CURATION
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from this page:
by Matrix
Network Node
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Name:
Marcus Rediker
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City/Place:
Pittsburgh, Pennsylvania
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Country:
United States
Life & Work
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Bio:
Marcus Rediker was born in Owensboro, Kentucky, in 1951, to Buford and Faye Rediker, the first of their two sons. His family has roots in the mines and factories of Kentucky, Tennessee, and Virginia; he grew up in Nashville and Richmond. He attended Vanderbilt University, dropped out of school and worked in a factory for three years, and graduated with a B.A. from Virginia Commonwealth University in 1976. He went to the University of Pennsylvania for graduate study, earning an M.A. and Ph.D. in history.
Marcus taught at Georgetown University from 1982 to 1994, lived in Moscow for a year (1984-5), and is currently Distinguished Professor of Atlantic History at the University of Pittsburgh. He has, over the years, been active in a variety of social justice and peace movements, including the worldwide campaign to abolish the death penalty.
He has written, co-written, or edited twelve books, all of them histories “from below”: Between the Devil and the Deep Blue Sea (1987); Who Built America? (with Herbert Gutman, et al., 1989), volume one; The Many-Headed Hydra (2000, with Peter Linebaugh); Villains of All Nations (2004); The Slave Ship (2007); Many Middle Passages (2007); The Amistad Rebellion (2012); Mutiny and Maritime Radicalism in the Age of Revolution (2013); Outlaws of the Atlantic (2014); The Fearless Benjamin Lay (2017); A Global History of Runaways (2019); and Prophet against Slavery (2021, with David Lester and Paul Buhle). His writings have been translated into Arabic, Chinese, Dutch, French, German, Greek, Hebrew, Italian, Japanese, Korean, Polish, Portuguese, Russian, Spanish, Swedish, and Turkish. His books have won numerous awards, including the George Washington Book Prize, the American Studies Association’s John Hope Franklin Book Prize, the American Historical Association’s James A. Rawley Prize, and the Organization of American Historians’ Merle Curti Award (twice). He has held fellowships from the American Council of Learned Societies, the John Simon Guggenheim Memorial Foundation, the Andrew P. Mellon Foundation, and the National Endowment of the Humanities.
Marcus worked with film-maker Tony Buba to produce a documentary entitled Ghosts of Amistad: In the Footsteps of the Rebels, a chronicle of a trip to Sierra Leone in which he interviewed village elders about local memory of the case and searched for the long-lost ruins of Lomboko, the slave trading factory from which the Amistad Africans were loaded aboard slave ships and sent to the New World. In 2015 the film was given the John E. O’Conner Award by the American Historical Association as the year’s best historical documentary. It has been screened in London, Paris, and Amsterdam and aired multiple times on PBS. You may visit the film’s website and watch the film here.
Marcus is also working with playwright Naomi Wallace to write a stage play entitled “The Return of Benjamin Lay,” which has been workshopped in New York, London, and Paris. He is currently serving as guest curator in the JMW Turner Gallery of Tate Britain in London. His current book project, under contract to Viking-Penguin, is a history of escaping slavery by sea in antebellum Atlantic America.
More
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Quotes, Notes & Etc.
Haitian Art Collection
Haiti has a profound history of revolutionary self-emancipation, based on the greatest slave revolt in modern history (1791-1804). The small island nation also boasts one of the world’s greatest folk art traditions. It probably has more painters per capita than any other place on earth. Haiti’s artists paint sheer wonder, as André Breton, leader of the surrealist movement in Europe, discovered when he arrived in Haiti in 1945. When he saw the paintings of the vodou houngan Hector Hyppolite, he remarked that by these astonishing works he recognized his own as abject failures.
I have long been fascinated by the history and art of Haiti, more specifically how the struggles of the Haitian people, past and present, have been recorded, remembered, and disseminated in their art. I also have a special interest on the historic fusion of the beliefs, forms, and aesthetics of Haitian vodou with those of French metropolitan surrealism.
Over the last twenty years I have collected Haitian art, concentrating on four main artists: Edouard Duval-Carrié (1954- ); Célestin Faustin (1948-1981); Jacques Enguerrand Gourgue (1930-1996); and Frantz Zéphirin (1968- ).
Works from my collection have been exhibited in the United States and Europe, including nine at “Kafou: Haiti, Art and Vodou” at the Nottingham Contemporary in 2012. Two of my paintings (by Zéphirin) will be exhibited at the Venice Biennale from April to November 2022.
https://www.marcusrediker.com/marcus-redikers-haitian-art-collection/
Clips (more may be added)
For all roads here lead to Black Rome, and everywhere, but all pathways lead to Bahia.
I created this matrix so the world might discover elemental cultural genius here in Bahia, Brazil: João do Boi (rest in power) and magisterial others... But following the dictates of logic, in order to make these artists discoverable worldwide, the matrix must, to the greatest extent possible, do likewise for all creators across the planet.
Pardal/Sparrow
The Integrated Global Creative Economy: uncoiling from this sprawling Indigenous, African, Sephardic and then Ashkenazic, Arabic, European, Asian cultural matrix...
The mathematics of the small world phenomenon transforming the creative universe into a creative village wherein all are connected by short pathways to all...
Tap the grey crosses on somebody's Matrix Page to recommend that person for the categories next to those crosses.
(Crosses visible when you are logged in)
The crosses will turn green.
That person/category will appear in your My Curation & Recommendations.
You will appear in that person's Incoming Curation and Recommendations.
You and the person you are recommending will be pulled by mathematical gravity to within discoverable distance of all other creators inside the Matrix.
In a small world great things are possible.
"Thanks, this is a brilliant idea!!"
—Alicia Svigals (NEW YORK CITY): Apotheosis of klezmer violinists
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers (BOSTON): Director of the Berklee Music Perception and Cognition Laboratory ... Former personal recording engineer for Prince; "Purple Rain", "Sign o' the Times", "Around the World in a Day"
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd Webber (LONDON): Premier cellist in UK; brother of Andrew (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad (RIO DE JANEIRO/CHICAGO): Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze (LOS ANGELES): manager, Kamasi Washington
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
This Matrix was conceived under a Spiritus Mundi ranging from the quilombos and senzalas of Cachoeira and Santo Amaro to Havana and the provinces of Cuba to the wards of New Orleans to the South Side of Chicago to the sidewalks of Harlem to the townships of South Africa to the villages of Ireland to the Roma camps of France and Belgium to the Vienna of Beethoven to the shtetls of Eastern Europe...*
Sodré
*...in conversation with Raymundo Sodré, who summed up the irony in this sequence by opining for the ages: "Where there's misery, there's music!" Hence A Massa, anthem for the trod-upon folk of Brazil, which blasted from every radio between the Amazon and Brazil's industrial south until...
And hence a platform whereupon all creators tend to accessible proximity to all other creators, irrespective of degree of fame, location, or the censor.
Matrix Ground Zero is the Recôncavo, bewitching and bewitched, contouring the resplendent Bay of All Saints (end of clip below, before credits), absolute center of terrestrial gravity for the disembarkation of enslaved human beings (and for the sublimity these people created), the bay presided over by Brazil's ineffable Black Rome (where Bule Bule is seated below, around the corner from where we built this matrix as an extension of our record shop).
Assis Valente's (of Santo Amaro, Bahia) "Brasil Pandeiro" filmed by Betão Aguiar
Betão Aguiar
("Black Rome" is an appellation per Caetano, via Mãe Aninha of Ilê Axé Opô Afonjá.)
Replete with Brazilian greatness, but we listened to Miles Davis and Jimmy Cliff in there too; visitors are David Dye & Kim Junod for NPR/WXPN
I opened the shop in Salvador, Bahia in 2005 in order to create an outlet to the wider world for magnificent Brazilian musicians.
Kareem Abdul-Jabbar found us (he's a huge jazz fan), David Byrne, Oscar Castro-Neves... Spike Lee walked past the place while I was sitting on the stoop across the street drinking beer and listening to samba from the speaker in the window...
But we weren't exactly easy for the world-at-large to get to. So in order to extend the place's ethos I transformed the site associated with it into a network wherein Brazilian musicians I knew would recommend other Brazilian musicians, who would recommend others...
And as I anticipated, the chalky hand of God-as-mathematician intervened: In human society — per the small-world phenomenon — most of the billions of us on earth are within some 6 or fewer degrees of each other. Likewise, within a network of interlinked artists as I've described above, most of these artists will in the same manner be at most a handful of steps away from each other.
So then, all that's necessary to put the Brazilians within possible purview of the wide wide world is to include them among a wide wide range of artists around that world.
If, for example, Quincy Jones is inside the matrix, then anybody on his page — whether they be accessing from a campus in L.A., a pub in Dublin, a shebeen in Cape Town, a tent in Mongolia — will be close, transitable steps away from Raymundo Sodré, even if they know nothing of Brazil and are unaware that Sodré sings/dances upon this planet. Sodré, having been knocked from the perch of fame and ground into anonymity by Brazil's dictatorship, has now the alternative of access to the world-at-large via recourse to the vast potential of network theory.
...to the degree that other artists et al — writers, researchers, filmmakers, painters, choreographers...everywhere — do also. Artificial intelligence not required. Real intelligence, yes.
The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian.
Salvador is our base. If you plan to visit Bahia, there are some things you should probably know and you should first visit:
www.salvadorbahiabrazil.comAcross the creative universe... For another list, reload page.
This list is random, and incomplete. Reload the page for another list.
Ex Terra Brasilis
Wolfram MathWorld
UNIVERSAL
Alicia Svigals
Susan Rogers
Julian Lloyd Webber
Clarice Assad
Kamasi Washington
Randy Brecker
Roberto Mendes
Luciano Calazans
Gustavo Caribé
J Velloso
Lázaro Ramos
Fernando Guerreiro
Maria Marighella
Russell Okung
Bule Bule
Caetano Veloso
RÁDIO MATRIX