Salvador Bahia Brazil Matrix
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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Oleg Fateev
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Oleg Fateev
  • City/Place: Amsterdam
  • Country: Netherlands
  • Hometown: Bendery, Moldavia

Life & Work

  • Bio: Oleg Fateev was born on the 5th of July1967 in Bendery (also called Tighina), a town in Moldavia on the banks of the beautiful Dnestr river.

    "Before I started my studies at the Russian Gnesin Academy of Music in Moscow, I did two years of service in the Russian army. This was mandatory and I chose to do it before my studies.

    Unfortunately I was going to be stationed in Afghanistan. But the day before leaving, a conducting teacher, who I met by coincidence, told me that some colonel was looking for an accordionist for his military ensemble in Moscow. Without this chance encounter my life would have been very different."

    At the age of 29 Oleg moved to the Netherlands and started playing on the streets, where his talent was soon recognized by performing artists from all kinds of musical styles. His versatility manifested itself in the diverse projects he has worked on in recent years. He performed together with the dance company of Krisztina de Chatel, Theater Artemis and the theatre company Oostpool.

    Furthermore Oleg wrote music for the Wajdi Mouawad trilogy by the RO Theatre. Beside many solo concerts, he worked with Herman van Veen, Robert Long, Leoni Jansen, Jeroen Willems, Nynke Laverman, Hadewych Minis, John Engels, Oene van Geel, Wolfert Brederode, Wouter Vossen, Jeroen van Vliet and Claron McFadden.

    Oleg has worked as a conductor, composer and arranger for different theatre companies and has cooperated with theatre makers such as Johan Simons (Zuidelijk Toneel/ Hollandia), Alize Zandwijk and Gerardjan Rijnders (RoTheater), Floor Huygens and Bert Luppes (Theater Artemis). In 2018 Oleg did a theatre tour with journalist and filmmaker Jelle Brandt Corstius. In the same year he took part in the tour ‘Chansons van Schoonheid en Troost’ of Britta Maria and Maurits Fondse as their special guest.

    Oleg has taken part in many international projects with several ensembles such as Loyko Gipsy Band (Russia), Ethel String Quartet (US), Shonaleigh Cumberg (UK) and The Nordanians (NL).

    Furthermore he's worked with artists such as Chico Cesar, Badi Assad, Ceumar and Carlinhos Antunes (Brazil). Oleg performs as a duo with the Brazilian percussionist Simone Sou and as a trio together with Oene van Geel and Wolfert Brederode. Before these ensembles he led the Oleg Fateev Trio with Konstantin Iliev and Dion Nijland and he played with the Tiltan Quartet. Fateev gave concerts and workshops in the Netherlands, Belgium, Germany, France, Poland, Norway, Spain, Scotland, England, Brazil, South Africa, China, Sweden, Jordan, Turkey, Taiwan and Portugal.

Contact Information

  • Email: [email protected]
  • Telephone: +31 (0) 6 394 68 310

Media | Markets

  • ▶ Website: http://www.oleg.nl
  • ▶ YouTube Channel: http://www.youtube.com/channel/UC2fgycA4M_-BxSv88DUygfQ
  • ▶ YouTube Music: http://music.youtube.com/channel/UC4Y8pZal7q4aPcQjhu0ziHg
  • ▶ Spotify: http://open.spotify.com/album/3cDBOVvJOPCY5L8YQrQ15E

Clips (more may be added)

  • 4:37
    Oleg Fateev "The Lonely Accordion" (Одинокая Гармонь)
    By Oleg Fateev
    132 views
  • 3:58
    Oleg Fateev - Koni Priveredlivye (Fastidious Horses)
    By Oleg Fateev
    123 views
  • 2:14
    Asa Branca by Oleg Fateev & Simone Sou
    By Oleg Fateev
    114 views
  • 3:48
    Daqui Pralá
    By Oleg Fateev
    140 views
  • 0:07:12
    "The Observer"
    By Oleg Fateev
    120 views
  • 2:45
    D.Scarlatti Sonata in D-Major by Oleg Fateev
    By Oleg Fateev
    110 views
  • 5:57
    Oleg and friends dec 2019
    By Oleg Fateev
    120 views
Previous
Next

YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Oleg Fateev:

  • 1 Accordion
  • 1 Amsterdam
  • 1 Composer
  • 1 Moldavia
  • Mino Cinélu Composer
  • David Kirby Novelist
  • Serginho Meriti Composer
  • Iuri Passos Bahia
  • Julian Lloyd Webber Classical Music
  • Vanessa Moreno Singer-Songwriter
  • Márcio Valverde Brazil
  • Roberto Fonseca Composer
  • Zakir Hussain Tabla
  • Daniil Trifonov Piano
  • Edivaldo Bolagi Candomblé
  • Papa Mali Funk
  • Mauro Diniz Cavaquinho
  • André Becker Bahia
  • Dieu-Nalio Chery Haiti
  • Stefano Bollani Jazz
  • MonoNeon Memphis, Tennessee
  • James Carter Jazz
  • Chico Buarque Brazil
  • Michael Pipoquinha Brazil
  • Quincy Jones Composer
  • Dale Barlow New York City
  • Frank Negrão Funk
  • Roy Ayers Vibraphone
  • Renato Braz Guitar
  • Neo Muyanga Composer
  • Tomo Fujita Guitar
  • Alexandre Gismonti Guitar
  • Toninho Ferragutti São Paulo
  • Philip Cashian London
  • David Byrne Painter
  • Rick Beato Recording Engineer
  • Marcus Printup Composer
  • Natalia Contesse Author
  • H.L. Thompson New York City
  • Gilson Peranzzetta Clarinet
  • Joe Newberry Guitar Instruction
  • Ivan Huol Drums
  • Nate Smith Drums
  • Bodek Janke Berlin
  • Booker T. Jones R&B
  • Helado Negro Multi-Instrumentalist
  • Dave Eggers Writer
  • Alain Mabanckou Congo-Brazzaville
  • Dónal Lunny Bodhrán
  • Walter Pinheiro Samba
  • Joel Ross Composer
  • Scott Yanow Jazz Journalist
  • Jean Rondeau Classical Music
  • Eli Degibri אלי דג'יברי Israel
  • Shaun Martin Gospel
  • Corey Ledet University of Louisiana at Lafayette Faculty
  • Angel Bat Dawid Black American Traditional Music
  • Marcus Teixeira Brazilian Jazz
  • Tshepiso Ledwaba Steinway Piano Technician
  • Parker Ighile Record Producer
  • Matt Ulery Loyola University Faculty
  • Dudu Reis Bahia
  • Corey Henry Funk
  • Dadá do Trombone Samba
  • Henrique Araújo Cavaquinho
  • Ronaldo Bastos Record Producer
  • Caetano Veloso Salvador
  • Joatan Nascimento Federal University of Bahia Faculty
  • Joshua Redman Composer
  • Archie Shepp Poet
  • Emicida Brazil
  • André Muato Rio de Janeiro
  • Sahba Aminikia Iran
  • Yotam Silberstein Guitar Instruction
  • Gilson Peranzzetta Clarinet
  • Fred Dantas Composer
  • Gringo Cardia Graphic Design
  • Abhijith P. S. Nair Indian Fusion
  • Soweto Kinch Composer
  • Alisa Weilerstein Cello
  • Maciel Salú Brazil
  • Reggie Ugwu Writer
  • David Sacks Washington, D.C.
  • Sandro Albert Composer
  • Bob Lanzetti Composer
  • Gerson Silva Bahia
  • Paulo Costa Lima Compositor, Composer
  • Jorge Washington Cultural Producer
  • Airto Moreira Brazil
  • Kurt Andersen Essayist
  • Leandro Afonso Film Editor
  • Virgínia Rodrigues Brazil
  • Elizabeth LaPrelle Actor
  • LaTasha Lee Soul
  • Philip Watson Cork
  • Harold López-Nussa Cuba
  • Stephanie Soileau Short Stories
  • Paulinho Fagundes Composer
  • Cédric Villani Mathematics
  • Emicida Rapper
  • Michael Garnice New York City
  • Susheela Raman London
  • Tedy Santana Drums
  • Sierra Hull Guitar
  • Lizz Wright Jazz
  • Pururu Mão no Couro Salvador
  • Ramita Navai London
  • Justin Stanton Composer
  • Tony Trischka Country
  • Jason Marsalis New Orleans
  • Bebê Kramer Rio de Janeiro
  • Kenny Garrett Jazz
  • Rolando Herts Delta Blues
  • Tito Jackson Pop
  • Muri Assunção LGBTQ
  • Harold López-Nussa Composer
  • Taylor Ashton Visual Artist
  • Jeremy Pelt Composer
  • Victor Wooten Record Label Owner
  • Maria Drell Bahia
  • Alita Moses Neo Soul
  • Mary Halvorson Composer
  • Darryl Hall Paris
  • Yazz Ahmed Ropeadope
  • Itamar Vieira Júnior Novelist
  • Raynald Colom Spain
  • Ron Mader Communications Catalyst
  • Robi Botos Hungary
  • Dani Deahl Record Producer
  • Walter Pinheiro Composer
  • Eliane Elias São Paulo
  • Juçara Marçal São Paulo
  • Robert Randolph Soul
  • Abel Selaocoe South Africa
  • Marvin Dunn Miami, Florida
  • Luis Paez-Pumar New York City
  • H.L. Thompson Brazil
  • Marvin Dunn Historian
  • Larissa Fulana de Tal Salvador
  • McCoy Mrubata Cape Town
  • Lenna Bahule São Paulo
  • NIcholas Casey New York Times
  • Third Coast Percussion Percussion Ensemble
  • Cory Henry Singer-Songwriter
  • Kevin Hays Jazz
  • Aperio Houston
  • Riley Baugus Folk & Traditional
  • Eddie Palmieri Composer
  • Guga Stroeter Brazil
  • Shaun Martin Keyboards
  • Demond Melancon New Orleans
  • Carlos Blanco Bahia
  • Elif Şafak Essayist
  • Emily Elbert Folk Funk Jazz Blues
  • Gian Correa Brazil
  • Tom Oren Tel Aviv
  • Kiko Souza Salvador
  • Larry Achiampong Ghana
  • Ravi Coltrane Brooklyn, NY
  • Angel Bat Dawid Jazz
  • Monk Boudreaux Percussion
  • Luizinho do Jêje Salvador
  • Merima Ključo Theater Scores
  • Dermot Hussey Jamaica
  • Hendrik Meurkens Composer
  • Alex Clark Director
  • Gary Lutz Poet
  • Jazzmeia Horn Writer
  • Rogê Brazil
  • Robert Randolph Gospel
  • Andrew Gilbert Roots Music
  • Kiko Freitas Drums
  • Roy Germano Filmmaker
  • Henrique Cazes Bandolim
  • Julien Libeer Belgium
  • Mulatu Astatke Percussion
  • Swizz Beatz Songwriter
  • Tomoko Omura Composer
  • Amit Chatterjee Indian Classical Music
  • Chris Speed Saxophone
  • Alessandro Penezzi Samba
  • James Brandon Lewis Poet
  • João Bosco Samba
  • Amitava Kumar Poet
  • Yo La Tengo Film Scores
  • Stefano Bollani Classical Music
  • Yuja Wang Piano
  • Fred Dantas Bahia
  • Conrad Herwig Jazz
  • Ricardo Herz Jazz
  • Isaak Bransah Brazil
  • Bobby Sanabria Bandleader
  • Sunna Gunnlaugs Composer
  • Tierra Whack Singer-Songwriter
  • Astrig Akseralian Mixed Media Art
  • Aditya Prakash Los Angeles
  • Terrace Martin Jazz
  • Chris Potter Composer
  • Alex Mesquita Composer
  • Mingo Araújo Brazil
  • Flavio Sala Guitar Instruction, Master Classes
  • Howard Levy Harmonica Instruction
  • Shabaka Hutchings Composer
  • Renee Rosnes Composer
  • James Andrews Second Line
  • Marcus Teixeira Brazil
  • Endea Owens Jazz
  • Celsinho Silva Samba
  • Brandon Wilner DJ
  • Utar Artun Composer
  • Casa da Mãe Chula
  • Jess Gillam Concert Promoter
  • Priscila Castro Amazon
  • Dhafer Youssef ظافر يوسف Oud
  • Isaac Julien London
  • Fábio Peron Samba
  • Darol Anger Record Producer
  • Pretinho da Serrinha Singer
  • Greg Osby Composer
  • Keyon Harrold Hip-Hop
  • Byron Thomas Music Director
  • Vijay Iyer Harvard University Faculty
  • Duncan Chisholm Fiddle
  • Casa PretaHub Cachoeira Cachoeira
  • Alex Hargreaves New School for Jazz and Contemporary Music Faculty
  • Fred Dantas Samba
  • Catherine Bent Cello Instruction
  • Amitava Kumar Writer
  • Luizinho Assis Brasil, Brazil
  • Lucian Ban Piano
  • Thiago Trad Percussão, Percussion
  • Cristovão Bastos Samba
  • Hot Dougie's Bar Restaurante
  • João Teoria Trompete, Trumpet
  • Myron Walden Flute
  • Manassés de Souza Ceará
  • Egberto Gismonti Piano
  • Cinho Damatta Cantor-Compositor, Singer-Songwriter
  • Benoit Fader Keita Senegal
  • Gilberto Gil Salvador
  • Mônica Salmaso Brazil
  • MARO Portugal
  • Daru Jones Nashville, TN
  • Nublu Multi-Cultural
  • Wayne Escoffery Saxophone
  • Mayra Andrade Lisbon
  • Paulo Aragão Samba
  • Tierra Whack Hip-Hop
  • Maria Rita MPB
  • Greg Ruby Author
  • Danilo Pérez Boston
  • William Skeen Baroque Cello
  • Omer Avital Jazz
  • Jan Ramsey Jazz
  • Nara Couto Cantora, Singer
  • Michael League Record Label Owner
  • Daniel Owoseni Ajala Ballet School Owner
  • OVANA Cunene
  • Horacio Hernández Drums
  • Andrés Prado Composer
  • Luíz Paixão Cavalo Marinho
  • Flora Purim Brazil
  • Walter Ribeiro, Jr. Guitar
  • Filhos de Nagô Bahia
  • Martín Sued Bandoneon
  • Ellie Kurttz England
  • James Andrews New Orleans
  • Denzel Curry Los Angeles
  • Ivan Huol Salvador
  • Jonathan Scales New York City
  • Hilton Schilder Composer
  • Jacám Manricks Saxophone
  • Etan Thomas Poet
  • Art Rosenbaum Painter
  • Mingus Big Band New York City
  • Lô Borges Belo Horizonte
  • Monty's Good Burger Fries, Tots & Shakes
  • Thiago Trad Bateria, Drums
  • Ron Carter Educator
  • Adriana L. Dutra Rio de Janeiro
  • Olivia Trummer Singer
  • Andrew Gilbert Jazz
  • Willie Jones III Jazz
  • Marvin Dunn Educator
  • Ricardo Bacelar Ceará
  • Ann Hallenberg Opera Singer
  • Jonathan Scales Ropeadope
  • Alex Clark Cinematographer
  • Michael Olatuja Afrobeat
  • Teodor Currentzis Russia
  • Vijay Iyer Composer
  • Tambay Obenson Los Angeles
  • Laércio de Freitas MPB
  • Bai Kamara Jr. Guitar
  • Caroline Shaw NYU Faculty
  • Daniil Trifonov Composer
  • Rosângela Silvestre Choreographer
  • Missy Mazolli Piano
  • Nancy Viégas Produtora Áudiovisual, Audiovisual Producer
  • Andrew Finn Magill Choro
  • Elif Şafak Turkey
  • Toumani Diabaté Kora
  • George Porter Jr. Bass
  • Damion Reid R&B
  • Joan Chamorro Barcelona
  • Natan Drubi Choro
  • Ubiratan Marques Bahia
  • Herlin Riley Jazz
  • Cara Stacey Johannesburg
  • Papa Mali Record Producer
  • Jelly Green England
  • Ivan Neville New Orleans
  • Bob Mintzer Composer
  • Abderrahmane Sissako Screenwriter
  • Craig Ross Multi-Instrumentalist
  • Yoron Israel Multi-Cultural
  • David Greely Songwriter
  • Patty Kiss Salvador
  • Jean-Paul Bourelly Educator
  • Jubu Smith Bass
  • Garvia Bailey Toronto
  • Paulinho Fagundes Rio Grande do Sul
  • Daniel Jobim Samba
  • MicroTrio de Ivan Huol Salvador
  • Glória Bomfim Rio de Janeiro
  • Tomo Fujita Author
  • Alicia Hall Moran Opera
  • Joe Newberry Guitar Instruction
  • Richard Bona Multi-Cultural
  • John Boutté R&B
  • Isaiah Sharkey Chicago
  • Dave Douglas Record Label Owner
  • Orquestra Afrosinfônica Música Clássica Contemporânia, Contemporary Classical Music
  • Tank and the Bangas Soul
  • Larnell Lewis Toronto
  • Chris Speed Avant-Garde Jazz
  • Jovino Santos Neto Record Producer
  • Chris Thile Composer
  • Kathy Chiavola Singer
  • Loli Molina Argentina
  • Safy-Hallan Farah Writer
  • Pasquale Grasso Guitar Instruction, Master Classes
  • J. Period DJ
  • Owen Williams Software Engineer
  • Kurt Andersen Short Stories
  • Omari Jazz Electronic Futurism
  • Giovanni Russonello Jazz
  • Hélio Delmiro Brazil
  • Amilton Godoy Brazil
  • Allen Morrison Writer
  • Manu Chao Multi-Instrumentalist
  • Derrick Hodge R&B
  • Tom Bergeron Composer
  • Stormzy Writer

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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