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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

It is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Sparrow Roberts
    I RECOMMEND

CURATION

  • from this node by: Criador acima/Creator above

This is the Universe of

  • Name: Sparrow Roberts
  • City/Place: Salvador, Bahia
  • Country: Brazil

Current News

  • What's Up? Working on the matrix interface...

Life & Work

  • Bio: I'm Randy Roberts. "Pardal" in Brazil, which translates to "Sparrow".

    A couple of decades ago I worked in New York City rescuing royalties for composers and performers who hadn't been paid. That was my education in the dark side of the music industry. I did this for Mongo Santamaria, Paul Simon, Barbra Streisand, Led Zeppelin, Jim Hall, Astrud Gilberto, Ray Barretto, Robb Royer from Bread, Philip Glass and many others.

    Now I work with music in a different way (among other things I run Cana Brava Records). And from where I am it's easy to see that fabulous music is often isolated. At the same time even well-known artists can be unknown to huge swathes of humanity. Music travels, but not as well, far or widely as people suppose. Propagation has always cost money. We want to change this.

    Background:

    Bahia's great bay ("bahia" IS the archaic spelling for "bay") was port-of-call for more enslaved human beings than any other such throughout the entire period of human history. These people arrived Africans and became Bahians, and among much else they ironically created some of the most body-and-soul uplifting music ever heard. They needed it.

    We believe that -- the world being what it is today -- a LOT of other people could use it as well, or they should at least have a chance to hear it and decide for themselves. But there's a conundrum in that this music -- which is Brazil's equivalent to and analogue of the delta blues and early jazz (these of course known everywhere) -- is widely unknown even here in Brazil (even here in Salvador, pelo amor de Deus!). It's non-commercial, and most of the people who make it are poor...meaning that the chances of it travelling by conventional means -- publicity costs money and wide-ranging publicity costs a lot of money -- are almost nil. So for them we built the matrix. But for the matrix to work for them, it has to work for everybody!!!

Contact Information

  • Email: [email protected]
  • Telephone: +55 71 9 9976-2049
  • Whatsapp: +55 71 9 9976-2049

Media | Markets

  • ▶ Website: http://www.matrixonline.net

Clips (more may be added)

  • 4:13
    FILHOS NAGÔ - SÃO FÉLIX - BA. Vídeo elaborado através do Programa PAT BTS.
    By Sparrow Roberts
    298 views
  • 2:24
    CARME CANELA / JURANDIR SANTANA ( Cravo e Canela )
    By Sparrow Roberts
    233 views
  • Samba Chula in São Braz, Bahia, Brazil
    By Sparrow Roberts
    228 views
  • Samba de Roda em São Braz, Bahia
    By Sparrow Roberts
    322 views
  • 2:11
    Samba Chula de João do Boi
    By Sparrow Roberts
    304 views
  • Roberto Mendes & Raimundo Sodré in Santo Amaro, Bahia
    By Sparrow Roberts
    368 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Sparrow Roberts:

  • 0 Bahia
  • Pururu Mão no Couro Sambalanço
  • Dale Farmer Old-Time Music
  • Stephanie Soileau Louisiana
  • Marcos Portinari Brasil, Brazil
  • Trombone Shorty Trombone
  • Hugues Mbenda Chef
  • Elza Soares Singer
  • Jason Reynolds Young People's Literature
  • Siba Veloso Viola Nordestina
  • Donny McCaslin Composer
  • James Sullivan Journalist
  • Kim Hill Actor
  • Sam Dagher The Middle East
  • Jonathan Scales New York City
  • Chris Cheek Composer
  • Chano Domínguez Jazz
  • Etan Thomas Basketball
  • Nomcebo Zikode House Music
  • Maladitso Band Malawi
  • João Parahyba Songwriter
  • Jussara Silveira MPB
  • Jason Marsalis Drums
  • Nabih Bulos Classical Music
  • Gal Costa MPB
  • Maria Bethânia Bahia
  • Andrés Beeuwsaert Argentina
  • Bill Callahan Austin, Texas
  • Marquis Hill Chicago
  • Molly Tuttle Singer-Songwriter
  • Alex Mesquita Composer
  • Swizz Beatz New York City
  • Custódio Castelo Guitarra Portuguesa, Portuguese Guitar
  • Charlie Bolden Jazz
  • John Santos Record Label Owner
  • Garth Cartwright Music Critic
  • Art Rosenbaum Painter
  • Walmir Lima Songwriter
  • Jean Rondeau Film Scores
  • J. Cunha Artista Plástico, Artist
  • Stefon Harris Composer
  • Rodrigo Amarante MPB
  • Armen Donelian New School for Jazz and Contemporary Music Faculty
  • Magda Giannikou Piano
  • Simon Brook Paris
  • Eamonn Flynn Piano
  • Nathan Amaral Brazil
  • Daphne A. Brooks Journalist
  • Walter Smith III Jazz
  • Itiberê Zwarg Brazil
  • Marcos Sacramento Brazil
  • Mestrinho Sergipe
  • Mona Lisa Saloy Louisiana
  • Justin Brown Drums
  • Greg Kot Music Critic
  • Fábio Luna Forró
  • Asa Branca Bahia
  • Alain Mabanckou Congo-Brazzaville
  • Allen Morrison Piano
  • Alan Bishop Egypt
  • Orlando 'Maraca' Valle Cuba
  • Michael Doucet Mandolin
  • Plinio Oyò Chula
  • Caetano Veloso Brazil
  • Anders Osborne Blues
  • Damon Albarn Theater Composer
  • Jean-Paul Bourelly Multi-Cultural
  • Justin Stanton Brooklyn, NY
  • Alex de Mora London
  • Leonardo Mendes Samba
  • Tom Green Composer
  • Anthony Hervey Trumpet Instruction
  • Nath Rodrigues Violin
  • Keith Jarrett Jazz
  • Bule Bule Salvador
  • Mono/Poly DJ
  • Jan Ramsey Second Line
  • Dani Deahl Journalist
  • Ed Roth Music Producer
  • Deesha Philyaw Writer
  • Sharita Towne Multidisciplinary Artist
  • Fatoumata Diawara Wassoulou
  • Lucinda Williams Country
  • Walter Pinheiro Brazilian Jazz
  • Otis Brown III Drums
  • Rodrigo Caçapa Brazil
  • Rahim AlHaj Iraq
  • Carl Allen New York City
  • Nêgah Santos São Paulo
  • Pedro Aznar Poet
  • Paulo Paulelli São Paulo
  • Teddy Swims Singer-Songwriter
  • King Britt University of San Diego Faculty
  • Henrique Araújo Choro
  • Bisa Butler Quilts
  • Anouar Brahem Tunis
  • Darren Barrett Trumpet
  • Steve Bailey Bass
  • Amy K. Bormet Piano
  • Perumal Murugan India
  • Celsinho Silva Rio de Janeiro
  • Robertinho Silva Jazz
  • Marcelo Caldi Singer
  • Guilherme Kastrup Drums
  • Samuca do Acordeon Samba
  • Ajeum da Diáspora Bahia
  • Alyn Shipton Double Bass
  • Muireann Nic Amhlaoibh Ireland
  • Betão Aguiar Rio de Janeiro
  • Bill Pearis Journalist
  • Vivien Schweitzer Music Critic
  • Rita Batista Salvador
  • Isaiah Sharkey Chicago
  • Robi Botos Toronto
  • Larisa Wiegant Illustrator
  • Gringo Cardia Architect
  • Damon Albarn Singer-Songwriter
  • John Edward Hasse Music Historian
  • Mika Mutti Bahia
  • Jussara Silveira Brazil
  • J. Pierre Artist
  • Egberto Gismonti Rio de Janeiro
  • Peter Serkin Classical Music
  • Shuya Okino Japan
  • Frank Negrão Blues
  • Gregory Hutchinson Drumming Instruction
  • Dafnis Prieto Afro-Latin Music
  • Tim Hittle Animator
  • Weedie Braimah Ropeadope
  • Melissa Aldana Saxophone
  • Nicolas Krassik Forró
  • Hopkinson Smith Lute
  • Giorgi Mikadze გიორგი მიქაძე Microtonal
  • Cathal McNaughton Photojournalist
  • Savoy Family Cajun Band Louisiana
  • Rudy Royston Percussion
  • Matt Dievendorf Composer
  • Afel Bocoum Mali
  • Abhijith P. S. Nair Indian Classical Music
  • Neo Muyanga Singer
  • Reuben Rogers Bass Instruction
  • Gail Ann Dorsey Multi-Instrumentalist
  • Scott Yanow Liner Notes
  • Bobby Fouther Multidisciplinary Artist
  • Tony Kofi Saxophone
  • Jeff Tweedy Singer-Songwriter
  • Brian Stoltz Singer
  • Tshepiso Ledwaba University of South Africa Staff
  • Rowney Scott Saxophone
  • Los Muñequitos de Matanzas Matanzas
  • Jane Ira Bloom Jazz
  • Pharoah Sanders Multi-Cultural
  • Mauro Refosco Experimental, Eletrônica, Electronic
  • Flor Jorge Brazil
  • Julien Libeer Belgium
  • Ibrahim Maalouf Jazz
  • NIcholas Casey New York Times
  • Sara Gazarek Vocal Instruction
  • Ed Roth Los Angeles
  • Marcelinho Oliveira Music Producer
  • Shankar Mahadevan India
  • Michael Peha Record Producer
  • Joel Ross Jazz
  • Calida Rawles Painter
  • Wadada Leo Smith Trumpet
  • João Teoria Salvador
  • Sérgio Pererê Brazil
  • Teresa Cristina Songwriter
  • Irma Thomas Songwriter
  • Weedie Braimah Jazz
  • Gino Sorcinelli Writer
  • Isaac Julien England
  • Abderrahmane Sissako Film Producer
  • Varijashree Venugopal Film Scores
  • Matt Parker Comedian
  • Aaron Parks Composer
  • Arthur Verocai MPB
  • Serginho Meriti Samba
  • Alegre Corrêa Composer
  • Ronaldo do Bandolim Rio de Janeiro
  • Alfredo Rodriguez Piano
  • Aurino de Jesus Samba de Viola
  • Leon Bridges R&B
  • Mohamed Diab Screenwriter
  • Kiko Loureiro Brazil
  • Terell Stafford Composer
  • Abel Selaocoe Johannesburg
  • Maciel Salú Pernambuco
  • Frank Beacham Photographer
  • Celso de Almeida Drums
  • Jau Singer-Songwriter
  • Margareth Menezes Samba-Reggae
  • Robert Glasper R&B
  • Sahba Aminikia San Francisco
  • Shemekia Copeland Gospel
  • Mino Cinélu Composer
  • Onisajé Dramaturga, Playwright
  • Peter Evans Composer
  • Nigel Hall Soul
  • Avishai Cohen אבישי כה Composer
  • Babau Santana Chula
  • Alicia Hall Moran Mezzo-Soprano
  • Johnny Lorenz Montclair State University Faculty
  • Mauro Senise MPB
  • Tobias Meinhart Saxophone
  • David Simon Baltimore, Maryland
  • Dafnis Prieto Drums
  • Chris Speed Composer
  • David Bragger Guitar Instruction
  • Kiya Tabassian كيا طبسيان Film Scores
  • Leo Genovese New York City
  • Chris Thile Folk & Traditional
  • Nicolas Krassik Rio de Janeiro
  • Yayá Massemba Bahia
  • Abderrahmane Sissako Screenwriter
  • Malin Fezehai Africa
  • James Carter New York City
  • Ubiratan Marques Bahia
  • Isaak Bransah Brazil
  • Sara Gazarek Jazz
  • Walter Ribeiro, Jr. Samba
  • Tutwiler Quilters Mississippi
  • Brandon Wilner Writer
  • Paddy Groenland World Music
  • Martyn Record Label Owner
  • Huey Morgan DJ
  • Jakub Józef Orliński Warsaw
  • Daniil Trifonov Composer
  • Clint Smith Black American Culture & History
  • Tom Bergeron Ethnomusicologist
  • Dadá do Trombone Salvador
  • Adriana L. Dutra Director
  • Alex Mesquita Federal University of Bahia Faculty
  • Otis Brown III Jazz
  • Jon Batiste Multi-Instrumentalist
  • Gonzalo Rubalcaba Composer
  • Danilo Caymmi MPB
  • Capitão Corisco Pife
  • Arifan Junior Cavaquinho
  • Monk Boudreaux Percussion
  • Greg Kot Chicago
  • Ajurinã Zwarg Samba
  • Ari Hoenig Drum Instruction
  • Bodek Janke Multi-Cultural
  • Oswaldinho do Acordeon São Paulo
  • Bob Reynolds Composer
  • Henrique Araújo Mandolin
  • Glória Bomfim Singer
  • Alexa Tarantino Saxophone
  • Gui Duvignau Brazilian Jazz
  • Lynn Nottage Screenwriter
  • Philip Glass Composer
  • Samba de Lata Bahia
  • Diana Fuentes Singer-Songwriter
  • McIntosh County Shouters Ring Shouts
  • Masao Fukuda Brazil
  • Django Bates Composer
  • Alex de Mora Documentary Filmmaker
  • Rogê Rio de Janeiro
  • Sandro Albert Record Producer
  • Chico César Poet
  • Leela James Singer-Songwriter
  • Patty Kiss Bahia
  • Leon Parker Drums
  • Aruán Ortiz Afro-Cuban Jazz
  • Kendrick Scott Composer
  • Andrés Prado Universidad Católica del Perú Faculty
  • Rayendra Sunito Songwriter
  • Jamael Dean Jazz
  • Hugo Rivas Buenos Aires
  • Walter Pinheiro MPB
  • Ken Coleman Reporter
  • Vânia Oliveira Coreógrafa, Choreographer
  • Samba de Nicinha Chula
  • Conrad Herwig Afro-Caribbean Jazz
  • Avishai Cohen אבישי כה Tel Aviv
  • Kiko Freitas Drum Instruction
  • Paul Mahern Bloomington, Indiana
  • Ivo Perelman Painter
  • Andrew Finn Magill Violin
  • Júlio Caldas Bahia
  • Chau do Pife Pífano
  • Itamar Vieira Júnior Writer
  • Karsh Kale कर्ष काळे EDM
  • Allen Morrison Songwriter
  • Avishai Cohen אבישי כה Razdaz Recordz
  • Burhan Öçal Tanbur
  • Ron Mader Communications Catalyst
  • Sunna Gunnlaugs Jazz
  • Marcello Gonçalves Brazil
  • THE ROOM Shibuya Music Venue
  • Sebastian Notini Percussão, Percussion
  • Gilad Hekselman Guitar Instruction
  • Yunior Terry NYU Faculty
  • Kevin Hays Jazz
  • Ramita Navai Journalist
  • Tom Green Glasgow
  • Shanequa Gay Southern Black Tradition
  • Jan Ramsey Culture Journalist
  • Teodor Currentzis Classical Music
  • Yotam Silberstein Jazz
  • Marcel Camargo Jazz
  • Mauro Refosco Compositor de Filmes, Film Scores
  • Rosa Cedrón Galego Folk Music
  • David Greely Louisiana
  • Scott Kettner Pandeiro
  • Justin Brown Composer
  • Marcel Camargo MPB
  • Ken Avis Singer-Songwriter
  • Bob Telson New York City
  • Natan Drubi Violão de Sete, Seven-string Guitar
  • Ana Luisa Barral Brazil
  • Jill Scott Poet
  • Ajeum da Diáspora Restaurant
  • James Carter Clarinet
  • Kris Davis Piano
  • Jim Hoke Composer
  • Rogê MPB
  • Archie Shepp Pianist
  • Wayne Krantz Jazz
  • Nicholas Payton Record Label Owner
  • Cristovão Bastos Rio de Janeiro
  • Ed O'Brien Singer-Songwriter
  • Merima Ključo Theater Scores
  • Casey Driessen Composer
  • Rebeca Omordia Romania
  • Sebastian Notini Produtor Musical, Music Producer
  • John Patrick Murphy Brazilian Music
  • Neymar Dias Classical Music
  • Will Holshouser Musette
  • Ken Coleman Detroit, Michigan
  • Baiba Skride Violin
  • Carlos Lyra Singer-Songwriter
  • Tigran Hamasyan Armenia
  • Greg Osby Saxophone
  • Yilian Cañizares Lausanne, Switzerland
  • Dhafer Youssef ظافر يوسف Oud
  • Robby Krieger Singer-Songwriter
  • Fernando César Composer
  • Carl Joe Williams Sculptor
  • Reggie Ugwu New York City
  • Luizinho do Jêje Salvador
  • Sam Harris Jazz
  • Nora Fischer Amsterdam
  • Kirk Whalum Memphis, Tennessee
  • Guga Stroeter Candomblé
  • Nicole Mitchell Composer
  • Cashmere Cat Songwriter
  • Bukassa Kabengele Actor
  • Ceumar Coelho Singer-Songwriter
  • Cristovão Bastos Piano

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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