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  • I CURATE
    Jakub Józef Orliński

    VIA THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    inspired by
    THE GRAPEVINE TELEGRAPH
    of Pre-Civil War African-Americans

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

Network Node

  • Name: Jakub Józef Orliński
  • City/Place: Warsaw
  • Country: Poland

CURATION

  • from this node by: Matrix+

Life & Work

  • Bio: Polish countertenor Jakub Józef Orliński is quickly gaining a reputation as a singer of striking vocal beauty and daring stagecraft. He has been hailed by critics and audiences alike, prompting the New York Times to write: “Jakub Józef Orliński combined beauty of tone and an uncommon unity of color and polish across his range.” Autumn of 2018 sees the greatly anticipated release of his debut album, Anima Sacra, a recital of 18th-century rediscovered sacred arias with the baroque ensemble Il Pomo d’oro, conducted by Maxim Emelyanychev, with Erato/Warner Classics.

    Mr. Orliński’s star rose rapidly following major competition wins on both sides of the Atlantic, including the Metropolitan Opera National Council in 2016 and the Marcella Sembrich International Vocal Competition in 2015. In the summer of 2017, he was catapulted to international prominence when his poignant live performance of Vivaldi’s “Vedrò con mio diletto” on France Musique quickly amassed more than two million views.

    Highlights of the 2018-19 season include a multi-city, international recital tour with Il Pomo d’oro, promoting the release of Mr. Orliński’s debut album, as well as his Carnegie Hall solo concert debut featuring members of New York Baroque Incorporated. He will be presented in recital by the Fundació Victoria de los Ángeles in Barcelona and will sing additional concerts in Pennsylvania and Louisiana. He debuts with the Warsaw Philharmonic in Handel’s Messiah and Montreal Bach Festival in a program of Bach, Handel and Vivaldi arias. On the opera stage, Mr. Orliński will debut with the Glyndebourne Festival Opera as Eustazio in Handel’s Rinaldo, and returns to Oper Frankfurt to reprise his dynamic portrayal of the title role in the same piece. He will return to Oper Frankfurt as Unulfo in Rodelinda, which will also serve as his role and house debut with Opéra de Lille under the baton of Emmanuelle Haïm.

    The 2017-18 season included critically lauded solo recitals at Wigmore Hall, Pierre Cardin’s Festival De Lacoste, Festival de Musique Chambre de Saint-Paul de Vence, and Festival Nits de Clássica in Girona, Spain. He made his house and role debut with Oper Frankfurt in the title role in Handel’s Rinaldo, and debuted with the Festival d’Aix-en-Provence as Orimeno in Cavalli’s Erismena, which was subsequently performed on tour at the Château De Versailles and Festival de Saint-Denis. He was featured in a concert tour of Handel’s Rinaldo with The English Concert under the baton of Harry Bicket, debuted at Chicago’s Music of the Baroque in a program of Vivaldi excerpts conducted by Jane Glover, and joined Capella Cracoviensis for performances of Handel’s Samson.

    Mr. Orliński made Carnegie Hall appearances in Handel’s Messiah with both Musica Sacra and Oratorio Society of New York, and performed the piece for his debuts with the Houston Symphony and Portland Baroque Orchestra. He joined the Karlsruhe Handel Festival to sing Vivaldi’s Nisi Dominus and excerpts from Handel’s Dixit Dominus. While a student at Juilliard, he performed the roles of the The Refugee in Jonathan Dove’s Flight and Ottone in Handel’s Agrippina in conjunction with Carnegie Hall’s La Serenissima: Music and Arts From the Venetian Republic festival.

    Mr. Orliński has triumphed in multiple vocal competitions winning first place at the Oratorio Society of New York’s 2016 Lyndon Woodside Oratorio-Solo Competition, second prize in the International Stanisław Moniuszko Vocal Competition, the first and second annual International Early Music Vocal Competitions in Poland, where he received “Special Mention” and “Special Prize,” respectively, first prize at Rudolf Petrák’s Singing Competition in Slovakia, third place at the Debut Competition in Igersheim, Germany, Special Mention at the Eighth Annual Mazovian Golden Voices Competition in Poland, and third place at Le Grand Prix de l’Opera in Bucharest, Romania.

    While completing his Master’s degree in vocal performance studying with Anna Radziejewska at the Fryderyk Chopin University of Music in Warsaw, he participated in the prestigious young artist program Opera Academy in Teatr Wielki-Opera Narodowa where he studied with Eytan Pessen and Matthias Rexroth. Mr. Orliński earned his Graduate Diploma at The Juilliard School, studying with Edith Wiens.

    In his spare time, Mr. Orliński enjoys breakdancing, in addition to other styles of dance. His achievements in this arena include prizes in many dance competitions: fourth place at the Red Bull BC One Poland Cypher competition, second place on the Stylish Strike – Top Rock Contest and second place at The Style Control competition, among others. He has also been featured in a commercial for the street wear company CROPP, as well as featured as a dancer, model and acrobat in campaigns for Levi’s, Nike, Turbokolor, Samsung, Mercedes-Benz, MAC Cosmetics, Dannon and Algida.

    Jakub Józef Orliński is an exclusive Erato/Warner Classics artist.

Contact Information

  • Management/Booking: Matthew A.Horner
    General Management
    [email protected]

    Markus Beam
    Artist Manager
    [email protected]

Media | Markets

  • ▶ Instagram: jakub.jozef.orlinski
  • ▶ Website: http://jakubjozeforlinski.com
  • ▶ YouTube Channel: http://www.youtube.com/c/JakubJozefOrlinskiCountertenor
  • ▶ YouTube Music: http://music.youtube.com/channel/UC03sM7EqvNk_RC_5UeWdqJQ
  • ▶ Spotify: http://open.spotify.com/album/6gWvwrNrYyjAL1oCVwDFUL
  • ▶ Spotify 2: http://open.spotify.com/album/4Tit9M9H0kwSulTalfeWun
  • ▶ Spotify 3: http://open.spotify.com/album/4jUnTv7p5J4bKcah8LcPJq
  • ▶ Spotify 4: http://open.spotify.com/album/2m695fwc08MLVCKxM4GdDH

Clips (more may be added)

  • Jakub Józef Orliński – Händel: "Pena tiranna" (Amadigi di Gaula)
    By Jakub Józef Orliński
    644 views
  • Hasse: "Mea tormenta, properate!", Jakub Józef Orliński & Il pomo d'oro
    By Jakub Józef Orliński
    404 views
  • Jakub Józef Orliński - "He was despised" from G.F. Handel Messiah
    By Jakub Józef Orliński
    538 views
  • Antonio Vivaldi "Vedro con mio diletto" from Il Giustino by Jakub Józef Orliński (counter-tenor)
    By Jakub Józef Orliński
    360 views
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Jakub Józef Orliński Curated (bridges in)

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  • Jakub Józef Orliński
    A category was added to Jakub Józef Orliński:
    Hip-Hop
    • December 23, 2019
  • Jakub Józef Orliński
    Bejun Mehta → Opera has been recommended via Jakub Józef Orliński.
    • December 9, 2019
  • Jakub Józef Orliński
    Bejun Mehta → New York City has been recommended via Jakub Józef Orliński.
    • December 9, 2019
  • Jakub Józef Orliński
    Bejun Mehta → Countertenor has been recommended via Jakub Józef Orliński.
    • December 9, 2019
  • Jakub Józef Orliński
    Bejun Mehta → Berlin has been recommended via Jakub Józef Orliński.
    • December 9, 2019
  • Jakub Józef Orliński
    A video was posted re Jakub Józef Orliński:
    Jakub Józef Orliński – Händel: "Pena tiranna" (Amadigi di Gaula)
    Facce d'amore by Jakub Józef Orliński, with Il Pomo d'Oro and Maxim Emelyanychev, explores the many faces of love of the Baroque era. Discover the album: htt...
    • December 9, 2019
  • Jakub Józef Orliński
    A video was posted re Jakub Józef Orliński:
    Hasse: "Mea tormenta, properate!", Jakub Józef Orliński & Il pomo d'oro
    Countertenor Jakub Józef Orliński makes a dramatic entrance with the aria ‘Mea tormenta, properate’ by Johann Adolf Hasse. This is the first opportunity to d...
    • December 9, 2019
  • Jakub Józef Orliński
    A video was posted re Jakub Józef Orliński:
    Jakub Józef Orliński - "He was despised" from G.F. Handel Messiah
    G.F. Handel (1685-1759) Aria "He was despised" from oratorio "Messiah" HWV56. Warsaw Philharmonic Orchestra and Choir 22.12.2018 Martin Haselböck - conductor...
    • December 9, 2019
  • Jakub Józef Orliński
    A video was posted re Jakub Józef Orliński:
    Antonio Vivaldi "Vedro con mio diletto" from Il Giustino by Jakub Józef Orliński (counter-tenor)
    The counter-tenor Jakub Józef Orliński sing "Vedro con mio diletto", aria from the opera "Il Giustino". Live recording from Aix-en-Provence, from the special...
    • December 9, 2019
  • Jakub Józef Orliński
    A category was added to Jakub Józef Orliński:
    Poland
    • December 9, 2019
  • Jakub Józef Orliński
    A category was added to Jakub Józef Orliński:
    Warsaw
    • December 9, 2019
  • Jakub Józef Orliński
    A category was added to Jakub Józef Orliński:
    Opera
    • December 9, 2019
  • Jakub Józef Orliński
    A category was added to Jakub Józef Orliński:
    Countertenor
    • December 9, 2019
  • Jakub Józef Orliński
    Jakub Józef Orliński is matrixed!
    • December 9, 2019
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

THE INTEGRATED GLOBAL CREATIVE ECONOMY

Humanity has never had this before.

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

The matrix was born in Salvador's Centro Histórico, where Bule Bule below sings, among magisterial colleagues for whom this matrix was originally built, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia. Video by Betão Aguiar
>

The matrix provides a means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged everywhere. Something new under the sun.

Quincy Jones can curate Gilberto Gil, for example. And Gil can curate, writers, dancers, filmmakers, painters, record producers, set designers...

And by the mathematics of the small world phenomenon, everybody in the matrix will tend to proximity to everybody else, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!
"Matrixado!"

✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"
✅—Julian Lloyd Webber

That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's mines.

(← Inglês) Português

 

A ECONOMIA CRIATIVA GLOBAL INTEGRADA

A humanidade nunca teve isso antes.

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

O matrix nasceu no Centro Histórico de Salvador, onde Bule Bule abaixo canta, entre colegas magisteriais para quem este matrix foi originalmente construído, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar

O matrix fornece um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em todos os lugares. Algo novo sob o sol.

Quincy Jones pode indicar Gilberto Gil, por exemplo. E Gil pode indicar escritores, dançarinos, cineastas, pintores, produtores de discos, cenógrafos...

E pela matemática do fenômeno de mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!
"Matrixado!"

✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"
✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas do rei Salomão.

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  • Melanie Charles Experimental Music
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