“Besides the strong production values on the album and the musicianship of his band, Martin’s songwriting is one of the album’s biggest strengths”
Jay Mazza - Vinyl District
“It’s a reflection on the grind, the late nights, and the hustle of the local music scene, as well as on the travels that have taken him all over the world to perform for fans hungry for authentic New Orleans Music”
Brian Friedman - NPR - All Things New Orleans
Life & Work
Bio:
Saxophonist, singer, and songwriter James Martin is an accomplished and award-winning solo artist, band member and touring musician whose 18-year career has brought him international acclaim several times over.
Beginning his career at the prestigious New Orleans Center for Creative Arts where he became a founding member of classmate Troy “Trombone Shorty” Andrews’ Orleans Avenue alongside Jon Batiste, Martin earned a full scholarship to Loyola University with a double major in Jazz Saxophone and Music Industries. During his seven-year tenure with Orleans Avenue, he and the band released three albums, some of which included original music contributed by Martin.
Martin began his solo career in 2008, releasing original music with his own band, Happy Jack Frequency. Most recently, his solo work with the James Martin Band has led him to performances at the Edinburgh Jazz & Blues Festival; the Copenhagen Jazz Festival; the New Orleans Jazz & Heritage Festival; the Spiagge Soul Festival south of Venice, Italy; the New Orleans Jazz Festival in Tel Aviv; Fort L’Ecluse Jazz Festival in southern France; the Ascona Jazz Festival in Switzerland; as well as regular performances at renowned New Orleans venues including Tipitina’s, The Spotted Cat Music Club and Carousel Lounge. The James Martin Band’s third album debuted October 2019 at #9 on the Billboard Contemporary Jazz Chart and was named one of the top 50 albums in Louisiana by OffBeat Magazine.
Martin has been an integral member of several other bands, including the award-winning Ernie Vincent and the Top Notes, the Billboard charting Glen David Andrews Band and Soul Brass Band. With the globally touring Soul Brass Band, Martin serves as a writer, arranger and singer in addition to instrumentalist. The band released Levels, produced by Galactic’s Ben Ellman, in early 2019. Along with Soul Brass Band co-founder Derrick Freeman, Martin graced the cover of OffBeat Magazine in 2018 and has been nominated Best Saxophonist at OffBeat’s Best of the Beat Music Awards several times.
In addition to performances and recordings with Ivan Neville, Flowtribe, Amanda Shaw, James Andrews and many other prominent musicians, Martin contributes original music to CBS’ “NCIS: New Orleans” and has been heard on Anthony Bourdain’s “Raw Craft,” as well as on Abu Dhabi TV. On Abu Dhabi TV, Martin hosted Middle Eastern composer Faisal al Saari in New Orleans, where the pair collaborated in a recording studio and live performance. Martin appeared on the award-winning HBO series about post-Katrina New Orleans, “Treme.” He earned nationwide recognition for his 2011 appearance alongside acclaimed fiddler Amanda Shaw during the intro segment for ESPN’s “Monday Night Football.”
Martin also works as an instructor for incarcerated youths through the prestigious Preservation Hall Foundation.
Biography written by Amanda Mester
www.amandamester.com
The Recôncavo is an almost invisible center-of-gravity. Circumscribing the Bay of All Saints, this region was landing for more enslaved human beings than any other such throughout all of human history. Not unrelated, it is also birthplace of some of the most physically & spiritually uplifting music ever made. —Sparrow
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay. They paid.
MATRIX MUSICAL
The Matrix was built below among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. (that's me left, with David Dye & Kim Junod for U.S. National Public Radio) ... The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).