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Dumpstaphunk via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...

  • Steps from Dumpstaphunk:
    I'LL TAKE YOU THERE! ▶
Dumpstaphunk
  • 0 Funk
  • 0 New Orleans

'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!

I'LL TAKE YOU THERE! ▶

  • Steps forward by: The Matrix

Who I Am & Where I Live

  • Name: Dumpstaphunk
  • City: New Orleans
  • Country: United States

My Life & Work

  • Bio: Dumpstaphunk stands out among New Orleans’ best as one of the funkiest bands to ever arise from the Crescent City. Born on the Jazz & Heritage Festival stage, and descended from Neville family bloodlines, these soldiers of funk ignite a deep, gritty groove that dares listeners not to move.

    Their performances combine ingenious musicianship and complex funk and jazz arrangements with soulful melodies that are simple enough for anyone to enjoy.

    In Big Easy tradition, dueling baselines from Tony Hall and Nick Daniels III set off one of the dirtiest rhythm sections on the planet, while Ivan Neville lights up the Hammond B3 keys and cousin Ian Neville’s funky guitar riffs send the groove into overdrive.

    The band recently welcomed their newest member, Alvin Ford Jr. to the quintet, a New Orleans born and raised powerhouse drummer.

    Dumpstaphunk tosses around lead vocals and four-part harmonies the way Sly & the Family Stone did, but with three studio albums under their belt, Dumpstaphunk stands on the merit of their own material. Songs like “Dancin’ To The Truth” off their latest record, Dirty Word (July 30, 2013, Louisiana Red Hot Records), offer an escape into the funky sublime, sharing the true spirit of New Orleans with every note

Contact Information

  • Contact by Webpage: http://dumpstaphunk.com/contact/
  • Management/Booking: Management
    Jon Phillips – jon@silverbackmusic.net
    Silverback Artist Management
    Phone: 310.559.8990
    www.silverbackmusic.net

    Booking
    Phil Engenthal
    Pegenthal@paradigmagency.com
    Intl Booking, Highway Key Touring
    Europe, South America · hwykey@gmail.com
    Asia, Australia · bobbillewellyn7@gmail.com

My Media & Markets

  • ▶ Buy My Music (downloads/CDs/DVDs): http://dumpstaphunk.com/music/
  • ▶ Buy My Merch: http://merch.dumpstaphunk.com
  • ▶ Twitter: dumpstaphunk
  • ▶ Instagram: dumpstaphunk
  • ▶ Website: http://dumpstaphunk.com
  • ▶ YouTube Channel: http://www.youtube.com/user/DumpstaphunkNOLA
  • ▶ YouTube Music: http://music.youtube.com/channel/UCUs21bqsRumuEQlou3CGZHw
  • ▶ Spotify: http://open.spotify.com/album/14D2GvYb7WNfUuVA0nXjUD
  • ▶ Spotify 2: http://open.spotify.com/album/5eRudjeFuOfEYLLiRG39Gd
  • ▶ Spotify 3: http://open.spotify.com/album/31jDtYwdinBgdmjg0cdLrV

More

  • Quotes, Notes & Etc. “I don’t expect to hear anything funkier this year.” – Jon Pareles, New York Times

    “[A] jackpot of a funk record from Dumpstaphunk.” –WNYC

    “Dumpstaphunk’s self-produced sonic approach feels live, nasty, and greasy. The band’s writing celebrates community, self-reliance, and social responsibility.” –iTunes

    “Dumpstaphunk’s ‘If I’m In Luck’ brings the bass… boasts a fiery lead vocal from drummer Nikki Glaspie” –USA Today

    “Funksters and those who relish solid musicianship and incredible vocal harmonies can just be glad that an album like Dirty Word is still being made — that the ‘one nation under a groove’ remains vital. It’s a head noddin’, booty shakin’ disc…” –Louisiana Weekly

    “If Dumpstaphunk was a 3 course meal it would start with a juicy rhythm section, then move on to a beautiful arrangement of guitars and keys, seasoned with some soulful vocals and add a pinch of Cosmic Slop for good measure.” –Austin Chronicle

    “Dirty Word offers a remarkably fresh update on a sometimes neglected genre.” –Mix Magazine

    “[Dirty Word] stands on its own as the harbinger of a new style of 21st century funk.” –The Vinyl District

    “Dumpstaphunk has grown from a small side project into one of New Orleans’ most prestigious modern funk ensembles.” – Rolling Stone

Clips (more may be added)

  • Salvage Station
    By Dumpstaphunk
    193 views
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The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...

 

... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.

 

All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also  may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!

 

IF YOU CAN'T STAND THE HEAT

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.

 

But!

 

Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

Raimundo Sodré, in a conversation ranging through New Orleans and Harlem and the South Side of Chicago ... and Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"

 

A pandeirista on the roof. And it's not just music. And it's not just Brazil.

 

  • Richard Rothstein Historian
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  • Mahsa Vahdat Composer
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  • Gretchen Parlato New York City
  • Giovanni Russonello Electoral Politics
  • Keola Beamer Hawaiian Music
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  • Luciano Calazans Bass
  • James Gadson R&B
  • Gonzalo Rubalcaba Cuba
  • Ethan Iverson Composer
  • Gord Sheard Ethnomusicologist
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  • Daniel Jobim Brazilian Jazz
  • Julian Lage Americana
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  • Marc Johnson Double Bass
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  • Chris McQueen Video Producer
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  • Jean Rondeau Composer
  • Daedelus Berklee College of Music Faculty
  • Julien Libeer Brussels
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  • Dumpstaphunk Funk
  • Fred Hersch Rutgers University Faculty
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  • Roy Ayers Composer
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  • James Grime Mathematics
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  • Simon Singh Author
  • Walter Blanding Composer
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  • Burkard Polster Monash University Faculty
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  • Stephan Crump Bass Instruction
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  • Mart'nália Percussion
  • Paul Cebar Milwaukee
  • Glória Bomfim Singer
  • Dan Auerbach Singer-Songwriter
  • Susheela Raman Singer-Songwriter
  • Angelique Kidjo New York City
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  • Angelique Kidjo Benin
  • Michael Doucet Cajun Fiddle
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  • Celino dos Santos Bahia
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  • Sean Jones Johns Hopkins Peabody Institute Faculty
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  • Ashley Pezzotti Jazz
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  • Teresa Cristina Rio de Janeiro
  • Nick Douglas Journalist
  • Etan Thomas Writer
  • Sam Yahel Piano
  • Burkard Polster Mathematics
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  • Adriano Souza Rio de Janeiro
  • Dan Moretti Saxophone
  • Paul Cebar Singer-Songwriter
  • Michelle Mercer Music Critic
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  • Christian Scott aTunde Adjuah Jazz
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  • David Castillo Opera
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  • Miles Okazaki University of Michigan Faculty
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  • Lenine Record Producer
  • Fatoumata Diawara Mali
  • Carlinhos 7 Cordas Violão de Sete
  • Nicolas Krassik Choro
  • Melissa Aldana Jazz
  • Renato Braz MPB
  • OVANA Xangongo
  • Janine Jansen Classical Music
  • Milford Graves Jazz
  • Martin Hayes Irish Traditional Music
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  • Paul Cebar Multi-Cultural
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  • Chris Potter Saxophone
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  • Chris McQueen Guitar
  • Bombino Multi-Cultural
  • Matt Parker London
  • Luke Daniels Scottish Traditional Music
  • BIGYUKI Jazz/Electronic/R&B/Soul
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  • Lula Galvão Classical Guitar
  • Roy Ayers Film Scores
  • Flying Lotus Songwriter
  • Peter Evans Piccolo Trumpet
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  • Dan Moretti Berklee College of Music Faculty
  • Joel Ross Brooklyn, NY
  • Nikki Yeoh Composer
  • Casey Benjamin Songwriter
  • Marcello Gonçalves Violão de Sete
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  • Beats Antique Oakland, California
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  • Dan Weiss Avant-Garde Jazz
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  • Joel Best Sculptor
  • Oswaldinho do Acordeon Accordion
  • Justin Kauflin Piano
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  • Beeple Short Films
  • Hendrik Meurkens Vibraphone
  • Jay Blakesberg Photographer
  • Garvia Bailey Toronto
  • Bebê Kramer Choro
  • Oswaldo Amorim Brasília
  • James Martin Funk
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  • Herbie Hancock Jazz
  • Guillermo Klein New York City
  • David Mattingly Pratt Institute Faculty
  • Doug Wamble New York City
  • Ryuichi Sakamoto Composer
  • Ben Paris Bahia
  • Michael Pipoquinha Composer
  • Woody Mann Guitar Instruction
  • Peter Erskine Jazz
  • Lazzo Matumbi Brazil
  • Ranky Tanky Gullah Geechee
  • John Donohue Artist
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  • Tony Austin Drums
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  • Msaki Singer-Songwriter
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  • Raynald Colom Jazz
  • Sierra Hull Bluegrass
  • Mohini Dey Indian Fusion
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  • Simon Shaheen Oud
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  • Colm Tóibín Short Stories
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  • Amy K. Bormet Washington, D.C.
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  • Sam Harris Composer
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  • Jovino Santos Neto Piano
  • Magda Giannikou Piano
  • Imanuel Marcus News Site Owner/Editor-in-Chief
  • Leyla McCalla Folk & Traditional
  • Doug Wamble Guitar
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  • Herbie Hancock Piano
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  • Liz Pelly Journalist
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  • Morgan Page House
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  • Yunior Terry Havana
  • Lenna Bahule São Paulo
  • Mino Cinélu Multi-Instrumentalist
  • Jonathan Griffin Manchester
  • Ethan Iverson Jazz
  • Bob Telson Composer
  • Kimmo Pohjonen Film Scores
  • Thundercat Bass
  • Danilo Caymmi Samba
  • Nigel Hall R&B
  • Del McCoury Country
  • Bonerama Funk
  • Walter Smith III Composer
  • Shankar Mahadevan India
  • Jess Gillam London
  • James Gavin Journalist
  • Uli Geissendoerfer UNLV School of Music Faculty
  • Biréli Lagrène Jazz
  • Catherine Russell Blues
  • Paquito D'Rivera Clarinet
  • Jennifer Koh Classical Music
  • Maria Rita MPB
  • Caridad De La Luz New York City
  • Gregory Porter Songwriter
  • Daniil Trifonov New York City
  • Richard Bona Multi-Instrumentalist
  • Marcela Valdes Writer
  • Mino Cinélu Drums
  • Nelson Latif Cavaquinho
  • Alexandre Gismonti Guitar
  • Kronos Quartet String Quartet
  • The Weeknd Actor
  • Ana Tijoux Rapper
  • Tambay Obenson Journalist
  • Lakecia Benjamin Saxophone
  • João Bosco Rio de Janeiro
  • Mingus Big Band Jazz
  • Olivia Trummer Piano
  • Joel Guzmán Tejano
  • David Ritz Writer
  • Michael League Record Label Owner
  • J. Velloso Songwriter
  • Manu Chao Multi-Cultural
  • Angel Deradoorian Multi-Instrumentalist
  • Hamilton de Holanda Rio de Janeiro
  • Mayra Andrade Singer
  • D.D. Jackson Conservatory of Music at Brooklyn College Faculty
  • Hélio Delmiro Guitar
  • Michael League Multi-Cultural
  • Ben Williams Jazz
  • Giovanni Russonello Washington, D.C.
  • Barry Harris Jazz
  • Gian Correa Samba
  • Carla Visi Bahia
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