Alexia Arthurs & Universes in THE MATRIX

You are in a matrix in the original sense of "source". It is a "small-world" network, meaning that the nodes inside it — mirroring human society & the 6 degrees phenomenon — tend to within a few steps of everybody else inside it. The matrix was built to allow regional Brazilian musicians to be discoverable-degrees away from everybody else in the arts world (and so the whole world), and by logical necessity this m.o. requires not only that the great Brazilians be matrixed, but so far as possible, all working artists in our time. Ergo:

This Alexia Arthurs matrix node is steps away from the entire planet by the well-known small-world ("6 degrees") phenomenon dictating that in human society you yourself are within several degrees of Alexia Arthurs.
THESE ARTIST NODES are routed to from this Alexia Arthurs node.

Are these Alexia Arthurs's personal recommendations?

CURATION STATUS

Worldline Generation: Routes by The Matrix via ↴

Who & Where

Name: Alexia Arthurs
City/Place: New York City
Country: United States
Hometown: Mandeville, Jamaica

Life & Work

Bio: I was born in Mandeville, Jamaica. We moved to New York when I was twelve—my mother, like many immigrant mothers, believed that she could better provide for her three children in the States, where three of her sisters lived. As a child, moving to the United States was a fulfilled dream because I had observed that everyone believed that the U.S. was superior to any other place in the world. The realities were different, painful—I was navigating the distance from the country of my childhood, and the fact that my family wanted so badly to build a future in a country that was unwelcome to foreigners. As I grew, in some ways I recognized myself as an American and in other ways I was Jamaican. Over time, I started to explore this tension of belonging and distance through my writing. I started writing “How to Love a Jamaican” when I was twenty-four and finished when I was twenty-eight, but in a way it feels that I was writing those stories for even longer than that because I’ve been asking certain questions since I was a kid.

I’ve always loved storytelling. Growing up, my parents in the Jamaican tradition were good storytellers. As a teenager, I would read under my sheets with a flashlight. I read YA novels about white suburban teenagers, girls who were unlike me in most ways, which intrigued me. The first book that inspired me as both a reader and writer was “The House on Mango Street” by Sandra Cisneros. It was the first time I read a book that reflected my urban, immigrant life, and the kinds of people I knew.

MORE

I’ve wanted to be a writer since I was twelve. I tried for a long time to be something else, something more practical. I didn’t have the kind of economic upbringing where I could forsake everything to become a writer. I considered law school, or becoming a vet, which I might actually enjoy because I love animals. I really struggled emotionally after graduate school, when I was still living in Iowa City, working awful part-time jobs. I knew that if I moved back to New York to reunite with family and friends I would give up too much writing time in a job to make the high price of rent. There isn’t a roadmap for a creative life, and I felt especially lost coming from a family like mine, where everyone made more traditional career choices. I’m still figuring out what it means to be a creative, and to live a creative life. I feel so very grateful to share parts of myself, through my writing. If you’ve read anything I’ve written, thank you.

A LITTLE MORE

I teach fiction writing, when the opportunity arises. I’ve taught high school students at the Iowa Young Writers’ Studio, undergraduates at the University of Iowa, and I facilitated a graduate workshop at the Iowa Writers’ Workshop during fall 2018.

FUN FACT

I live with two Persian cats, Cous Cous, who is twelve years old, and Fable, who is a few months old. They make me smile every day.

Contact Information

Email: howtoloveajamaican@gmail.com
Contact by Webpage: http://www.alexiaarthurs.com/contact
Management/Booking: AGENT
Jin Auh (Wylie agency)
jauh@wylieagency.com

US publicist
Michelle Jasmine (Ballantine)
mjasmine@penguinrandomhouse.com

UK publicist
Alice Dewing (Picador)
alice.dewing@macmillian.com

Media & Markets

▶ Book Purchases: http://www.alexiaarthurs.com/books
▶ Twitter: alexiaarthurs
▶ Instagram: alexiaarthurs
▶ Website: http://www.alexiaarthurs.com
▶ Articles: http://www.alexiaarthurs.com/press
▶ Stories: http://www.alexiaarthurs.com/other-writing

My Writing

Publications: How to Love a Jamaican

Tenderness and cruelty, loyalty and betrayal, ambition and regret – Alexia Arthurs navigates these tensions to extraordinary effect in her debut collection about Jamaican immigrants and their families back home. Sweeping from close-knit island communities to the streets of New York City and Midwestern university towns, these eleven stories form a portrait of a nation, a people, and a way of life.

Alexia Arthurs emerges in this vibrant, lyrical, intimate collection as one of fiction’s most dynamic and essential authors.

Clips (more may be added)

0:16:07
Alexia Arthurs Reads From Her Story 'Slack'
By Alexia Arthurs

88 views

Alexia Arthurs

THE MATRIX WAS BUILT HERE, inspired in (the kabbalah-inspired fiction of) Borges' El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone... The Brazilian "aleph" is different though...it doesn't hum...it sings!

Sprawled across broad equatorial latitudes
Stoked and steamed and sensual in the widest sense of the word
Limned in prosody and cadenced song
brəˈzɪl / from "brasa" / Latin for "ember"

w/ David Dye for U.S. National Public Radio

Given the immense untapped power of the small-world phenomenon, from Brazilians the matrix was expanded to include nodes per jazz artists, given jazz's common roots with Brazilian music (nodes based in publicly available information; some artists we informed — Bob Mintzer, Kamasi Washington, David "Fuse" Fiuczynski, Vijay Iyer, Greg Osby — and got thumbs up, others we'll get to), and moved on from there. Artists/academics/"creative people" are welcome to create their own nodes and curate (connect to other artist nodes, so that others may follow). BTW, our logo is a cortador de cana, cane cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specializes in.

MUCH MORE on all of this in the window below (which, if you are logged in, will instead contain instructions on recommending), and in the window within that window (which includes a "radio" called by The Guardian one of "10 of the best music radio stations around the world"):