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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Ubiratan Marques
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Ubiratan Marques
  • City/Place: Salvador, Bahia
  • Country: Brazil

Life & Work

  • Bio: Natural de Salvador, Bahia, Ubiratan Marques é pianista, compositor, arranjador e maestro de música sinfônica.

    Tendo iniciado seus estudos como autodidata em 1983, ingressou na Universidade Federal da Bahia em 1986, em Salvador, quando estudou Composição com Ernest Widmer, Lindenberg Cardoso e Agnaldo Ribeiro. Mais tarde, em 1994, já na Universidade Livre de Música Tom Jobim, em São Paulo, estudou Instrumentação, Orquestração e Arranjo, além de Piano Popular, com Roberto Faria, Cyro Pereira e Hans-Joachim Koellreutter, entre outros.

    Professor, sua vida docente se iniciou em 1998 na Universidade Livre de Música Tom Jobim, experiência que se estenderia por 10 anos, até seu retorno a Salvador, quando fundou o Núcleo Moderno de Música, suporte ao desenvolvimento de aproximadamente 500 profissionais e berço para o surgimento da Orquestra Afrosinfônica.

    Ainda em São Paulo, na década de 2000, fundou junto ao Projeto Guri a Orquestra Zumbi dos Palmares, trabalho sinfônico voltado à cultura negra que lhe permitiu atuar como regente dirigindo jovens de 8 a 18 anos. Essa experiência foi retomada em 2011 com a introdução do ensino de instrumentos de orquestra a jovens da rede municipal de ensino de Camaçari, Bahia, formando e dirigindo a Orquestra Sinfônica Popular Brasileira jovem e adulta.

    O Maestro segue dirigindo a Orquestra Afrosinfônica e a Orquestra Sinfônica Popular Brasileira. Em 2015, incursionou no formato da orquestra experimental de câmara com formações variadas, a que deu o nome Asè Ensemble.

    Neto da Mãe de Santo Guiomar Carolina, de Belmonte, no sul da Bahia, o Maestro tem como traço marcante de sua obra a influência da música ancestral africana.

Contact Information

  • Contact by Webpage: http://casadaponte.org.br/contato/

Media | Markets

  • ▶ Instagram: maestroubiratanmarques
  • ▶ Website: http://casadaponte.org.br
  • ▶ Spotify: http://open.spotify.com/album/592rNszuxHVYJAiRbpQAbF

Clips (more may be added)

  • 0:08:04
    Bira
    By Ubiratan Marques
    27 views
  • 1:31
    Bira e Seu Mateus
    By Ubiratan Marques
    25 views
  • 4:49
    Maestro Ubiratan Marques fala com A MundiOca revista sobre a Orquestra Afrosinfônica da Bahia
    By Ubiratan Marques
    11 views
Previous
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Ubiratan Marques:

  • 4 Bahia
  • 4 Brasil, Brazil
  • 4 Maestro, Conductor
  • 4 Música Afro-Brasileira, Afro-Brazilian Music
  • 4 Música Clássica Contemporânia, Contemporary Classical Music
  • 4 Salvador
  • John McWhorter Columbia University Faculty
  • Martín Sued Composer
  • Ray Angry Record Producer
  • Africania Chula
  • Little Simz Actor
  • Tony Austin Recording Engineer
  • Keyon Harrold Composer
  • Yamandu Costa Guitar
  • Jon Faddis Purchase College Conservatory of Music Faculty
  • Judith Hill Soul
  • César Camargo Mariano Arranger
  • Matt Dievendorf Washington, D.C.
  • Lula Galvão Classical Guitar
  • Stefon Harris Vibraphone
  • Adonis Rose Drum Instruction
  • Billy Strings Guitar
  • Ajurinã Zwarg Percussion
  • Ken Dossar Philadelphia
  • Wolfgang Muthspiel Guitar
  • Justin Kauflin Jazz
  • Biréli Lagrène Guitar
  • Barlavento Samba
  • Nate Chinen Jazz
  • Imanuel Marcus War Correspondent
  • Mário Pam Bahia
  • Bruce Molsky Guitar
  • Adonis Rose Composer
  • Samuca do Acordeon Accordion
  • Hugues Mbenda Experimental French, African Cuisine
  • Stormzy Rapper
  • Angelique Kidjo Multi-Cultural
  • Asa Branca Brazil
  • Sombrinha Bandolim
  • Joshua White Jazz
  • Ivan Sacerdote Brazilian Jazz
  • Shalom Adonai Samba de Roda
  • Leandro Afonso Film Editor
  • Marc Johnson Bossa Nova
  • Ibrahim Maalouf Jazz
  • Tony Trischka Old-Time Music
  • Nublu Brazilian Music
  • Tessa Hadley Novelist
  • Nicholas Payton Composer
  • Issac Delgado Singer
  • Jason Reynolds Poet
  • Africania Samba de Roda
  • Jorge Alfredo Roteirista, Screenwriter
  • Phakama Mbonambi Journalist
  • Miroslav Tadić Jazz
  • Shamarr Allen R&B
  • Theon Cross Composer
  • Mark Bingham Singer-Songwriter
  • Dave Smith Drums
  • César Orozco Piano
  • Logan Richardson Composer
  • Derek Sivers Record Producer
  • Sam Dagher Syria
  • Marco Pereira Choro
  • Hendrik Meurkens Vibraphone
  • John Patrick Murphy Accordion
  • Warren Wolf Singer
  • Germán Garmendia Singer
  • Ethan Iverson Jazz
  • Tero Saarinen Helsinki
  • Richard Rothstein Author
  • Kurt Andersen New York City
  • Vincent Valdez Drawings
  • Cut Worms Brooklyn, NY
  • Omar Sosa Multi-Cultural
  • Kiko Souza Salvador
  • David Bragger Guitar
  • J. Velloso Singer
  • César Camargo Mariano Piano
  • Nubya Garcia Composer
  • Thiago Trad Brasil, Brazil
  • Robi Botos Jazz
  • Jon Cowherd Record Producer
  • Albin Zak Record Producer
  • Raelis Vasquez Painter
  • Nora Fischer Amsterdam
  • Chris Acquavella Germany
  • Gamelan Sekar Jaya Indonesia
  • Afrocidade Dub
  • Menelaw Sete Pelourinho
  • Marcel Camargo Los Angeles
  • Cathal McNaughton Ireland
  • Jura Margulis Classical Music
  • Hélio Delmiro Samba
  • Lalah Hathaway R&B
  • Matt Ulery Chicago
  • Arturo Sandoval Jazz
  • Luciano Calazans MPB
  • Luiz Brasil Guitar
  • Willy Schwarz Singer
  • Gabriel Grossi MPB
  • Hamilton de Holanda Mandolin
  • Jas Kayser Drums
  • Marcel Camargo Jazz
  • Oded Lev-Ari Music Producer
  • Bebê Kramer Brazil
  • Jorge Pita Brazil
  • Luke Daniels Glasgow
  • Marcus Miller Composer
  • Donny McCaslin Composer
  • Bodek Janke Berlin
  • John Schaefer Writer
  • Jared Sims Composer
  • César Camargo Mariano Brazilian Jazz
  • Linda Sikhakhane South Africa
  • Allen Morrison Writer
  • China Moses Soul
  • Jess Gillam London
  • Calida Rawles Writer
  • Paulo Dáfilin Arranger
  • J. Cunha Cenógrafo, Scenographer
  • Mona Lisa Saloy Folklorist
  • Archie Shepp Paris, France
  • Ibrahim Maalouf Jazz
  • Luques Curtis Bass
  • Ron Wyman Photographer
  • Yazz Ahmed Composer
  • Samuca do Acordeon Composer
  • Tom Schnabel Radio Presenter
  • Bongo Joe Records Geneva, Switzerland
  • Intisar Abioto Photographer
  • Stanton Moore Funk
  • Mickalene Thomas Installation Artist
  • Nelson Ayres Piano
  • Kiko Souza Brasil, Brazil
  • Ana Tijoux Rapper
  • Mestrinho Sergipe
  • Leonardo Mendes Cantor-Compositor, Singer-Songwriter
  • China Moses Singer
  • Scotty Barnhart Trumpet
  • Raul Midón Singer
  • Amilton Godoy Brazilian Jazz
  • Bing Futch Americana
  • António Zambujo Fado
  • Terell Stafford Temple University Boyer College of Music & Dance Faculty
  • Tarus Mateen R&B
  • Cinho Damatta Salvador
  • Alicia Keys Singer-Songwriter
  • Vincent Valdez Mexican-American Art
  • Reena Esmail Composer
  • Manolo Badrena Puerto Rico
  • Herbie Hancock Keyboards
  • Africania Brazil
  • Sameer Gupta Tabla
  • Colm Tóibín Short Stories
  • Veronica Swift New York City
  • Casey Driessen Bluegrass
  • Capinam Bahia
  • Tia Surica Samba
  • Joshua Redman Composer
  • Laura Marling Singer-Songwriter
  • Paulo Martelli Brasil, Brazil
  • Steve Bailey Bass
  • João Teoria Cantor, Singer
  • Mazz Swift Composer
  • H.L. Thompson Artist Development
  • Capitão Corisco Folk & Traditional
  • Colm Tóibín Novelist
  • André Vasconcellos Brasil, Brazil
  • Louis Marks Ropeadope Sur
  • John Santos Cape Verde
  • Guga Stroeter São Paulo
  • Forrest Hylton Salvador
  • Andrew Finn Magill Samba
  • Lalah Hathaway Piano
  • Nelson Faria Brazilian Jazz
  • Paulo Paulelli Brazilian Jazz
  • Afrocidade Hip-Hop
  • Fred Dantas Trombone
  • Asa Branca Choro
  • Ronald Bruner Jr. Jazz
  • Gabriel Policarpo Repique Instruction
  • Brandon Seabrook New York City
  • Lula Galvão Brasília
  • The Bayou Mosquitos Zydeco
  • Rob Garland Guitar
  • Gilberto Gil MPB
  • Marcelo Caldi Tango
  • John Harle Film Scores
  • Orlando Costa Percussion
  • Adriano Giffoni Bass Instruction, Master Classes
  • Sahba Aminikia Composer
  • Luiz Santos Multi-Cultural
  • Colm Tóibín Playwright
  • Edil Pacheco Songwriter
  • Mahsa Vahdat Iran
  • Oswaldinho do Acordeon Forró
  • James Grime Mathematics
  • Karsh Kale कर्ष काळे Singer
  • Imanuel Marcus News Site Owner, Editor-in-Chief
  • Avishai Cohen אבישי כה Razdaz Recordz
  • Raphael Saadiq Multi-Instrumentalist
  • Stephen Guerra Arranger
  • Shaun Martin Record Producer
  • David Castillo Moorpark College Faculty
  • Little Simz Singer-Songwriter
  • Bodek Janke Composer
  • Paul Mahern Mastering Engineer
  • Inaicyra Falcão Candomblé
  • Julie Fowlis Scotland
  • Egberto Gismonti Rio de Janeiro
  • Kris Davis Jazz
  • Manolo Badrena Visual Media
  • Peter Evans Trumpet
  • Ben Williams Composer
  • Roberto Fonseca Piano
  • Marc Ribot Brooklyn, NY
  • Bobby Vega Funk
  • Tony Austin Film Scores
  • Tito Jackson Soul
  • Tia Surica Rio de Janeiro
  • Roosevelt Collier Blues, Gospel, Rock, Funk
  • Bule Bule Repente
  • Edivaldo Bolagi Candomblé
  • Danilo Pérez Boston
  • Terri Hinte Travel Writer
  • Dadi Carvalho Brazil
  • Africania Chula
  • Tony Austin Television Scores
  • Mika Mutti Record Producer
  • Bianca Gismonti Rio de Janeiro
  • Swizz Beatz Songwriter
  • Las Cafeteras Afro-Mexican Music
  • Fábio Zanon Brazil
  • Oscar Bolão Brazil
  • Joshua Abrams Guimbri
  • Bukassa Kabengele Singer-Songwriter
  • James Sullivan Music Critic
  • Antonio García Singer
  • THE ROOM Shibuya Dance Club
  • Pasquale Grasso Guitar Instruction, Master Classes
  • Moses Boyd Record Label Owner
  • Regina Carter Manhattan School of Music Faculty
  • Bianca Gismonti Singer
  • Matt Dievendorf Washington, D.C.
  • Fred Hersch Classical Music
  • Keyon Harrold Record Producer
  • Dee Spencer Musical Director
  • Brandon Coleman Singer-Songwriter
  • Hot Dougie's Salvador
  • Shanequa Gay Storyteller
  • Dee Spencer Composer
  • Thiago Espírito Santo Guitarra, Guitar
  • Matt Garrison Bass
  • Carlinhos Brown Brazil
  • Oscar Bolão Photographer
  • Ray Angry Pan-Global Pop
  • Towa Tei テイ・トウワ Record Producer
  • Danilo Caymmi MPB
  • Fred Dantas Ethnomusicologist
  • Kaia Kater Banjo
  • Jon Otis Singer-Songwriter
  • June Yamagishi Jazz
  • Jorge Ben Rio de Janeiro
  • David Byrne New York City
  • Casey Driessen Fiddle
  • Tom Green Composer
  • Neymar Dias Multi-Instrumentalist
  • Tom Green Contemporary Classical Music
  • Afrocidade Rap
  • Roots Manuva Hip-Hop
  • Kendrick Scott Drums
  • 9Bach Welsh Traditional Music
  • Reggie Ugwu Pop Culture Reporter
  • John Harle Author
  • Paulo Martelli Brazilian Classical Guitar
  • Gerald Cleaver Jazz
  • Courtney Pine Jazz
  • Tony Austin Composer
  • Yacouba Sissoko New York City
  • Charles Munka Painter
  • Andrew Dickson Essayist
  • Caoimhín Ó Raghallaigh Theater Composer
  • Adonis Rose Jazz
  • André Becker Jazz Brasileiro, Brazilian Jazz
  • Mateus Alves Film Scores
  • Carwyn Ellis Multi-Instrumentalist
  • Ben Williams Jazz
  • Gord Sheard Keyboards
  • The Rheingans Sisters Sheffield
  • Simon Brook Writer
  • Errollyn Wallen Contemporary Classical Music
  • Kiko Freitas Brazil
  • Daru Jones Nashville, TN
  • Leon Parker Jazz
  • Mavis Staples R&B
  • Derrick Hodge Record Producer
  • Ubiratan Marques Música Clássica Contemporânia, Contemporary Classical Music
  • Nora Fischer Contemporary Classical Music
  • Robertinho Silva Brazil
  • Nego Álvaro Samba
  • Greg Ruby Jazz
  • The Brain Cloud Western Swing
  • Chris Boardman Producer
  • Steve Lehman Composer
  • Gavin Marwick Composer
  • Samba de Nicinha Samba de Roda
  • Alexia Arthurs Iowa Writers' Workshop Faculty
  • Lakecia Benjamin R&B
  • Nabihah Iqbal DJ
  • Tiganá Santana Poeta, Poet
  • Varijashree Venugopal Brazilian Music
  • Bobby Sanabria Bandleader
  • Plinio Oyò Brasil, Brazil
  • Anoushka Shankar Film Scores
  • Plamen Karadonev Jazz
  • Yilian Cañizares Violin
  • Donny McCaslin Brooklyn, NY
  • George Cables Piano
  • Jeremy Danneman Klezmer
  • Banning Eyre Photographer
  • Victoria Sur Bogotá
  • James Martins Crítico Cultural, Cultural Critic
  • Vânia Oliveira Educadora, Educator
  • Devin Naar Writer
  • Ken Avis Music Writer
  • Fatoumata Diawara Paris
  • Júlio Lemos Guitar
  • Fantastic Negrito Oakland, California
  • Kim Hill Singer
  • Gustavo Di Dalva Salvador
  • Yunior Terry NYU Faculty
  • Jack Talty Composer
  • Tommy Peoples Irish Traditional Music
  • Little Simz Hip-Hop
  • Joan Chamorro Barcelona
  • Jim Lauderdale Nashville, Tennessee
  • 小野リサ Lisa Ono Multi-Cultural
  • César Camargo Mariano Composer
  • Myles Weinstein Percussion
  • Monk Boudreaux Louisiana
  • Martín Sued Bandoneon
  • Lucian Ban Transylvania
  • Rita Batista Jornalista, Journalist
  • Anthony Coleman Avant-Garde Jazz
  • Capinam Brasil, Brazil
  • Flora Purim Percussion
  • Gilberto Gil Singer-Songwriter
  • Elisa Goritzki Salvador
  • Orrin Evans Philadelphia, Pennsylvania
  • Aderbal Duarte Brazil
  • Zebrinha Coreógrafo, Choreographer
  • Flora Purim Singer-Songwriter
  • Tom Bergeron Samba
  • Ry Cooder Multi-Instrumentalist
  • Ali Jackson Composer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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