Salvador Bahia Brazil Matrix
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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Inaicyra Falcão
    I RECOMMEND

CURATION

  • from this node by: Criador acima/Creator above

This is the Universe of

  • Name: Inaicyra Falcão
  • City/Place: Campinas, São Paulo
  • Country: Brazil
  • Hometown: Salvador, Bahia

Life & Work

  • Bio: Intérprete soprano dramática que há mais de 30 anos tem se dedicado ao canto lírico, alcançou reconhecimento nacional ao lançar em 31 de março de 2000, no Teatro Castro Alves (Salvador-BA), o cd Okan Awa, cânticos de tradição em yorubá, em homenagem ao centenário de nascimento de sua avó, Maria Bibiana do Espírito Santo, célebre iyalorixá do Ilê Axé Opô Afonjá, uma das primeiras comunidades de matrizes africana de origem Ketu na Bahia.

    Nascida em Salvador, é uma das filhas de Deoscóredes Maximilliano do Santos resultado da sua segunda união com Edvaldina Falcão dos Santos. Conhecido como Mestre Didi, foi escritor, educador, artista plástico e Alapini, título do mais alto sacerdócio do culto de egungun (ancestrais masculinos na tradição yorubá), descobriu na década de 60 que sua família pertencia a linhagem direta de uma das famílias fundadora do reinado de Ketu na Nigéria, na década de 80 fundou o Ilê Asipa, comunidade de matriz africana que cultua os ancestrais.

    Graduada em Dança pela Universidade Federal da Bahia, com mestrado em Artes Teatrais pela Universidade de Ibadan na Nigéria, doutora em Educação pela USP e livre docente na área de Práticas Interpretativas pela Universidade Estadual de Campinas.

    A técnica e o aperfeiçoamento vocal de Inaicyra foram adquiridos por meio de cursos sobre a arte lírica com professores como Suzel Cabral, Neide Thomaz, Glédis Spiere, Indira Menezes e a maestrina Vera Olivero. Participou do coral da Universidade de Ibadan com o maestro Oyesiku e a sua primeira apresentação solo foi no Departamento de Artes Teatrais na Opereta Royal Jester de Smyth Cooper no papel da princesa, em 1986.

    Enquanto, que o primeiro recital foi realizado pela ABAL-Associação Brasileira “Carlos Gomes” de Artistas Líricos, no Centro de Ciências, Letras e Artes de Campinas, em 1992.

    Nessa época, acredita que devido a sua vivência com a tradição dos cantos negro spiritual e os cantos da tradição dos orixás, inspirou-se em uma forma de comunicação, a transcendência na interpretação dos poemas míticos yoruba os orikis.

Contact Information

  • Email: [email protected]
  • Contact by Webpage: http://inaicyrafalcao.com/contato/
  • Telephone: +55 (71)9-9228-9335

Media | Markets

  • ▶ Instagram: inaicyra
  • ▶ Website: http://inaicyrafalcao.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UC2Tk6tV66CPYbzljQqr5Erg
  • ▶ YouTube Music: http://music.youtube.com/channel/UCtRUJvz-Gq1-ujkJ5IsiD5A
  • ▶ Spotify: http://open.spotify.com/album/1G9xOMxbu7SqtjUwnfHQcY

Clips (more may be added)

  • 0:08:36
    Porteira para dentro Porteira para fora • Inaicyra Falcão
    By Inaicyra Falcão
    23 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Inaicyra Falcão:

  • 0 Bahia
  • 0 Brasil, Brazil
  • 0 Candomblé
  • 0 Cantora, Singer
  • 0 Dançarina, Dancer
  • 0 Faculdade da UNICAMP/UNICAMP Faculty
  • 0 Opera
  • Robin Eubanks Composer
  • Cinho Damatta Salvador
  • Lô Borges Cantor-Compositor, Singer-Songwriter
  • Horacio Hernández Havana
  • Gord Sheard Humber College Music Faculty
  • Ronald Bruner Jr. Jazz
  • Brian Blade Composer
  • João Bosco Brazil
  • Urânia Munzanzu Brasil, Brazil
  • Ricardo Herz Choro
  • Adam Cruz Composer
  • Jas Kayser Drums
  • Eli Degibri אלי דג'יברי Jazz
  • Joey Alexander Jazz
  • Brandee Younger Harp
  • Rachel Aroesti England
  • Luciano Salvador Bahia Guitar
  • Vanessa Moreno Samba
  • Henry Cole New York City
  • Jamel Brinkley Writer
  • Caetano Veloso MPB
  • Wilson Simoninha MPB
  • Ramita Navai Documentary Filmmaker
  • Roy Ayers Composer
  • Eric Alexander New York City
  • Delfeayo Marsalis Record Producer
  • Magary Lord Singer-Songwriter
  • Mariene de Castro Brazil
  • Leon Bridges Record Producer
  • Paulo Dáfilin Composer
  • Dumpstaphunk New Orleans
  • Mandla Buthelezi South Africa
  • Tom Schnabel World Music
  • David Hoffman Documentary Filmmaker
  • THE ROOM Shibuya Hip-Hop
  • Custódio Castelo Castelo Branco
  • Léo Rodrigues Côco
  • Geovanna Costa Brasil, Brazil
  • Ceumar Coelho MPB
  • Olga Mieleszczuk Jerusalem
  • Ben Azar Israel
  • Cyro Baptista Brazil
  • Shez Raja Composer
  • Dave Weckl Multi-Cultural
  • Kiko Horta Accordion
  • Flying Lotus Record Producer
  • Milford Graves Jazz
  • Léo Rugero Música Nordestina
  • Casa PretaHub Cachoeira Estúdio de Fotografía, Photography Studio
  • Jorge Ben Sambalanço
  • Gabi Guedes Salvador
  • Howard Levy Harmonica Instruction
  • André Becker Bahia
  • Luques Curtis Afro-Latin Dance Music
  • John Doyle Ireland
  • Andrew Huang Toronto
  • David Bragger Fiddle
  • Chris Speed Saxophone
  • John Schaefer Radio Presenter
  • James Gadson Jazz
  • Glória Bomfim Samba de Roda
  • Edgar Meyer Classical Music
  • Milford Graves Vocals
  • Román Díaz Santeria
  • Yazhi Guo 郭雅志 Chinese Traditional Music
  • Wilson Simoninha Samba
  • Gerson Silva Guitar
  • Cimafunk Cuban Funk
  • J. Cunha Artista Plástico, Artist
  • Ana Luisa Barral Bahia
  • Carwyn Ellis Experimental Music
  • Banning Eyre Photographer
  • Las Cafeteras Chicano Music
  • Kenny Garrett Saxophone
  • Patricia Janečková Soprano
  • Snigdha Poonam Writer
  • Zara McFarlane Jazz
  • Tank and the Bangas Soul
  • Fred Dantas Salvador
  • Musa Okwonga Berlin
  • Nego Álvaro Brazil
  • Sharita Towne Portland, Oregon
  • Denzel Curry Hip-Hop
  • Rudy Royston Educator
  • Jared Sims Composer
  • Ricardo Herz Brazilian Jazz
  • Mark Stryker Detroit
  • Joanna Majoko Zimbabwe
  • Rogério Caetano Guitar
  • Cláudio Badega Salvador
  • Congahead Jazz
  • Amitava Kumar Journalist
  • Teresa Cristina Songwriter
  • Roy Ayers New York City
  • Ronaldo do Bandolim Samba
  • André Becker Orquestra Sinfônica da Bahia
  • Owen Williams Writer
  • James Brandon Lewis Composer
  • Alita Moses Singer-Songwriter
  • ANNA EDM
  • Jazzmeia Horn Jazz
  • Rez Abbasi Pakistani Music
  • Mike Compton Folk & Traditional
  • Arturo O'Farrill Brooklyn College Conservatory of Music Faculty
  • Alicia Svigals Klezmer Fiddle
  • Darren Barrett Composer
  • Cainã Cavalcante Guitar
  • Jau Samba Reggae
  • Shalom Adonai Samba de Roda
  • Martyn House
  • Dadi Carvalho Rio de Janeiro
  • Omar Sosa Cuba
  • Patrice Quinn Singer
  • Baiba Skride Latvia
  • Larry McCray Singer-Songwriter
  • Omer Avital North African Music
  • Dona Dalva Samba
  • Scott Kettner Pandeiro
  • Martin Koenig Liner Notes
  • Carlinhos Brown Multi-Instrumentalist
  • Steve Bailey Berklee College of Music Faculty
  • Cédric Villani France
  • Philipp Meyer Novelist
  • Gel Barbosa Acordeon, Accordion
  • Eddie Palmieri Latin Funk
  • Dave Smith Drums
  • Papa Grows Funk New Orleans
  • Shannon Sims Writer
  • Bule Bule Bahia
  • Howard Levy Latin Jazz
  • Leon Bridges R&B
  • Dafnis Prieto Percussion
  • William Parker Bass
  • Aubrey Johnson New York City
  • Deesha Philyaw Short Stories
  • Benjamin Grosvenor Classical Music
  • Aurino de Jesus Bahia
  • PATRICKTOR4 DJ
  • Jeremy Danneman Singer-Songwriter
  • Jon Batiste Piano
  • Julien Libeer Belgium
  • Mestre Nelito Samba de Roda
  • Juçara Marçal Brazil
  • Tyshawn Sorey Composer
  • Peter Slevin Northwestern University Faculty
  • Rez Abbasi Multi-Cultural
  • Trombone Shorty Funk
  • David Chesky Contemporary Classical Music
  • Sérgio Pererê MPB
  • Wynton Marsalis Classical Music
  • Derrick Adams Multidisciplinary Artist
  • Julian Lage Americana
  • Larissa Fulana de Tal Bahia
  • Larry Achiampong Ghana
  • Paulo Martelli Brazilian Classical Guitar
  • Fabiana Cozza MPB
  • Peter Erskine Jazz
  • Mark Lettieri Ropeadope
  • Giovanni Russonello Jazz
  • Alexandre Leão Salvador
  • Joel Guzmán Conjunto
  • Ricky (Dirty Red) Gordon Frottoir
  • Caroline Keane Concertina
  • Capitão Corisco Flute
  • Toninho Horta Singer
  • Lula Moreira Samba de Coco
  • Allen Morrison Jazz
  • Ryuichi Sakamoto Record Producer
  • Adam Neely Bass
  • Casa Preta Teatro, Theater
  • Abel Selaocoe Singer
  • Jazzmeia Horn Singer-Songwriter
  • João Luiz Brazil
  • Léo Rodrigues Frevo
  • Ken Avis Guitar
  • Pasquale Grasso Guitar Instruction, Master Classes
  • Martin Fondse Film Scores
  • D.D. Jackson Composer
  • Michael Garnice Reggae
  • Quatuor Ebène France
  • Sarah Jarosz New York City
  • Nara Couto Brasil, Brazil
  • John Boutté Singer
  • Shanequa Gay Installation
  • Richard Rothstein Historian
  • Don Byron Blue Note Records
  • Tessa Hadley Novelist
  • The Assad Brothers Classical Guitar
  • Yosvany Terry Composer
  • Yotam Silberstein Composer
  • Nancy Viégas Country
  • Áurea Martins Brasil, Brazil
  • Leci Brandão Rio de Janeiro
  • Masao Fukuda Choro
  • Ravi Coltrane Composer
  • Monarco Singer-Songwriter
  • Arifan Junior Percussão, Percussion
  • Djuena Tikuna Amazonas
  • Arto Tunçboyacıyan Duduk
  • Joshue Ashby Panama
  • Aditya Prakash Multi-Cultural
  • Alexandre Gismonti Guitar
  • June Yamagishi New Orleans
  • Bobby Fouther Multidisciplinary Artist
  • David Kirby Non-Fiction
  • Jubu Smith Guitar
  • Doug Adair Music & Cultural Education
  • Jovino Santos Neto Cornish College of the Arts Faculty
  • Forrest Hylton Writer
  • Guillermo Klein New York City
  • Immanuel Wilkins Saxophone
  • Babau Santana Brasil, Brazil
  • Sarah Jarosz Americana
  • Cláudio Jorge Samba
  • Martin Koenig Record Producer
  • Stephanie Foden Brazil
  • Geraldo Azevedo Frevo
  • Karsh Kale कर्ष काळे Electronic Music
  • Natalia Contesse Guitar
  • Gevorg Dabaghyan Armenia
  • Matt Ulery Chicago
  • Adonis Rose Composer
  • Joshua Abrams Composer
  • Tonynho dos Santos Trompete, Trumpet
  • Samuca do Acordeon Chamamé
  • Márcio Valverde Singer-Songwriter
  • Priscila Castro Brasil, Brazil
  • Harold López-Nussa Havana
  • Betsayda Machado Folk & Traditional
  • Jonathon Grasse Ethnomusicologist
  • Jake Webster Indiana
  • Scotty Barnhart Big Band Leader
  • Plínio Fernandes London
  • Angel Bat Dawid Clarinet
  • Ben Harper Multi-Instrumentalist
  • Elisa Goritzki Flute
  • Márcio Valverde Brazil
  • Reena Esmail Contemporary Classical Music
  • Jaques Morelenbaum Songwriter
  • Etan Thomas Motivational Speaker
  • Amit Chatterjee Vocalist
  • Marquis Hill Chicago
  • Domingos Preto Samba de Roda
  • Adriano Giffoni Brazil
  • Tony Kofi Saxophone
  • Melanie Charles Soul
  • Elizabeth LaPrelle Virginia
  • Caroline Shaw Contemporary Classical Music
  • Hercules Gomes Samba
  • Moses Boyd London
  • Adriana L. Dutra Director
  • Ferenc Nemeth Jazz
  • Nublu East Village
  • Tiganá Santana Diretor Artístico, Artistic Director
  • Greg Osby Saxophone
  • Parker Ighile Contemporary R&B
  • Restaurante Axego AFROBIZ Salvador
  • Gustavo Caribé Bahia
  • Onisajé Dramaturga, Playwright
  • Pharoah Sanders Saxophone
  • Cleber Augusto Brazil
  • Jane Ira Bloom Composer
  • Paquito D'Rivera Composer
  • Ubiratan Marques Música Afro-Brasileira, Afro-Brazilian Music
  • Leci Brandão Brazil
  • Benoit Fader Keita Mënik
  • Tom Schnabel Author
  • Gui Duvignau Brooklyn, NY
  • Tessa Hadley Writer
  • Maciel Salú Pernambuco
  • Alegre Corrêa Brazilian Jazz
  • Jonga Cunha Salvador
  • Júlio Caldas Brasil, Brazil
  • Celso Fonseca Songwriter
  • Norah Jones Jazz
  • Sierra Hull Americana
  • Marcelinho Oliveira Brazil
  • Aperio Texas
  • Matt Parker YouTuber
  • John Donohue Cartoonist
  • David Simon Writer
  • Uli Geissendoerfer Piano
  • Jon Batiste Classical Music
  • Avishai Cohen אבישי כה Israel
  • Hua Hsu Vassar College Faculty
  • Magary Lord Brazil
  • Ana Tijoux Santiago
  • Tobias Meinhart Composer
  • Tomo Fujita Jazz
  • Mona Lisa Saloy Louisiana
  • Emicida Rapper
  • Tony Trischka Old-Time Music
  • Muri Assunção Rio de Janeiro
  • Saileog Ní Cheannabháin Classical Music
  • Marcos Portinari Compositor, Composer
  • Gel Barbosa Produtor Musical, Music Producer
  • Miroslav Tadić Guitar
  • Errollyn Wallen Singer-Songwriter
  • Mônica Salmaso MPB
  • Burhan Öçal Turkey
  • Kronos Quartet String Quartet
  • Edmar Colón Puerto Rico
  • Lucio Yanel Singer
  • Gregory Porter Jazz
  • Luedji Luna Salvador
  • Mateus Aleluia Salvador
  • João Teoria Compositor, Composer
  • Lenna Bahule Maputo
  • António Zambujo Fado
  • Concha Buika Spain
  • Thana Alexa New York City
  • Little Dragon Sweden
  • Garth Cartwright Music Critic
  • Carlos Lyra Brazil
  • Kiya Tabassian كيا طبسيان Montreal
  • Mayra Andrade Cape Verde
  • Harish Raghavan Educator
  • Alicia Keys Singer-Songwriter
  • Moreno Veloso Cello
  • Kurt Rosenwinkel Record Label Owner
  • Gel Barbosa Brasil, Brazil
  • Lalah Hathaway Singer-Songwriter
  • Carlos Malta Clarinet
  • Michelle Mercer Radio Producer
  • Brigit Katz Canada
  • Muri Assunção Journalist
  • Lina Lapelytė Lithuania
  • Marc Johnson MPB
  • Nicole Mitchell Composer
  • Mike Marshall Mandolin
  • Nardis Jazz Club Turkey
  • Victor Wooten Composer
  • Sam Eastmond Record Producer
  • Larry McCray Arkansas
  • Myron Walden Saxophone
  • Gonzalo Rubalcaba Afro-Cuban Jazz
  • Eamonn Flynn Irish Traditional Music
  • Joel Ross Jazz
  • Ken Dossar Philadelphia
  • Menelaw Sete Pelourinho
  • Swami Jr. Guitar
  • Kotringo Japan
  • Tarus Mateen R&B
  • Berkun Oya Actor
  • Sérgio Mendes Brazil
  • Samuel Organ Experimental Rock
  • João Callado Cavaquinho
  • Gabriel Geszti Piano
  • John Patitucci Jazz
  • Nomcebo Zikode Singer-Songwriter

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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