Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Joel Guzmán
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Joel Guzmán
  • City/Place: Austin, Texas
  • Country: United States

Life & Work

  • Bio: Joel Guzmán grew up playing conjunto in his father’s band in Washington state, to where his family had relocated in the 1950s. Over the years he played with the greats, including Santiago Almeida and Flaco Jiménez.

    Guzmán returned to Texas in the 1980s and spent the next three decades—along with singer-songwriter and longtime collaborator Sarah Fox — pushing the boundaries of Tex-Mex music. The bilingual Austin duo still play conjunto, but they also blend it with jazz, blues, and country, plus the tropical sounds of cumbia and salsa. They often record and perform with other top artists, ranging from Joe Ely and Rickie Lee Jones to Buddy Miller and Lee Ann Womack.

    Guzmán won Grammys for 1998’s Los Super Seven and 2004’s Polkas, Gritos y Acordeones albums, plus another for the 2010 soundtrack of Crazy Heart, a film in which he also acted.

    At 56 Joel Guzmán plays and promotes the accordion with passion. He teaches accordion workshops around the country and hosts the annual Squeezebox Mania, an Austin celebration of all things accordion. He also directs the University of Texas at Austin’s Tex-Mex Conjunto Ensemble.

    “My musical roots reach back to the beginnings of conjunto,” Guzmán says. “It’s my duty to act as a bridge between past and future.”

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Twitter: joelguzman
  • ▶ YouTube Music: http://music.youtube.com/channel/UCzAUPE927msmcAdMcVkVpTA
  • ▶ Spotify: http://open.spotify.com/album/6H29VghWu6GXPWKZoDOan5
  • ▶ Spotify 2: http://open.spotify.com/album/0xrz8zlwGULza9YGd5DIPK
  • ▶ Spotify 3: http://open.spotify.com/album/1eXCUbnO3Q4EmB9CxX1SaM
  • ▶ Spotify 4: http://open.spotify.com/album/6mpQu58RaU9UUar6ZLjP7Y

Clips (more may be added)

  • Spain by Chick Corea
    By Joel Guzmán
    557 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Joel Guzmán:

  • 7 Accordion
  • 7 Austin, Texas
  • 7 Conjunto
  • 7 Tejano
  • 7 Tex-Mex
  • 7 University of Texas in Austin Faculty

Nodes below are randomly generated. Reload for a different stack.

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  • Stefano Bollani Writer
  • Tomoko Omura Composer
  • Dudu Reis Brasil, Brazil
  • Joachim Cooder Singer-Songwriter
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  • Tshepiso Ledwaba Steinway Piano Technician
  • Marko Djordjevic Berklee College of Music Faculty
  • Bejun Mehta New York City
  • Eddie Kadi London
  • John Patrick Murphy Sanfona
  • Elio Villafranca Jazz
  • Lula Galvão Choro
  • Abhijith P. S. Nair Indian Fusion
  • Emmet Cohen Piano
  • Taylor Ashton Brooklyn, NY
  • Ajeum da Diáspora Bahia
  • Luiz Santos Contemporary Classical Music
  • Domingos Preto Samba de Roda
  • Rogério Caetano Guitar
  • Helado Negro Latin Experimental Music
  • Colson Whitehead Short Stories
  • João Parahyba Brazil
  • Dan Tepfer Jazz
  • Mavis Staples Gospel
  • Marisa Monte Samba
  • Will Vinson Saxophone
  • Miguel Zenón New York City
  • Johnny Lorenz Literary Critic
  • Gord Sheard Composer
  • Archie Shepp Composer
  • Corey Harris Reggae
  • Teresa Cristina Rio de Janeiro
  • Zachary Richard Poet
  • Dermot Hussey Pan-Africana
  • Manu Chao Singer-Songwriter
  • Leo Genovese Composer
  • Elza Soares Samba
  • Alain Mabanckou UCLA Faculty
  • Aindrias de Staic Galway
  • Jared Jackson Columbia Faculty
  • Tim Hittle Director
  • Greg Ruby Guitar
  • Parker Ighile Rapper
  • Cuong Vu Trumpet
  • Nguyên Lê Vietnam
  • Alegre Corrêa Guitar
  • Nick Douglas Writer
  • Edgar Meyer Multi-Cultural
  • Anouar Brahem Tunisia
  • Shaun Martin Songwriter
  • Derrick Adams Multidisciplinary Artist
  • Meddy Gerville Jazz
  • Joshua Abrams Theater Scores
  • Frank London Composer
  • Max ZT Dulcimer Instruction
  • Jakub Józef Orliński Poland
  • Varijashree Venugopal Singer
  • Márcio Bahia Brazil
  • Swizz Beatz Record Producer
  • Aneesa Strings Singer
  • Elisa Goritzki Salvador
  • Chris Dingman Vibraphone Instruction
  • Charlie Bolden Trumpet
  • Luiz Brasil Samba
  • Christopher Wilkinson Guitar
  • Horacio Hernández Afro-Cuban Jazz
  • Sam Dagher Journalist
  • Vinson Cunningham Writer
  • Deborah Colker Rio de Janeiro
  • Mark Stryker Detroit
  • Chris Dave R&B
  • Seth Rogovoy Klezmer
  • Roy Germano Author
  • Arto Lindsay Brazil
  • Arto Tunçboyacıyan Singer-Songwriter
  • Carwyn Ellis Samba
  • Kaveh Rastegar Record Producer
  • Elie Afif Composer
  • Danilo Caymmi Rio de Janeiro
  • Antibalas Afrobeat
  • Tom Zé Singer-Songwriter
  • Itamar Vieira Júnior Salvador
  • Trombone Shorty New Orleans
  • Rudy Royston Composer
  • Eduardo Kobra Ativista da Paz, Peace Activist
  • Nelson Latif Viola Caipira
  • Léo Rodrigues Pandeiro
  • Restaurante Axego Restaurant
  • Lívia Mattos Bahia
  • Nicholas Payton Multi-Instrumentalist
  • Diosmar Filho Salvador
  • Xenia França MPB
  • Ivan Sacerdote Brazil
  • Iuri Passos AFROBIZ Salvador
  • Yilian Cañizares Ecole de Jazz et de Musique Actuelle Faculty
  • Sam Yahel New York City
  • Ry Cooder Americana
  • Paquito D'Rivera Afro-Cuban Jazz
  • Alfredo Rodriguez Piano
  • Richard Galliano Jazz
  • Spok Frevo Orquestra Brazil
  • Edivaldo Bolagi Cineasta Documentarista, Documentary Filmmaker
  • Danilo Caymmi Brazil
  • Jovino Santos Neto Brazil
  • Rosa Cedrón Cello
  • Herlin Riley Drums
  • David Castillo Voiceovers
  • Anouar Brahem Tunis
  • Riley Baugus North Carolina
  • Papa Mali Singer-Songwriter
  • Cashmere Cat Record Producer
  • Hendrik Meurkens Brazilian Music
  • Hélio Delmiro Guitar
  • Caoimhín Ó Raghallaigh Theater Composer
  • Amilton Godoy Piano Course Online
  • Thundercat Composer
  • Vivien Schweitzer Music Critic
  • Amilton Godoy MPB
  • Fapy Lafertin Guitar
  • John Edward Hasse Music Historian
  • Darius Mans Washington, D.C.
  • Darrell Green Composer
  • Patricia Janečková Opera
  • Toninho Horta Composer
  • Alegre Corrêa Brazilian Jazz
  • Yola Singer-Songwriter
  • Bruce Williams Jazz
  • Adam Neely Composer
  • Ajurinã Zwarg Rio de Janeiro
  • Nancy Viégas Cantora-Compositora, Singer-Songwriter
  • Estrela Brilhante do Recife Recife
  • Sombrinha Singer-Songwriter
  • Amaro Freitas Composer
  • Joey Alexander Composer
  • Leela James Singer-Songwriter
  • Fantastic Negrito Singer-Songwriter
  • Nublu Record Label
  • Amit Chatterjee Multi-Cultural
  • Mestrinho Forró
  • Ethan Iverson Writer
  • Ronaldo do Bandolim Bandolim
  • Dee Spencer Piano
  • Melissa Aldana New York City
  • Luis Perdomo Jazz
  • Jeff Preiss Director
  • Samba de Nicinha Chula
  • Jonathon Grasse Guitar
  • Amilton Godoy Brazilian Jazz
  • Alita Moses Singer-Songwriter
  • Chris Boardman Film Scores
  • Babau Santana Chula
  • Elie Afif Dubai
  • Casa da Mãe Chula
  • Towa Tei テイ・トウワ Japan
  • Questlove DJ
  • Isaias Rabelo Bahia
  • Joshua Abrams Multi-Instrumentalist
  • Alexa Tarantino Woodwinds
  • Jim Lauderdale Nashville, Tennessee
  • D.D. Jackson Jazz
  • Jess Gillam Saxophone
  • João Teoria Compositor, Composer
  • Zeca Pagodinho Samba
  • Gamelan Sekar Jaya Bali
  • Alex de Mora Director
  • Fábio Zanon Author
  • Alex Conde Jazz
  • Wayne Escoffery Saxophone Instruction / Online Classes
  • Michael Cuscuna Writer
  • André Becker Música Clássica, Classical Music
  • Oswaldinho do Acordeon Forró
  • Walmir Lima Singer
  • Júlio Lemos Composer
  • Ryan Keberle Hunter College Faculty
  • Saileog Ní Cheannabháin Fiddle
  • Kimmo Pohjonen Film Scores
  • Sam Eastmond London
  • Tom Moon Writer
  • Ben Street Bass
  • Gilson Peranzzetta Composer
  • Adriana L. Dutra Brazil
  • Taj Mahal Singer-Songwriter
  • Yvette Holzwarth Violin
  • Arturo Sandoval Cuba
  • Amilton Godoy Classical Music
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  • Leigh Alexander Journalist
  • Varijashree Venugopal Composer
  • THE ROOM Shibuya Hip-Hop
  • Ruven Afanador Fashion Photographer
  • Anders Osborne Singer-Songwriter
  • Paulo Martelli Violão Clássico, Classical Guitar
  • Nicolas Krassik Jazz
  • Theo Bleckmann Germany
  • Peter Evans Experimental Music
  • Makaya McCraven Chicago, Illinois
  • Kiko Horta Accordion
  • Rayendra Sunito Jazz
  • Luques Curtis Jazz
  • Aaron Goldberg Piano
  • Jean Rondeau Paris
  • John Medeski Composer
  • Gabriel Geszti Choro
  • Aderbal Duarte Salvador
  • Amitava Kumar Journalist
  • Ben Cox Director of Photography
  • Woz Kaly African Music
  • Hilton Schilder Cape Jazz
  • Nubya Garcia London
  • Elie Afif Lebanon
  • Rahim AlHaj Oud
  • Rumaan Alam Short Stories
  • John Edward Hasse Piano
  • Samuca do Acordeon Forró
  • Trilok Gurtu Jazz
  • Carlos Malta Pífano
  • Mart'nália Samba
  • Tal Wilkenfeld Singer-Songwriter
  • Samuel Organ Electronic Music
  • Cristiano Nogueira Brazil Specialist
  • Derek Sivers Singer-Songwriter
  • Richard Bona Composer
  • Shuya Okino Composer
  • Nilze Carvalho Bandolim
  • Matt Parker Comedian
  • Pierre Onassis Singer-Songwriter
  • Kehinde Wiley New York City
  • Maia Sharp Singer-Songwriter
  • Siobhán Peoples Irish Traditional Music
  • Custódio Castelo Castelo Branco
  • Domingos Preto Samba de Roda
  • Rick Beato Songwriter
  • Brandee Younger Jazz
  • Esperanza Spalding Composer
  • David Braid Lute
  • Missy Mazolli Piano
  • Gabriel Grossi MPB
  • Danilo Caymmi MPB
  • Andra Day Actor
  • Andy Romanoff Storyteller
  • Philip Sherburne Electronic, Experimental, Underground Music
  • Monty's Good Burger Vegan Restaurant
  • Corey Harris Reggae
  • Masao Fukuda Choro
  • Dan Trueman Electronic Music
  • Nicholas Payton Trumpet
  • Julie Fowlis Singer
  • Paulinho Fagundes Rio Grande do Sul
  • Amilton Godoy Brazil
  • Dave Weckl Multi-Cultural
  • Frank London Jewish Music
  • Carlos Lyra Guitar
  • As Ganhadeiras de Itapuã Brazil
  • Abel Selaocoe Contemporary African Classical Music
  • Byron Thomas Music Director
  • Mike Marshall Mandolin
  • Ricardo Bacelar Fortaleza
  • Nara Couto Afropop
  • Burhan Öçal Turkey
  • Vijay Gupta Violin
  • Ofer Mizrahi Indian Slide Guiter
  • Mestre Nenel Salvador
  • Leon Bridges Soul
  • Thiago Espírito Santo São Paulo
  • Henry Cole Manhattan School of Music Faculty
  • John Santos Afro-Latin Music
  • Cécile Fromont Writer
  • Colm Tóibín Columbia University Faculty
  • Arturo Sandoval Jazz
  • Chris McQueen Guitar
  • Harvey G. Cohen Writer
  • Nate Smith Music Producer
  • Shemekia Copeland Singer
  • Cara Stacey Johannesburg
  • Molly Tuttle Nashville, Tennessee
  • Peter Serkin Classical Music
  • Esperanza Spalding Jazz
  • Esperanza Spalding Bass
  • Donald Harrison Jazz
  • Jam no MAM Jazz Brasileiro, Brazilian Jazz
  • Stephen Guerra Brazil
  • David Bruce Composer
  • Zakir Hussain Indian Classical Music
  • Rodrigo Amarante Los Angeles
  • Joan Chamorro Jazz
  • Marcel Camargo Arranger, Orchestrator
  • Carlinhos 7 Cordas Brazil
  • Sabine Hossenfelder Physicist
  • Forrest Hylton Writer
  • Grégoire Maret New York City
  • John Francis Flynn Ireland
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  • King Britt Live Producer
  • Yazz Ahmed Arabic Jazz
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  • Ferenc Nemeth App Developer
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  • Andrew Finn Magill Appalachian Music
  • Vadinho França Bahia
  • Anthony Coleman Composer
  • Ivan Huol Salvador
  • Willie Jones III Jazz
  • Maria Drell Brasil, Brazil
  • José Antonio Escobar Classical Guitar
  • James Gavin Journalist
  • Tyshawn Sorey Wesleyan University Faculty
  • Isaias Rabelo Piano
  • André Mehmari Piano
  • Di Freitas Composer
  • Musa Okwonga Essayist
  • Elizabeth LaPrelle Banjo
  • Jas Kayser Drums
  • Tiganá Santana Diretor Artístico, Artistic Director
  • Nelson Cerqueira Romancista, Novelist
  • Oleg Fateev Amsterdam
  • Andrés Beeuwsaert Composer
  • Donny McCaslin Composer
  • Frank Negrão Composer
  • Virgínia Rodrigues Brazil
  • Chris Dave Drums
  • Ricardo Herz Jazz
  • Eric Galm Berimbau
  • Sérgio Pererê Brazil
  • Nancy Viégas Produtora Áudiovisual, Audiovisual Producer
  • Alicia Keys Actor
  • Chief Xian aTunde Adjuah Trumpet
  • Chick Corea Piano
  • Garvia Bailey Toronto
  • Greg Ruby Author
  • Rogê MPB
  • Jeff 'Tain' Watts Actor

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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