Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

  • Sign in
  • Join Everybody Here
    Loading ...
View All Updates Mark All Read
  • Matrix Home
  • Categories are Here!
  • Showcase Music
  • Add Videos/SC
  • Add Photos
  • (Bahia)
  • Questions?
  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Oswaldinho do Acordeon
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Oswaldinho do Acordeon
  • City/Place: São Paulo
  • Country: Brazil

Life & Work

  • Bio: Oswaldinho is the Charlie Parker of Brazilian accordion players. Born and raised in São Paulo -- son of a family which had relocated to Brazil's south from the interior of Bahia -- he became one of the primary exponents of música nordestina (folk music from Brazil's fecund northeast) while bringing a deep classical understanding of music in general to his art.

Contact Information

  • Management/Booking: Quitanda Musical Produções Artísticas
    +55 11 2598 7398
    +55 11 98441 7054 / 11 95421 2441
    [email protected]

Media | Markets

  • ▶ Twitter: oswaldinhoacord
  • ▶ Instagram: oswaldinhodoacordeonoficial
  • ▶ YouTube Channel: http://www.youtube.com/user/oswaldinhodoacordeon
  • ▶ YouTube Music: http://music.youtube.com/channel/UCDYi4f76oOm3JsUvkllyl4g
  • ▶ Spotify: http://open.spotify.com/album/4Z40yV2AVbHxpTWMQ9TkBj
  • ▶ Spotify 2: http://open.spotify.com/album/6ViRsFK1jizIhF4Mr2g50w
  • ▶ Spotify 3: http://open.spotify.com/album/0Y7d4tAOOWgrJ35zeXkFt8
  • ▶ Spotify 4: http://open.spotify.com/album/3P7X9TOr0rIPTgZptYH198
  • ▶ Spotify 5: http://open.spotify.com/album/1w4WaZJ9STps94vzlCQ3cr
  • ▶ Spotify 6: http://open.spotify.com/album/6j2l1CJknVWbXtxUbW8dse

Clips (more may be added)

  • Feira de Mangaio
    By Oswaldinho do Acordeon
    410 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Oswaldinho do Acordeon:

  • 1 Accordion
  • 1 Brazil
  • 1 Composer
  • 1 Forró
  • 1 São Paulo

Nodes below are randomly generated. Reload for a different stack.

  • Ravi Coltrane Saxophone
  • Pharoah Sanders Saxophone
  • Romero Lubambo Guitar
  • Plamen Karadonev Jazz
  • Chris Cheek Jazz
  • Cécile Fromont Writer
  • Mike Compton Songwriter
  • Dona Dalva Samba de Roda
  • Gabrielzinho do Irajá Versador
  • Thana Alexa New York City
  • Gustavo Di Dalva Percussion Instruction Online
  • Eivør Pálsdóttir Faroe Islands
  • Manolo Badrena Composer
  • Thiago Espírito Santo Produtor Musical, Music Producer
  • Şener Özmen Video Artist
  • Ajurinã Zwarg Rio de Janeiro
  • Jess Gillam Concert Promoter
  • Rowney Scott Brasil, Brazil
  • Scott Kettner Second Line
  • Cuong Vu Jazz
  • Simone Sou São Paulo
  • Sérgio Pererê Belo Horizonte
  • Anthony Hamilton Singer-Songwriter
  • Russell Malone Jazz
  • Bongo Joe Records Record Shop
  • James Sullivan Journalist
  • Burhan Öçal Divan-Saz
  • Gilmar Gomes Brazil
  • Marc-André Hamelin Composer
  • John Patitucci Jazz
  • Joel Guzmán Austin, Texas
  • Mariana Zwarg Samba
  • Scott Kettner New School for Jazz and Contemporary Music Faculty
  • Airto Moreira Singer
  • King Britt Electronic Music
  • Dave Smith Percussion
  • Alegre Corrêa Jazz
  • 小野リサ Lisa Ono Guitar
  • Lilli Lewis New Orleans
  • Tony Austin Recording Engineer
  • Oswaldo Amorim Brazil
  • Gêge Nagô Samba
  • Rick Beato Songwriter
  • David Byrne New York City
  • Jim Hoke Nashville, TN
  • Ari Rosenschein Journalist
  • Jeff 'Tain' Watts Drums
  • Mino Cinélu New York City
  • Arifan Junior Produtor Cultural, Cultural Producer
  • Yasushi Nakamura Jazz
  • Carrtoons Record Producer
  • Cory Wong Record Producer
  • Nguyên Lê Composer
  • Oteil Burbridge Funk
  • Capinam Letrista, Lyricist
  • Lucio Yanel Composer
  • Martyn Record Label Owner
  • Mino Cinélu New York City
  • Jess Gillam Concert Promoter
  • Guillermo Klein Piano
  • Laércio de Freitas Brazil
  • Kendrick Scott Composer
  • Peter Mulvey Singer-Songwriter
  • June Yamagishi Guitar
  • Mauro Senise Brazilian Jazz
  • Robby Krieger Singer-Songwriter
  • Chano Domínguez Flamenco
  • Hamilton de Holanda Mandolin
  • Marcelinho Oliveira Keyboards
  • Katuka Africanidades Loja de Roupa, Clothing Store
  • Simon Shaheen Arabic Music
  • Louis Marks Apparel & Fashion
  • John Edward Hasse Author
  • John Morrison Writer
  • Márcio Valverde MPB
  • André Becker Flauta, Flute
  • Fábio Zanon Classical Guitar
  • Stephen Guerra Brazil
  • Egberto Gismonti Guitar
  • Alê Siqueira Bahia
  • Jaques Morelenbaum Cello
  • Jan Ramsey Culture Journalist
  • Peter Dasent Composer
  • Aderbal Duarte Brazil
  • Milton Primo Chula
  • Dwandalyn Reece Ethnomusicologist
  • Arturo Sandoval Jazz
  • Mika Mutti MPB
  • Tia Surica Samba
  • Edsel Gomez Piano
  • Ivan Neville Multi-Instrumentalist
  • João Teoria Jazz Afro-Baiano, Afro-Bahian Jazz
  • Sérgio Pererê Actor
  • Congahead Video Producer
  • Ali Jackson Drums
  • Adriano Souza Samba
  • Béco Dranoff Record Label Owner
  • Weedie Braimah Jazz
  • Stefon Harris Manhattan School of Music Faculty
  • Chris Speed Avant-Garde Jazz
  • Siobhán Peoples Ireland
  • David Braid Composer
  • Tommy Peoples Irish Traditional Music
  • Alfredo Rodriguez Piano
  • Melanie Charles Experimental Music
  • Scotty Barnhart Composer
  • Brandon Seabrook New York City
  • Tam-Ky Asian-African Foods
  • Muri Assunção New York City
  • David Ngwerume Africa
  • Ron Miles MSU Denver Music Faculty
  • Dale Farmer Fiddle
  • Elza Soares Rio de Janeiro
  • Ned Sublette Singer-Songwriter
  • Mike Marshall Violin
  • João Bosco Samba
  • Fred Dantas Big Band Leader
  • Milford Graves Percussion
  • Avishai Cohen Trumpet
  • Burhan Öçal Turkish Music
  • Samuel Organ Experimental Rock
  • Carlos Henriquez Northwestern University Faculty
  • Gui Duvignau Brooklyn, NY
  • The Bayou Mosquitos Netherlands
  • Zé Katimba Brazil
  • Jennifer Koh Classical Music
  • Orlando 'Maraca' Valle Composer
  • Kiko Freitas Educator
  • Jen Shyu Dancer
  • Guinha Ramires Brazil
  • Nguyên Lê Record Producer
  • Buck Jones Cantor, Singer
  • Horácio Reis Faculdade da Ucsal, Catholic University of Salvador Faculty
  • Curly Strings Americana
  • Jakub Knera Gdańsk
  • Lilli Lewis New Orleans
  • Doug Adair Music & Cultural Education
  • Ali Jackson Percussion
  • Nancy Ruth Composer
  • Elizabeth LaPrelle Actor
  • Afel Bocoum Guitar
  • ANNA DJ
  • Ben Harper Reggae
  • Nicholas Daniel Guildhall School of Music Staff
  • Natalia Contesse Singer-Songwriter
  • Anna Mieke Ireland
  • Daedelus Hip-Hop
  • Robertinho Silva Percussion
  • Luiz Santos Latin Jazz
  • Larissa Fulana de Tal Cineasta, Filmmaker
  • Intisar Abioto Writer
  • J. Cunha Designer Gráfico, Graphic Designer
  • Jorge Alfredo Roteirista, Screenwriter
  • Arismar do Espírito Santo Guitar
  • Guga Stroeter Samba
  • Antonio García Singer
  • Jorge Ben Singer-Songwriter
  • David Sánchez Ropeadope
  • Joachim Cooder Drums
  • Arifan Junior Cantor-Compositor, Singer-Songwriter
  • Vijay Iyer Jazz
  • Marc-André Hamelin Composer
  • Eduardo Kobra Brasil, Brazil
  • Ivan Huol Songwriter
  • Martyn DJ
  • Carlinhos Brown Brazil
  • David Bragger Guitar Instruction
  • Shanequa Gay Southern Black Tradition
  • Billy O'Shea Science Fiction
  • Steve Lehman Saxophone Instructor
  • Bianca Gismonti Piano
  • Sam Yahel Piano
  • Hilton Schilder Piano
  • Jared Sims Flute
  • Cale Glendening Cinematographer
  • Nicholas Daniel Trossingen Musikhochschule Staff
  • Perumal Murugan Novelist
  • Adam Cruz Drums
  • Pasquale Grasso New York City
  • Fidelis Melo Bahia
  • MARO Multi-Instrumentalist
  • Priscila Castro Pará
  • Lívia Mattos Brazil
  • Margareth Menezes Brazil
  • Jimmy Duck Holmes Guitar
  • Felipe Guedes Brazilian Jazz
  • Teresa Cristina Rio de Janeiro
  • Mateus Aleluia Samba
  • Christopher James New York City
  • Luiz Santos Composer
  • Robertinho Silva Composer
  • Alex Rawls New Orleans
  • David Sánchez Composer
  • Jorge Washington AFROBIZ Salvador
  • Andrew Gilbert Jazz
  • Miles Mosley Film Scores
  • Ivan Bastos Salvador
  • Munir Hossn Composer
  • Carlinhos 7 Cordas Brazil
  • Alain Mabanckou Congo-Brazzaville
  • Yola R&B
  • Tam-Ky Marseille
  • Antônio Queiroz Brazil
  • Asali Solomon Writer
  • Rudresh Mahanthappa Saxophone
  • Estrela Brilhante do Recife Recife
  • Jovino Santos Neto Brazil
  • Derron Ellies Trinidad & Tobago
  • Masao Fukuda Yokahama
  • Joel Best Character Artist
  • James Brandon Lewis Essayist
  • Mona Lisa Saloy Folklorist
  • Jack Talty Concertina
  • Asanda Mqiki Afro-Soul
  • Jorge Alfredo Cineasta, Filmmaker
  • Tessa Hadley Short Stories
  • Neo Muyanga Singer
  • J. Cunha Salvador
  • Marcus Miller Film Scores
  • John Patrick Murphy Brazilian Music
  • Kirk Whalum Gospel
  • Shaun Martin Multi-Instrumentalist
  • Benny Benack III Singer-Songwriter
  • Arthur Verocai MPB
  • Immanuel Wilkins New School Faculty
  • Molly Tuttle Americana
  • Hendrik Meurkens Vibraphone
  • Garvia Bailey Toronto
  • Mário Pam Bahia
  • Grégoire Maret Jazz
  • David Binney Composer
  • Domingos Preto Santiago do Iguape
  • Gilson Peranzzetta Brazil
  • Musa Okwonga Football Journalist
  • Galactic Funk
  • Conrad Herwig Rutgers University Faculty
  • Mulatu Astatke Vibraphone
  • Iuri Passos Salvador
  • Nic Adler Los Angeles, California
  • Gringo Cardia Rio de Janeiro
  • Gilad Hekselman Israel
  • Benny Benack III Jazz
  • Nana Nkweti Short Stories
  • Lucio Yanel Singer
  • Lenna Bahule Singer-Songwriter
  • Hot Dougie's Bar Restaurante
  • Kiko Freitas Samba
  • Bob Telson Film Scores
  • Alexa Tarantino Composer
  • Taj Mahal Singer-Songwriter
  • John Santos Cape Verde
  • Towa Tei テイ・トウワ Keyboards
  • Varijashree Venugopal Multi-Cultural
  • Armen Donelian Author
  • Tshepiso Ledwaba University of South Africa Staff
  • Roots Manuva Rapper
  • Kimmo Pohjonen Film Scores
  • Danilo Pérez Jazz
  • Gord Sheard Humber College Music Faculty
  • Darryl Hall Paris
  • Miroslav Tadić Jazz
  • Leci Brandão Brazil
  • Márcia Short Bahia
  • Rick Beato Songwriter
  • Angelique Kidjo New York City
  • Virgínia Rodrigues Bahia
  • Saileog Ní Cheannabháin Fiddle
  • Bebê Kramer Accordion
  • Neymar Dias Multi-Instrumentalist
  • Ned Sublette Writer
  • Alegre Corrêa Guitar
  • Kim Hill DJ
  • Júlio Lemos Brazilian Jazz
  • Bob Bernotas Rutgers Faculty
  • Jeff 'Tain' Watts Drums
  • Charlie Bolden Jazz
  • Massimo Biolcati Brooklyn, NY
  • Ivo Perelman São Paulo
  • Hugo Linns Pernambuco
  • Ivan Bastos Baixo, Bass
  • Chick Corea Piano
  • Brigit Katz Toronto
  • Nora Fischer Classical Music
  • Varijashree Venugopal Jazz
  • Ari Rosenschein Seattle
  • Margareth Menezes Afropop
  • Ajeum da Diáspora Bahia
  • Jeremy Danneman New York City
  • Di Freitas Cello
  • Yazz Ahmed Arabic Jazz
  • Theon Cross Jazz
  • Ron Blake New York City
  • Ubiratan Marques Música Clássica Contemporânia, Contemporary Classical Music
  • Marcelo Caldi Tango
  • Roy Ayers Vibraphone
  • César Orozco Violin
  • Urânia Munzanzu Jornalista, Journalist
  • Darren Barrett R&B
  • Jovino Santos Neto Flute
  • Otto Recife
  • Kiya Tabassian كيا طبسيان Montreal
  • Ronaldo do Bandolim Mandolin
  • Roy Nathanson Arranger
  • Gilson Peranzzetta Accordion
  • Frank Negrão Composer
  • Jorge Ben Sambalanço
  • Nikki Yeoh Composer
  • Jimmy Greene Western Connecticut State University Faculty
  • Matt Ulery Composer
  • Afrocidade Hip-Hop
  • Maria Drell Bahia
  • Sheryl Bailey Guitar
  • Jim Hoke Multi-Instrumentalist
  • Rez Abbasi Pakistani Music
  • Paul Mahern Mastering Engineer
  • Jonathon Grasse Guitar
  • Nels Cline Jazz, Rock, Country, Experimental
  • Shalom Adonai Samba de Roda
  • Byron Thomas Programmer
  • Frank London Klezmer
  • Gonzalo Rubalcaba Cuba
  • Casey Benjamin Record Producer
  • Sarz Sample Creator
  • Edil Pacheco Songwriter
  • Priscila Castro Santarém
  • Seckou Keita Senegal
  • Gal Costa Singer
  • Eric R. Danton Writer
  • Nabihah Iqbal Music Producer
  • Nahre Sol Toronto
  • Jubu Smith Guitar
  • Sam Dagher Syria
  • Marcela Valdes Latino Culture
  • Moacyr Luz Songwriter
  • Alessandro Penezzi Brazil
  • The Brain Cloud New York City
  • Darol Anger Fiddle
  • Imanuel Marcus News Site Owner, Editor-in-Chief
  • Ali Jackson Composer
  • Adriano Souza Piano
  • Stephen Guerra Brazilian Classical Guitar
  • Stacy Dillard R&B
  • Tessa Hadley Novelist
  • Ed Roth Keyboards
  • Gabi Guedes Salvador
  • Carwyn Ellis Multi-Cultural
  • Riley Baugus Banjo
  • Zebrinha Diretor Artístico, Artistic Director
  • Luizinho Assis Bahia
  • Rogê Singer-Songwriter

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

Copyright ©2022  -  Privacy  -  Terms of Service  -  Contact  - 

Open to members of the worldwide creative economy.

You'll use your email address to log in.

Passwords must be at least 6 characters in length.

Enter your password again for confirmation.

This will be the end of your profile link, for example:
http://www.matrixonline.net/profile/yourname

Please type the characters you see in the image. May take several tries. Sorry!!!

 

Matrix Sign In

Please enter your details below. If are a member of the global creative economy and don't have a page yet, please sign up first.

 
 
 
Forgot Password?
Share