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Alicia Hall Moran via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other...

  • Steps from Alicia Hall Moran:
    I'LL TAKE YOU THERE! ▶
Alicia Hall Moran
  • 0 Jazz
  • 0 Mezzo-Soprano
  • 0 New York City
  • 0 Opera
  • 0 Singer
  • 0 Theater

'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!

I'LL TAKE YOU THERE! ▶

  • Steps forward by: The Matrix

Who I Am & Where I Live

  • Name: Alicia Hall Moran
  • City: New York City
  • Country: United States

My Life & Work

  • Bio: Alicia Hall Moran, mezzo-soprano, is a multi-dimensional artist performing and composing between the genres of Opera, Art, Theater, and Jazz. Ms. Moran made her Broadway debut in the Tony-winning revival The Gershwins' Porgy and Bess, starring as Bess on the celebrated 20-city American tour. "Moran finds the truth of the character in her magnificent voice," Los Angeles Times.

    A unique vocalist performing across the fine arts and in her own contemporary work, Ms. Moran's creativity has been nurtured by, and tapped by celebrated artists including Carrie Mae Weems, Adam Pendleton, Joan Jonas, Ragnar Kjartansson, Simone Leigh, Liz Magic Laser, curator Okwui Enwezor, and choreographer Bill T. Jones, musicians like Bill Frisell, Charles Lloyd, and the band Harriet Tubman, diverse writers from Simon Schama to Carl Hancock Rux, as well as institutions at the forefront of art and ideas worldwide.

    Ms. Moran's artist residencies include Isabella Stewart Gardner Museum, MASSMoCA, and National Sawdust center for original music. She's been commissioned by ArtPublic/Miami Art Basel, Museum of Modern Art, The Kitchen, Histories Remixed/Art Institute Chicago, and Prototype Festival: HERE Performing Arts/Beth Morrison Projects, steadily rewriting a template for the classical-pop hybrid singer, with quiet yet critically-acclaimed works such as HEAVY BLUE, her first album, the motown project, The Five Fans, Breaking Ice: The Battle of the Carmens, and Black Wall Street, a personal historical take on the Tulsa Race Riot of 1921 which premiered at River To River Festival after developing at National Sawdust and The Schomburg Center for Research in Black Culture/Women In Jazz--institutions dedicated to keeping creativity and risk-taking alive at the critical level Ms. Moran inhabits.

    In partnership with husband and collaborator Jason Moran, she was awarded a 2017 Art of Change fellowship by the Ford Foundation, and has generated work for the Venice Biennale, Whitney Biennial, Walker Art Center, and Philadelphia Museum of Art, and most recently, Carnegie Hall, Symphony Center in Chicago, and Elb Philharmonie in Hamburg, among many others.

    Ms. Moran's transcendant vocal performances travel fluidly from jazz clubs (such as Village Vanguard, The Stone, Jazz@Lincoln Center, Highline Ballroom, San Francisco Jazz, Kennedy Center, etc.) through solo turns with symphony orchestra (including National Symphony Orchestra Pops, Chicago Philharmonic, Austin Symphony, 1B1 Orchestra/Norway, Roanoke Symphony, Dayton Philharmonic) and new contemporary orchestral works by composers including Gabriel Kahane (Oregon Symphony, Detroit Symphony, Grant Park Symphony, etc.) and Bryce Dessner (world tour), to the opera stage and operatic turns for film and theater. Her second album, HERE TODAY, was released December 21, 2017.

Contact Information

  • Email: aliciaheavyblue@gmail.com

My Media & Markets

  • ▶ Buy My Music (downloads/CDs/DVDs): http://aliciahallmoran.bandcamp.com
  • ▶ Instagram: aliciahallmoran
  • ▶ Website: http://www.aliciahallmoran.com
  • ▶ Website 2: http://www.twowingsmigration.com
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCeX75b-HpdXrBuKtdNNj7pQ
  • ▶ Articles: http://www.aliciahallmoran.com/press.html

Clips (more may be added)

  • Alicia Hall Moran: How to Find Your True Note
    By Alicia Hall Moran
    108 views
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The world's artistry via giant steps through a matrix based in the phenomenon placing most of the 7.8 billion of us within 6 or fewer degrees — steps — of each other ...

 

... a project conceived and built in the fertile, fecund and atavistic ground zero of Bahia, Brazil initially for the discoverability of this singular region's dispossessed genius.

 

All explained in the window immediately below. Followed — beneath this window — by scores of magnificent artists, each leading to myriads more artists/categories. Inside this window also  may be found our Brazilian record store radio, named by British journal The Guardian as one of 10 of the Best Radio Stations Around the World!

 

IF YOU CAN'T STAND THE HEAT

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles -- jungle and desert and dense urban centers -- both the equator and the Tropic of Capricorn. It absorbed over ten times the number of African slaves taken to the United States of America, and much of its aboriginal population was absorbed into the general population-at-large. Its people have lived under oligarchy, plutocracy, dictatorships and massive corruption, with elements of these still strongly entrenched today.

 

But!

 

Brazil has buzz...not the shallow buzz of a fashionable moment...but the deep buzz of a population which in spite of -- or perhaps because of -- the tough slog through life they've been allotted by humanity's dregs-in-fine-linen, have chosen not to simply pull themselves along but to lift their voices in song and their bodies in dance...to eat well and converse well and much and to wring the joy out of the day-to-day happenings and small pleasures of life which are so often set aside or ignored in the European, North American, and East Asian nations.

 

For this Brazil has a genius perhaps unparalleled in all other countries and societies, a genius which thrives alongside peeling paint and holes in the streets and roads, under bad organization by the powers-that-be, both civil and governmental, under a constant rain of societal indignities...

 

Which is all to say that if you don't know Brazil and you're expecting any semblance of order, progress and light, you will certainly find the light! And the buzz of a people who for generations have responded to privation at many different levels by somehow rising above it all.

 

Raimundo Sodré, in a conversation ranging through New Orleans and Harlem and the South Side of Chicago ... and Appalachia and Irish villages and Russian shtetls and the unofficial symbol of Brazil's Bahian-born national music (the pandeiro) almost certainly having arrived in Brazil in the hands of Sephardic Jews (including conversos) fleeing the Inquisition, once remarked: "Where there's misery, there's music!"

 

A pandeirista on the roof. And it's not just music. And it's not just Brazil.

 

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  • Jaleel Shaw Manhattan School of Music Faculty
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  • David Sedaris Writer
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  • Mark Lettieri Instructor
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