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  • Luis Paez-Pumar

    THE INTEGRATED GLOBAL
    CREATIVE ECONOMY

    promulgated by
    The Brazilian Ministry of Culture

    fomented by
    The Bahian Secretary of Culture

    fomented by
    The Palmares Foundation
    for the promotion of Afro-Brazilian Culture

    fomented by
    The National Foundation of Indigenous Peoples

    I CURATE

Network Node

  • Name: Luis Paez-Pumar
  • City/Place: New York City
  • Country: United States
  • Hometown: Caracas, Venezuela

CURATION

  • from this node by: Matrix

Life & Work

  • Bio: Luis is a freelance writer and editor focusing on sports, culture, television, and social issues.

    He's been published in Rolling Stone, The Fader, The Week, SPIN, Noisey, VICE, Complex, VinylMePlease, Myspace, Flavorwire, Village Voice, Fatherly, Mental Floss, CMJ, Consequence of Sound, Unrecorded, and Reader’s Digest.

    He edited and wrote for Fatherly's entertainment and sports section, PLAY, as it transitioned from news coverage to feature content. He edited and wrote for the site's burgeoning News section, with a hand in 5+ posts per day. Spearheaded 'The Five Greatest Athletes Under Five' project, highlighting the best young athletes in the country.

    He managed the sports section for one of the premier Latinx-focused publications. He also helped write and edit culture content.

    He managed the website and social media platforms of the world's biggest independent music publisher.

    He wrote for, edited, and produced a breaking news video operation, as well as creating content for each of Complex's channels (Sports, Culture, Music, Style, and Sneakers).

    He created content and copy for Fortune 500 brands on social media, while also managing online campaigns focusing on both audience growth and sales.

    He wrote and edited album reviews on a weekly basis, spanning a multitude of genres, while managing a team of 10+ freelance writers across the world.

Media | Markets

  • ▶ Twitter: lppny
  • ▶ Instagram: lppny
  • ▶ YouTube Channel: http://www.youtube.com/channel/UCQc24fww9H8-RQrst87k-jw
  • ▶ Articles: http://www.rollingstone.com/author/luis-paez-pumar/
  • ▶ Articles 2: http://theweek.com/authors/luis-paez-pumar
  • ▶ Articles 3: http://www.vice.com/en_us/contributor/luis-paez-pumar

Luis Paez-Pumar Curated (bridges in)

  • 0 Editor
  • 0 Journalist
  • 0 New York City
  • 0 Writer

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  • Luis Paez-Pumar
    A category was added to Luis Paez-Pumar:
    Journalist
    • September 26, 2019
  • Luis Paez-Pumar
    A category was added to Luis Paez-Pumar:
    New York City
    • September 26, 2019
  • Luis Paez-Pumar
    A category was added to Luis Paez-Pumar:
    Editor
    • September 26, 2019
  • Luis Paez-Pumar
    A category was added to Luis Paez-Pumar:
    Writer
    focusing on sports, culture, television, and social issues
    • September 26, 2019
  • Luis Paez-Pumar
    Luis Paez-Pumar is matrixed!
    • September 26, 2019
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  • English (Portuguese →)
  • (← Inglês) Português

English (Portuguese →)

 

PATHWAYS
from Brazil, with love

"I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
✅—Susan Rogers
Personal recording engineer: Prince, Paisley Park
Director: Music Perception & Cognition Laboratory, Berklee College of Music
Author: This Is What It Sounds Like: What the Music You Love Says About You

 

 

The Matrix was Born in Brazil, but It Embraces the Entire World

Why Brazil?

 

Brazil is not a European nation. It's not a North American nation. It's not an East Asian nation. It straddles — jungle and desert and dense urban centers — both the equator and the Tropic of Capricorn.

 

Brazil absorbed over ten times the number of enslaved Africans taken to the United States of America, and is a repository of African deities (and their music) now largely forgotten in their lands of origin (Bahia's Bay of All Saints received more enslaved human beings than any other final port-of-call throughout all of human history).

 

Brazil was a refuge (of sorts) for Sephardim fleeing an Inquisition which followed them across the Atlantic (that unofficial symbol of Brazil's national music — the pandeiro — was almost certainly brought to Brazil by these people).

 

Across the parched savannas of the interior of Brazil's culturally fecund nordeste/northeast, where wizard Hermeto Pascoal was born in Lagoa da Canoa (Lagoon of the Canoe) and raised in Olho d'Águia (Eye of the Eagle), much of Brazil's aboriginal population was absorbed into a caboclo/quilombola culture punctuated by the Star of David.

 

Three cultures — from three continents — running for their lives, their confluence forming a scintillatingly unprecedented fourth. Pandeirista on the roof.

 

Brazil itself is a matrix. Nowhere else but here.


Music & lyrics (Brasil Pandeiro) by Assis Valente of Santo Amaro, Bahia, Brazil. Video by Betão Aguiar of Salvador.

The matrix was created in Salvador's Centro Histórico, where Bule Bule above, among magisterial colleagues for whom this matrix was originally built (it's now open to all in the Global Creative Economy) sings, "Chegou a hora dessa gente bronzeada mostrar seu valor... The time has come for these bronzed people to show their worth..."

...the endeavor motivated in the first instance by the fact that in common with most cultures around our planet, the preponderance of Brazil's vast cultural treasure has been impossible to find from outside of circumscribed regions, including Brazil itself...

Thus something new under the tropical sun: A means by which those above, those below, and EVERYBODY ELSE in the creative economy can be divulged EVERYWHERE.

For by the seemingly magical mathematics of the small world phenomenon, all in the matrix will tend to proximity to all others, in the same way that most human beings are within some six or so steps of most others.

The difference being that in the matrix, these steps are along pathways that can be travelled. The creative world becomes a neighborhood. Quincy Jones is right up the street and Branford Marsalis around the corner. And the most far-flung genius you've never heard of is just a few doors down. Maybe even in Brazil. Laroyê!

 

"Matrixado!"
✅—Founding Member Darius Mans
Economist, PhD, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
President of Brazil

"Many thanks for this - I am  touched!"

✅—Julian Lloyd Webber
That most fabled cellist in the United Kingdom (and Brazilian music fan)

"I'm truly thankful... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Blue Note recording artist)

"Thanks, this is a brilliant idea!!"
✅—Alicia Svigals
Founder of The Klezmatics

"This is super impressive work ! Congratulations ! Thanks for including me :)))"
✅—Clarice Assad
Compositions recorded by Yo Yo Ma and played by orchestras around the world

"Thank you"
(Banch Abegaze, manager)
✅—Kamasi Washington

 


The matrix is the ultimate evolution of a pathway which began in New York City decades ago per the "rescue" of unpaid royalties, performance & mechanicals, for artists burned by major labels: Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd of Kingston's Studio One (Bob Marley's producer; I made a copy of his original contract with Bob to take to CBS Records to argue; Bob was 17 when he signed and his aunt co-signed)...
...Funk Brother Wah Wah Watson (Melvin Ragin) and others. A long and winding road that led inexorably to the necessity of a truly open arts universe, for there is more in Heaven and Earth...

Tap people, tap categories, tap curations... The matrix is a maze of tunnels within King Solomon's creative mines.

(← Inglês) Português

 

CAMINHOS
do Brasil, com amor

"Fico muitíssimo feliz em receber seu e-mail! Obrigada por me incluir neste matrix maravilhoso."
✅—Susan Rogers
Engenheiro de gravação pessoal para Prince: Paisley Park
Diretora: Laboratório de Percepção e Cognição Musical, Berklee College of Music
Autora: This Is What It Sounds Like: What the Music You Love Says About You

 

 

O Matrix Nasceu no Brasil, mas Abraça o Mundo Inteiro

Por que construir o matrix no Brasil?

 

O Brasil não é uma nação européia. Não é uma nação norte-americana. Não é uma nação do leste asiático. Compreende — selva e deserto e centros urbanos densos — tanto o equador quanto o Trópico de Capricórnio.

 

O Brasil absorveu mais de dez vezes o número de africanos escravizados levados para os Estados Unidos da América, e é um repositório de divindades africanas (e sua música) agora em grande parte esquecido em suas terras de origem (a Baía de Todos os Santos recebeu mais seres humanos escravizados do que qualquer outro porto de escala final ao longo de toda a história humana).

 

O Brasil era um refúgio (de certa forma) para os sefarditas que fugiam de uma Inquisição que os seguia através do Atlântico (aquele símbolo não oficial da música nacional brasileira — o pandeiro — foi quase certamente trazido ao Brasil por esse povo).

 

Através das savanas ressequidas do interior do culturalmente fecundo nordeste, onde o mago Hermeto Pascoal nasceu na Lagoa da Canoa e cresceu em Olho d'Águia, uma grande parte da população aborígine do Brasil foi absorvida por uma cultura caboclo/quilombola pontuada pela Estrela de Davi.

 
Três culturas - de três continentes - correndo por suas vidas, sua confluência formando uma quarta cintilante e sem precedentes. Pandeirista no telhado.

 

Brasil é um matrix mesmo. Em nenhum outro lugar a não ser aqui.


Música & letras (Brasil Pandeiro) por Assis Valente de Santo Amaro, Bahia. Vídeo por Betão Aguiar de Salvador.

O matrix foi criado no Centro Histórico de Salvador, onde Bule Bule acima, entre colegas magisteriais para quem este matrix foi originalmente construído (está aberto agora a todos na Economia Criativa Global) canta, "Chegou a hora dessa gente bronzeada mostrar seu valor..."

...o empreendimento motivado na primeira instância pelo fato de que em comum com a maioria das culturas ao redor do nosso planeta, a preponderância do vasto tesouro cultural do Brasil tem sido impossível de encontrar fora de regiões circunscritas, incluindo o próprio Brasil.

Assim algo novo sob o sol tropical: Um meio pelo qual os acima, os abaixo e TODOS OS OUTROS na economia criativa podem ser divulgados em TODOS OS LUGARES.

Pela matemática aparentemente mágica do fenômeno do mundo pequeno, todos no matrix tenderão a se aproximar de todos, da mesma forma que a maioria dos seres humanos estão dentro de cerca de seis passos da maioria dos outros.

Com a diferença que no matrix, estes passos estão ao longo de caminhos que podem ser percorridos. O mundo criativo se torna uma vizinhança. Quincy Jones está lá em cima e Branford Marsalis está ao virar da esquina. E o gênio distante que você nunca ouviu falar tá lá embaixo. Talvez até no Brasil. Laroyê!

 

"Matrixado!"
✅—Membro Fundador Darius Mans
Economista, doutorado, Massachusetts Institute of Technology
✅—Luiz Inácio Lula da Silva
Presidente do Brasil

"Muito obrigado por isso - estou tocado!"

✅—Julian Lloyd Webber
Estamos tocados também Sr. Webber!
Merecidamente o violoncelista mais lendário do Reino Unido (e fã da música brasileira)

"Estou realmente agradecido... Sohlangana ngokuzayo :)"
✅—Nduduzo Makhathini
Artista da Blue Note)

"Obrigada, esta é uma ideia brilhante!!"
✅—Alicia Svigals
Fundadora do The Klezmatics

"Este é um trabalho super impressionante! Parabéns! Obrigada por me incluir :)))"
✅—Clarice Assad
Composições gravadas por Yo Yo Ma e tocadas por orquestras ao redor do mundo

"Thank you"
(Banch Abegaze, empresário)
✅—Kamasi Washington


O matrix é a evolução definitiva de um caminho que começou em Nova York há décadas atrás pelo "resgate" dos direitos autorais não pagos para Aretha Franklin, Barbra Streisand, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Led Zeppelin, Philip Glass, Clement "Coxsone" Dodd do Studio One de Kingston (o produtor de Bob Marley; Eu fiz uma cópia de seu contrato original com Bob para levar à CBS Records para discutir; Bob tinha 17 anos quando assinou e sua tia co-assinou)...
...Funk Brother Wah Wah Watson (Melvin Ragin) e outros. Um longo e sinuoso caminho que levou inexoravelmente à necessidade de um universo de artes verdadeiramente aberto, pois há mais no Céu e na Terra...

Toque em pessoas, toque em categorias, toque em curadoria... O matrix é um labirinto de túneis dentro das minas criativas do Rei Salomão.

  • Keyon Harrold New York City
  • Katuka Africanidades Salvador
  • Duncan Chisholm Traditional Scottish Music
  • Ronaldo Bastos Rio de Janeiro
  • Aaron Goldberg Jazz
  • Samuel Organ Keyboards
  • Tom Bergeron Composer
  • Tony Austin Composer
  • Hamilton de Holanda Choro
  • Johnathan Blake New York City
  • Lalah Hathaway Soul
  • Stefon Harris Jazz
  • Kazemde George Jazz
  • Willie Jones III Jazz
  • Owen Williams Developer
  • Joachim Cooder Americana
  • Dieu-Nalio Chery Haiti
  • Caroline Keane Educator
  • Júlio Caldas Bahia
  • Tomoko Omura Violin
  • Jessie Montgomery Composer
  • Wolfgang Muthspiel Vienna, Austria
  • Thomas Àdes London
  • Ana Luisa Barral Choro
  • Logan Richardson Flute
  • Randy Lewis Writer
  • Paulo Paulelli Brazilian Jazz
  • Lokua Kanza Paris
  • Gord Sheard Toronto
  • Luciano Calazans MPB
  • Benny Benack III Trumpet
  • Mike Compton Mandolin
  • Sérgio Pererê Minas Gerais
  • Gearóid Ó hAllmhuráin Irish Traditional Music
  • Barbara Paris Multi-Media Artist
  • Serwah Attafuah NFTs
  • Steven Isserlis Cello
  • Lizz Wright Blues
  • Fred P Techno
  • John Luther Adams Composer
  • Marko Djordjevic Jazz
  • Dan Tyminski Singer-Songwriter
  • Gilson Peranzzetta Record Producer
  • Joachim Cooder Keyboards
  • Brenda Navarrete Cuba
  • Nikole Hannah -Jones Writer
  • Brandon Wilner Writer
  • Marcel Powell MPB
  • Oren Levine St. Croix
  • Andra Day Los Angeles
  • Reggie Ugwu Writer
  • Ben Cox Cinematographer
  • Jonathon Grasse Writer
  • Kengo Kuma Japan
  • Jan Ramsey Jazz
  • Nego Álvaro Singer-Songwriter
  • Beth Bahia Cohen Tanbur
  • David Chesky Composer
  • Seu Jorge Singer-Songwriter
  • Melvin Gibbs Record Producer
  • Steve Earle Singer-Songwriter
  • Simon Brook Filmmaker
  • Ben Williams Jazz
  • Cinho Damatta Brasil, Brazil
  • Rebeca Tárique Produtora Cultural, Cultural Producer
  • Robert Everest Multi-Cultural
  • Marc Ribot Experimental Music
  • Paulinho do Reco Songwriter
  • Elizabeth LaPrelle Educator
  • Pedrito Martinez Congas
  • Peter Dasent Australia
  • Edsel Gomez Latin Jazz
  • Inaicyra Falcão Dançarina, Dancer
  • Mike Moreno Guitar
  • Giveton Gelin Jazz
  • Caroline Shaw Record Producer
  • Leela James Soul
  • Rosângela Silvestre Candomblé
  • Sarah Hanahan Composer
  • María Grand Saxophone
  • João Jorge Rodrigues Gestor Público, Public Servant
  • Mingus Big Band New York City
  • Yo La Tengo Indie Rock
  • Walter Ribeiro, Jr. Salvador
  • Paul Cebar Singer-Songwriter
  • Kirk Whalum Saxophone
  • Restaurante Axego AFROBIZ Salvador
  • Román Díaz Havana
  • Helado Negro Singer-Songwriter
  • Yosvany Terry Composer
  • Alegre Corrêa Florianópolis
  • Africania Brazil
  • Nancy Viégas Country
  • Fred Dantas Big Band Leader
  • Flor Jorge Singer-Songwriter
  • Márcia Short Salvador
  • Vânia Oliveira Coreógrafa, Choreographer
  • Demond Melancon Big Chief
  • Georgia Anne Muldrow Singer-Songwriter
  • Terence Blanchard Educator
  • Harvey G. Cohen King's College London Faculty
  • Milton Nascimento Singer-Songwriter
  • Tom Oren Tel Aviv
  • Mandisi Dyantyis Singer
  • Nêgah Santos Brazil
  • Muireann Nic Amhlaoibh Irish Traditional Music
  • Guinga Composer
  • Seckou Keita Percussion
  • Manu Chao Multi-Instrumentalist
  • Alexa Tarantino Composer
  • Forrest Hylton Poet
  • Jonathon Grasse Capoeira
  • Alicia Hall Moran New York City
  • Ivan Bastos Compositor, Composer
  • Cleber Augusto Samba
  • Jonathan Scales New York City
  • Hugo Rivas Tango
  • Meklit Hadero San Francisco
  • Greg Ruby Gypsy Jazz
  • Abhijith P. S. Nair India
  • Amilton Godoy Classical Music
  • Yuja Wang New York City
  • John McEuen Mandolin
  • Eric Coleman Documentary Filmmaker
  • Zakir Hussain Indian Classical Music
  • Colm Tóibín Novelist
  • Tom Moon Writer
  • Peter Erskine Author
  • Guto Wirtti Guitar
  • Bisa Butler Pan-African Culture
  • Leci Brandão Brazil
  • Eder Muniz Bahia
  • Joel Ross Brooklyn, NY
  • Steve Abbott Concert Promoter
  • Michael Garnice New York City
  • Welson Tremura Choro
  • Andrew Finn Magill Ropeadope
  • Marc Maron Los Angeles
  • Huey Morgan Singer
  • Jan Ramsey Creole Music
  • Darrell Green Drums
  • Sérgio Mendes Brazil
  • Alex Cuadros Author
  • Elizabeth LaPrelle Appalachian Music
  • Cláudia Leitão Faculdade da UECE, State University of Ceará Faculty
  • Jamz Supernova London
  • Tom Bergeron Choro
  • Ubiratan Marques Salvador
  • Eder Muniz Brasil, Brazil
  • Thomas Àdes Opera
  • Ryan Keberle Jazz
  • Barry Harris New York City
  • Bule Bule Samba Rural
  • Ken Coleman Black American Culture & History
  • Shaun Martin Ropeadope
  • Kiko Horta Composer
  • Frank London Jewish Music
  • Michael Pipoquinha Brazilian Jazz
  • Léo Rugero Accordion
  • Avner Dorman Contemporary Classical Music
  • Vinnie Colaiuta Drums
  • Michael Cuscuna Jazz
  • Shirazee Benin
  • Brady Haran Podcaster
  • Robby Krieger Singer-Songwriter
  • Duncan Chisholm Scotland
  • Gustavo Di Dalva Singer
  • Moses Sumney Soul
  • Walter Ribeiro, Jr. Bahia
  • Lakecia Benjamin New York City
  • Booker T. Jones Soul
  • Molly Tuttle Singer-Songwriter
  • William Skeen Baroque Cello
  • Angel Bat Dawid Piano
  • Gavin Marwick Composer
  • Gerald Clayton Los Angeles
  • Rodrigo Caçapa Brazil
  • Maciel Salú Singer
  • Wajahat Ali Essayist
  • Jim Lauderdale Nashville, Tennessee
  • Brandee Younger New School Faculty
  • Michael Cuscuna Record Label Owner
  • Ariel Reich New York City
  • Gregory Hutchinson Drum Clinics
  • Horácio Reis MPB
  • Varijashree Venugopal Film Scores
  • Shannon Sims Writer
  • Ofer Mizrahi Guitar
  • Eric Roberson R&B
  • Simon Singh Journalist
  • Bobby Sanabria Percussion
  • Third Coast Percussion Percussion Ensemble
  • Towa Tei テイ・トウワ DJ
  • Shabaka Hutchings London
  • Paul McKenna Glasgow
  • Yo La Tengo Experimental Rock
  • Oscar Peñas New York City
  • Jovino Santos Neto Seattle
  • Vivien Schweitzer Music Critic
  • Eliane Elias Classical Music
  • Román Díaz Cuba
  • Michael Peha Keyboards
  • Sam Reider Composer
  • Marcus Strickland Jazz
  • Oriente Lopez Flauta, Flute
  • Jupiter Bokondji Kinshasa
  • John Santos San Francisco State University Faculty
  • Luíz Paixão Ciranda
  • MicroTrio de Ivan Huol Salvador
  • Alexandre Vieira Bahia
  • Roy Nathanson Arranger
  • Thiago Espírito Santo Guitarra, Guitar
  • Urânia Munzanzu Poeta, Poet
  • TaRon Lockett Singer-Songwriter
  • Aruán Ortiz Afro-Cuban Jazz
  • Daniel Jobim Brazilian Jazz
  • Denzel Curry Singer-Songwriter
  • Darryl Hall Paris
  • Michael Cuscuna Writer
  • Awadagin Pratt Classical Music
  • Collins Omondi Okello Pencil Artist
  • Lucio Yanel Guitar Courses
  • Ivan Bastos Bahia
  • Dorian Concept Keyboards
  • Carrtoons Songwriter
  • Márcio Valverde MPB
  • Bill Summers Composer
  • Roosevelt Collier Blues, Gospel, Rock, Funk
  • Stormzy Singer-Songwriter
  • Questlove Music Journalist
  • Priscila Castro Amazon
  • Henrique Cazes Cavaquinho
  • Mônica Salmaso São Paulo
  • David Greely Songwriter
  • Kurt Rosenwinkel Record Label Owner
  • Stephen Guerra Composer
  • John Morrison Music Journalist
  • Gui Duvignau Contemporary Classical Music
  • Fábio Luna Violão, Guitar
  • Dale Farmer Screenwriter
  • Colson Whitehead Novelist
  • Tyler Gordon Artist
  • Kermit Ruffins Jazz
  • Ricardo Markis Compositor, Composer
  • Ron Blake Flute
  • Anissa Senoussi Matte Painter
  • Malin Fezehai Africa
  • Tatiana Eva-Marie Brooklyn, NY
  • Elizabeth LaPrelle Singer-Songwriter
  • Sharay Reed Gospel
  • Gabi Guedes Salvador
  • Gabriel Geszti MPB
  • Walter Mariano Brasil, Brazil
  • Jan Ramsey Zydeco
  • 9th Wonder Raleigh, North Carolina
  • Christian McBride Jazz
  • Rosa Cedrón Singer
  • Lula Moreira Brazil
  • NEOJIBA Musica Brasileira, Brazilian Music
  • Camille Thurman Flute
  • James Martins Crítico Cultural, Cultural Critic
  • Stefan Grossman Music Producer
  • Jimmy Dludlu AfroJazz
  • Nigel Hall Soul
  • Ari Rosenschein Seattle
  • Tab Benoit Blues
  • Myles Weinstein Agent
  • Cory Henry Jazz
  • Mokhtar Samba Morocco
  • Alphonso Johnson USC Thornton School of Music Faculty
  • Parker Ighile Contemporary R&B
  • Ben Okri Short Stories
  • Yacouba Sissoko Mali
  • Walter Ribeiro, Jr. Forró
  • Ryan Keberle Piano
  • Swami Jr. Violão de Sete
  • Herlin Riley New Orleans
  • Lula Moreira Arcoverde
  • Béco Dranoff DJ
  • Corey Henry New Orleans
  • Wayne Shorter Jazz
  • Towa Tei テイ・トウワ Japan
  • Casey Benjamin Saxophone
  • Spok Frevo Orquestra Frevo
  • Duncan Chisholm Composer
  • Cedric Watson Zydeco
  • Anissa Senoussi London
  • Alain Pérez Bass
  • Iara Rennó Atriz, Actor
  • Shaun Martin Multi-Instrumentalist
  • PATRICKTOR4 Produtor Musical, Music Producer
  • Sandro Albert New York City
  • Jura Margulis Piano
  • Tomo Fujita Berklee College of Music Faculty
  • Elisa Goritzki Bahia
  • Utar Artun Turkey
  • Stomu Takeishi Bass
  • Colm Tóibín Literary Critic
  • Fábio Zanon Author
  • Eric Coleman Cinematographer
  • Tatiana Eva-Marie Swing
  • Terell Stafford Composer
  • Deborah Colker Choreographer
  • Plamen Karadonev Composer
  • Michael Cuscuna Record Producer
  • Rob Garland Guitar
  • Paolo Fresu Television Scores
  • Vincent Valdez Printmaker
  • Caroline Keane Irish Traditional Music
  • Walter Blanding Saxophone
  • Andrew Huang Toronto
  • Wadada Leo Smith Composer
  • James Strauss Brazil
  • Michelle Burford Collaborative Writer
  • Milford Graves New York City
  • Egberto Gismonti Brazil
  • Yazhi Guo 郭雅志 Jazz
  • Richie Barshay New York City
  • Jessie Montgomery New York City
  • Restaurante Axego Bahia
  • Júlio Caldas Salvador
  • Aindrias de Staic Ireland
  • Seu Regi de Itapuã Compositor, Composer
  • Kareem Abdul-Jabbar Writer
  • Jaimie Branch Trumpet
  • Eamonn Flynn Soul
  • Jason Treuting Princeton University Faculty
  • George Garzone Berklee College of Music Faculty
  • Tommy Peoples Donegal Fiddle
  • Natalia Contesse Santiago
  • Dwandalyn Reece Washington, D.C.
  • Iroko Trio Brazil
  • Barlavento Brazil
  • George Garzone Jazz
  • Joshua White Jazz
  • Anderson Lacerda MPB
  • Eduardo Kobra Brasil, Brazil
  • Egberto Gismonti Piano
  • Asa Branca Guitar
  • Bule Bule Chula
  • Fapy Lafertin Manouche
  • Carlos Paiva Brasil, Brazil
  • Mauro Refosco Brasil, Brazil
  • Margareth Menezes Salvador
  • Pat Metheny Jazz
  • Fred Hersch Rutgers University Faculty
  • Clarice Assad Composer
  • Michael Janisch Record Label Owner
  • Paquito D'Rivera Saxophone
  • Marcus Printup Arranger
  • Lorna Simpson Filmmaker
  • Olivia Trummer Composer
  • Stacy Dillard New York City
  • Luiz Inácio Lula da Silva Servidor Público, Public Servant
  • Jon Batiste R&B
  • Magary Lord Singer-Songwriter
  • NIcholas Casey Spain
  • Dhafer Youssef ظافر يوسف Oud
  • Alegre Corrêa Brazilian Jazz
  • Alicia Svigals Writer
  • Carlinhos Brown Singer-Songwriter
  • Miles Okazaki Author
  • Ken Avis Documentary Filmmaker
  • Sebastian Notini Bateria, Drums
  • Meshell Ndegeocello Singer-Songwriter
  • Rudresh Mahanthappa Saxophone
  • Bernardo Aguiar Brazil
  • Della Mae Folk & Traditional
  • Caoimhín Ó Raghallaigh Dublin
  • Marquis Hill Trumpet
  • Swami Jr. São Paulo
  • Gevorg Dabaghyan Yerevan State Conservatory Faculty
  • Catherine Bent Composer
  • David Braid Classical Music
  • Ivan Bastos Baixo, Bass
  • Dom Flemons Piedmont Blues
  • PATRICKTOR4 Pernambuco
  • Kiko Loureiro Heavy Metal
  • Roberto Fonseca Composer
  • William Skeen Early Music
  • Carlinhos 7 Cordas Brazil
  • Marc Ribot Composer
  • Corey Ledet University of Louisiana at Lafayette Faculty
  • Snigdha Poonam Writer
  • Lula Moreira Pernambuco
  • Garvia Bailey Toronto
  • Restaurante Axego Restaurant
  • Chano Domínguez Piano
  • Gregory Porter Songwriter
  • Jeff Parker Film Scores
  • Priscila Castro Carimbó
  • Parker Ighile London
  • Flora Purim Brazilian Jazz
  • Omar Hakim Drums
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