Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Nação Zumbi
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Nação Zumbi
  • City/Place: Olinda, Pernambuco
  • Country: Brazil

Life & Work

  • Bio: É senso comum, no panteão da música brasileira, que a Nação Zumbi é a banda mais multifacetada que você respeita.

    Assim tem sido desde a década 1990, e contando. Durante sua trajetória até aqui, eles compilaram uma verdadeira paleta de sabores sonoros, com tamanha identidade e propriedade, que passou a ser normal alguém dizer que determinado grupo ou música "parece Nação Zumbi".

    A banda é formada por Jorge Du Peixe (voz), Lúcio Maia (guitarra), Dengue (baixo) e Toca Ogan (percussão) e conta com participação de Marcos Matias e Da Lua (alfaias) e tocam sucessos da discografia da banda, desde os primeiros cds com Chico Science, como Maracatu Atomico, Manguetown, Quan do a Maré Encher, Blunt of Judah, Um Sonho, entre outras e músicas do último disco, “Radiola NZ Vol. 1” (selo Babel Sunset), composto por versões zumbificadas de músicas importantes na história da banda, como “Refazenda” (Gilberto Gil) e “Amor” (Secos & Molhados), entre outras.

Contact Information

  • Email: [email protected]
  • Telephone: +55 (11) 3079-4399

Media | Markets

  • ▶ Buy My Merch: http://nacaozumbi.lojavirtualnuvem.com.br
  • ▶ Twitter: NacaoZumbi
  • ▶ Instagram: nacaozumbioficial
  • ▶ Website: http://www.nacaozumbi.com.br
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCRWEgrTg7sbxncMmLA2pQOg
  • ▶ YouTube Music: http://music.youtube.com/channel/UCj9BModA7-dCoU-hf0b_JRg
  • ▶ Spotify: http://open.spotify.com/album/4PkRElDPgZQidlgEH7I2Fw
  • ▶ Spotify 2: http://open.spotify.com/album/0VR2gOXWUPVdD0aaW4CgYU
  • ▶ Spotify 3: http://open.spotify.com/album/0W6hOSkA2g1BAXvwHUw7ds
  • ▶ Spotify 4: http://open.spotify.com/album/5pVuKw0TTBmcTmNWO4kPvy
  • ▶ Spotify 5: http://open.spotify.com/album/3cG4WKesy6hUXEPfPcdxs6
  • ▶ Spotify 6: http://open.spotify.com/album/4CmAjVhUvyTqEtp7JDYr0V

Clips (more may be added)

  • 3:48
    Nação Zumbi - Cicatriz (Clipe Oficial)
    By Nação Zumbi
    191 views
  • 3:12
    Nação Zumbi - Defeito Perfeito (Clipe Oficial)
    By Nação Zumbi
    212 views
  • 3:38
    Bossa Nostra - Nação Zumbi (Clipe Oficial)
    By Nação Zumbi
    147 views
  • 4:07
    Refazenda - VideoClipe Nação Zumbi
    By Nação Zumbi
    280 views
  • 3:36
    A Ilha - Nação Zumbi (Clipe Oficial)
    By Nação Zumbi
    264 views
  • 3:27
    Toda Surdez Será Castigada - Nação Zumbi (Clipe Oficial)
    By Nação Zumbi
    119 views
  • 4:49
    Nação Zumbi - Um Sonho (Clipe Oficial)
    By Nação Zumbi
    233 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Nação Zumbi:

  • 11 Brazil
  • 11 Funk
  • 11 Manguebeat
  • 11 Maracatu
  • 11 Olinda
  • 11 Pernambuco
  • 11 Rap
  • 11 Rock

Nodes below are randomly generated. Reload for a different stack.

  • Jess Gillam Classical Music
  • Tshepiso Ledwaba Classical Music
  • Stan Douglas Vancouver
  • Mono/Poly Music Producer
  • Amaro Freitas Maracatu
  • Wynton Marsalis Composer
  • William Parker Essayist
  • Miles Mosley Bass
  • Siphiwe Mhlambi Johannesburg
  • Nana Nkweti Fiction
  • Tom Bergeron Jazz
  • Mauro Refosco Forró
  • Elza Soares Rio de Janeiro
  • Guto Wirtti Brazilian Jazz
  • Onisajé Bahia
  • Clarice Assad Piano
  • Cécile Fromont Writer
  • Teodor Currentzis Classical Music
  • Brandee Younger Composer
  • Urânia Munzanzu Jornalista, Journalist
  • Aruán Ortiz Cuba
  • Guilherme Kastrup Record Producer
  • Grant Rindner New York City
  • Cássio Nobre Samba de Roda
  • Matt Ulery Jazz
  • Kevin Burke Fiddle
  • Arthur L.A. Buckner Drums
  • Alexia Arthurs Jamaica
  • Paulo Martelli Brasil, Brazil
  • Rodrigo Amarante Singer-Songwriter
  • Stanton Moore New Orleans
  • Wayne Krantz Guitar
  • Sam Eastmond Trumpet
  • Francisco Mela Cuba
  • Dadá do Trombone Jazz Afro-Baiano, Afro-Bahian Jazz
  • Gêge Nagô Samba
  • Jill Scott Jazz
  • Bernardo Aguiar Percussion Instruction
  • Edgar Meyer Curtis Institute of Music Faculty
  • Orquestra Afrosinfônica Música Afro-Brasileira, Afro-Brazilian Music
  • Jimmy Dludlu Composer
  • Jimmy Cliff Ska
  • Brenda Navarrete Cuba
  • Julian Lage San Francisco Conservatory of Music Faculty
  • Regina Carter Manhattan School of Music Faculty
  • Shoshana Zuboff Harvard Business School Faculty
  • Ronaldo Bastos Record Producer
  • Sierra Hull Nashville, Tennessee
  • Tom Zé Brazil
  • Howard Levy Chicago
  • Fidelis Melo Jornalista, Journalist
  • Gino Sorcinelli Writer
  • Branford Marsalis Classical Music
  • Darol Anger Composer
  • François Zalacain New York City
  • Larry McCray Keeping the Blues Alive Records
  • Robert Randolph Steel Guitar
  • Bule Bule Salvador
  • Walter Pinheiro Composer
  • Stefano Bollani Piano
  • Shez Raja Composer
  • Negra Jhô Bahia
  • Bertram Hand Percussion Performance
  • Niwel Tsumbu Congo
  • Jorge Alfredo Roteirista, Screenwriter
  • Mick Goodrick Author
  • Paulo Aragão Samba
  • Orquestra Afrosinfônica Brasil, Brazil
  • Paulinho da Viola Samba
  • Harvey G. Cohen Songwriter
  • Paulo Martelli Brazilian Classical Guitar
  • Milton Primo Samba
  • Burhan Öçal Tanbur
  • Django Bates Composer
  • Tia Fuller Composer
  • Juliana Ribeiro Musicologist
  • Ivan Bastos Baixo, Bass
  • Moses Boyd London
  • Luedji Luna Bahia
  • Raymundo Sodré Bahia
  • Andrés Prado Guitar
  • Michael Doucet Zydeco
  • Carwyn Ellis Samba
  • Bebê Kramer Samba
  • George Cables New York City
  • Richie Stearns Banjo
  • Byron Thomas Piano
  • Daphne A. Brooks Journalist
  • Peter Serkin Classical Music
  • Dan Trueman Hardanger Fiddle
  • Zebrinha Brasil, Brazil
  • Reggie Ugwu Journalist
  • Lolis Eric Elie Filmmaker
  • Ferenc Nemeth App Developer
  • Nomcebo Zikode Singer-Songwriter
  • Matt Glaser Jazz
  • Sombrinha Samba
  • Mark Turner Saxophone
  • Huey Morgan Singer
  • Jurandir Santana Bahia
  • Missy Mazolli Mannes School of Music Faculty
  • Anoushka Shankar Indian Classical Music
  • Corey Henry Second Line
  • Onisajé Diretora Teatral, Theater Director
  • Case Watkins James Madison University Faculty
  • Gord Sheard Toronto
  • Jeff Ballard New York City
  • Catherine Bent Choro
  • Arto Tunçboyacıyan Multi-Cultural
  • Vânia Oliveira Coreógrafa, Choreographer
  • David Castillo Singer
  • Peter Dasent Author
  • Ajurinã Zwarg Brazil
  • Ethan Iverson Jazz
  • Manolo Badrena Percussion
  • Stormzy Singer-Songwriter
  • Dave Eggers Painter
  • Dónal Lunny Irish Traditional Music
  • Bob Reynolds Saxophone
  • Kengo Kuma Japan
  • Carlinhos Brown Percussion
  • Yayá Massemba Bahia
  • Adriano Souza Samba
  • Brooklyn Rider Brooklyn, NY
  • Gilson Peranzzetta Piano
  • Antonio Sánchez Drums
  • Bright Red Dog Jazz, Electronica, Hip-Hop, Psychedelia, Noise
  • Philip Watson Cork
  • Amitava Kumar India
  • Miho Hazama New York City
  • Gretchen Parlato Jazz
  • David Hepworth Publishing Industry Analyst
  • Taj Mahal Blues
  • Marcus Miller R&B
  • Celso de Almeida Brazil
  • Christopher Seneca New York City
  • Luke Daniels Scotland
  • Darol Anger Fiddle
  • John Boutté Singer
  • Ronald Bruner Jr. Singer
  • Jas Kayser Jazz
  • Roberta Sá MPB
  • Beats Antique World Fusion
  • Roy Ayers Film Scores
  • Marvin Dunn African American History
  • Antonio García Latin Music
  • Paulo Martelli Violão Clássico, Classical Guitar
  • Alfredo Del-Penho Samba
  • Maia Sharp Americana
  • Ayrson Heráclito Brazil
  • Linda May Han Oh Film Scores
  • Ivan Sacerdote Bahia
  • Jason Parham Publisher
  • Philip Sherburne Menorca
  • Philip Sherburne DJ
  • Nduduzo Makhathini South Africa
  • Daphne A. Brooks Yale Faculty
  • Meshell Ndegeocello Jazz, Funk, R&B, Soul, Hip-Hop, Reggae
  • Joe Chambers Drums
  • Alfredo Del-Penho Singer-Songwriter
  • Peter Slevin Journalist
  • James Carter Flute
  • Marquis Hill Hip-Hop
  • Arthur Verocai Piano
  • Meklit Hadero Ethiopia
  • Gord Sheard Keyboards
  • Rosa Passos Bahia
  • Márcio Valverde Guitar
  • David Binney New York City
  • Kathy Chiavola Singer
  • Mulatu Astatke Addis Ababa
  • Ivan Lins Brazil
  • Kiko Souza Salvador
  • James Andrews Trumpet
  • Armandinho Macêdo Mandolin
  • Nelson Cerqueira Ensaísta, Essayist
  • Ronell Johnson Brass Band
  • Jane Ira Bloom Saxophone
  • Gustavo Di Dalva Bahia
  • Katuka Africanidades AFROBIZ Salvador
  • Adam Rogers Composer
  • Zé Luíz Nascimento Drums
  • Hélio Delmiro Brazil
  • Justin Brown Composer
  • Toninho Ferragutti Composer
  • Sheryl Bailey Guitar
  • Ricardo Herz Rabeca
  • Aderbal Duarte Bahia
  • Gal Costa Singer
  • Arturo O'Farrill Brooklyn College Conservatory of Music Faculty
  • Justin Stanton Multi-Cultural
  • Renata Flores Peru
  • Jimmy Cliff Jamaica
  • Gerson Silva Salvador
  • Dan Moretti Berklee College of Music Faculty
  • Muhsinah Singer-Songwriter
  • Berkun Oya Actor
  • Alana Gabriela Percussão, Percussion
  • Stephen Guerra New York City
  • Mestre Nelito Samba de Roda
  • Walter Ribeiro, Jr. Salvador
  • George Cables Piano
  • Fred P Future Jazz
  • Judith Hill Jazz
  • Lô Borges MPB
  • Carlinhos Pandeiro de Ouro Percussion
  • Huey Morgan Author
  • Lakecia Benjamin Ropeadope
  • James Carter Composer
  • Omer Avital North African Music
  • Siphiwe Mhlambi South Africa
  • Jill Scott Spoken Word
  • Teodor Currentzis Conducter
  • Guinga Guitar
  • Benoit Fader Keita Afrohouse
  • Ta-Nehisi Coates Journalist
  • Donald Harrison Berklee College of Music Faculty
  • PATRICKTOR4 Bahia
  • Oswaldo Amorim Bass
  • Peter Mulvey Folk & Traditional
  • Muireann Nic Amhlaoibh Flute
  • Marko Djordjevic Jazz
  • Edgar Meyer Bluegrass
  • Arthur L.A. Buckner YouTuber
  • Aaron Parks Composer
  • Pharoah Sanders Jazz
  • Irmandade da Boa Morte Brasil, Brazil
  • Beth Bahia Cohen Kabak Kemane
  • Marcus Teixeira Brazilian Jazz
  • Utar Artun Composer
  • Vânia Oliveira Dança Afro
  • Biréli Lagrène Guitar
  • John McLaughlin Multi-Cultural
  • Carlos Aguirre Argentina
  • Larnell Lewis Composer
  • Curtis Hasselbring Trombone
  • Joshua White Jazz
  • Hilary Hahn Classical Music
  • Pat Metheny Composer
  • Varijashree Venugopal Bengaluru
  • Victor Wooten Record Label Owner
  • Chubby Carrier Zydeco
  • Darrell Green Jazz
  • Negrizu Salvador
  • Mateus Alves Bass
  • Edil Pacheco Songwriter
  • Les Filles de Illighadad Tende
  • Nathan Amaral Brazil
  • Ron Blake Saxophone
  • Mona Lisa Saloy Storyteller
  • Roberto Fonseca Piano
  • Alphonso Johnson CalArts Music Faculty
  • Mike Compton Mandolin Instruction
  • Alan Bishop Cairo
  • Armen Donelian Multi-Cultural
  • Ari Hoenig Jazz
  • Tito Jackson Blues
  • Ethan Iverson Writer
  • Eric Galm Percussion
  • Victoria Sur Singer-Songwriter
  • Sam Eastmond Bandleader
  • Cássio Nobre Salvador
  • Nêgah Santos Percussion
  • Vincent Herring Composer
  • Stephan Crump Jazz
  • Marco Pereira Classical Guitar
  • Jorge Alfredo Cineasta, Filmmaker
  • Deesha Philyaw Essayist
  • Iuri Passos Salvador
  • José Antonio Escobar Spain
  • Manassés de Souza Viola de Doze
  • Mazz Swift Composer
  • Nduduzo Makhathini Piano
  • Catherine Bent Jazz
  • Joachim Cooder Multi-Cultural
  • Munir Hossn Guitar
  • Alexandre Leão Compositor de Televisão, Television Scores
  • Barlavento Samba
  • Marc-André Hamelin Classical Music
  • King Britt Record Label Owner
  • Damon Albarn Singer-Songwriter
  • Zachary Richard Guitar
  • Jacám Manricks Jazz
  • Eric R. Danton Writer
  • Bukassa Kabengele Cultural Producer
  • Alegre Corrêa Composer
  • Demond Melancon New Orleans
  • Carlos Blanco Flamenco
  • Maria Rita Samba
  • Chris McQueen Austin, Texas
  • James Sullivan Journalist
  • Márcio Valverde Bahia
  • Carlos Lyra Singer-Songwriter
  • Janine Jansen Utrecht
  • Louis Michot Singer-Songwriter
  • Aderbal Duarte Guitar
  • Tia Surica Samba
  • Keyon Harrold New York City
  • Jimmy Cliff Singer-Songwriter
  • Alexa Tarantino Composer
  • Zé Katimba Singer-Songwriter
  • Mariene de Castro Brazil
  • Abel Selaocoe Manchester
  • Safy-Hallan Farah Music Critic
  • Brandon Seabrook Composer
  • Eliane Elias Classical Music
  • 9Bach Folk-Based
  • Bule Bule Repente
  • Steve Earle Radio Presenter
  • Safy-Hallan Farah Writer
  • Joey Alexander New York City
  • Yacouba Sissoko New York City
  • Merima Ključo Klezmer
  • Roots Manuva Record Producer
  • Jared Jackson Literary Critic
  • Joey Baron Drums
  • Monk Boudreaux Percussion
  • Vincent Herring Jazz
  • Jeffrey Boakye Radio Presenter
  • Chief Xian aTunde Adjuah Jazz
  • Danilo Caymmi Samba
  • Karla Vasquez El Salvador
  • Jess Gillam Saxophone
  • John McLaughlin Jazz
  • Frank Negrão Bass
  • Fábio Luna Bateria, Drums
  • Luíz Paixão Côco
  • Mark Lettieri Composer
  • Philip Watson Ireland
  • Maia Sharp Singer-Songwriter
  • Rosa Cedrón Singer
  • Abel Selaocoe Cello
  • Matt Glaser Folk & Traditional
  • Alain Mabanckou Writer
  • Jonga Cunha Bahia
  • Hélio Delmiro Jazz
  • Nação Zumbi Brazil
  • Oded Lev-Ari Arranger
  • Alexandre Leão Bahia
  • Alain Mabanckou Novelist
  • Susheela Raman Indian Classical Music
  • Fabiana Cozza MPB
  • Swizz Beatz DJ
  • Milford Graves Vocals
  • Kurt Andersen New York City
  • Daedelus Berklee College of Music Faculty
  • Ricardo Herz Jazz
  • Maia Sharp Guitar
  • Gail Ann Dorsey Bass
  • John Donohue Writer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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