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THE MATRIX
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☄ Artists recommend artists who recommend artists who recommend artists — in a small world (so-called "six degrees") network...meaning ALL become potentially reachable by EVERYBODY from ANYWHERE on the planet in a limited number of steps. Total Access. A brave new matrixed world. Beginning  in Salvador, Bahia, Brazil.

I RECOMMEND

José Antonio Escobar...
  • 0 Barcelona
  • 0 Chile
  • 0 Classical Guitar
  • 0 Santiago de Chile
  • 0 Spain
  • RECOMMENDS 4 people/categories
  • ↳ outgoing recommendations by the matrix

Who I Am & Where I Live:

  • Name: José Antonio Escobar
  • City: Barcelona
  • Country: Spain

My Life

  • Biographical: José Antonio Escobar is one of the most distinguished and versatile classical guitar soloists of his generation. He is especially remarkable due to his perfect balance between his intense musical expression and his vast knowledge of the various musical styles and periods.

    He was born in Santiago de Chile, where he graduated with Top Honors after studying at the Conservatory of Music-University of Chile. Immediately after graduating, he continued to perfect his studies at the Hochschule für Musik in Augsburg, Germany. Under the influence of his first master, the lutenist Ernesto Quezada, he became deeply interested in original ancient instruments from the guitar family. This motivated him to round out his studies by attending Early Music courses and master classes with renowned specialists such as Hopkinson Smith, Eduardo Egüez, and Juan Carlos Rivera.

    While he is greatly interested in ancient music, he has always felt at home when interpreting 20th Century or contemporary music. This has led him to commission, premiere and record works by renowned composers as well as Chilean composers, in particular. He has also devoted some time to studying and interpreting music with popular and folk influences from Latin America. In this regard, he has worked in various projects both as a soloist and as part of Dúo Sudamericano, along with Javier Contreras, an outstanding Chilean composer and guitarist.

    Throughout a period encompassing almost 10 years, he obtained more than fifteen prizes in the most prestigious International Guitar Competitions today, such as Francisco Tárrega (Spain), Alessandria (Italy), Alhambra (Spain), Guitar Foundation of America (USA), Julian Arcas (Spain), Karl Sheit (Austria), among many others.

    As a soloist and chamber musician he has toured over 30 countries, covering almost all of Europe and the Americas, as well as some North African countries, the Near East, Asia and Oceania. He has also performed as a soloist with distinguished orchestras, namely Orquesta de Extremadura (Spain), Orchestra Filarmonica di Torino (Italy), St. Michel Strings (Finland), Hofer Symphoniker (Germany), and the Orquesta Sinfónica de Chile. He has also debuted in major concert halls such as the Brahms-Saal at the Vienna Musikverein, the Purcell Room at the Southbank Centre in London, the Herbst Theatre in San Francisco, Sala Cecilia Meireles in Rio de Janeiro, Teatro Monumental in Madrid, Teatro Teresa Carreño in Caracas, etc.

    He has completed several recordings under the NAXOS and RTVE labels, receiving excellent reviews from specialized media. He has also worked on several independent recordings both as an artist and producer. He is currently living in Spain, and he is constantly invited to not only perform at recitals but also share his expertise by giving master classes and lectures at major music festivals, courses, seminars and workshops in prestigious universities around Europe and the Americas.

My Media

  • Website: http://www.joseantonioescobar.cl

Listen on Spotify

  • Spotify: http://open.spotify.com/artist/1VrEMiFcSU18XOg9Q8Eqgl
  • Spotify 2: http://open.spotify.com/artist/43cOz8JvrYVUnfcZm8r48I

More

  • Quotes, Notes & Etc. 1st Prize at the HEITOR VILLA-LOBOS International Competition in Rio de Janeiro, Brazil, 1997.

    1st Prize at the ALIRIO DÍAZ International Guitar Competition in Caracas, Venezuela, 1998.

    1st Prize and Special Audience Prize at the prestigious FRANCISCO TÁRREGA International Guitar Competition in Benicàssim, Spain, 2000

    1st Prize at the STOTSENBERG International Guitar Competition (currently Parkening International Guitar Competition) in Malibu, California, USA, 2001

    1st Prize (2nd no awarded) at the JULIAN ARCAS International Guitar Competition in Almería, Spain, 2003

    1st Prize at the NORBA CAESARINA International Guitar Competition, Cáceres, Spain, 2005.

    2nd Prize – ALHAMBRA International Guitar Competition, Alcoy, Spain, 2002.

    2nd Prize – FORUM GUITAR WIEN International Guitar Competition, Vienna, Austria, 2002.

    2nd Prize – Concorso Internazionale di Chitarra Classica RUGGERO CHIESA, Camogli, Italy, 2004.

    3th Prize – GFA International Guitar Competition, La Jolla, California, USA, 1997.

    3th Prize – KARL SCHEIT International Guitar Competition, Vienna, Austria, 1998.

    3th Prize – Concorso Internazionale de Chitarra Classica MICHELE PITTALUGA, Alessandria, Italy, 2003.

Clips

  • A Tide of Living Water
    By José Antonio Escobar
    100 views
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THE MATRIX IS MUSICIAN / ARTIST RECOMMENDATIONS BY THE MOST POWERFUL, SOPHISTICATED & SUBTLE SOFTWARE YET DEVISED:

⇒ the minds of other artists

 

IT'S BASED IN BAHIA, GROUND ZERO FOR BRAZIL'S SUN-CARONA VIBRANT AFRO-BRAZILIAN CULTURE

⇒ ...rooted in a region called the Recôncavo, analogous in Brazil to the Mississippi Delta in the United States.

 

THE MATRIX REACHES FROM BRAZIL TO CUBA TO BROOKLYN TO BERLIN TO TOKYO TO TIMBUKTU

⇒ To wherever people want to take it...

 

IT IS THE NEXT-STEP EVOLUTION OF A SPECIALTY RECORD SHOP

⇒ ...opened in Salvador to showcase magisterial musicians almost completely unknown to the world...many of them living in poverty or close to it and unable to avail themselves of traditional (and costly) means of publicizing.

 

Matrix Headquarters

 

PRE-BRAZIL — IN NEW YORK CITY — WE "RESCUED" UNPAID ROYALTIES FOR PERFORMERS & COMPOSERS INCLUDING:

⇒ Aretha Franklin, Barbra Streisand, Led Zeppelin, Philip Glass, Mongo Santamaria, Airto Moreira, Gilberto Gil, Astrud Gilberto, Jim Hall, Taj Mahal, Robb Royer of Bread, Speedo & the Cadillacs, and many more! With Speedo's (Earl Carroll) amazing story (kid singing on the streetcorners of Harlem to doo-wop fame to working as a beloved school janitor) I learned (as Quincy Jones had figured out decades before) that greatness and fame are completely independent. The wave repeated here in Brazil with Raimundo Sodré, who went from zero to national fame and back to zero.

 

I BUILT A (so far the world's only) SMALL WORLD CURATION NETWORK...

⇒ A wave of Exu's cyberwand opening pathways allowing ANY ARTIST — FAMOUS OR NOT — in ANY FIELD — in ANY PLACE in the world — to potentially  be reached by ANYBODY from ANYWHERE. (Who is Exu? He is the Afro-Brazilian deity who stands at intersections and crossroads, responsible for opening pathways.)

 

BY WHAT WIZARDRY?

⇒ We've all heard of six degrees of separation, more properly called a small world network. Within six or so steps we can move through a chain of people knowing other people to just about anybody on the planet.

 

SIMPLY CHANGE "KNOW" TO "RECOMMEND"

⇒ In exactly the same way, step by step we can move through chains of ARTISTS CURATING ARTISTS to to just about any artist on the planet.

 

LIKE THIS...

⇒ From Quincy Jones we access one of his protégés, stellar young Cuban pianist Alfredo Rodriguez. From Alfredo Rodriguez we access a fabulous multinstrumentalist Alfredo plays with, Munir Hossn. Two more steps and we've reached the above-mentioned Raimundo Sodré, formerly virtually unreachable in Bahia...

 

  • Raimundo Sodré Now
  • Raimundo Sodré 1980

Raimundo Sodré Now

Dengo

Dengo
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Raimundo Sodré 1980

The Festivals of Brazilian Music (Os Festivais de Música Brasileira) were a series of televised festivals featuring original songs over the period from 1965 to 1985. Many of Brazil's most popular artists of the period (including Elis Regina, Chico Buarque, Caetano Veloso, Gilberto Gil, Gal Costa, Geraldo Vandré, Nara Leão, Edu Lobo, Jair Rodrigues, Tom Jobim) participated or began their careers in these festivals.

 

Sodré was launched in 1980. He only placed third but was so much the popular favorite that the festival winner, Oswaldo Montenegro, was booed when awarded first place.

 

The sound and video quality of this recorded are pretty terrible, but nevertheless it gives some idea of that day...

 

The song itself, "A Massa", was a protest song. Sodré sings "a massa da mandioca mãe" (manioc dough, mother)...but this is a metaphor for the mass of common people being squeezed by the powerful in the government. The style is called "chula"; it's the primordial Afro-Brazilian samba born on the sugarcane plantations of Bahia, precursor to Brazil's national music.

 


 

DICTATED SILENCE

⇒ Sodré's meteoric major-label career was crushed by the Brazilian dictatorship years ago and he was forced to flee Brazil under threat of death...into a 19 year exile. He became almost impossible to find and hear, even after returning to Brazil.

 

MUSIC FALLS LIKE RAIN

⇒ But now lines of everbranching interlinked recommendations rise from Bahia to form a (small world) network rounding the planet like the arboreal canopy of a vast Amazonian rainforest. When the dictatorship ground Sodré into the dust, they unwittingly planted a seed.

 

 

FROM SODRÉ, A WORLDLINE TO SPLENDID BULE BULE (LEATHER HAT) ABOVE... AND TO OTHERS IN THE CLIP...

⇒ "The time has arrived for these people of color to show their worth ... I want to see Uncle Sam play tambourine so the whole world can samba!"

 

AND FROM BULE ON...

⇒ ...tendrils twining through urban centers and beautiful backwaters... through New York boroughs, Burkina Faso... County Clare... Cape Town...

 

THROUGH ARTISTS ACROSS THE BOARD

⇒ ...writers, journalists, photographers, painters, illustrators, architects, choreographers, filmmakers...

 

IS THE MATRIX AN ALTERNATE REALITY?

⇒ Only if your reality has been defined by corporate mass media. The original meaning of "matrix" is "source", from "mater", Latin for "mother". We're real mothers for ya!

 

DOES THE MATRIX WATCH YOU?

⇒ Zero surreptitious tracking, data mining and data brokerage per Cambridge Analytica, Facebook, et al.

 

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