Salvador Bahia Brazil Matrix

The Matrix Online Network is a platform conceived & built in Salvador da Bahia, Brazil and upon which people & entities across the creative economic universe can 1) present in variegated detail what it is they do, 2) recommend others, and 3) be recommended by others. Integrated by recommendations and governed by the metamathematical magic of the small world phenomenon (popularly called "6 degrees of separation"), matrix pages tend to discoverable proximity to all other matrix pages, no matter how widely separated in location, society, and degree of fame. From Quincy Jones to celestial samba in the favelas of Rio de Janeiro to you, all is closer than we imagine.

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  • (Bahia)
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Ari Hoenig
    I RECOMMEND

CURATION

  • from this node by: Matrix+

This is the Universe of

  • Name: Ari Hoenig
  • City/Place: New York City
  • Country: United States
  • Hometown: Philadelphia, Pennsylvania

Life & Work

  • Bio: Born on November 13, 1973 in Philadelphia, Ari Hoenig, was exposed at an early age to a variety of musical experiences. His father is a conductor and classical singer, his mother a violinist and pianist. Accordingly, at 4 years of age, Ari began studying the violin and piano. He began playing drums at age twelve, and by age fourteen he was honing his skills with other young jazz musicians at Philly clubs such as Ortlieb’s JazzHaus.

    Ari attended the prestigious University of North Texas for three years, where he studied with Ed Soph while playing with the “One O’Clock” Lab Band. Wanting to be closer to New York City, in 1995 Ari transferred to William Patterson College in northern New Jersey. He soon found himself playing for legendary Philadelphia organist Shirley Scott and working regularly in New York City.

    Shortly thereafter, Ari moved into Brooklyn and found himself playing extensively with a variety of groups, including Jean Michel Pilc Trio, Kenny Werner Trio, Chris Potter Underground, Kurt Rosenwinkel Group, Joshua Redman Elastic band, Jazz Mandolin Project and bands led by Wayne Krantz, Mike Stern, Richard Bona and Pat Martino. He has also shared the stage with such artists as Herbie Hancock, Ivan Linz, Wynton Marsalis, Toots Thielemans, Dave Holland, Joe Lovano, and Gerry Mulligan, although he got kicked off the stage by security shortly thereafter.

    Both of Ari’s self-produced solo drum CDs, “Time Travels” (2000) and “The Life Of A Day” (2002), document his exploratory nature and they represent an ambitious tribute to the melodic possibilities of the drum set. Today, Ari continues to build on the concepts of these two records by playing largely improvised solo concerts using a simple four piece drum kit without help from extraneous percussion instruments.

    The Ari Hoenig Quartet was formed at the end of 2002 while playing every Monday night at the New York Village jazz club Fat Cat. The band featured Jacques Schwarz-Bart on tenor sax, Jean Michel Pilc on piano, and Matt Penman on bass. They released two records on the Smalls Records label: “The Painter” (2004) and the DVD “Kinetic Hues” (2005)

    In 2006 Ari signed a multi record deal with Dreyfus Records and released his first record for them called “Inversations” (2006) which features the trio of Jean Michel Pilc and Johannes Weidenmueller. “Bert’s Playground” (2008), Ari’s second record for Dreyfus, features Ari’s Punk Bop Band joined by Chris Potter. Highlights of this record include Chris’s solo on Moments Notice and Ari jumping around in red pants on the cover. Jonathan Kreisberg, Matt Penman, Will Vinson, Gilad Hekselman and Orlando le Fleming also represent on this one.

    The next record project was for “Smalls Live”, a record label set up in 2009 to document some of the music being performed at the “Smalls Jazz Club” in New York where Ari has had a residency since 2003. Ari chose his Punk Bop Band to make this live record “Punk Bop Live at Smalls (2010)”. The Punk Bop Band features Will Vinson on alto, Jonathan Kreisberg on guitar and fellow Jazz Mandolin Project alumni, Danton Boller on bass. Tigran Hamasyan is a special guest on 4 tracks as well.

    Ari’s Quartet with Tigran Hamasyan, Gilad Hekselman, Orlando le Fleming and Chris Tordini released “Lines of Oppression” (2011) on the Naïve label. This record represents a culmination of Ari’s bandleading, composing and accounting skills.

    In 2013 Ari and his Quartet won the prestigious BMW Welt (World) award in Munich, an international competition for best band led by a drummer.

    In 2016, Ari Released The Pauper and the Magician on AH-HA Records. It features the quintet of Shai Maestro on piano, Gilad Hekselman on guitar, Tivon Pennicott on Sax and Orlando Le Fleming on bass. On this record, Ari explores the link between story telling and jazz by creating a soundtrack to the improvised and sometimes twisted stories he tells his two small children.

    In 2018, Ari released a standards record called NY Standard (a tribute to playing standards in New York and in 2019 Conners Days (his first trio record) which features his current trio of Nitai Hershkovits and Or Bareket. Both of these are on the Fresh Sound label. Both of these records have received the highest possible acclaim including glowing endorsements from his grandmother.

    In the summer of 2020 Ari was confirmed to record an album of his compositions with a full big band sponsored by University of Wyoming. The compositions have been arranged by Ben Markley. This project will pushed and done sometime in 2021.

    Besides the quintet, Ari leads 2 other groups which play his original music. Ari Hoenig Nonet and Trio. The Nonet performs Ari’s original compositions arranged by Noam Wiesenberg and features various high caliber players in the New York area. The trio is with Gilad Hekselman and Orlando le Fleming and has toured extensively in Europe, Japan and South America.

    Ari also co-leads a variety of projects. Pilc, Moutin, Hoenig (the three headed monster) released Threedom in 2011 on the Motema label. He has had various projects with partner Gael Horellou including the jazz electronica project “Nasty Factorz” with a self titled record released in 2016 and Live with the quartet released in 2019. Ari has also co-led various duo’s with Chris Potter, Edmar Casteneda, JD Walter or Dan Weiss.

    As an educator, Ari teaches privately and is on faculty at New York University and the New School for Social Research in New York. He gives clinics and lectures at music schools and universities worldwide, and writes a regular educational column for Modern Drummer magazine. In collaboration with bassist Johannes Weidenmueller, Ari released “Intro to Polyrhythms Vol 1”, and “Metric Modulations, Expanding and Contracting Time within Form Vol 2. (Mel Bay 2009, 2012)

    In 2011, Ari released two more educational products dedicated specifically to drumming. “Systems Book 1, Drumming Technique and Melodic Jazz Independence” (Alfred Publishing), and DVD “Melodic Drumming” (2011) on www.jazzheaven.com .

    In 2014, Ari released the 3 part video entitled “Rhythm Training” geared for all musicians who want to improve their time and rhythmic vocabulary. It offers a clear step by step approach and is available through www.mymusicmasterclass.com

    Since 2014, Ari has released many other educational videos on mymusicmasterclass.com. He started an online members only club at Patreon.com to talk about musical concepts and to share video lessons. “The Ari Hoenig Songbook” (a book with the lead sheets of all of Ari’s compositions (not just the easy ones) is available for download at www.arihoenig.bandcamp.com )

    Ari currently resides in Brooklyn with his wife and 2 kids.

Contact Information

  • Management/Booking: MANAGEMENT
    Henry Kirby
    [email protected]

    Booking in Asia
    Mark Bolam Enlightened Planet
    [email protected]

    Booking in Spain
    [email protected]

    Booking in Canada
    [email protected]

    Booking in USA
    [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://arihoenig.bandcamp.com
  • ▶ Twitter: AriHoenig
  • ▶ Instagram: arihoenig
  • ▶ Website: http://arihoenig.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCvY1bOFQHqdqWimu3VyhNVg
  • ▶ YouTube Music: http://music.youtube.com/channel/UCzejBFSjZ66fVlnbNYZGOUA
  • ▶ Spotify: http://open.spotify.com/album/31dswcZqpyFdYqKrV1krhm
  • ▶ Spotify 2: http://open.spotify.com/album/0WQMU2lqmTwXIOiXLyLtvx
  • ▶ Spotify 3: http://open.spotify.com/album/6P6XzjEYnX5ZBcVYjB19sv
  • ▶ Spotify 4: http://open.spotify.com/album/1HtLb0Qlrcoxc0SiTpQdze
  • ▶ Spotify 5: http://open.spotify.com/album/7KemNXI0huPfILmSN4bda2
  • ▶ Spotify 6: http://open.spotify.com/album/05UTdWAd5qpP9OWL9fjxTD
  • ▶ Patreon: http://www.patreon.com/arihoenig

My Instruction

  • Lessons/Workshops: Study drums with me on Patreon
  • Instruction: http://www.patreon.com/arihoenig

Clips (more may be added)

  • 1:03:03
    Ari Hoenig Trio - Live at Smalls Jazz Club - 3/22/2021
    By Ari Hoenig
    142 views
  • 0:07:52
    Ari Hoenig Interview - Daughter Lyric asks some questions about touring
    By Ari Hoenig
    127 views
  • 0:17:50
    Ari Hoenig QUINTET Live at Smalls Jazz Club - Billie's Bounce
    By Ari Hoenig
    95 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Ari Hoenig:

  • 1 Author
  • 1 Composer
  • 1 Drum Instruction
  • 1 Drums
  • 1 Jazz
  • 1 New York City

Nodes below are randomly generated. Reload for a different stack.

  • Rosa Cedrón Galego Folk Music
  • John Santos Composer
  • Mateus Aleluia Candomblé
  • Mark Bingham Singer-Songwriter
  • Larnell Lewis Toronto
  • Psoy Korolenko Псой Короленко Jewish Music
  • Fernando Brandão Berklee College of Music Faculty
  • Chris Speed Clarinet
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  • Deesha Philyaw Columnist
  • Celino dos Santos Chula
  • Jorge Aragão Rio de Janeiro
  • David Hoffman YouTuber
  • Melanie Charles Singer-Songwriter
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  • Plinio Oyò Camaçari
  • Rebeca Omordia Piano
  • David Binney Saxophone Lessons
  • Mika Mutti DJ
  • Avishai Cohen אבישי כה Jazz
  • D.D. Jackson Composer
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  • Rowney Scott Saxophone
  • Brandee Younger New York University Faculty
  • RAM Mizik Rasin
  • Chris Thile Mandolin
  • Cashmere Cat Songwriter
  • Luis Perdomo Venezuela
  • Gabriel Policarpo Repique
  • Fábio Zanon Author
  • Eddie Kadi London
  • Nelson Cerqueira Poeta, Poet
  • Catherine Bent Choro
  • André Muato 8 String Guitar
  • McIntosh County Shouters Ring Shouts
  • Gustavo Di Dalva Salvador
  • Paulinho da Viola Choro
  • Tony Allen Nigeria
  • Casa Preta Salvador
  • Case Watkins Writer
  • Celsinho Silva Pandeiro Instruction
  • Burkard Polster Monash University Faculty
  • Fabiana Cozza Phonoaudiologist
  • Daedelus Electronic Music
  • Tom Piazza Screenwriter
  • Yilian Cañizares Classical Music
  • James Martins Bahia
  • Bob Lanzetti Educator
  • Molly Tuttle Banjo
  • Doug Adair Americana
  • Jeremy Danneman Multi-Cultural
  • João Luiz Brooklyn, NY
  • Ilê Aiyê Bahia
  • João Rabello Classical Guitar
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  • Molly Tuttle Guitar
  • Elizabeth LaPrelle Singer-Songwriter
  • Lula Moreira Composer
  • Jaques Morelenbaum MPB
  • Gabriel Geszti Acordeon, Accordion
  • Tomo Fujita Funk
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  • Natalia Contesse Singer-Songwriter
  • Niwel Tsumbu Ireland
  • Badi Assad Singer-Songwriter
  • Joey Baron Composer
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  • Brian Stoltz R&B
  • Hugo Rivas Composer
  • Capitão Corisco Pífano
  • Marcel Camargo MPB
  • Fernando Brandão Brazil
  • Nabih Bulos Violin
  • Nelson Faria Guitar Instruction, Master Classes
  • Felipe Guedes Brazil
  • Adriano Giffoni MPB
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  • Guilherme Kastrup Record Producer
  • Betão Aguiar Bass
  • James Carter Blue Note Records
  • Luíz Paixão Forró
  • Alan Williams Sculptor
  • Luiz Brasil Bahia
  • Brandon J. Acker Lute
  • Molly Tuttle Nashville, Tennessee
  • Jeff Ballard New York City
  • James Strauss Flute
  • Shannon Alvis Chicago
  • Rowney Scott Bahia
  • Stephanie Soileau Louisiana
  • André Becker Salvador
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  • Vanessa Moreno São Paulo
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  • Alexa Tarantino Jazz at Lincoln Center Faculty
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  • Henry Cole Jazz
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