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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Paulo Martelli
    I RECOMMEND

CURATION

  • from this node by: Criador acima/Creator above

This is the Universe of

  • Name: Paulo Martelli
  • City/Place: São Paulo
  • Country: Brazil
  • Hometown: Araraquara, São Paulo

Life & Work

  • Bio: Paulo Martelli is a player of Brazilian and otherwise classical guiter specializing in baroque music/alto guitar.

    He is the director of Movimento Violão.

Contact Information

  • Email: [email protected]
  • Telephone: +55 (11) 95467-9911

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://tratore.ffm.to/roots
  • ▶ Buy My Music 2: (downloads/CDs/DVDs) http://tratore.ffm.to/ohomemqueodiava
  • ▶ Instagram: paulo_martelli
  • ▶ YouTube Channel: http://www.youtube.com/c/PauloMartelli
  • ▶ Spotify: http://open.spotify.com/album/76eSIhKYIp9Doa7sV2QvcJ
  • ▶ Spotify 2: http://open.spotify.com/album/1Jur85UcCAi9OYAb4CiCZO
  • ▶ Spotify 3: http://open.spotify.com/album/2wHyVnMmf46EorBsiSsLJ4
  • ▶ Spotify 4: http://open.spotify.com/album/4AwArZZcNxzU3j4KdxjfaM
  • ▶ Spotify 5: http://open.spotify.com/album/75wBAuQkOCLqvKJPT09W6O
  • ▶ Spotify 6: http://open.spotify.com/album/0nsmTukEab5Cjxn4nyHmdI

Clips (more may be added)

  • 0:20:35
    J. S. Bach: Cello Suite n.1 BWV 1007 (Paulo Martelli - alto guitar)
    By Paulo Martelli
    12 views
  • 4:25
    Paulo Martelli - Estudos Populares Brasileiros n. 19_Bossa Choro (Geraldo Vespar) Violão Brasileiro
    By Paulo Martelli
    13 views
  • 0:08:29
    Água e Vinho + Loro de Egberto Gismonti por Paulo Martelli - Violão Brasileiro
    By Paulo Martelli
    13 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Paulo Martelli:

  • 2 Alto Guitar
  • 2 Brasil, Brazil
  • 2 Brazilian Classical Guitar
  • 2 São Paulo
  • 2 Violão Clássico, Classical Guitar
  • 2 Violão de 11, 11-String Guitar
  • Cyro Baptista Brazil
  • Gilmar Gomes Salvador
  • Horacio Hernández Drums
  • Thundercat Bass
  • Eric Coleman Los Angeles
  • Courtney Pine Composer
  • Luizinho Assis Bahia
  • Martin Fondse Multi-Cultural
  • Lula Moreira Samba de Coco
  • Isaak Bransah Salvador
  • As Ganhadeiras de Itapuã Folk & Traditional
  • Amilton Godoy MPB
  • Capitão Corisco Salvador
  • Casey Benjamin Funk
  • Cory Wong Minneapolis, Minnesota
  • Nahre Sol Composer
  • Philip Watson Writer
  • Di Freitas Viola Caipira
  • John Francis Flynn Rough Trade, River Lea
  • Hisham Mayet Photographer
  • Taylor Ashton Visual Artist
  • Cara Stacey Umrhubhe, Uhadi, Makhoyane
  • Kyle Poole Composer
  • Michael Olatuja Bass
  • Gregory Hutchinson Soul
  • John Medeski Jazz
  • John Francis Flynn Tin Whistle
  • Gabriel Grossi Brazil
  • Deborah Colker Dancer
  • Lalah Hathaway Soul
  • Estrela Brilhante do Recife Maracatu
  • Karla Vasquez Los Angeles
  • Carlinhos 7 Cordas Brazil
  • Pedro Abib Samba
  • Miroslav Tadić Classical, Baroque Music
  • Betsayda Machado Parranda
  • Roque Ferreira Salvador
  • Ryan Keberle Trombone
  • Richard Bona Multi-Instrumentalist
  • Glória Bomfim Chula
  • Pretinho da Serrinha Percussion
  • Moses Boyd Record Label Owner
  • Nabih Bulos Los Angeles
  • Samba de Lata Brazil
  • Tom Bergeron Samba
  • Carlos Malta Pífano
  • Augustin Hadelich New York City
  • Michael Pipoquinha Brazilian Jazz
  • Restaurante Axego Brazil
  • OVANA Xangongo
  • Helado Negro Multi-Instrumentalist
  • Brian Stoltz R&B
  • Sam Eastmond Multi-Cultural
  • Dhafer Youssef ظافر يوسف Multi-Cultural
  • Morten Lauridsen Contemporary Classical Music
  • Chico César MPB
  • Inaicyra Falcão Opera
  • Thiago Amud Singer-Songwriter
  • Nguyên Lê Vietnam
  • Karsh Kale कर्ष काळे Record Producer
  • Emicida MC
  • Casa Preta Brasil, Brazil
  • Brandon Seabrook Banjo
  • Peter Evans Experimental Music
  • Zakir Hussain Indian Classical Music
  • Gilson Peranzzetta Clarinet
  • Brigit Katz Journalist
  • Stanton Moore Funk
  • Bill T. Jones Choreographer
  • Giveton Gelin Jazz
  • Robertinho Silva Brazil
  • Nettrice R. Gaskins Digital Artist
  • Nego Álvaro Brazil
  • Cristovão Bastos Composer
  • Tatiana Eva-Marie Manouche
  • Sabine Hossenfelder Author
  • McClenney Singer-Songwriter
  • Andrew Dickson London
  • Gaby Moreno Multi-Cultural
  • Aaron Parks Brooklyn, NY
  • Wayne Escoffery Composer
  • Yazz Ahmed Trumpet
  • Chris McQueen Austin, Texas
  • Endea Owens Double Bass
  • Luciano Salvador Bahia Brazil
  • D.D. Jackson Composer
  • Cinho Damatta Cantor-Compositor, Singer-Songwriter
  • Maciel Salú Fiddle
  • Papa Mali Louisiana
  • Kyle Poole New York City
  • Chick Corea Composer
  • John Schaefer New York City
  • John Francis Flynn Ireland
  • Ryuichi Sakamoto Record Producer
  • Gabrielzinho do Irajá Brazil
  • Cláudio Jorge Singer-Songwriter
  • Stephan Crump Bass
  • Tab Benoit Louisiana
  • Jared Sims Flute
  • Manassés de Souza 12 String Guitar
  • Anouar Brahem Jazz
  • Simon Singh YouTuber
  • Hugues Mbenda African Cuisine
  • Mahsa Vahdat Tehran
  • Samba de Nicinha Samba
  • Bebel Gilberto MPB
  • Imani Winds New York City
  • Chris Boardman Arranger
  • Curly Strings Folk & Traditional
  • João Camarero Brazil
  • Adonis Rose Percussion
  • Lokua Kanza Paris
  • Catherine Russell New York City
  • Cristiano Nogueira Rio de Janeiro
  • Benoit Fader Keita Mënik
  • Huey Morgan DJ
  • Philip Cashian Contemporary Classical Music
  • Greg Kot Music Critic
  • Marta Sánchez New York City
  • Byron Thomas Programmer
  • Intisar Abioto Writer
  • Alessandro Penezzi Brazil
  • Tom Piazza Novelist
  • Scotty Barnhart Author
  • Questlove Record Producer
  • Zebrinha Bahia
  • Rowney Scott Saxophone
  • Tonynho dos Santos Cantor-Compositor, Singer-Songwriter
  • Marcel Camargo MPB
  • Herbie Hancock Jazz
  • Shuya Okino DJ
  • Tom Green Glasgow
  • Alana Gabriela Bahia
  • Reena Esmail Composer
  • Emily Elbert Guitar
  • Elizabeth LaPrelle Old-Time Music
  • Yvette Holzwarth Film Scores
  • Mauro Senise Brazilian Jazz
  • Ivan Huol Bahia
  • Neo Muyanga Singer
  • Ballaké Sissoko Kora
  • BIGYUKI Composer
  • Nic Adler Restaurant Owner
  • Berta Rojas Classical Guitar
  • Roque Ferreira Samba
  • Maria Rita Singer
  • Márcio Bahia Samba
  • Victor Wooten Singer
  • Ray Angry Record Producer
  • Rita Batista Brasil, Brazil
  • Matt Dievendorf Washington, D.C.
  • Margaret Renkl Nashville, Tennessee
  • Carlinhos Brown Record Producer
  • Nigel Hall Singer
  • Milford Graves Percussion
  • Samba de Nicinha Santo Amaro
  • Guilherme Kastrup Drums
  • Madhuri Vijay Writer
  • Quincy Jones Arranger
  • Natalia Contesse Singer-Songwriter
  • Johnny Lorenz Poet
  • Robb Royer R&B
  • Martin Koenig Folk & Traditional
  • Trilok Gurtu Indian Classical Music
  • Jim Hoke Nashville, TN
  • King Britt Record Producer
  • Utar Artun Composer
  • Brooklyn Rider String Quartet
  • David Sacks MPB
  • Mary Stallings Singer
  • Musa Okwonga Essayist
  • Brian Stoltz New Orleans
  • Steve Cropper Guitar
  • Romero Lubambo New York City
  • Spok Frevo Orquestra Brazil
  • Bejun Mehta Countertenor
  • Julie Fowlis Multi-Instrumentalist
  • Albin Zak Musicologist
  • Dave Holland Composer
  • Kareem Abdul-Jabbar Essayist
  • Aditya Prakash Ropeadope
  • Sérgio Mendes Singer-Songwriter
  • Victor Wooten Multi-Instrumentalist
  • Richie Stearns Bluegrass
  • João do Boi Brazil
  • Caterina Lichtenberg Soprano Lute
  • Yasushi Nakamura Composer
  • Dan Trueman Princeton University Faculty
  • Inaicyra Falcão Bahia
  • Kiko Souza Bahia
  • Bob Lanzetti Guitar
  • Nelson Faria YouTuber
  • Mickalene Thomas Installation Artist
  • Ubiratan Marques Música Clássica Contemporânia, Contemporary Classical Music
  • Rachael Price Singer-Songwriter
  • Hugo Linns Brazil
  • Woody Mann Writer
  • Giba Gonçalves Brazil
  • David Hoffman YouTuber
  • João Luiz Brazilian Classical Guitar
  • Kiko Souza Ska
  • Carlos Aguirre Singer
  • Giveton Gelin Bahamas
  • Mohamed Diab Cairo
  • Missy Mazolli Composer
  • Gabriel Geszti Acordeon, Accordion
  • Swami Jr. Choro
  • Nublu Turkish Music
  • Arturo O'Farrill Brooklyn College Conservatory of Music Faculty
  • João Parahyba Drums
  • Mateus Aleluia Candomblé
  • Taj Mahal Folk & Traditional
  • Tom Moon Saxophone
  • Eddie Kadi Pan-African Culture
  • Marcel Powell Brazil
  • Anoushka Shankar Piano
  • Tommy Peoples Fiddle
  • H.L. Thompson Hip-Hop
  • Adenor Gondim Salvador
  • Questlove Drums
  • Guga Stroeter São Paulo
  • Negra Jhô Salvador
  • Johnny Lorenz Translator
  • Amit Chatterjee Multi-Cultural
  • Lolis Eric Elie Journalist
  • J. Cunha Cenógrafo, Scenographer
  • Jean-Paul Bourelly Multi-Cultural
  • Hélio Delmiro Composer
  • Henry Cole Manhattan School of Music Faculty
  • Martyn Record Label Owner
  • João Rabello Samba
  • Tero Saarinen Dancer
  • Dwandalyn Reece Ethnomusicologist
  • Pururu Mão no Couro Chula
  • Nicole Mitchell Flute
  • Melvin Gibbs Composer
  • Hank Roberts Avant-Garde, Folk, Classical
  • David Binney Record Producer
  • Caetano Veloso Brazil
  • Benoit Fader Keita Singer-Songwriter
  • Cainã Cavalcante Guitar
  • Marcus Miller Multi-Instrumentalist
  • Jeremy Danneman Saxophone
  • Munir Hossn Multi-Cultural
  • Ana Luisa Barral MPB
  • Karsh Kale कर्ष काळे Multi-Instrumentalist
  • Les Filles de Illighadad Tuareg Music
  • Hugues Mbenda Congo
  • Beeple Concert Visuals
  • Custódio Castelo Guitarra Portuguesa, Portuguese Guitar
  • José James Singer-Songwriter
  • Keyon Harrold New York City
  • Tedy Santana Brazil
  • Yunior Terry NYU Faculty
  • Paulo Aragão Composer
  • Khruangbin Multi-Cultural
  • Terell Stafford Trumpet
  • Jorge Alfredo Cineasta, Filmmaker
  • Barlavento Samba
  • Guto Wirtti Guitar
  • Jared Jackson Writer
  • Woody Mann Guitar Instruction
  • Leela James Jazz
  • Luizinho do Jêje Bahia
  • Bukassa Kabengele Singer-Songwriter
  • Edward P. Jones Writer
  • Joatan Nascimento Trumpet
  • Darol Anger Composer
  • Camille Thurman Flute
  • Bebê Kramer Choro
  • Terri Hinte Travel Writer
  • Rudresh Mahanthappa Multi-Cultural
  • Timothy Duffy Photographer
  • Beth Bahia Cohen Rababa
  • Gêge Nagô Candomblé
  • Teresa Cristina Samba
  • Roque Ferreira Bahia
  • Raymundo Sodré Ropeadope
  • Marilda Santanna Atriz, Actor
  • Jamie Dupuis Harp Guitar
  • Siba Veloso Viola Nordestina
  • Allen Morrison Piano
  • Gregory Tardy University of Tennessee Knoxville School of Music Faculty
  • Miguel Atwood-Ferguson Arranger
  • Luciana Souza São Paulo
  • Nelson Ayres Jazz
  • Lucinda Williams Country
  • Larissa Fulana de Tal Cineasta, Filmmaker
  • Rayendra Sunito Record Producer
  • Dona Dalva Samba de Roda
  • André Mehmari MPB
  • Susheela Raman Singer-Songwriter
  • Maria Drell Salvador
  • Pasquale Grasso Italy
  • Bodek Janke Multi-Cultural
  • Capinam Diretor de Museu, Museum Director
  • Gary Clark Jr. R&B
  • Ivan Bastos Bahia
  • Marcus Strickland Saxophone
  • Eli Saslow Journalist
  • Quatuor Ebène France
  • Otto Singer-Songwriter
  • Marta Sánchez Composer
  • Ben Azar Israel
  • Meddy Gerville Piano
  • Alex Conde Flamenco
  • Stephanie Jones Classical Guitar
  • Joel Guzmán Tejano
  • Neymar Dias Classical Music
  • James Andrews Trumpet
  • Paulão 7 Cordas Cavaquinho
  • Astrig Akseralian Cambridge, England
  • Adriene Cruz Textile Artist
  • Zé Katimba Brazil
  • Jason Treuting Percussion
  • Gabi Guedes Salvador
  • Mika Mutti Los Angeles
  • Walter Pinheiro Flute
  • Marcela Valdes Journalist
  • Bob Reynolds Composer
  • Andrew Finn Magill Samba
  • Yazz Ahmed London
  • Rebeca Omordia Piano
  • João Teoria Chef
  • Denzel Curry Hip-Hop
  • Derrick Hodge Hip-Hop
  • Alex Cuadros Author
  • Dafnis Prieto Cuba
  • Danilo Brito Brazil
  • Gilad Hekselman Guitar
  • Johnathan Blake Drums
  • Fábio Luna Samba
  • Fernando Brandão Flute
  • Brian Q. Torff Composer
  • Mestrinho Sergipe
  • Jaques Morelenbaum Brazilian Jazz
  • Fred Hersch Classical Music
  • Ta-Nehisi Coates Journalist
  • Jonathon Grasse Brazilian Music
  • Devin Naar University of Washington Faculty
  • Alicia Keys R&B
  • Burhan Öçal Percussion
  • Adriano Souza Samba
  • Wolfgang Muthspiel Contemporary Classical Music
  • Richard Galliano Choro
  • Scotty Apex Composer
  • Keith Jarrett Classical Music
  • John Waters Playwright
  • Nelson Latif Choro
  • Maria Rita MPB

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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