acupe. This proto-samba has unfortunately fallen into the wayside of hard to find and hear…

There’s a lot of spectacle in Bahia…

Carnival with its trio elétricos — sound-trucks with musicians on top — looking like interstellar semi-trailers back from the future…shows of MPB (música popular brasileira) in Salvador’s Teatro Castro Alves (biggest stage in South America!) with full production value, the audience seated (as always in modern theaters) like Easter Island statues…

…glamour, glitz, money, power and press agents…

And then there’s where it all came from…the far side of the bay, a land of subsistence farmers and fishermen, many of the older people unable to read or write…their sambas the precursor to all this, without which none of the above would exist, their melodies — when not created by themselves — the inventions of people like them but now forgotten (as most of these people will be within a couple of generations or so of their passing), their rhythms a constant state of inconstancy and flux, played in a manner unlike (most) any group of musicians north of the Tropic of Cancer…making the metronome-like sledgehammering of the Hit Parade of the past several decades almost wincefully painful to listen to after one’s ears have become accustomed to evershifting rhythms played like the aurora borealis looks…

So there’s the spectacle, and there’s the spectacular, and more often than not the latter is found far afield from the former, among the poor folk in the villages and the backlands, the humble and the honest, people who can say more (like an old delta bluesman playing a beat-up guitar on a sagging back porch) with a pandeiro (Brazilian tambourine) and a chula (a shouted/sung “folksong”) than most with whatever technology and support money can buy. The heart of this matter, is out there. If you ask me anyway.

Above, the incomparable João do Boi, chuleiro, recently deceased.

 

 

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin.

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — the hand drum in the opening scene above — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Nowhere else but here. Brazil itself is a matrix.

 

PORTUGUÊS (to English →)

 


João do Boi, primeiro no Matrix. João tinha algo inestimável a oferecer ao mundo.
✅—João do Boi
✅—Pardal

 

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers

Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: Soa assim: O que a música que você ama diz sobre você

CAMINHOS
do Brasil, com amor
A MISSÃO: Começando com a atávica genialidade do Recôncavo (conforme o final desta seção) e do grande sertão — tornar artistas através do Brasil — e ao redor do mundo — descobriveis como nunca foram antes.

COMO: Integrá-los num vasto ecosistema matrixado, juntos com músicos, escritores, cineastas, pintores, coreógrafos, designers de moda, educadores, chefs e outros de todos os lugares (você está neste ecosistema?) de modo que todos esses artistas tendem a estar ligados entre si por caminhos curtos, descobriveis e acessíveis. Q.E.D.

"Matrixado! Laroyê!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil


O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule no clipe, entre colegas da primeira geração no matrix, canta "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim, algo novo sob o sol tropical: Curadoria aberta começando com músicos brasileiros recomendando outros músicos brasileiros e avançando ao redor do globo...

Onde pela matemática aparentemente mágica do fenômeno do mundo pequeno, e da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros, todos no matrix tendem a se aproximar de todos...

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil.

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park Estúdio de Gravação
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


A Bahia é um caldeirão quente de ritmos e estilos musicais, mas um estilo particular aqui é tão essencial, tão fundamental não só para a música baiana especificamente, mas para a música brasileira em geral - ocupando um lugar aqui análogo ao do blues nos Estados Unidos - que merece ser destacado. Ela deriva (ou alguns dizem irmão para) do ritmo cabila do candomblé angola... ...e é chamada de...

Samba Chula / Samba de Roda

Mãe do Samba... filha do destino carregada para a Bahia por Bantus ensconced dentro dos porões de negreiros entrando na grande Bahia de Todos os Santos (o termo refere-se tanto a uma dança quanto ao estilo de música que evoluiu para acompanhar essa dança; a ortografia oficial da "Bahia" - no sentido de "baía" - foi desde então alterada para "Baía")... evoluiu nas plantações de cana de açúcar do Recôncavo (aquela área fértil ao redor da baía, cuja forma côncava deu origem ao nome da região) - nas proximidades de cidades como Cachoeira e Santo Amaro, Santiago do Iguape e Acupe. Este proto-samba infelizmente caiu no caminho de difíceis de encontrar e ouvir...

Há muito espetáculo na Bahia...

Carnaval com seu trio elétrico - caminhões sonoros com músicos no topo - parecendo semi-reboques interestelares de volta do futuro...shows de MPB (música popular brasileira) no Teatro Castro Alves de Salvador (maior palco da América do Sul!) com total valor de produção, o público sentado (como sempre nos teatros modernos) como estátuas da Ilha de Páscoa...

...glamour, glitz, dinheiro, poder e publicitários...

E depois há de onde tudo isso veio... do outro lado da baía, uma terra de agricultores e pescadores de subsistência, muitos dos mais velhos incapazes de ler ou escrever... seus sambas precursores de tudo isso, sem os quais nenhuma das anteriores existiria, suas melodias - quando não criadas por eles mesmos - as invenções de pessoas como eles, mas agora esquecidas (pois a maioria dessas pessoas estará dentro de um par de gerações ou mais), seus ritmos um constante estado de inconstância e fluxo, tocados de uma forma diferente (a maioria) de qualquer grupo de músicos do norte do Trópico de Câncer... fazendo com que o martelo de forja do Hit Parade das últimas décadas seja quase que doloroso de ouvir depois que os ouvidos se acostumam a ritmos sempre mutáveis, tocados como a aurora boreal parece...

Portanto, há o espetáculo, e há o espetacular, e na maioria das vezes o último é encontrado longe do primeiro, entre o povo pobre das aldeias e do sertão, os humildes e os honestos, pessoas que podem dizer mais (como um velho bluesman delta tocando uma guitarra batida em um alpendre flácido) com um pandeiro (pandeiro brasileiro) e uma chula (um "folksong" gritado/cantado) do que a maioria com qualquer tecnologia e dinheiro de apoio que o dinheiro possa comprar. O coração deste assunto, está lá. Se você me perguntar de qualquer forma.

Acima, o incomparável João do Boi, chuleiro, recentemente falecido.

 

 

Por que Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem.

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 

Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Em nenhum outro lugar a não ser aqui. Brasil é um matrix mesmo.

 

  • Nancy Viégas Salvador
  • Kiko Loureiro Author
  • Eli Teplin Guitar
  • Meshell Ndegeocello Jazz, Funk, R&B, Soul, Hip-Hop, Reggae
  • Eder Muniz Brasil, Brazil
  • Cory Henry R&B
  • Ry Cooder Record Producer
  • Astrig Akseralian Cambridge, England
  • Larisa Wiegant Utrecht
  • Taylor Ashton Banjo
  • Ricardo Herz Brazil
  • Leela James Jazz
  • Tam-Ky France
  • Garth Cartwright Journalist
  • Bernardo Aguiar Brazil
  • Tommaso Zillio Canada
  • Muireann Nic Amhlaoibh Piano
  • Nancy Viégas Brasil, Brazil
  • Rissi Palmer Durham, North Carolina
  • Alexandre Vieira Brasil, Brazil
  • Nabihah Iqbal Electronic, Experimental, Alternative Music
  • Jorge Pita Brazil
  • Burhan Öçal Percussion
  • Theon Cross Composer
  • Corey Harris Reggae
  • Jean-Paul Bourelly Multi-Cultural
  • Seu Jorge Brazil
  • Giorgi Mikadze გიორგი მიქაძე Jazz
  • Brett Kern Ceramic Artist
  • Gustavo Di Dalva Percussion
  • Kimberlé Crenshaw Critical Race Theory
  • Gino Sorcinelli Journalist
  • Dermot Hussey Reggae
  • Rosângela Silvestre Choreographer
  • João Bosco Rio de Janeiro
  • Guga Stroeter Vibraphone
  • Renato Braz Singer
  • James Gadson Jazz
  • PATRICKTOR4 Produtor Musical, Music Producer
  • Gerônimo Santana Brazil
  • Eli Degibri אלי דג'יברי Tel Aviv
  • Yoruba Andabo Cuba
  • Michael Janisch Bass
  • Shabaka Hutchings Jazz
  • Jonathon Grasse Capoeira
  • The Umoza Music Project African Music
  • Giba Conceição Candomblé
  • Brandon J. Acker Classical Guitar
  • Zebrinha Brasil, Brazil
  • J. Period Brooklyn, NY
  • Abhijith P. S. Nair India
  • Sharay Reed Chicago
  • Germán Garmendia Los Angeles
  • Tambay Obenson Los Angeles
  • Keola Beamer Hawaii
  • Mingus Big Band Big Band
  • Steve Earle Country
  • Gabriel Grossi Composer
  • Avishai Cohen אבישי כה Multi-Cultural
  • Ron Miles Cornet
  • Corey Harris Blues
  • Keshav Batish Tabla
  • Daniel Jobim MPB
  • Fred Hersch Composer
  • Louis Michot Fiddle
  • Chris Dingman Jazz
  • Ben Hazleton London
  • Kaveh Rastegar Record Producer
  • James Carter Saxophone
  • James Martin Jazz
  • Kendrick Scott Composer
  • Arturo Sandoval Composer
  • Fábio Luna Brasil, Brazil
  • David Chesky Composer
  • André Brock African American Cyberculture
  • Edsel Gomez Jazz
  • Hank Roberts Cello
  • ANNA Berlin
  • Marcello Gonçalves Choro
  • Merima Ključo Sephardic Music
  • Varijashree Venugopal Bengaluru
  • Roots Manuva Dub
  • Emmet Cohen Composer
  • Judith Hill R&B
  • John McLaughlin Jazz Fusion
  • Jon Madof Multi-Cultural
  • Nicholas Payton Trumpet
  • David Mattingly Pratt Institute Faculty
  • Nêgah Santos Brazil
  • Keita Ogawa Drums
  • Djamila Ribeiro Filósofa, Philosopher
  • Fatoumata Diawara African Music
  • Vincent Valdez Printmaker
  • Nabih Bulos Foreign Correspondent
  • Evgeny Kissin Composer
  • Mateus Aleluia Bahia
  • Miguel Atwood-Ferguson Music Producer
  • Antonio Adolfo Escritor, Writer
  • Ibrahim Maalouf Classical Music
  • Thana Alexa Music Producer
  • Samuel Organ Keyboards
  • Carlos Prazeres Música Classica, Classical Music
  • Philip Cashian London
  • Jamberê Cerqueira Salvador
  • Missy Mazolli Classical Music
  • Warren Wolf Vibraphone
  • Safy-Hallan Farah Music Critic
  • Les Thompson Recording Studio Owner
  • André Vasconcellos São Paulo
  • Shanequa Gay Storyteller
  • Lucas Santtana Multi-Instrumentista
  • Aaron Goldberg Piano
  • Jason Treuting Composer
  • David Braid London
  • Paul McKenna Scottish Traditional Music
  • James Shapiro Writer
  • Michael League Multi-Cultural
  • Doug Wamble Guitar
  • Chris McQueen Austin, Texas
  • Bob Telson New York City
  • Shaun Martin Ropeadope
  • Teodor Currentzis Conductor
  • Shuya Okino Music Venue Owner
  • João Jorge Rodrigues Ativista Cultural, Cultural Activist
  • Celso Fonseca Brazil
  • Diego Figueiredo Samba
  • Ben Harper R&B
  • Eamonn Flynn Funk
  • Marcus Miller Jazz
  • Karim Ziad North African Music
  • Aperio Houston
  • Raymundo Sodré Salvador
  • Larry McCray Arkansas
  • Melanie Charles Brooklyn, NY
  • Frank Negrão Bass
  • Dezron Douglas NYU Steinhardt Faculty
  • Massimo Biolcati Brooklyn, NY
  • Dave Douglas New York City
  • Lina Lapelytė Composer
  • Richard Galliano Tango
  • Reuben Rogers Bass Instruction
  • Marcel Camargo Guitar
  • Lula Galvão Brasília
  • Brady Haran Video Journalist
  • Rebeca Omordia Piano
  • Alicia Hall Moran Opera
  • Amitava Kumar Journalist
  • Kermit Ruffins New Orleans
  • Parker Ighile Hip-Hop
  • Urânia Munzanzu Brasil, Brazil
  • Thiago Trad Percussão, Percussion
  • Herbie Hancock Keyboards
  • Lolis Eric Elie Filmmaker
  • Mike Compton Folk & Traditional
  • John Schaefer Radio Presenter
  • Marquis Hill African-American Music
  • André Becker Jazz Brasileiro, Brazilian Jazz
  • Alegre Corrêa Jazz
  • Giovanni Russonello New York City
  • Andrew Gilbert Roots Music
  • Luciano Matos Brasil, Brazil
  • Raynald Colom Spain
  • Logan Richardson Saxophone
  • Bebê Kramer Tango
  • Mika Mutti Record Producer
  • Jon Batiste Funk
  • Mark Markham New York City
  • Bebê Kramer Rio Grande do Sul
  • Meddy Gerville Singer
  • Rez Abbasi Microtonal
  • Chris Speed Avant-Garde Jazz
  • Donny McCaslin Jazz
  • Martín Sued Buenos Aires
  • D.D. Jackson Composer
  • Paulão 7 Cordas Guitar
  • Luke Daniels Melodeon
  • Sombrinha Guitar
  • Victor Wooten Record Label Owner
  • Nikole Hannah -Jones Journalist
  • Ivan Lins Singer-Songwriter
  • John Doyle Dublin
  • Alessandro Penezzi Brazil
  • Guillermo Klein Tango
  • Garth Cartwright Writer
  • Fabian Almazan Cuba
  • Edil Pacheco Singer
  • David Ritz Writer
  • Shemekia Copeland Gospel
  • Michel Camilo Classical Music
  • Ivo Perelman Jazz
  • Ari Rosenschein Seattle
  • Oriente Lopez Director de Musica, Music Director
  • Patty Kiss Guitarra Baiana
  • Donald Vega Piano
  • Ryuichi Sakamoto Film Scores
  • Aloísio Menezes Samba
  • Yacouba Sissoko Kora
  • Guto Wirtti Samba
  • Nicolas Krassik Composer
  • Kiko Loureiro Heavy Metal
  • Roosevelt Collier Pedal Steel Guitar
  • Berkun Oya Istanbul
  • Delbert Anderson Composer
  • Yunior Terry Jazz
  • Allen Morrison Writer
  • Meklit Hadero San Francisco
  • Jon Madof Educator
  • Negra Jhô AFROBIZ Salvador
  • Francisco Mela Drums
  • Andrew Gilbert Berkeley, California
  • Tiganá Santana Bahia
  • Dorothy Berry Folklorist
  • Ian Hubert Filmmaker
  • Sam Eastmond London
  • Stephanie Foden Toronto
  • Nahre Sol Piano
  • Walmir Lima Brazil
  • Greg Kurstin Reggae
  • Musa Okwonga Berlin
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