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  • Missy Mazolli

    VIA THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    inspired by
    THE GRAPEVINE TELEGRAPH
    of Pre-Civil War African-Americans

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Missy Mazolli
  • City/Place: New York City
  • Country: United States
  • Hometown: Lansdale, Pennsylvania

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Grammy-nominated composer Missy Mazzoli was recently deemed “one of the more consistently inventive, surprising composers now working in New York” (The New York Times) and “Brooklyn’s post-millennial Mozart” (Time Out New York). Mazzoli is the Mead Composer-in-Residence at the Chicago Symphony Orchestra, and her music has been performed all over the world by the Kronos Quartet, eighth blackbird, pianist Emanuel Ax, Opera Philadelphia, Scottish Opera, LA Opera, Cincinnati Opera, New York City Opera, Chicago Fringe Opera, the Detroit Symphony, the LA Philharmonic, the Minnesota Orchestra, the American Composers Orchestra, JACK Quartet, cellist Maya Beiser, violinist Jennifer Koh, pianist Kathleen Supové, Dublin’s Crash Ensemble, the Sydney Symphony and many others. In 2018 she made history when she became one of the two first women (along with composer Jeanine Tesori) to be commissioned by the Metropolitan Opera. That year she was also nominated for a Grammy in the category of “Best Classical Composition” for her work Vespers for Violin, recorded by violinist Olivia De Prato.

    Mazzoli has received considerable acclaim for her operatic compositions. Her third opera, Proving Up, written with longtime collaborator Royce Vavrek, was commissioned by Washington National Opera, Opera Omaha and New York’s Miller Theatre. Based on a short story by Karen Russell, Proving Up offers a surreal and disquieting commentary on the American dream through the story of a Nebraskan family homesteading in the late 19th century. Proving Up premiered to critical acclaim in January 2018 at Washington D.C.’s Kennedy Center, in April 2018 at Opera Omaha, and in September 2018 at Miller Theatre. The Washington Post called it “harrowing…powerful…a true opera of our time”. Mazzoli’s second opera, Breaking the Waves, a collaboration with librettist Royce Vavrek commissioned by Opera Philadelphia and Beth Morrison Projects in 2016, was described as “among the best 21st-century operas yet” (Opera News), “savage, heartbreaking and thoroughly original” (Wall Street Journal), and “dark and daring” (New York Times). Earlier projects include the critically acclaimed sold-out premiere of Missy’s first opera, Song from the Uproar, in a Beth Morrison production at New York venue The Kitchen in March 2012. The Wall Street Journal called this work “powerful and new” and the New York Times claimed that “in the electric surge of Ms. Mazzoli’s score you felt the joy, risk, and limitless potential of free sprits unbound.” Time Out New York named Song from the Uproar Number 3 on its list of the top ten classical music events of 2012. In October 2012, Missy’s operatic work, SALT, a re-telling of the story of Lot’s Wife written for cellist Maya Beiser and vocalist Helga Davis, premiered as part of the BAM Next Wave Festival and at UNC Chapel Hill, directed by Robert Woodruff. This work, including text by Erin Cressida-Wilson, was deemed “a dynamic amalgamation that unapologetically pushes boundaries” by Time Out New York.

    Mazzoli is currently the Mead Composer-in-Residence at the Chicago Symphony Orchestra. From 2012-2015 she was Composer-in-Residence with Opera Philadelphia, Gotham Chamber Opera and Music Theatre-Group, and in 2011/12 was Composer/Educator in residence with the Albany Symphony. Missy was a visiting professor of music at New York University in 2013, and later that year joined the composition faculty at the Mannes College of Music, a division of the New School. From 2007-2011 she was Executive Director of the MATA Festival in New York, and in 2016, Along with composer Ellen Reid and in collaboration with the Kaufman Music Center, Missy founded Luna Composition Lab, a mentorship program and support network for female-identifying composers ages 13-19.

    The upcoming season includes performances of her second opera Breaking the Waves at the Edinburgh International Festival, the Adelaide Festival and at the Brooklyn Academy of Music, a performance of her opera Proving Up at the Aspen Music Festival, the world premiere of a Orpheus Alive, a new ballet score commissioned and premiered by the National Ballet of Canada, the US premiere of her double bass concert Dark with Excessive Bright with the St. Paul Chamber Orchestra, the world premiere of Orpheus Undone, an orchestral work commissioned by the Chicago Symphony, and performances of her work by the Los Angeles Chamber Orchestra, San Francisco Symphony, Colorado Symphony and the Opera National Bordeaux, among others. Mazzoli will also curate concerts with the San Francisco Symphony, Los Angeles Chamber Orchestra, and the Chicago Symphony.

    Mazzoli is an active TV and film composer, and recently wrote and performed music for the fictional character Thomas Pembridge on the Amazon TV show Mozart in the Jungle. She also contributed music to the documentaries Detropia and Book of Conrad and the film A Woman, A Part. Missy’s music has been recorded and released on labels including New Amsterdam, Cedille, Bedroom Community, 4AD and Innova. Artists who have recorded Mazzoli’s music include eighth blackbird (whose Grammy-winning 2012 CD Meanwhile opened with Missy’s work Still Life with Avalanche), Roomful of Teeth, violinist Jennifer Koh, violist Nadia Sirota, NOW Ensemble, Newspeak, pianist Kathleen Supove, the Jasper Quartet, and violinist Joshua Bell, who recorded Missy’s work for the Mozart in the Jungle soundtrack.

    Mazzoli is an active pianist and keyboardist, and often performs with Victoire, a band she founded in 2008 dedicated to her own compositions. Their debut full-length CD, Cathedral City, was named one of 2010′s best classical albums by Time Out New York, NPR, the New Yorker and the New York Times, and was followed by the critically acclaimed Vespers for a New Dark Age, a collaboration with percussionist Glenn Kotche. Vespers was released in March 2015 on New Amsterdam Records along with Missy’s own remixes of the work and a remix of her piece A Thousand Tongues by longtime collaborator Lorna Dune. The New York Times called Vespers for a New Dark Age “ravishing and unsettling”, and the album was praised on NPR’s First Listen, All Things Considered and Pitchfork. In the past decade they have played in venues all over the world including Carnegie Hall, the M.A.D.E. Festival in Sweden, the C3 Festival in Berlin and Millennium Park in Chicago. Victoire returned to Carnegie Hall in March of 2015 as part of the “Meredith Monk and Friends” concert, performing Missy’s arrangements of Monk’s work.

    Missy is the recipient of a 2019 Grammy nomination, the 2017 Music Critics Association of America Inaugural Award for Best Opera, the 2018 Godard Lieberson Fellowship from the American Academy of Arts and Letters, a 2015 Foundation for Contemporary Arts Award, four ASCAP Young Composer Awards, a Fulbright Grant to The Netherlands, the Detroit Symphony’s Elaine Lebenbom Award, and grants from the Jerome Foundation, American Music Center, and the Barlow Endowment. She has been awarded fellowships from the MacDowell Colony, Yaddo, Ucross, VCCA, the Blue Mountain Center and the Hermitage.

    Missy attended the Yale School of Music, the Royal Conservatory of the Hague and Boston University. She has studied with (in no particular order) David Lang, Louis Andriessen, Martin Bresnick, Aaron Jay Kernis, Martijn Padding, Richard Ayres, John Harbison, Charles Fussell, Martin Amlin, Marco Stroppa, Ladislav Kubik, Louis DeLise and Richard Cornell.

Contact Information

  • Email: [email protected]
  • Management/Booking: ALL MEDIA INQUIRIES
    Sarah Baird Knight
    Calliope PR
    [email protected]
    646.907.8062

    SCORE/PARTS RENTAL or PURCHASE
    All works, except those written for Victoire, are published by G. Schirmer, Inc. To rent scores and parts within the United States, please contact G. Schirmer:
    [email protected]
    Tel: (845) 469 4699
    Fax: (845) 469 7544

Media | Markets

  • ▶ Twitter: missymazzoli
  • ▶ Instagram: missymazzoli
  • ▶ Website: http://www.missymazzoli.com
  • ▶ YouTube Channel: http://www.youtube.com/user/missyarmy
  • ▶ Spotify: http://open.spotify.com/album/0j7PNuSnzWiX6edoVzVfL2
  • ▶ Spotify 2: http://open.spotify.com/album/700VZwg0iFLe6iMMO9Vsya
  • ▶ Spotify 3: http://open.spotify.com/album/67zu0jqkotVEpuzIHofOsD
  • ▶ Articles: http://www.missymazzoli.com/press

Clips (more may be added)

  • Missy Mazzoli’s Vespers for Violin, performed by violinist Jennifer Koh with Missy Mazzoli
    By Missy Mazolli
    371 views
  • BBC Proms: Missy Mazzoli: Sinfonia (for Orbiting Spheres)
    By Missy Mazolli
    451 views
  • Impromptu Episode 4: Missy Mazzoli
    By Missy Mazolli
    423 views
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Missy Mazolli Curated

  • 1 Classical Music
  • 1 Composer
  • 1 Mannes School of Music Faculty
  • 1 New York City
  • 1 Opera
  • 1 Piano

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  • Missy Mazolli
    A video was posted re Missy Mazolli:
    Missy Mazzoli’s Vespers for Violin, performed by violinist Jennifer Koh with Missy Mazzoli
    Recorded at The Greene Space on September 17, 2019 as part of WQXR’s Fall Season Preview
    • April 10, 2020
  • Missy Mazolli
    A video was posted re Missy Mazolli:
    BBC Proms: Missy Mazzoli: Sinfonia (for Orbiting Spheres)
    The European premiere of Missy Mazzoli’s mesmeric Sinfonia – music ‘in the shape of the solar system’ that weaves and coils itself in a sequence of pulsing l...
    • April 10, 2020
  • Missy Mazolli
    A video was posted re Missy Mazolli:
    Impromptu Episode 4: Missy Mazzoli
    Impromptu is back! In Episode 4, meet rising star Missy Mazzoli, who was just nominated for a 2019 Grammy Award for "Best Classical Composition". This video ...
    • April 10, 2020
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    A category was added to Missy Mazolli:
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    • April 10, 2020
  • Missy Mazolli
    A category was added to Missy Mazolli:
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    • April 10, 2020
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    • April 10, 2020
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    A category was added to Missy Mazolli:
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    • April 10, 2020
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    Missy Mazolli is matrixed!
    • April 10, 2020
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

DISCOVERY BY MATRIX

Quincy Jones can curate Gilberto Gil. Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers... He can curate Luê Soares of Belém do Pará, behind the mic below. Quincy doesn't have to know Luê exists to help make her discoverable, or anybody else ... it's in the matrix DNA.

The Matrix Mission was Born in Brazil, but It Embraces the Entire World

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

 

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 


If you're arriving from the Guardian article 10 best music radio stations around the world, →Matrix Radio is here←

The matrix was created above in Salvador's Centro Histórico (interview is with David Dye for U.S. National Public Radio), where Bule Bule around the corner in the clip below, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!
"Matrixado!"

✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber

That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

DESCOBERTA POR MATRIX

Quincy Jones pode indicar Gilberto Gil. Gil pode indicar escritores, dançarinos, cineastas, pintores, produtores de discos... Ele pode indicar Luê Soares de Belém do Pará, atrás do microfone abaixo. Quincy não precisa saber que Luê existe para ajudá-la a ser descoberta, ou qualquer outra pessoa ... está no DNA do matrix.

A Missão Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado. Em nenhum outro lugar a não ser aqui.

 


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 


Se você está chegando do artigo do jornal britânico The Guardian "10 best music radio stations around the world", →a Rádio Matrix está aqui←

O matrix foi criado no Centro Histórico de Salvador (entrevista é com David Dye para a Rádio Público Nacional dos EUA), onde Bule Bule no clipe abaixo, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!
"Matrixado!"

✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Owen Williams Developer
  • Zebrinha Brasil, Brazil
  • Nailor Proveta Compositor, Composer
  • Dale Barlow New York City
  • Brett Kern Ceramic Artist
  • Ashley Pezzotti Jazz
  • Keb' Mo' Guitar
  • Evgeny Kissin Classical Music
  • Ivan Lins Singer-Songwriter
  • Cayenna Ponchione-Bailey Percussion
  • John Patrick Murphy Accordion
  • Larissa Luz Actor
  • Osvaldo Golijov College of the Holy Cross Faculty
  • Louis Marks Music Producer
  • Dezron Douglas Composer
  • Terri Lyne Carrington Drums
  • Khruangbin Multi-Cultural
  • Alexandre Leão Bahia
  • Cimafunk Cuban Funk
  • Lolis Eric Elie Journalist
  • Jimmy Duck Holmes Blues
  • Alessandro Penezzi Violão de Sete
  • Amit Chatterjee Multi-Cultural
  • Endea Owens Double Bass
  • Beeple Concert Visuals
  • Utar Artun Film Scores
  • Isaiah Sharkey Composer
  • Tony Kofi Flute
  • Katuka Africanidades Salvador
  • Richard Bona Jazz
  • Moacyr Luz Singer
  • Branford Marsalis New Orleans
  • Irmandade da Boa Morte Cachoeira
  • Atlantic Brass Quintet Brass Ensemble
  • Mehdi Rajabian Arranger
  • Sunn m'Cheaux Binya
  • Marc Johnson Double Bass
  • Gevorg Dabaghyan Duduk
  • Leon Bridges Soul
  • Mestre Barachinha Caboclo de Lança
  • Michael Peha Guitar
  • Niwel Tsumbu Africa
  • Cédric Villani France
  • Molly Jong-Fast Podcaster
  • José Antonio Escobar Barcelona
  • Rez Abbasi Indian Classical Music
  • Amaro Freitas Recife
  • Fabian Almazan Piano
  • Joe Lovano Saxophone
  • BaianaSystem Reggae
  • Vadinho França Bahia
  • Myles Weinstein Drums
  • Gilson Peranzzetta Clarinet
  • Ari Hoenig Author
  • Julian Lage Blues
  • Sérgio Mendes Rio de Janeiro
  • Larry Grenadier Jazz
  • Maurício Massunaga Choro
  • THE ROOM Shibuya Hip-Hop
  • David Bragger Record Label Owner
  • Carla Visi Brazil
  • J. Pierre Artist
  • Trilok Gurtu Percussion
  • Monk Boudreaux New Orleans
  • Astrig Akseralian Painter
  • Matt Dievendorf Jazz
  • Tom Bergeron Bossa Nova
  • Alicia Hall Moran Theater
  • Gavin Marwick Fiddle
  • Beats Antique Oakland, California
  • Little Simz Photographer
  • Jamz Supernova Record Label Owner
  • Marcel Camargo Record Producer
  • Yamandu Costa Samba
  • Yosvany Terry Percussion
  • Doug Wamble Jazz
  • Michael League Bandleader
  • The Brain Cloud New York City
  • David Simon Baltimore, Maryland
  • Ronald Bruner Jr. Jazz
  • Fabiana Cozza Samba
  • Gino Sorcinelli Educator
  • Colm Tóibín Short Stories
  • Sérgio Pererê Singer
  • Emily Elbert Singer-Songwriter
  • Tedy Santana Drums
  • Romulo Fróes São Paulo
  • Tray Chaney Songwriter
  • Jay Blakesberg San Francisco
  • Nicholas Gill Photographer
  • Kendrick Scott Drums
  • Greg Spero Piano
  • Yosvany Terry New York City
  • Zebrinha Candomblé
  • Yuja Wang China
  • Paulinho do Reco Bahia
  • Anat Cohen Jazz
  • Mauro Diniz Singer-Songwriter
  • Maia Sharp Country
  • Marcus Teixeira MPB
  • Tele Novella Austin, Texas
  • Chico Buarque Author
  • Trilok Gurtu Drums
  • Alicia Keys Singer-Songwriter
  • Mazz Swift Violin
  • Monk Boudreaux Singer
  • Issa Malluf Doumbek
  • Fatoumata Diawara Singer-Songwriter
  • William Parker New York City
  • Ofer Mizrahi Jazz, Folk, Eastern Music
  • Marisa Monte Samba
  • Fred Hersch Classical Music
  • Rudy Royston Composer
  • Stephen Guerra Brazilian Classical Guitar
  • Samuca do Acordeon Accordion
  • Johnathan Blake Drums
  • Mark Lettieri Record Producer
  • Casa da Mãe Salvador
  • Sarz Contemporary R&B
  • Dorothy Berry African American History
  • Eli Teplin Piano
  • Adam Shatz Brooklyn, NY
  • Alma Deutscher Piano
  • Robertinho Silva Percussion
  • Fred Dantas Euphonium
  • Yazz Ahmed Audio Manipulation
  • Forrest Hylton Writer
  • Guto Wirtti Brazil
  • Seth Rogovoy Jewish Music
  • Tigran Hamasyan Singer
  • Ryuichi Sakamoto Record Producer
  • Philip Ó Ceallaigh Translator
  • Ethan Iverson Writer
  • Andy Romanoff Photographer
  • Lina Lapelytė Contemporary Classical Music
  • Rob Garland Musicians Institute College of Contemporary Music Faculty
  • Chucho Valdés Afro-Cuban Jazz
  • Azadeh Moussavi Film Director
  • Roberto Mendes Guitar
  • Sabine Hossenfelder Singer-Songwriter
  • Serwah Attafuah NFTs
  • Sunn m'Cheaux Storyteller
  • Djuena Tikuna Indigenous Brazilian Music
  • Greg Osby Record Label Owner
  • Arturo Sandoval Film Scores
  • Nabil Ayers Record Label Owner
  • James Sullivan Writer
  • Silas Farley Ballet
  • Samuca do Acordeon Chamamé
  • Anders Osborne Singer-Songwriter
  • Brandon Coleman Keyboards
  • Marc Cary Piano
  • Michel Camilo Latin Music
  • Charles Munka Hong Kong
  • Alisa Weilerstein Contemporary Classical Music
  • Max ZT Composer
  • Antônio Queiroz Samba Rural
  • Omar Sosa Piano
  • David Mattingly Matte Painter
  • Saileog Ní Cheannabháin Piano
  • Philip Sherburne Music & Culture Writer
  • Ed Roth Songwriter
  • Nikole Hannah -Jones African American History
  • Aderbal Duarte Bahia
  • Oscar Bolão Author
  • Igor Osypov Jazz
  • Ben Hazleton Bass
  • João Jorge Rodrigues Presidente de Bloco Afro
  • Marília Sodré MPB
  • Gabriel Policarpo Repique
  • Martyn Techno
  • Damon Krukowski Writer
  • The Brain Cloud Western Swing
  • Molly Tuttle Americana
  • Olivia Trummer Singer
  • Oteil Burbridge Southern Rock
  • Stefano Bollani Brazilian Music
  • Brooklyn Rider Contemporary Classical Music
  • The Assad Brothers Classical Guitar
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