James Martin
This Brazilian cultural matrix positions James Martin globally... Curation
CURATION
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from this page:
by Augmented Matrix
The Integrated Global Creative Economy
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Name:
James Martin
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City/Place:
New Orleans, Louisiana
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Country:
United States
Current News
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What's Up?
KEEP MOVIN'
“Besides the strong production values on the album and the musicianship of his band, Martin’s songwriting is one of the album’s biggest strengths”
Jay Mazza - Vinyl District
“It’s a reflection on the grind, the late nights, and the hustle of the local music scene, as well as on the travels that have taken him all over the world to perform for fans hungry for authentic New Orleans Music”
Brian Friedman - NPR - All Things New Orleans
Life & Work
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Bio:
Saxophonist, singer, and songwriter James Martin is an accomplished and award-winning solo artist, band member and touring musician whose 18-year career has brought him international acclaim several times over.
Beginning his career at the prestigious New Orleans Center for Creative Arts where he became a founding member of classmate Troy “Trombone Shorty” Andrews’ Orleans Avenue alongside Jon Batiste, Martin earned a full scholarship to Loyola University with a double major in Jazz Saxophone and Music Industries. During his seven-year tenure with Orleans Avenue, he and the band released three albums, some of which included original music contributed by Martin.
Martin began his solo career in 2008, releasing original music with his own band, Happy Jack Frequency. Most recently, his solo work with the James Martin Band has led him to performances at the Edinburgh Jazz & Blues Festival; the Copenhagen Jazz Festival; the New Orleans Jazz & Heritage Festival; the Spiagge Soul Festival south of Venice, Italy; the New Orleans Jazz Festival in Tel Aviv; Fort L’Ecluse Jazz Festival in southern France; the Ascona Jazz Festival in Switzerland; as well as regular performances at renowned New Orleans venues including Tipitina’s, The Spotted Cat Music Club and Carousel Lounge. The James Martin Band’s third album debuted October 2019 at #9 on the Billboard Contemporary Jazz Chart and was named one of the top 50 albums in Louisiana by OffBeat Magazine.
Martin has been an integral member of several other bands, including the award-winning Ernie Vincent and the Top Notes, the Billboard charting Glen David Andrews Band and Soul Brass Band. With the globally touring Soul Brass Band, Martin serves as a writer, arranger and singer in addition to instrumentalist. The band released Levels, produced by Galactic’s Ben Ellman, in early 2019. Along with Soul Brass Band co-founder Derrick Freeman, Martin graced the cover of OffBeat Magazine in 2018 and has been nominated Best Saxophonist at OffBeat’s Best of the Beat Music Awards several times.
In addition to performances and recordings with Ivan Neville, Flowtribe, Amanda Shaw, James Andrews and many other prominent musicians, Martin contributes original music to CBS’ “NCIS: New Orleans” and has been heard on Anthony Bourdain’s “Raw Craft,” as well as on Abu Dhabi TV. On Abu Dhabi TV, Martin hosted Middle Eastern composer Faisal al Saari in New Orleans, where the pair collaborated in a recording studio and live performance. Martin appeared on the award-winning HBO series about post-Katrina New Orleans, “Treme.” He earned nationwide recognition for his 2011 appearance alongside acclaimed fiddler Amanda Shaw during the intro segment for ESPN’s “Monday Night Football.”
Martin also works as an instructor for incarcerated youths through the prestigious Preservation Hall Foundation.
Biography written by Amanda Mester
www.amandamester.com
Clips (more may be added)
Few people know that the Bay of All Saints was final port-of-call for more enslaved human beings than any other such throughout all of human history. And few people know the transcendence these people, and their descendents, wrought. That's where this Matrix begins...
Wolfram MathWorld
The idea is simple, powerful, and egalitarian: To propagate for them, the Matrix must propagate for all. Most in the world are within six degrees of us. The concept of a "small world" network (see Wolfram above) applies here, placing artists from the Recôncavo and the sertão, from Salvador... from Brooklyn, Berlin and Mombassa... musicians, writers, filmmakers... clicks (recommendations) away from their peers all over the planet.
This Integrated Global Creative Economy (we invented the concept) uncoils from Brazil's sprawling Indigenous, African, Sephardic and then Ashkenazic, Arabic, European, Asian cultural matrix... expanding like the canopy of a rainforest tree rooted in Bahia, branches spreading to embrace the entire world...
Recent Visitors Map
Great culture is great power.
And in a small world great things are possible.
Alicia Svigals
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"Very nice! Thank you for this. Warmest regards and wishing much success for the project! Matt"
—Son of Jimmy Garrison (bass for John Coltrane, Bill Evans...); plays with Herbie Hancock and other greats...
I opened the shop in Salvador, Bahia in 2005 in order to create an outlet to the wider world for magnificent Brazilian musicians.
David Dye & Kim Junod for NPR found us (above), and Kareem Abdul-Jabbar (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix, then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
Years ago in NYC (I've lived here in Brazil for 32 years now) I "rescued" unpaid royalties (performance & mechanical) for artists/composers including Barbra Streisand, Aretha Franklin, Mongo Santamaria, Jim Hall, Clement "Coxsone" Dodd (for his rights in Bob Marley compositions; Clement was Bob's first producer), Led Zeppelin, Ray Barretto, Philip Glass and many others. Aretha called me out of the blue vis-à-vis money owed by Atlantic Records. Allen Klein (managed The Beatles, The Rolling Stones, Ray Charles) called about money due the estate of Sam Cooke. Jerry Ragovoy (Time Is On My Side, Piece of My Heart) called just to see if he had any unpaid money floating around out there (the royalty world was a shark-filled jungle, to mangle metaphors, and I doubt it's changed).
But the pertinent client (and friend) in the present context is Earl "Speedo" Carroll, of The Cadillacs. Earl went from doo-wopping on Harlem streetcorners to chart-topping success to working as a custodian at PS 87 elementary school on the west side of Manhattan. Through all of this he never lost what made him great.
Greatness and fame are too often conflated. The former should be accessible independently of the latter.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Salvador is our base. If you plan to visit Bahia, there are some things you should probably know and you should first visit:
www.salvadorbahiabrazil.com
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