Salvador Bahia Brazil Matrix
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  • From Brazil with love →
  • @ Ground Zero
  • El Aleph
  • If You Can't Stand the Heat
  • Harlem to Bahia to the Planet
  • Why a "Matrix"?

From Brazil with love →

@ Ground Zero

 

Have you, dear friend, ever noticed how different places scattered across the face of the globe seem almost to exist in different universes? As if they were permeated throughout with something akin to 19th century luminiferous aether, unique, determined by that place's history? It's like a trick of the mind's light (I suppose), but standing on beach or escarpment in Salvador and looking out across the Baía de Todos os Santos to the great Recôncavo, and mindful of what happened there, one must be led to the inevitable conclusion that one is in a place unique to history, and to the present*.

 

 

"Chegou a hora dessa gente bronzeada mostrar seu valor / The time has come for these bronzed people to show their value..."Música: Assis Valente of Santo Amaro, Bahia. Vídeo: Betão Aguiar.

 

*More enslaved human beings entered the Bay of All Saints and the Recôncavo than any other final port-of-call throughout all of mankind's history.

 

These people and their descendants created some of the most uplifting music ever made, the foundation of Brazil's national art. We wanted their music to be accessible to the world (it's not even accessible here in Brazil) so we created a platform by which everybody's creativity is mutually accessible, including theirs.

 

El Aleph

 

The network was built in an obscure record shop (Kareem Abdul-Jabbar found it) in a shimmering Brazilian port city...

 

...inspired in (the kabbalah-inspired fiction of) Borges' (short story) El Aleph, that in the pillar in Cairo's Mosque of Amr, where the universe in its entirety throughout all time is perceivable as an infinite hum from deep within the stone.

 

It "works" by virtue of the "small-world" phenomenon...the same responsible for the fact that most of us 7 billion or so beings are within 6 or fewer degrees of each other.

 

It was described (to some degree) and can be accessed via this article in British journal The Guardian (which named our radio of matrixed artists as one of ten best in the world):

 

www.theguardian.com/travel/2020/apr/17/10-best-music-radio-station-around-world

 

With David Dye for U.S. National Public Radio: www.npr.org/2013/07/16/202634814/roots-of-samba-exploring-historic-pelourinho-in-salvador-brazil

 

All is more connected than we know.

 

Per the "spirit" above, our logo is a cortador de cana, a cane-cutter. It was designed by Walter Mariano, professor of design at the Federal University of Bahia to reflect the origins of the music the shop specialized in. The Brazilian "aleph" doesn't hum... it dances and sings.

 

If You Can't Stand the Heat

 

Image above is from the base of the cross in front of the church of São Francisco do Paraguaçu in the Bahian Recôncavo

 

Sprawled across broad equatorial latitudes, stoked and steamed and sensual in the widest sense of the word, limned in cadenced song, Brazil is a conundrum wrapped in a smile inside an irony...

 

This is not a European nation. It is not a North American nation. It is not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn. Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin. It was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people). Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David. Three cultures — from three continents — running for their lives, their confluence forming an unprecedented fourth. Pandeirista on the roof. Nowhere else but here.

 

Oligarchy, plutocracy, dictatorships and massive corruption — elements of these are still strongly entrenched — have defined, delineated, and limited Brazil.

 

But strictured & bound as it has been and is, Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of — or perhaps because of — the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

"Onde tem miséria, tem música!"* - Raymundo Sodré

 

And it's not just music. And it's not just Brazil.

 

Welcome to the kitchen!

 

* "Where there is misery, there is music!" Remarked during a conversation arcing from Bahia to Haiti and Cuba to New Orleans and the south side of Chicago and Harlem to the villages of Ireland and the gypsy camps and shtetls of Eastern Europe...

 

Harlem to Bahia to the Planet



Why a "Matrix"?

 

I was explaining the ideas behind this nascent network to (João) Teoria (trumpet player above) over cervejas at Xique Xique (a bar named for a town in Bahia) in the Salvador neighborhood of Barris...

 

Like this (but in Portuguese): "It's kind of like Facebook if it didn't spy on you, but reversed... more about who you don't know than who you do know. And who doesn't know you but would be glad if they did. It's kind of like old Myspace Music but instead of having "friends" it has a list on your page of people you recommend. Not just musicians but writers, painters, filmmakers, dancers, chefs... anybody in the creative economy. It has a list of people who recommend you, or through whom you are recommended. It deals with arts which aren't recommendable by algorithm but need human intelligence behind recommendations. And the people who are recommended can recommend, creating a network of recommendations wherein by the small world phenomenon most people in the creative economy are within several steps of everybody else in the creative economy, no matter where they are in the world. Like a chessboard which could have millions of squares, but you can get from any given square to any other in no more than six steps..."

 

And João said (in Portuguese): "A matrix where you can move from one artist to another..."

 

A matrix! That was it! The ORIGINAL meaning of matrix is "source", from "mater", Latin for "mother". So the term would help congeal the concept in the minds of people the network was being introduced to, while giving us a motto: "We're a real mother for ya!" (you know, Johnny "Guitar" Watson?)

 

The original idea was that musicians would recommend musicians, the network thus formed being "small world" (commonly called "six degrees of separation"). In the real world, the number of degrees of separation in such a network can vary, but while a given network might have billions of nodes (people, for example), the average number of steps between any two nodes will usually be minuscule.

 

Thus somebody unaware of the magnificent music of Bahia, Brazil will be able to conceivably move from almost any musician in this matrix to Bahia in just a few steps...

 

By the same logic that might move one from Bahia or anywhere else to any musician anywhere.

 

And there's no reason to limit this system to musicians. To the contrary, while there are algorithms written to recommend music (which, although they are limited, can be useful), there are no algorithms capable of recommending journalism, novels & short stories, painting, dance, film, chefery...

 

...a vast chasm that this network — or as Teoria put it, "matrix" — is capable of filling.

 

  • Alicia Hall Moran
    I RECOMMEND

CURATION

  • from this node by: Matrix

This is the Universe of

  • Name: Alicia Hall Moran
  • City/Place: New York City
  • Country: United States

Life & Work

  • Bio: Alicia Hall Moran, mezzo-soprano, is a multi-dimensional artist performing and composing between the genres of Opera, Art, Theater, and Jazz. Ms. Moran made her Broadway debut in the Tony-winning revival The Gershwins' Porgy and Bess, starring as Bess on the celebrated 20-city American tour. "Moran finds the truth of the character in her magnificent voice," Los Angeles Times.

    A unique vocalist performing across the fine arts and in her own contemporary work, Ms. Moran's creativity has been nurtured by, and tapped by celebrated artists including Carrie Mae Weems, Adam Pendleton, Joan Jonas, Ragnar Kjartansson, Simone Leigh, Liz Magic Laser, curator Okwui Enwezor, and choreographer Bill T. Jones, musicians like Bill Frisell, Charles Lloyd, and the band Harriet Tubman, diverse writers from Simon Schama to Carl Hancock Rux, as well as institutions at the forefront of art and ideas worldwide.

    Ms. Moran's artist residencies include Isabella Stewart Gardner Museum, MASSMoCA, and National Sawdust center for original music. She's been commissioned by ArtPublic/Miami Art Basel, Museum of Modern Art, The Kitchen, Histories Remixed/Art Institute Chicago, and Prototype Festival: HERE Performing Arts/Beth Morrison Projects, steadily rewriting a template for the classical-pop hybrid singer, with quiet yet critically-acclaimed works such as HEAVY BLUE, her first album, the motown project, The Five Fans, Breaking Ice: The Battle of the Carmens, and Black Wall Street, a personal historical take on the Tulsa Race Riot of 1921 which premiered at River To River Festival after developing at National Sawdust and The Schomburg Center for Research in Black Culture/Women In Jazz--institutions dedicated to keeping creativity and risk-taking alive at the critical level Ms. Moran inhabits.

    In partnership with husband and collaborator Jason Moran, she was awarded a 2017 Art of Change fellowship by the Ford Foundation, and has generated work for the Venice Biennale, Whitney Biennial, Walker Art Center, and Philadelphia Museum of Art, and most recently, Carnegie Hall, Symphony Center in Chicago, and Elb Philharmonie in Hamburg, among many others.

    Ms. Moran's transcendant vocal performances travel fluidly from jazz clubs (such as Village Vanguard, The Stone, [email protected] Center, Highline Ballroom, San Francisco Jazz, Kennedy Center, etc.) through solo turns with symphony orchestra (including National Symphony Orchestra Pops, Chicago Philharmonic, Austin Symphony, 1B1 Orchestra/Norway, Roanoke Symphony, Dayton Philharmonic) and new contemporary orchestral works by composers including Gabriel Kahane (Oregon Symphony, Detroit Symphony, Grant Park Symphony, etc.) and Bryce Dessner (world tour), to the opera stage and operatic turns for film and theater. Her second album, HERE TODAY, was released December 21, 2017.

Contact Information

  • Email: [email protected]

Media | Markets

  • ▶ Buy My Music: (downloads/CDs/DVDs) http://aliciahallmoran.bandcamp.com
  • ▶ Instagram: aliciahallmoran
  • ▶ Website: http://www.aliciahallmoran.com
  • ▶ Website 2: http://www.twowingsmigration.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCeX75b-HpdXrBuKtdNNj7pQ
  • ▶ Articles: http://www.aliciahallmoran.com/press.html

Clips (more may be added)

  • Alicia Hall Moran: How to Find Your True Note
    By Alicia Hall Moran
    352 views
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YOU RECOMMEND

Imagine the world's creative economy at your fingertips. Imagine 10 doors side-by-side. Beyond each, 10 more, each opening to a "creative" somewhere around the planet. After passing through 8 such doorways you will have followed 1 pathway out of 100 million possible (2 sets of doorways yield 10 x 10 = 100 pathways). This is a simplified version of the metamathematics that makes it possible to reach everybody in the global creative economy in just a few steps It doesn't mean that everybody will be reached by everybody. It does mean that everybody can  be reached by everybody.


Appear below by recommending Alicia Hall Moran:

  • 0 Jazz
  • 0 Mezzo-Soprano
  • 0 New York City
  • 0 Opera
  • 0 Singer
  • 0 Theater
  • Seth Swingle Old-Time Music
  • Julia Alvarez Writer
  • Little Dragon Sweden
  • John Francis Flynn Rough Trade, River Lea
  • Isaak Bransah Bahia
  • Caterina Lichtenberg Hochschule für Musik und Tanz Köln
  • Howard Levy Harmonica
  • Daniel Jobim Piano
  • Larnell Lewis Drums
  • 小野リサ Lisa Ono MPB
  • Jussara Silveira Bahia
  • Terence Blanchard Composer
  • Tom Zé Bahia
  • Alessandro Penezzi Samba
  • Miles Mosley Multi-Instrumentalist
  • Oscar Bolão Drums
  • Christopher Wilkinson Movie Producer
  • Gel Barbosa Cantor-Compositor, Singer-Songwriter
  • Matt Glaser Composer
  • Randy Lewis Writer
  • Johnny Vidacovich Jazz
  • Mauro Senise Saxophone
  • Léo Rugero Film Scores
  • Burhan Öçal Bendir
  • Anat Cohen Clarinet
  • Chano Domínguez Flamenco
  • Cashmere Cat Record Producer
  • Sergio Krakowski Rio de Janeiro
  • Rachael Price Brooklyn, NY
  • Bob Mintzer Jazz
  • Donnchadh Gough Bodhrán
  • John Boutté Singer
  • Aubrey Johnson Brazilian Music
  • Tatiana Campêlo Brazil
  • Musa Okwonga Berlin
  • Dwandalyn Reece Writer
  • Kiko Souza Flauta, Flute
  • David Castillo Pierce College Faculty
  • Tshepiso Ledwaba South Africa
  • Dadá do Trombone Bahia
  • Danilo Caymmi Brazil
  • Forrest Hylton Federal University of Bahia Faculty
  • Arto Lindsay Record Producer
  • Gui Duvignau Composer
  • Flying Lotus Hip-Hop
  • Nara Couto MPB
  • Casa da Mãe Espaço Cultural/Cultural Space
  • Anna Mieke Singer-Songwriter
  • John Waters Public Speaker
  • Tarus Mateen R&B
  • Curly Strings Folk & Traditional
  • Andrew Huang Guitar
  • Aneesa Strings Composer
  • Biréli Lagrène Jazz
  • Erika Goldring Music Photographer
  • Joana Choumali Multimedia Artist
  • David Castillo Singer
  • Chubby Carrier Accordion
  • Chris Boardman University of Miami Frost School of Music Faculty
  • Raynald Colom Spain
  • Germán Garmendia Comedian
  • Laura Cole R&B
  • Scott Yanow Music Critic
  • Timothy Duffy Folklorist
  • Zé Katimba GRES Imperatriz Leopoldinense
  • Flor Jorge Brazil
  • Vincent Valdez Mexican-American Art
  • Forrest Hylton Bahia
  • Mika Mutti Composer
  • Frank Negrão Brazil
  • Muireann Nic Amhlaoibh Singer
  • Ben Street Jazz
  • Nath Rodrigues Brazil
  • Nabihah Iqbal Electronic, Experimental, Alternative Music
  • Jason Treuting Percussion
  • Tank and the Bangas Hip-Hop
  • Samba de Nicinha Maculelê
  • Orlando 'Maraca' Valle Flute
  • Isaak Bransah Bahia
  • Nublu Experimental, Electronic Music
  • Arturo O'Farrill Composer
  • Nelson Cerqueira Salvador
  • Yazhi Guo 郭雅志 Boston, Massachusetts
  • Guillermo Klein New York City
  • Cécile McLorin Salvant Jazz
  • Georgia Anne Muldrow Record Producer
  • Marco Pereira Brazil
  • Mônica Salmaso São Paulo
  • Massimo Biolcati App Developer
  • Leonardo Mendes Samba
  • Bill Hinchberger Journalist
  • Renato Braz Guitar
  • Maria Nunes Photographer
  • Matt Glaser Violin
  • Karsh Kale कर्ष काळे Multi-Instrumentalist
  • Brandon Coleman Composer
  • Bernardo Aguiar Rio de Janeiro
  • Filhos de Nagô Bahia
  • Jason Reynolds Poet
  • Michael W. Twitty Food Writer
  • Negra Jhô Brazil
  • Las Cafeteras Afro-Mexican Music
  • Willy Schwarz Theater Composer
  • Fábio Zanon Brazil
  • Alexia Arthurs Iowa Writers' Workshop Faculty
  • Zigaboo Modeliste Second Line
  • Bruce Molsky Fiddle
  • Joe Newberry Raleigh
  • John Patrick Murphy Pernambuco
  • Jazzmeia Horn Jazz
  • David Ngwerume Harare
  • Omari Jazz Composer
  • Nação Zumbi Brazil
  • João Rabello Classical Guitar
  • Martin Fondse Arranger
  • Garth Cartwright DJ
  • Malin Fezehai Photographer
  • Herbie Hancock Keyboards
  • Meddy Gerville Singer
  • Hugues Mbenda France
  • Rudy Royston Educator
  • Delfeayo Marsalis New Orleans
  • Clint Mansell Singer-Songwriter
  • Celso de Almeida Brazil
  • Reuben Rogers Jazz
  • Thiago Amud Rio de Janeiro
  • Lula Galvão Guitar
  • Del McCoury Guitar
  • Teddy Swims R&B
  • Horacio Hernández Havana
  • Richard Bona Multi-Instrumentalist
  • Ron Miles Jazz
  • THE ROOM Shibuya Jazz
  • Zebrinha Bahia
  • Biréli Lagrène Composer
  • Jason Moran Film Scores
  • Jon Batiste Multi-Instrumentalist
  • Sierra Hull Americana
  • Colm Tóibín Ireland
  • Mary Stallings Jazz
  • John Edward Hasse Piano
  • Toninho Horta Belo Horizonte
  • Eric Harland Jazz
  • Leo Genovese Piano
  • Miguel Atwood-Ferguson Arranger
  • Dan Nimmer Piano
  • Afrocidade Bahia
  • Mário Santana Percussion
  • Barlavento Brazil
  • Simon Singh Physics
  • Marcelo Caldi Choro
  • Kurt Andersen Journalist
  • Barbara Paris Multi-Media Artist
  • Sabine Hossenfelder Frankfurt Institute for Advanced Studies
  • Elio Villafranca Composer
  • Glória Bomfim Singer
  • John Edward Hasse Author
  • Amaro Freitas Recife
  • Negra Jhô AFROBIZ Salvador
  • Melvin Gibbs Jazz Fusion
  • David Virelles Piano
  • Elizabeth LaPrelle Folk & Traditional
  • Shuya Okino Kyoto
  • Stephen Kurczy The King's College Faculty
  • Jimmy Greene Gospel
  • Philip Sherburne DJ
  • Wayne Krantz Composer
  • Loli Molina Buenos Aires
  • Igor Levit Classical Music
  • Beeple Concert Visuals
  • Raphael Saadiq Neo Soul
  • Dave Weckl Los Angeles
  • John Harle Guildhall School of Music & Drama Faculty
  • Nicole Mitchell Composer
  • Robertinho Silva Jazz
  • Willy Schwarz Songwriter
  • Luques Curtis Afro-Latin Dance Music
  • Chico César MPB
  • Rema Namakula Singer
  • Deesha Philyaw Columnist
  • Airto Moreira Jazz
  • Susana Baca Ethnomusicologist
  • Lula Galvão Bossa Nova
  • Yazhi Guo 郭雅志 Jazz
  • Sombrinha Singer-Songwriter
  • Adonis Rose Jazz
  • Little Simz London
  • Pierre Onassis Salvador
  • Keyon Harrold Record Producer
  • Trilok Gurtu Percussion
  • Grégoire Maret Composer
  • Isaias Rabelo Jazz
  • Cássio Nobre Viola Brasileira
  • Carl Joe Williams Sculptor
  • George Cables Piano
  • Deesha Philyaw Short Stories
  • Dave Douglas New School's Mannes School of Music Faculty
  • Echezonachukwu Nduka Musicologist
  • Robb Royer Screenwriter
  • Varijashree Venugopal Brazilian Music
  • Nêgah Santos Jazz
  • Teresa Cristina Songwriter
  • Shalom Adonai Bahia
  • Joshua White San Diego, California
  • Oscar Peñas Jazz
  • Paddy Groenland Guitar
  • Daru Jones Hip-Hop
  • Zachary Richard Guitar
  • Cristovão Bastos Brazil
  • Donny McCaslin Brooklyn, NY
  • Sarz Record Producer
  • Larissa Luz Actor
  • Cainã Cavalcante Brazilian Jazz
  • Gabriel Geszti Multi-Cultural
  • Richard Galliano Choro
  • Melissa Aldana Composer
  • Thiago Trad Berimbau
  • Eliane Elias Singer-Songwriter
  • Jean Rondeau Classical Music
  • Leonardo Mendes Cantor-Compositor, Singer-Songwriter
  • Shankar Mahadevan India
  • Mestrinho Brazil
  • Aurino de Jesus Chula
  • Glória Bomfim Brazil
  • Vivien Schweitzer Piano
  • Kamasi Washington Composer
  • Luis Perdomo Composer
  • Ron Blake Flute
  • Michael Doucet Cajun Music
  • César Orozco Piano
  • Nublu Record Label
  • John McWhorter Linguist
  • Frank Negrão Music Director
  • Darryl Hall Paris
  • Bule Bule Brazil
  • Afrocidade Brazil
  • Munir Hossn Composer
  • Luizinho Assis Jazz Brasileiro, Brazilian Jazz
  • Joshue Ashby Panama
  • Alex de Mora Director
  • Dieu-Nalio Chery New York City
  • Grégoire Maret New York City
  • Luíz Paixão Fiddle
  • Mestre Nelito Capoeira Angola
  • Juliana Ribeiro Musicologist
  • Frank Negrão Funk
  • Marco Pereira Rio de Janeiro
  • Alan Brain Screenwriter
  • Bob Bernotas Jazz
  • Lula Moreira Sculptor
  • Roberto Fonseca Jazz
  • Márcio Valverde Brazil
  • Raelis Vasquez Afro-Latinx Art
  • Şener Özmen Kurdistan
  • Jess Gillam Contemporary Classical Music
  • Jimmy Dludlu AfroJazz
  • John Boutté New Orleans
  • André Vasconcellos Baixo, Bass
  • João Callado Music Producer
  • Felipe Guedes Multi-Instrumentalist
  • Paulo César Figueiredo Brasil, Brazil
  • Priscila Castro Santarém
  • D.D. Jackson Piano
  • Milford Graves Composer
  • Vadinho França Samba
  • César Orozco Violin
  • Benny Benack III New York City
  • Branford Marsalis New Orleans
  • David Mattingly Pratt Institute Faculty
  • Maria Rita Rio de Janeiro
  • Brian Stoltz Songwriter
  • Africania Brazil
  • Eduardo Kobra Muralista, Muralist
  • McIntosh County Shouters Ring Shouts
  • Bill Frisell Brooklyn, NY
  • Chris Cheek Jazz
  • Kris Davis Jazz
  • Burkard Polster Mathematics
  • Giba Conceição Percussion
  • Soweto Kinch Rapper
  • Pasquale Grasso Guitar Instruction, Master Classes
  • Ballaké Sissoko Kora
  • Bill Frisell Guitar
  • Greg Ruby Author
  • Cássio Nobre Samba de Roda
  • Leo Genovese Multi-Instrumentalist
  • Chucho Valdés Cuba
  • Nduduzo Makhathini South Africa
  • Patty Kiss Bahia
  • Matt Ulery Record Label Owner
  • Imanuel Marcus War Correspondent
  • Jocelyn Ramirez Private Group Cooking Classes
  • Jorge Ben Sambalanço
  • Leonardo Mendes Violão, Guitar
  • Aindrias de Staic Fiddle
  • Marilda Santanna Samba
  • Super Chikan Mississippi
  • Herlin Riley Tambourine
  • Fábio Luna Violão, Guitar
  • Corey Harris Guitar
  • Danilo Brito São Paulo
  • Tom Schnabel World Music
  • Zeca Pagodinho Samba
  • Hilton Schilder South Africa
  • Ronald Bruner Jr. Composer
  • Randy Lewis Music Critic
  • Mauro Senise Composer
  • Bertram Ethnomusicologist
  • Luizinho do Jêje Salvador
  • Massimo Biolcati Bass
  • Robby Krieger Painter
  • King Britt DJ
  • Loli Molina Singer-Songwriter
  • Cainã Cavalcante MPB
  • Luiz Santos Rio de Janeiro
  • Duane Benjamin UCLA Herb Alpert School of Music Faculty
  • Lula Moreira Maracatu
  • Wayne Krantz New York City
  • Fábio Zanon Author
  • Alita Moses Singer-Songwriter
  • Guto Wirtti Multi-Instrumentalist
  • Zigaboo Modeliste New Orleans
  • Chief Xian aTunde Adjuah Ropeadope
  • Flavio Sala Italy
  • Nahre Sol YouTuber
  • Leo Nocentelli Funk
  • Gino Banks Drums
  • André Mehmari São Paulo
  • Darren Barrett Jazz
  • Jeremy Pelt Trumpet Instruction
  • Greg Osby Composer
  • Ben Harper Gospel
  • Ivan Bastos MPB
  • Soweto Kinch Composer
  • Nelson Faria Guitar
  • Magary Lord Percussion
  • Cashmere Cat Hip-Hop
  • Rodrigo Caçapa Guitar
  • Louis Marks Podcaster
  • Tiganá Santana Poeta, Poet
  • Perumal Murugan Novelist
  • Soweto Kinch MC
  • MonoNeon Memphis, Tennessee
  • Daedelus Berklee College of Music Faculty
  • Simon Brook Filmmaker
  • Pedrito Martinez Singer
  • Sarah Jarosz New York City
  • Lokua Kanza Paris
  • Aloísio Menezes Brazil
  • OVANA Cunene

 'mātriks / "source" / from "mater", Latin for "mother"
We're a real mother for ya!

 

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